Playing Writing: a Repetition

(alas, the notebooks keep filling…but the time to type does not avail)

Deviser

If I.  If something stirred, was stirring.  The dying.  Any of us.  Were something stirring.  For me.  If I.  The lonely.  Any of us.  The longing.  The longing lonely.  Were something stirring.  Were I.  If I.

If only.  Could be any.  If one.  If only.  If I.  For me.  An other.  Any of us.  A stirring.  I, only dying lonely longing one.  If.  A stirring.  An other.  Someone to speak “we.”  To say “you.”  A whispered “us.”  For me.

If I.

What would I (if I, if other) say, if something stirred, if stirring an other, some other who, who might say “you,” “we,” whisper “us,” something stirring then, what would I say.  If I.  If you or we, I whisper “us,” stirring still, what would I say?

When might a story begin?  Who could start the unknown?  Only language.  Perhaps only language knows what can’t be said.  What is yet to exist.  Or may not.  Ever.  What is that to me?  If I.  If indeed that is what I do.

Touching other to make us.  If I.  If other.  Then a voice, a touch, an extra, an excess, we.  If you.  If I.  What is story to that?  How so?

From anywhere: impermanence.  If an other.  If I.  Some story’s beginning, how begun.  If there were a sound, as it were, so to speak.

10/30/2017

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Silence Reasons Almost Audibly

Macedonio Fernandez shrewdly intimated that among the difficulties of communicable perfection (language or literary wholeness, completeness) were the problems writers have, in that, among other things:

“2) They don’t know how to render the ‘unsayable’ with ‘ineffable’ style” (Museum of Eterna’s Novel, p. 11)

As if imagination must copulate with impossibility; creativity found within the non-existent; wayfinding nothing.  Perhaps.

“I” (a good example of the above) often worship the symbol: “I’d” like to place it everywhere, upon everything, anything imaginable OR conceivable – even the unknown – as well as any compendium of ‘facts’ or apparently common-sensical / self-evident elements of being-living.  As if… to draw attention or recognition (‘to render’) human limitation, finitude, fragility – PART-‘I’-CIPATION – in world (+ whatever falls beyond such an impression).  A kind of belief as a participating occurrence that whatever might be indicated by such terms as “truth,” “love,” or “existence,” (or “you” or “I”) are best translated by = ?

This nettling evocation is (perhaps) a personal ‘creed’ in a singular (obviously impregnated) mark: ?

Something I might ‘live’ and ‘die’ for.

Am I trying to communicate?  What am ‘I’ doing in relation to language, to shared understandings, to concepts, and so-called knowledge or knowing?  Am ‘I’(s) capable of relating to anything (or nothing) beyond these indications?  Unmediated ways and forms of experiencing given to ‘me’?

Experience (seeing-peering WITH outside-of) is one set of possible parameters in living-being (limitations, capacities, informed possibilities, finitudes & fragilities – necessitudes of part-‘I’-cipation).

What might we ‘name’ alternate – those in excess of experience; those far diminished via enforced-informed; ‘other’ impossibilities of ex-perience?  (Bataille’s ‘Inner Experience’ – inperience?: without outer? might be an exploration) ‘mysticism’?  spirituality?  mystery?  simply Impossibles?  Unsayables?  Unknowables?  ANYthing beyond-limit, we might ‘say.’

Excess.  Perpetual.  Eternal.  Infinite.  Incomprehensible.  Indeterminate.  All ex-perceptions that would demand or require ‘ineffable’ style to be en-gaged.  Out beyond (or in-beyond) outsides or othering that might be accounted for, perceived, en-countered, or ex-perienced: impossibles that must most likely (it would seem given our minimal, limited, finite, participatory living-being IN AS PART OF ‘world’ or whatever our most expansive imagining) occur.  Perhaps even non-ex-is-tences, nothing and never.

These might be the description of fields or planes where I in-tend and pre-fer to operate or inquire (under the sign of ?) and therefore, lacking or failing in ‘ineffable style’ whereby to render ‘unsayables’ – simply can not.

Thus please forgive my erratic forays into production here – communication, conversation, even imaging-in (imagining) – ‘I’ simply can not.  I am mostly unable to ineffably style unsayables.

