Fathers Voices

With Kit, Age 7, at the Beach

By William Stafford

 

We would climb the highest dune,

from there to gaze and come down:

the ocean was performing;

we contributed our climb.

 

Waves leapfrogged and came

straight out of the storm.

What should our gaze mean?

Kit waited for me to decide.

 

Standing on such a hill,

what would you tell your child?

That was an absolute vista.

Those waves raced far, and cold.

 

“How far could you swim, Daddy,

in such a storm?”

“As far as was needed,” I said,

and as I talked, I swam.

 

see also, Galway Kinnell’s Book of Nightmares

 

 

 

Remarking Mark Remarking

Greetings readers.  I’ve been in a bit of a swirl or “swarm” of information, activity, relation and language of late, nothing wrong with it really, but its producings have seemed a bit ephemeral, inchoate, more wisps than winds.  Yesterday as I sat to work, a new character introduced himself to my scribbling hand…here’s a sort of mock-up or intro to that relation.  I’d love to hear what you think?  Is he interesting?  Are his thoughts?  Should he live?  🙂

Thank you SO much, each viewer and reader for taking time out of your lives which must be as busy as the rest of us, to listen and look at my blog and my work.  This community has significantly grown my courage.

Remarking Mark Remarking

(please click on title for full text – thanks!)

Borrowed, but WOW! BAM! (and I’ll regale you no more!)…

“‘The omniscient observer,’ Dala said continuing for them out of another day, ‘reads from the first word to the last with great care for the spaces between them so they are unframed by enthusiasts or detractors”

-Louis Zukovsky, from Little

MAY WE ALL READ THIS WAY!

New Arrivals…New Invaluables

“meant to detect just how slushed our insides were from too much speech, how blighted we’d become from the language toxin…

The know-it-alls are always the last to know.  Everyone’s a diagnostician, and everyone’s wrong…”

-Ben Marcus-

“As is usual with me I would not go on with the rest of the story and come back to the difficult sentence later.  With others it may be different – but when I am that far in a work the story must exist in each word or I cannot go on…”

-Louis Zukofsky-

-Lukas Felzmann-

I know….there’s a LOT of envy fuming out of you readers eyes!

(use your local library!)

Thoughts

“No useless chatter, but a word of necessity face to face with itself.

With this word, I have written my books.

Word of sand.  Word of eternity.

Thoughts of shipwreck, but also of haven.”

“To approach silence before the silent sign.

To approach the book before the page.

To wait for words that wake our thoughts as they write us.”

-Edmond Jabes-

“When a sparrow feels the freezing cold air, he puffs up his feathers and gathers his feet under his body;

he bears the surrounding cold by countering it with his inner warmth.

The writer, who is also warm-blooded, fights even harder”

-Viktor Shklovsky-

“The bow’s harmony arises from the strained stick forced by the bow-string.

Subsequently, harmony resides in unity and contradiction.

It is kinetic energy that’s about to become dynamic energy.”

Swarm. Absorb. (the words, pt. 2)

Swarm.  Absorb.

 

metaphor:  the entire discography of Mark Kozelek (+ Sun Kil Moon, Red House Painters) / each version of Max Richter’s “Haunted Ocean” on dizzying random repeat – this is the setting:  atmosphere.  environment.  “context.”

metaphor:  the Kansas sky in storm

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            metaphor:  dealing with Ache.  (“being human”)

metaphor:  “Control without Hierarchy” by Deborah M. Gordon…on some page in a book called Swarm by Lucas Felzmann:

A flock of birds turning in the sky is doing something that people don’t know how to do: moving together, beautifully, without a leader or choreographer.  It’s a spectacular version of the collective behavior that goes on everywhere, in groups of animals and among cells within our bodies…Life in all its forms is messy, surprising, and complicated.  It’s difficult to imagine how any social group could be organized without any hierarchy.  We are used to hierarchy as the principle that organizes human institutions.  Think of companies, armies, governments, orchestras, schools, and clubs – without any person directing another, or having more power than another.  Although we are so accustomed to hierarchy that we think of it as necessary, it is rare in nature.”

think of language.

            what is scattered widely or uniquely ubiquitous – call it “swarm.”

