Word & Image

Words & Images 

In the game Telephone Pictionary, a group of people begin with a numbered stack of paper fragments and an idea.  The idea could be an action, a character, a concept, anything.  Each player writes their idea on the top paper scrap and slides the stack to the player next to them.  The next person depicts the words passed to them, placing the words at the bottom of the pile.  The next writes what they interpret the drawing to be, and so on, alternating write/draw until the pile goes full circle or back to the originator, the same place as the end.  Most usually the character, action, description, originating logos has changed dramatically through its person-to-person journey and return.  Yet also usually, on looking at the miniature picture book as a whole, from start to finish, you are able to find a thread or see a path and deviations leading to the end.

A journey made up of an originating construction, altered and transformed through interactions with persons full of words and images (culture and nature), sometimes simplified, sometimes extended, and coming to its end with traces of the original construction and much difference.  It’s an easy one – it’s like life, we think – but to say “life is like that” is redundant, for it is part of life, playing the game is life.  It’s why any metaphors are available, why all metaphors work at some level – metaphor-making is life, as are games, interpretations, comparisons, changing, being handled, encountering persons with all their languages and images and ideas, editing, revising, with our limited number of pages, years, days.  Yes, being an initial cluster of cells and passing through the cultures and natures of others is very like the way our life narratives come to be constructed, composed, altered, imagined and revised to their ends – their beginning places – clusters of cells.

I began in the hands of my parents and sister, formed by the words and images they surrounded and infused me with: a particular kind of Christianity, music, morals, travel, touch, a sense of gender, my name, and so much more.  I suppose they’d each have their own words and images about and for me as well.

How quickly we are passed through hand after hand full of words and images – persons, institutions, cultures, families, nations, teachers, peers, friends, enemies, lovers and so on…The language, the picture – the culture, the nature – the numbered days – and we, the originating cluster altering and morphing, editing and highlighting, adopting and dropping, blacking out images, underlining phrases – palimpsests of living artefacts by our end.

Co-created through an unknown trajectory characterized by the interplay of self (or organism) and other (or world).

A beautiful, horrible thing.

DFW

“In Infinite Jest, for instance, Wallace provides a long list of lessons and exotic facts that one acquires from hanging around a “Substance-recovery facility,” a list that goes on for four pages. You will learn, he writes:

That certain persons simply will not like you no matter what you do.

That most nonaddicted adult civilians have already absorbed and accepted this fact, often rather early on.

That no matter how smart you thought you were, you are actually way less smart than that.

A few pages later he sneaks in the line:

That no single, individual moment is in and of itself unendurable.”

-Laurie Winer, https://lareviewofbooks.org/essay/choosing-not-to-be-on-david-foster-wallace

On how I miss my therapist.

Please take the time to watch the video.

Messages new and old

and an extra from the new release…

the last 4 minutes are so beautiful

“telling a story means tracing your finger through the ashes left by the fires of experience” – alvaro enrigue

I love drawing from the world – almost anything, almost everything – ingesting, sensing, feeling, digesting (transforming, processing) into me to pass it on again.

I love the encounter of humans – frightening, fragile things – the desire and revulsion our fullness brings.

Hope.  Dread.

I hope to be loved and wanted.

I dread the opposite.

As if it were about me.

As if there were a thousand suns

And we were one of them

 

Time doesn’t work that way.

It’s been called an arrow

but it’s likely not –

likely wrinkled, warped and bent –

just like us

giving life to it.

Love is like this.

Like our memories.

 

I remember clearly what is incorrect –

if anything’s erected so.

I doubt it,

along with me and you and everything else…

 

just enough to believe.

An Ultimate Prompt

What “prompts” us?

A pain.  A joy.  Surprise.  Loss, meaning, something that crashes, crushes, alerts or in some way causes blurts or blasts to our system that create cross-connections – surge energy / electricity / pulsings between links and channels that otherwise run their own course.  Unexpected.  Expected.  SIGNIFICANCE.

I am intrigued by what “catches” us, “moves” us, CHANGES us.  As many times askance as head on.  What gathers and whispers behind us.  What we are confronted with.  Explosive, erosive, evolutional.  You could call them “shocks to the system.”  Sometimes cumulative, sometimes immediate.  But they effect change, and attention.  Design, and process.

I’m thinking of them as prompts.

There are a few works of literature and art, throughout my life, that ALWAYS “prompt” me.  A few authors.  A few painters, sculptors, musicians.  I do not know why this is, but it is so – some voices, some styles, some appearances and sounds unfailingly “move” me, by which I mean continuously change my orientation to the world.  Often subtly, sometimes radically, but surely.

Macedonio Fernandez is one such creator.

MacedonioHis writings NEVER FAIL to alter me.

I could query my analytics to find how many times I have quoted him, referenced his “first good novel”

Museum of Eterna's Novel

and today I am passing the PROMPT that this novel is – and IS contained in it – on to you… from Fernandez himself – I have lived with it, considered it, dreamt of it… a prompt he left us that haunts and inspires me… an ultimate sort of prompting….

To live, deeply

British Museum mummy

There was earth inside them, and

They dug.

– Paul Celan

 

Composition

for Friday Fictioneers – January 31, 2014

Composition

Copyright -Claire Fuller

He heads to the room in the attic.  This is where it happens, where it all occurs.  Everything needed is there, at the ready.  A factory for making.  The tools and materials – this is where the work gets done.  Such a tiny place – 53 cm of circular feedback.  Yet somehow within it expands.  Almost limitlessly, it seems.  Whatever is needed appears, is created, invented – “on the spot” manufacturing “just in time.” Manufabulating.  Manuscripting.  You can almost make out all the details – electricity, wiring, elaborate connections – the inside, the outside, and back – and yet how it gets done is quite hazy.

photo by Claire Fuller

Spillage.2 – ecce homo

 

another entry from the distant past…

ouroboros5.jpg

I am that I am

(click title to view)

 

 

The Situation of Poetry

Alias Harlequin's avatarSpoondeep

two poems by Wallace Stevens – evincing the reader, the text, the poem, the world – poetry’s situation – realities…

Stevens - Man with Blue Guitar

Stevens - House was Quiet

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