I beg your forgiveness and again fall silent.

“But could I forget my ignorance for a moment?  Forget that I am lost in the corridor of a cave?”

– Georges Bataille –

The Mystery’s Wellspring

fragilekeys

“To guard the purity of the mystery’s wellspring seems to me hardest of all.” ―Martin Heidegger

How one translates the verb “being” need not accord with common sense, which links it most immediately with “existing.” This is the primary function of the copula, to designate something as being-there-in-the-world. To exist signifies: standing, standing out, or even stepping forth there in a space, occupying it with its material extension. In this manner, what “is” can be pointed to, referenced, usually in an unquestioning way. The designation makes the entity available for thinking and use. The automobile “is”: this means that it is parked there, occupying a space, and even if it drives away from us, it still exists, taking up its space somewhere else. This notion of the being of beings as ex-sisting allows us to know beings in a stable way, since by and large they exist or stand-out in…

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Brief Entry

On my Deathbed

 

I told language:

Thanks for having my children

 

The language had names,

As did the children:

 

They were all words.

 

I dreamt of a door

The kind without windows

 

That always stands open.

I remembered some more

 

So I said the unspoken:

I gave them my want.

 

It declined.

How in the world

The world is a weighted haunting –

– some complex surround –

to be dreamt and/or measured, and felt

with-in time

I amended the ‘haunting’ to be –

not the thick and illegible “world,”

but the compulsion of ‘figuring-out’ –

for with-out

the ‘figuring out,’

an ‘haunting’ is ghost –

and only just happens:

a nexting,

a breathing,

relation;

a missing,

a moving,

a touching,

a feel:

in convulsion.

 

Within which is conceived a convergence –

event

(some humanish word for ‘what’s happened’).

This ‘we’ –

what is it?

what part does it play

in the muddle?

And ‘what happens’

what means?:

That-which-is

(for us)

some occurring.

 

So diverge,

and tri-verge,

multiply in the mess –

the ‘world,’

as you feel it

and think it

and be –

 

how it wholly

might be

with itself.

Fragment: Brief Conversation

“How come language (or drinking) makes the pain of language (or drinking, or relationships) go away, recede, soothe…and then becomes language (drinking, relation) and its pain…again?” he asks.

I smoke.  I look at him.  He is examining (with obvious pretend furtivity) my pale, smoothe legs, coming out of my singular light dress.  At my arms, my skin, my cheek and throat, my hair.  Lasciviously thoughtful, he.  Almost curious.  Almost authentic in his desire.

He is trying to daydream.

I am trying to be.

We are drinking now.

I am young, he less so.

Or neither.  We do not know.  Anyone can be so near their end.

So the story goes…

“The world smells good,” he says, and the delectability to the nostrils clearly depended on death: burning wood, smoking pig, a nostalgia of forests…

I knew not what I felt.  Mixtures.  Pleasures and sorrow.  Excitement and fear.  Doubt.  I did not respond, just masked placidly.  Pleasantly, I hoped.  Ambiguous.  And what does he sense?

Making Words

My dear friend @ Jean Lee’s World (https://jeanleesworld.com/) resurfaced this to me from more than 5 years forgotten… I don’t suspect I could say it any better today… thank you any/all who engage my lettered objects.

Precipitate Flux

Action: Writing

Woven in the circles of making, I felt and I thought, I wrote (I thought) “What is called writing?”

An action, a process, a braiding of becoming.

In that way it is like breathing, sensing, walking.

Also not.

I wouldn’t, for instance, “do it anyway” – wasn’t born with the instinct of muscle and nerve to be verbal, textual.  I needed other people for that, and the whole history of the world, and the tiny stories of my community and location.  All those things, all those “others” – elements and entities NOT me trained me to language.  Taught me to “mean’ something with a sound or a gesture, out of an enormity of possible sounds and motions, infinite and miniscule in their variety.  So that I utter and behave as a Kansas boy raised in the 1970s in the United States of America; I can say “what” about…

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Rough Draft: “Compatible Solitudes”

Let’s do it this way:

in silence

near, breathfeeling

as if we knew

.

everything

there is to know

without

accumulating

the decay

shared knowing

becomes

.