“I”…lost.

I know I cannot gather to a grown pillar of I-ness, something you might recognize, could “identify.”

I know I cannot be where I am as long as “time” and “space” function effectively in my frames of reference…

I spread.

I swarm.

“I-swarm”

(the “human” world-situation)

            Leaving that aside.

How might one (dependent on two or more in order to, well, in order to simply “be”)

how might that one (singular mark – “/”) handle (manage? survive?) “its” Ache?

“To be or not to be, that IS the question”

(o wise god)

            So I split…up…

I canvas the sky, the context, the landscape, the sitz im leben, in fragments.

I approach, engage, invade the world like shot scattered from the anguished burst of a wombgun.

I-particle.

I-swarm.

Absorb.

from “Swarm” by Lukas Felzmann

            Seminal-syllable words resound –

Let their pulse reverberate your bodies like hymns

God.  Void.  I.  You.  Song.  Life.  Death.  Love.  Real.  Being. (Not).

and so on…

all with no definition…

IS.  IT.  THIS.

nowhere near

where we mean to be.

Absorb.

Swarm.

from Swarm by Lukas Felzmann

            In this situation then,

of too much

of grave luck

(all that hope and final destitution)

I swarm.  I absorb.

I decenter.  I explode.

I desist in pretense

in sense

I spread.

One mark….thousands of pixels….without hierarchy

(a swarm of cells)

(a flock of birds)

(a fish in school)

I swarm.

I absorb.

[ – I love you – ]

 -for my wife

Ache ( the words, pt. 1)

I think it significant that this post and these thoughts were constructed/composed to Max Richter‘s composition “The Haunted Ocean 4” from his Waltz With Bashir soundtrack.  I have been unable to figure out how to load that piece here but so wanted you to be able to listen while you read.  I have found “Haunted Ocean 1” which has similar themes, but if you are able to listen to #4 please do!

(our environment writes as much as we do)

Ache

 

Borges writes “immanence,” Blanchot “infinite” and “void;” Beckett’s “dim” is Jabes’ “absence.”

– Let the attributes ring in your bodies like hymn –

Someone’s “silencio” is another one’s “vague.”  Heidegger’s “Dasein,” a collective of “Tao’s.”

Whence this pull toward placed-ness, toward wholes, toward meaning?

What evidence have we that this could ever be the case?

From “birth”?  Or “death”?  And what might we mean by “life”?

Words.

Language.

“words are not the reality of language: words – by themselves – do not exist”

Jorge Luis Borges

He illustrates this simply.  And might be demonstrated even more concisely, like this:

God.  DieuיהוהAllah.  and so on…

Or, with Borges:

“En un lugar de la Mancha, de cuyo nombre no quiero recorder” (12 words)

“In a place in La Mancha, whose name I do not wish to recall”  (14 words)

“En un pueblo manchego cuyo nombre no quiero recorder”  (9 words)

“In a Manchegan village whose name I don’t want to recall”  (11 words)

or

I love you.  Te amo.  J’taime.  Я тебя люблю etc…

or

I adore, crave, honor, respect, delight, select, prefer…

            It isn’t the words, it’s the language.  And the language isn’t just words.

Ache.

Torment lies here.  Angst, frustration, agitation, anger and want.  Fear and inadequacy, limitation and failure, desire and doom.

Ache.

If the words not the thing nor the thing without sign or presentation…for what, for what do we yearn?

Ache.

We seem unable to be HERE, PRESENT, and simultaneously FULLY SO.  Some faculty, some capacity slighted.  Either intellect suffers to passion, or understanding commands immersive sensation.  Ever a split, a just-nigh or just-shy.

Ache.

To long for, to crave covet and burn…

Ache.

My love is absent.  I ache, I yearn.  But when she returns and is present, I lose the pregnant and consumptive fullness of her absence.

Either way I ache, for more, for all – for comprehensive life.

            Called by “I,” “void” or “it.”  “Being,” “nirvana” or “love.”  “Youth” or “joy” or “wholeness.”  “Pleasure” “emptiness” or “thou.”  Nothing.  or All.

