Writing Outside Philosophy: An Interview with Simon Critchley ยป 3:AM Magazine

I am extremely honored and anticipating studies this summer with the guidance and instruction of Simon Critchley. ย If you attend to this interview, you will probably notice the many resonances and ideas I “sense” and look forward to engaging…Simon Critchley

Writing Outside Philosophy: An Interview with Simon Critchley ยป 3:AM Magazine.

There’s a story behind it

blank notebook

 

notebook paper

 

wrinkled paper

Nourishment during a lunch break

Fynsk - Claim of Language“Here, I will observe simply that fundamental research (in the humanities) diverges from much theory in that it is always seeking the limits of its language in responding to that to which it seeks to answer: those dimensions of experience and symbolic expression that summon it (as a kind of exigency for thought) and to which no concept will ever be quite adequate. ย Such research is impelled by its own neediness and its sense of being answerable, whereas theory, governed by the concept, proceeds with ever-expanding appropriations; fundamental research proceeds fromย encounter (always from a sense that something has happened to which it must answer), and it seeks encounter. ย In theory, there are no encounters.”

– Christopher Fynsk –ย 

 

What is there to say?

ย  ย ย 

 
 

A book I am reading asks, in its title, What is there to say?ย  Another, next to it on its anticipating shelf, states โ€œvery littleโ€ฆalmost nothing.โ€ย  Are they in conversation?

In completing Dust by Arkadii Dragomoshchenko for perhaps the ninth time, I come across a phrase Iโ€™ve starred and underlined in three colors: โ€œWe talk only because of a persistent desire to understand what is it that we are saying.โ€

ย ย ย ย ย ย ย ย ย ย ย  If someone took the time to calculate how many times the word โ€œother,โ€ used to refer to a subjective entity, occurs in philosophical texts post-Heidegger.

What is being?

 

I often experience the anomalous reality of hoping wildly in the midst of despair, a fervent belief in oxymorons โ€“ things like โ€œPoetic Influenceโ€ and โ€œRomantic Love.โ€

How music crafts melancholy and joy.

Perhaps someday we will concoct a system of chaos.

The weather is large enough.

 

I say โ€œI love youโ€ because Iโ€™d like to understand it.

 

Edmond Jabes has it that โ€œthe words of the book were trying, in vain, to say Nothingโ€ (writing of sacred texts) or, in other words, some persistent and extravagant Babeling into Derridaโ€™s vast abysme of origins and effects.ย  What is impossible.ย  โ€œOur persistent desire.โ€ย  So Jabes asks โ€œIs our relation to the world first of all a relationโ€ฆto an expectation, a hope of world pregnant with all possible beginnings?โ€

ย ย ย ย ย ย ย ย ย ย ย  I ask myself, then, what is it I have to say?ย  The echoing answer โ€œvery littleโ€ฆalmost nothing.โ€ย  Persistent desire.