Mapping the Meanings – Semiotic Territories

Guattari - emphatic umph

Semiotic Territories 

If the world were different, or its circumstances, so would he be – no use going down that avenue.  Where he’d gotten to, he’d arrived of his own doing – his own choices, interactions and responses to his surroundings – his opportunities and limitations – his very own and very shared, complex experiences.

The “way of looking at it” is always only one way of looking at it – that’s the case of it, even when viewed through “multiple perspectives” – if its delivered of a human, it’s the processing of singular machines, however plural their construction may be.

So change is curious, in that, when any element alters, the entire effect is unknown, is of incalculable scales that can only be measured in probabilities.  Probabilities, hypotheses, theories and beliefs have one tremendous thing in common: they are all of them uncertain.  You’ve heard it said (or he has) – “the only thing that doesn’t change is change itself,” no, that doesn’t sound quite right, “the only thing we know for certain is that everything’s uncertain,” no, people don’t use the word certain and its relatives that often.  “Change is truth, truth is change”?

She said: “A shared past isn’t forgotten even in change.”  That works for him, for what is memory but the continuous recording of change?

It’s grown easy to confuse himself, he thinks.

 

He notes:  “You find yourself in an encyclopedia of circumstance and then you wonder.”  He only wonders because to inquire or investigate would mean to revise the encyclopedia by looking at it – selecting, perceiving, and thereby focusing an entry to the ignorance of the rest.  A book-burning, a global apocalypse, a conflagration of reality.  Not what he wants.  So he sits and stews or simmers there.  But the limiting fact of existing at “there” annihilates great distances.  He can’t seem to avoid mass destruction.  He takes deep breaths.

 

Writing like thinking like moving – all of it creating a splintered prism of mirrors, warped and shattering windows on presence.  He loves her.  And others beside.  And himself.  And the strange fanatic gifts of the world.  People – “good,” “bad,” or otherwise – how can they not fascinate, be beautiful, in even their minimal capacities?  Where had he edited this part of himself, during?  How he loved her, benefit or ill.

 

He changes, along with everything about (or around) him.

 

Everything was changing (an enormous statement) and he along with it (the Everything).  Self, selves, other, others – why did all seem unavoidably personal?  Just what was this ‘person-ness’?  He feeds encyclopedias to flames, and entertains the questions.  Realizing that questions are the riddling workings of erasure.

 

His question swipes across its context, even when he’s asking of its context.  In other words (his words) “focus obliterates the unclear.”  And the unclear composes the context.  The too-much and more-than, some even say “Beyond.”  What’s not forgotten in the stylus of changing – our memory?  What shared past is present?  He looks at her photographs uniquely each time, each moment, each instance.  Even in-stance he’s not stable.

 

How could he hold position on a spinning globe?

He asks Siri, the plastic voice of a Global Positioning System:  “Where am I?”  Her reply obliterates the world in a profession of some arbitrary gridwork (abstract and unreal) of names and points, streets and latitudes, longitudes, disabling fabrications designed to throw him off course and locate him against the constant movement.  He remembers not to believe, that very re-membering dismembering the possibles.

 

Desiring connection – the security or perceived safety of a tightened weave, to be knotted in a tangle of threads – he spies squirrels and birds, fences and trees, a woman’s breast.  To sense substance pressed against another, as if interacting a location that might not give.  Or give precisely.  An event.

 

He can’t remember what is not being forgotten.  He wanted to, wanted to know what she didn’t forget, like a recipe or table of contents, a topographical map.  He couldn’t imagine what response she would give – what saying or writing, what sculpting or paint – as an answer.

 

He stops guessing as an act of nonviolence.  Most probably he lays down and opens his arms as a wishing and welcome.  That is his practice now: bewildered? confused? give greeting and welcome.  “Hello there, unclear and unknown, I am unable to re-cognize you or you would be known and familiar…and yet I am sensing a pattern,” he says.  A family resemblance of mystery, a remembering of is.  If no one’s written that, perhaps they should (he thinks – another act of violence).  Pronouncements.  Aphorisms.  Like paradox-bombs, parables leaving remains.

 

As a first, he senses he understands “absolute truth” – that rage and genocide that attempts to rid the world of itself – its reality, complexity, multitudes.  Truth the large red button signed “Do Not Press!”  Depression must be a result of pressuring some truth, excluding all else?