I name it Ache, today, intending by it some constitutive condition or state, a description of “living,”

by which so many meanings are lost,

and I ache.

And so it begins…again…beginning within…

Starting Out

 

And so it begins, as it so often does, begun long ago.

With the tone of a quest – an inception, a conflict, a cure.  Anxieties of disillusionment and fear, inadequacy and doubt, peppering the path.  But hopes too, and promise – what seem like successes or substance occur ascend along the way.  Perhaps desire with approximations of love, and frustrations translated to passion or anger.  Always there is grief and loss, what marks out time, and makes our days memorable.  Why we attend at all, the keeping track and transformations, insistent process of our undoing.

For once arrived in the scene, what else is there but the variegated haul to a destined demise?  Is it, then, always the “same ol’” fresh story?  A posited entity, a series of markings – accruals and deletions – to the closure of cessation?  What else might be told?  To what purpose?

There are moments, you say, moments of pause or release, elation or tragedy that form knots in the threads.  These might be dislocated to some profit, no?  At least for the living?

Midstream, and in motion you might trace it, you say, inscribing what’s open, what opens…emergence itself.  The clutter that punctuates being – its in-forming and injury?

Perhaps.  To guide others along possible pitfalls or options; to preserve instants and subjects; to fuel or to warn.  Perhaps.  Or simply to dream, to escape the inevitable awhile – what’s wrong with that?  That we in the glory and grind take a break, imagined or not, and drift or pursue, engage or elope to some alternate, parallel course?

What is: possible.

All of it is.  The values are relative, individuated.  Personal.  There’s no accounting for taste or of preference to dwell.  The matter hardly matters, after all, can be apparently “explained” (see also – epigenetics, chaos, theory and the like).  How we journey or survive, become or desist is an isolate concern.  Effecting all.

And there’s the rub, this sense of pattern, of system, of interconnectivity.  The impression that all might belong.  It won’t be long.  Insufficient gravity and incommensurate propulsion.  And so we move, arrange, derange, seeking for forms like the banks, or directions like currents.  We flow.  And it begins again, beginning within, as it always does, begun so long ago…

N Filbert

“Round, round, round, round, ‘I’ gets around”

Upside-down twisted i

Paring down the Signals

(please click on title for text!)

The following stories…

Lifewordthread

“Life evolves in a thread of knots that get more and more tangled.

The narrative segments are intentionally dislocated and rearranged,

so the knots become the characters, as it were.”

-Viktor Shklovsky-

            The impression like a manual typewriter’s arm – thunk! – left in either hemisphere… (they say)

begins knotting and tangling

as additional – thwap! – embossings are left.

“Obsessed, bewildered

By the shipwreck

Of the singular

We have chosen the meaning

Of being numerous”

-George Oppen-

 

The following story.

 

Not that the answers were handled judiciously (judgmentally?) or even weighed or considered.

No answers given to evaluate or direct…

The question(s) already condemned.

Thwak!

“Shouldn’t be –“  “Too young – “ “Can’t handle – “

“STOP ASKING!!”

-(Pastor. Parent. Teacher. Friend.)-

But not books, not texts, not words…

…these welcomed them…

…welcomed me

Words seem to love being dislocated and rearranged and then marked into question.

In fact, for the reader, each word of a sentence or phrase, exposed on a page, seems to wonder itself!

As if language were a query.  Inquiry.

Something to begin with.

 

The following story.

Aged 12.

“Your reasoning’s wrong” (some voice, any voice, whap!, it stuck)

Awry.  Twisted.  Disfigured.  Maimed.

“That’s not the right question…ought not be questioned at all…!”

“Thus saith the Lord (a.k.a. the “Word”)

(to which I added my mark – “?” :

– is it the Word?  What Word? and Whose? let alone How?

and ever the too many “Whys?”

(those have quieted now)

But I devoted myself to fashioning questions,

so that even descriptions or

statements of fact…question themselves

as if essential, inherent to this medium,

of its nature

Smack! –

?