Let’s be together –

in quiet

this time

without

plugging our ears

with talk

.

the more we know

the less,

and more

we wish we didn’t

.

as if intimacy

were a relation

we have with mirrors

loving everything close

the ways we love ourselves –

not much.

Labor Day

“To begin with, he would know nothing”

– Maurice Blanchot –

I was just wondering how we might use the abilities of language to end talk.

The silence of a raised hand, yet still a sign.

“To begin with, he would know nothing,”

in other words, a not-even-what that cannot be known.

The same one-of-us who “to express the ineffable” : a wisdom in oxymorons.

What I strove for as an end.

.

“You go further into the blank paper” (L. Levis)

Perhaps with no further to go, unless there’s another side.  A side that is empty.  Which side is that?

Two hands, almost transparent, indecipherable and meaning.

.

When she says “yes” or “now,” he hesitates.  Pause created by language.  A ruin.

Some vaccine made of words?  Is that a poetry?  A philosophy or wisdom?

I’ve heard musical compositions that seem more silencing than sound.  Breeze over stone.

No one heard.  I was writing.

“To begin with, he would know nothing” (something silent, attributed to a name, representing a person, whom no one could find).

.

Antidotes.  Self-negation.  Freudian dreams?  Something curing itself…ministered in doses.  It’s dangerous.

A Letter in Employ

I am performing a task for my employer.  I am writing a professional letter.  I am letting you know that I labor.  I am here to be useful, and used.  I submit.  My actions indicate that I accept structure and system as representative of survival.  I will do what you ask.  I recognize organization as power.  In fact, any kind of organizing indicates a position of imaginative power and control.  To differentiate, to specify, to label, name, assign – all are a fiat of power and authority or authorship – a claiming of superiority over things named, situated, recognized.  Supposedly if I comply dutifully – bow and behave in ways that signify structure as something larger (or more important) than me – I will have internet access, some food, air-conditioning, coverings, a car, and someplace to live (in certain mountainous areas, none of these are beneficial).  “Teamwork” is misnomer.

My philosophy is simple:

  • The mind or brain is an intermittent trickle of the rivers of the body which are hardly discernible in the waves of the world.
  • “I” am No one, Nowhere, which is to say Everyone, right Here. A poet wrote of presenting his face as a smashed window baring open sky – I thought that was me – No one Nowhere = Everyone right Here (whenever/wherever that happens to be).
  • Experience is what happens. What happens is what is.  If criticized as “for us” (whichever ‘experiencer’) I ask – what else could it be?
  • Knowing limits. If “for-this” is all my experience can be, then those are my limits.  Once I sense my limits I can attempt to challenge, question, and extend them, for alternate experiencing.
  • Ideas/Thoughts/Concepts/Theories [abstractions/imaginings] (like structure, perception, systems, organization, self, number, truth, etc.) are compelling because the limits of their effects are unknown to us. Ideas (ideologies) allow us to ‘experience’ power and control and compliance of the world around us (apparently), even though the dripping-trickle-stream-river-ocean of our limited participation in world flows always and is unalterably changing and miniscule.  Bodies die.  Each every/no-one where/when-ever.
  • The propensity or lust for belief – in ‘observation,’ ‘experiment,’ ‘objectivity,’ ‘analysis,’ ‘deduction,’ ‘ideas,’ numbers or language or effects of imagined power and control (technicity) – are wishes against the body, against dying, against limitation, against what happens, anyway.
  • Thoughts and effects do not make experience longer.
  • Experience is living, is limited.
  • Living is the extremely limited experience of dying.

Admitting or confessing that I exist to meet needs, that this is my employment, may be a Credo of Little Import.  A submission of insignificance in accepting others’ systems, structures, and arbitrary claims to power.  Compliance.  Resignation.  Complaisance.  Dependence. [Co-dependence – opting out of experience/living exits the submission-religion].

My voice dribbles, a hardly perceptible microorganism in the ocean of world.  My experience a parenthetical waving particle.  My living its effective dying.

In a beginning that never began, the ending already comes.

World is an intermittent trickle of the rivers of living, barely and scarcely discerned.

We are Here Now, how would we like our fleet experiencing of dying to be?