 

Confused, he feels at home.  Mismembering, bewildered, changing with change.  Con-fused – isn’t that what he on some scale desires?  To be fused-with, part-of, belonging and participant?

He’s in motion, there is music and breath and these thoughts – all things depending on change.

 

“…no longer a subjective bubble, but rather a limitless interface through which ontological or ‘pure’ relations and ‘becomings’ easily pass…Subjectivity is constitutively open, or has a being-toward, as do all relative beings…We are semiotic, existential territories rather than brains in vats, and these territories or ecologies are not contained within our physical anatomy, nor are they known only as immanent representations.  The question becomes this: Where does your cognition or subjectivity terminate if it is a suprasubjective process and not a stable substance?  The ‘self’ becomes a sign relation or interpretant rather than an unrelated, ontological entity…What is being constantly emphasized is a kind of semiotic ontology in which relations become crucial at every level of analysis and allow for the interweaving of corporeal and incorporeal factors.  Relations are an intrinsic dimension of being, and every being becomes the active center of a web of relations with other beings…beings that are nevertheless in mobile relationships…the ‘truth of the relative’ rather than the ‘relativity of truth.”

– Paul Bains, The Primacy of Semiosis: An Ontology of Relations

ernst bloch - human

More “….”

“We might just have to engage with concepts whose existence we do not even suspect, or which we have become blind towards. 

Thought might just have an interesting future creating and sustaining new relations – perhaps the most elemental philosophical act.”

-Paul Bains-

Bains - Primacy of Semiosis

The Perfect Sense of Embodiment

I have recently had the good fortune of correspondence with a tremendous thinker of whose work I have greatly admired and utilized continuously.  At some point he queried me as to my central concern or research interest which I pondered over a number of days.  About a year ago I recognized that filtering through all of my curiosities and fascinations (passionate inquiries) – in the end they were all about ways that meaning might be made for humans.  Thus I figured semiosis or semiotics was my central field of concern.  How we forge meaning in our surrounds.  As I’ve pursued library and information science I have attuned to the eagerness with which we as a species produce, hoard and waste information.  We’ve produced veritable clouds of data/information/knowledge and now it seems as if we swoon and drown in it.  For meaning, this cosmos of affordances must be utilized, integrated, incorporated.  As technologies explode and become increasingly symbiotic or synergistic with our own bodies and purposes, I have found that my responsive concern is one of remembering that the nexus or filament-combining locus for humans is the body.  No meaning can be had without the physical processes on which our being relies.  Every think I can think rests on the chemistry and material flows that comprise my organism.  It seems that even while we seek to develop intelligent robots and machines, ubiquitous data-recording and instinct-responsive computing, work with data sets increasingly monumental and robust, that a strong percentage of the human populace has the idea that the stigmergy and emergence of virtual social realities construct meaning, promise, potentiality.  I am not denying the fascinating quality of our rhizomic replications of our actual interconnectedness, overlap and interdependent influence, but I am committed to the fact that meaning only arises as relations are incorporated.  The translation and transformation of continuous relational events whether electronic and virtual or face-to-face and co-present into MEANING only occurs organismically, physically, presently in the knotting of convergences through our embodied existence.  Emotion, sensation, cognition, movement all ALWAYS play a part in the construction of meaning.  These are my thinkings/feelings.

In keeping with that, serendipitously my wife and I happened to view “The Perfect Sense” – a movie pursued to listen to Max Richter‘s incredible soundtrack in action – but resulting in a sort of visual commentary on my above thoughts.  We recommend it!  And would love to hear what you think!

Identities taking form…such brief individuations

Instigating a “family-tree” of sorts betwixt what I will call thinkers of relational ontology, I am providing another text to explore – this one from Erin Manning – the introduction from her book Relationscapes: Movement, Art, Philosophy. 

