Composition

for Friday Fictioneers – January 31, 2014

Composition

Copyright -Claire Fuller

He heads to the room in the attic.  This is where it happens, where it all occurs.  Everything needed is there, at the ready.  A factory for making.  The tools and materials – this is where the work gets done.  Such a tiny place – 53 cm of circular feedback.  Yet somehow within it expands.  Almost limitlessly, it seems.  Whatever is needed appears, is created, invented – “on the spot” manufacturing “just in time.” Manufabulating.  Manuscripting.  You can almost make out all the details – electricity, wiring, elaborate connections – the inside, the outside, and back – and yet how it gets done is quite hazy.

photo by Claire Fuller

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Spillage.1 : Action Writing

action writingIn searching through the files on my computer for particular photos, I have been running across many files of which the names are unrecognizable to me, many dating from months and moons ago.  Some of them startle me, some are encouraging, all provide record of where I’ve been, how I’m thinking, what’s at work in me at various given moments.  I thought I’d share a few that seem worthy of being shared, they will arrive under the tag “Spillage” – detritus left to the side when my focus is on projects.  Here’s a sample, found labelled: Action:Writing. (simply click on title link to view)

Action Writing

Empathy…Intersubjectivity…efforts…

empathy

Empathy: A Way, but not My Way

O.E.D. – Empathy / einfuhlung

  • “The power of projecting one’s personality into (and so fully comprehending) the object of contemplation”
  • “to feel oneself into it”
  • “the feeling-out of other minds”
  • “a form of imaginative identification of self with non-self, a feeling-into”

 

Feeling out, feeling into, projecting one’s experience in order to absorb the experience of another.  “In and out of one another’s bodies” (Maurice Bloch), “intersubjectivity” (Daniel Stern).

Notebooks full of conjuring, I’ve dreamt and striven to elucidate or embody, to caress and coerce language to convey or carry-like-a-message the interpersonal convergence, experiential agreement we might be signifying with the syntax and semantics of empathy.

There were moments, instants, it seemed evident, nearly obvious – as when a child ran itself across a brittle late-summer yard, lodging a prickled sticker in the pad of its heel, and hearing its friend following close behind, sensing its similar fate…a kind of “predictive apprehension” become co-mprehension as experience is multiplied, at least observably shared – at least sympathy – a feeling-with, if not –out; and –into.

Two humans losing their loved ones, or spouses enduring the same tragedy?

Experience-learning applied to replicated or duplicated occasions.  Similar, perhaps, sympathic.

But “fully comprehending” journeys beyond this.

Apparently, empathy happens when one extends emotion beyond the individual body and absorbs, joins, or feels-into another – a verge of meeting, movement,

beyond into between, meshing as a sunset goes about forming itself, or the creation of fog – something like con-gene-ial requirements.  Some of us, hell, all of us (and more) share genes, so this must be possible (we have a word for it after all!).

Our forms, our reach, must be flexible.  We share-with, finally, down to our atoms out through our environment, galaxy, and beyond.

EXTENDED – EMBODIED – EMBEDDED

-components of empathy-

 

…a coordination of coordinations of actions…

(Humberto Maturana / Francisco Varela)

 

            Perhaps empathy, a possibility of intersubjectivity, occurs when subjects extend awareness through a mutual orientation into a consensual domain…each feeling-out the other by feeling-into a shared sensual arena, learned by experience and therefore anticipated predictively…in rare occasions of empathy…simultaneously!?

In other words, based out of our shared genetic realities, generated by the kinds of experiences and “worlds” our species can have, we feel-out of our heartbreak, grief, joy, ecstasy, fear – emotive and sensual experiences – into con-sensual co-ordinated domains of those experiences occurring in some liminal, marginal space verging each; similarly to the way a coastline clearly separates and thoroughly connects sea and land, while both continue going on underneath one another.

Perhaps.  But I was not seeking to describe, explain, or indicate empathy in language, my desire was to enact it, evoke it…and in that I have failed…ever to try again.

A Letter of Yearning Light – Friday Fictioneers 1-17-2014

Copyright - Erin Leary

It mingles as I tarry here.  Fence and branches joining what they distinguish.  From here to there I yearn.  Details all so near.  In my reaching they grow hazy.  I long for you.  I follow.  I wander.  Toward you?  From me?  Out beyond?

There was a time.  It’s lost its focus.  Forward, back, I cannot tell.  I am here.  A something-is divides us.  Even as it joins.  I reach across.  I feel you back.  And yet.

Yet not.  The moony sun illuminates.  Draws attention.  Drawing all the lines connecting us, all the angles between.

