Apropos Jean Fautrier (1898-1964)

I have filled my head with images, almost.  Substances evolving, fossilized.  Suggested.

“Everything may be expressed with almost nothing at all” Jean Fautrier

                         Not difficult to find.  More difficult to gaze.

                         Remember, great pleasure builds.

                         Canvas – paper – plaster – oils.

                         Pen swoop, pencil curve, scattered dusts of inks.

                        Essential layering and beauty, simple mysterious complexities – the female form

                      To mix the media, the processing, to express and discover the sculpture of painting, the painting of clay, the drawing of oil and etchings in sketch.  To flurry the senses.

                       I hear with my eyes the wail of the hostage

                       I smell with my fingers the verdancy of fruit

                       I see with my mouth the movement of women

                             Conflation.  “Original reproductions” – pattern and design redone yet never the same

                            If ‘everything may be expressed with almost nothing at all,” I have tried.  His is substantial suggestion; though relatively small in size, like geometric theorems or graphing physics they structure abyssals and infinities.  The body wants to know what lies beneath, or through, out, or in.

                                  Capturing the vibratory stillness of monuments and remembered events – the meditativeness of gazing and time – with the erratics of movement and frenzy of action.  Stay stare; move make; know seek.

“Everything may be expressed with almost nothing at all”

Affinities : Possessing the Wordless

The following quotations are from “Putting Down Marks (my life as a draftsman)” by Jim Dine.  Where he uses “draw” or “drawing” substitute “write” or “writing” and I find a remarkable similarity with my own experience making things…I find his work and thought quite inspiring to my own and wanted to share with you many writers/artists/thinkers…

 

This slideshow requires JavaScript.

“I’ve always had a wish to put down  marks”

“My mind was going and so was my hand”

“I love building up, erasing, losing it, bringing it back, taking it away.  I trust my method of not trusting”

“He’s always so frightened of failure and of finishing, and that moves me” (of Giacometti)

“But what is really the optimal situation for me is to get my brain around what I’m trying to do.  That’s all.”

“I have a total connection between my hand and my eye – it’s just that I can’t see sometimes”

“Drawing is not an exercise.  Exercise is sitting on a stationary bicycle and going nowhere.  Drawing is being on a bicycle and taking a journey.  For me to succeed in drawing, I must go fast and arrive somewhere.  The quest is to keep the thing alive – “

“I’m interested in making a vehicle within which it is possible to feel certain things…And these emotions don’t have words.  They really don’t”

“I want to get my drawing out of my heart the way photography accesses my marginal thoughts and images”

“The state of wanting to draw something, for me, is a way to capture it and that’s a primary emotion for me.”

“I want to possess them and what better way of possessing them than to draw them.  The reason I wanted to possess them is they reminded me of other things that are wordless”

“Drawing is the medium which has been the blood of my life”

THANK YOU JIM DINE!