You can see the heritage (or ontogeny) is vast – to trace it more completely investigate The Four Ages of Understanding by John DeelyA Thousand Plateaus  by Gilles Deleuze and Felix Guattari, or The Primacy of Semiosis by Paul Bains (among others).  Bakhtin, Whitehead, William James, Nietzsche and others give testimony to this sense of the entanglement and fluidity of being, the emergence and always co- or inter- of existing.  The “relational nexus of experience,” as Manning has it here.  The incipient potential of each pre-moment and then following “instant,” the elasticity of the almost, the threshold ALWAYS of expression-in-the-making and all of its co-constituents from throughout time and space and anything else we have segregated arbitrarily.  Without further ado – What Moves as a Body Returns as a Movement of Thought, Events of Relation – Concepts in the Making by Erin Manning:

 

feel free to click image or title to read – (it’s a much shorter text than the last) – but no less engaging, creative, and provocative…

 

Experience, anyway. diverted toward Empty, the space of life.

Experience, anyway.

(click above if you missed the start)

2 pages in…the new fiction meets a message….

Empty, the space of life

“My relation to others is staggered all the way to the infinite;

from the bottom up, never horizontally, the distance from here to there…

…What you call ‘distance’ is but the time of breathing in, of breathing out.

All the oxygen man needs is in his lungs.

Empty, the space of life.”

-Edmond Jabes, from A Foreigner Carrying in the Crook of His Arm a Tiny Book

perhaps a title change, but certainly a deepening of the layers…

anyway, Experience, anyway. goes on into the encounters…

Dialogue

“You and I exchange lines of dialogue.  Each line is a trap, a misuse, and each misuse is justified by some standard upon which we  have previously agreed, if tacitly.  Thereby appears the nature of meaning.  It is a force that hazards to subjugate other forces, other meanings, other languages.  We understand this all too well and yet, and yet – well, it is like the infirmity, the defect at the base of a dam.  It will hold and it will hold and then it will give up, the dam will give up.  As do we all…

“Believe what you like.  Or, better, believe what you believe; it’s always easier, if you ask me.  You would have me imagine that in some cases language really is just a simple transmission of rather functional, if not banal, messages between speakers.  Not only is that not true, but it is necessarily untrue, even in the most functional of exchanges, say between two firemen or a pilot and her navigator or a surgeon and his operating-room nurse and here between you and me as you attend to me, where I use she and where I use he and even why I might have put she before he, or did not phrase the question as he following she.”

-Percival Everett-

A Meaning List

  • Mikhail Bakhtin
  • Jay Lemke
  • Lev Vygotsky
  • Humberto Maturana / Francisco Varela
  • Bruno Latour
  • Paul J. Thibault
  • Ludwig Wittgenstein
  • Mark Bickhard
  • Charles S. Peirce
  • Roman Jakobson
  • V. N. Volosinov
  • Robert Musil
  • Kurt Ammon
  • Alan Turing
  • Jacob von Uexkull
  • Kurt Godel
  • et. al….

and not one without the other…

Conjoined Semiosis – A Valentine

HERE:

Conjoined Semiosis – A Valentine for my wife

Amassing contexts and histories barely constitute beginnings.  Relations between entities are potentially infinite and full of traces.  Somehow, occasionally, they equal: an identity – identities – by what’s between.  Continuous dynamic variables.

By chance each of our indefinite immensities meshed boundaries.  Bodies permeable as minds, and vice-versa.  Reciprocity – reality and dream.  Kisses channeling deep into veins, correspondence shipped and received – held gently in the hands while splicing ripples through craniums.  Made of margins we, venturing portals and hallways one of another.  Each an entourage, an army, and its festival.

Bound by genuine threads.  Wrapping rocks and trading rings, patchworking children toward tapestry.  Our eyes – microscoping telescopes, telescoping memories.  We are wheres and whens, whos and whats – and how!  No wonder why receives no answers, only possible descriptions.

We search for language with our bodies.  Attempting to define the terms and parse the verbs together: love, trust, respect and honesty.  We have said “you are my person,” communication requiring the whole shebang – dismembered pasts and potential futures – all we do not know mustered toward a truth, collaborating is.

If we were to withhold what we cannot show, “whereof which we cannot speak” (as Ludwig tells) avoiding formal pseudo-propositions, we would only telegraph senses, dropping our abstracting frames and their symbol’d referents.

But we are artists – metaphors ourselves – infusing nonsense into world, creating kinds of sense, some of it illuminative.  Morphing forms and casting doubts to converge in content.

I love you.  I am so glad

WE ARE HERE