**********************

Many thanks to Rochelle Wisoff-Fields and Erin Leary‘s image

for the continuous and faithful prompts to compose 100 words

responding to instigating images and the Friday Fictioneers participants

“A book begins by defining ‘Who I am’;  it ends by asking ‘Who am I?’  

We are allergic to the world; consciousness is an allergic reaction to the fact of the world; it is our understanding that is a form of irritation, a rewarding irritation, and we think, because we think, we have accomplished something noble, something valorous, that we can say what it is something means; but it is just a symptom of the allergy, the mind trying to rid itself of itself, of what enters it by casting it back out, words for world.”

-Dan Beachy-Quick-

Beachy-Quick - Impenetrable Screen

Now and Forever

another new poem arrives…

Spoondeep

Now and Forever

Now and Forever: A Marrying Poem (for my wife)

.

i looked at her

she reminded me

forever begins now

 .

in a letter

comes a present

i receive

 .

from her

from my past:

 .

“my forever is beginning”

 .

i had said

when she came

 .

i look at her

she reminds me

forever began now

 .

October 2010

January of ‘14

still forever,

still beginning

 .

forever is never

absolute

but it’s relate-ive

 .

in other words –

“as long as” –

“i” holds together,

also “you,” and then “we”

 .

i look at you

the seeing re-minds

the hearing and touch

the tasting and smell

of forever,

and now

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Art of the Occurrence of Meaning

 

 

 

 

 

Interconnection

Art of the Occurrence of Meaning

 

    I consider that I work strenuously to come to terms with (understand, be aware or conscious of, perceive and interpret) what it is I value, care about, intend, hope or purpose. 

            I am prodoundly interested in what is often referred to as “theory of mind” (TOM) – “that which hovers somewhere on the boundary between the explicit and the implicit, the conscious and the subconscious, the objective and subjective” – Maurice Bloch.  And semiosis – what I understand to be the process and activity of utilizing available resources, situations, internal and external sensations to construct moments of meaning (“worlding” you could call it – co-here-ing in an embedded context).  The seamless combination of culture/person-ality, internal/external, embodied/extended, conscious/subconscious – or selective/regulative – processes that occur in real-life human experiences. 

 

            Perhaps this is “Anthropology” as Maurice Bloch would have it: 

 

“Anthropology, at least as I conceive it, presents the immense merit of uniting knowledge about human beings – that is constructed from the top down, by general theory, which in the case of cognitive psychology is supported by rigorous and controlled experiments – with knowledge of particular men and women that is constructed from the bottom up, based on the observation of people as they live their lives” 

 

some commensurate multi-disciplinary examination of human life.  I hear myself saying to myself… 

 

[ASIDE: from high school through college when I envisioned being a great poet, I always wanted to be what I termed the “Master of Grey” – one able to plumb and express the indeterminate and indistinct – those liminal mixed and ambiguous realities of experience – exemplified by rain or fog or shadow – the betweens, the margins, the shades…] 

 

       Anyway, I hear myself saying to myself when I listen to myself speaking to myself (so very many variations of selves), that as much as I am fascinated and intrigued by the processes of the world (geological, biological, neurological, sociological and so forth) and the apparatuses and hows of human meaning-making (electro-neuro-biological, socio-cultural, etc…), I am yet more interested in the occurrences of human  meaning experiences. 

 

            The “occurrence of meaning” seems to me the experience of all those elements and processes indiscretely conjoined and con-fused – wholes of which parts can’t be specified – signifieds/signifiers/significants indiscriminate: our PRESENT. 

 

            This is where art arises for me.  Art and action, for art is action.  Art seems to me – or processes of human making – an attempt at conjoining/confusing/commingling and co-relating of the many modes and motions, nodes and notions, processes and practices, influences confluencing the convergences we term experience. 

 

            Artistic acts are those where subject/object, conscious/subconscious, selective/regulative, internal/external, intentional/accidental distinctions in human processes do not apply – and these convergences, these realities of human living are sometimes actualized or embodied/externalized.  Perhaps, in my way of thinking. 

 

            Modalities and genres, fields and spheres, behaviors, cognition and domains – social and personal intertwingled, the perceived and imperceptible carrying on simultaneously – CONverged – and that verge – that edge, rim, margin of activity – that liminal, boundary-zone open border-space is the essential – 

 

            a human way of mediately presenting occurrences of meaning, in their variety and multiplicity.  Perhaps. 

 

Or so I am thinking. 

 

Answerability in the body of the world. 

 

The meaning event seen in its total matrix.

 

 

dimensions of experience Interconnection

 

thanks to UX/dimensions for image and dimension labelings