2 Exhibitions

I’m excited about 2 exhibitions occurring this month with which I am involved one way or another…

ReMades will bring multiple local artists together, hauling sundry objects and materials  to their homes and studios to begin remaking, recombining and incorporating these items into lasting objects and artifacts, which will then be exhibited throughout the Fall and Winter at Fisch Haus Studios’ tremendous gallery space, thus preserving their potential to enliven and enlighten our communities.

Opening Reception on Final Friday, November 30, from 7-10pm

Fisch Haus, 524 S. Commerce, Wichita

An exhibition of work by local artists using materials fromThe LUX renovation process that would have otherwise been lost.

                                                    

And also my lovely amazing wife’s exhibition currently available at Mead’s Corner in Wichita KS

Friday evening, November 23, 6-9 pm there will be an artist’s reception with an artist’s talk by Holly Suzanne at 7:30!

Hope to see you there!

Address: 430 E. Douglas
Wichita,KS 67202
Hours: 8am-11pm Sun
7am-11pm Mon-Thu
7am-1am Fri
7am-1am Sat

HOPE TO SEE YOU HERE, THERE, EVERYWHERE!

(and support art and artists! – BUY IT!)

Waterplay – a triptych by Holly Suzanne

      

Waterplay – a triptych by Holly Suzanne

Waterplay – a triptych by Holly Suzanne

 

What we know for certain is the steady stream of life, the flood, the flow, replete with bits and currents.  Immersion.

What is less clear is whether we are rising or falling, whether paradoxes hold true, what that might look like.

And if we’re swimming together, how that alters the land, changes the buoyancy, rearranges our standards of measure.

We – individuals – no longer a fixed point of reference.

Now “I” that formerly looked oh-so-much like a “1,” is just a needle in a flurry of dried whirling pines.

Rising up, rising down, in relation.

The self, the other, the flood.

In certain light, it shimmers.  In little light it bleeds dark.

It’s not as if we’re provided decoders, infra-red goggles, enlightenment.

I’m as much in the sea of life as you.

We share, in this sense, an equal, fluid, ground.

And not as something to step up or out of.

 

The self, the other, surround – weighted flotation devices.

I’m in, at a kind of “over here.”  So are you.

There is no escape.  We sink.  We rise.

N Filbert 2012

(My apologies – these pieces have proven very difficult to photograph in a way that presents the depth of layering and colors truly present.  These are fairly large oil paintings created of Autumnal colorings and glow, many more greens and yellows, oranges and hues filling out the originals.  It is painstaking to present them here struggling with glares and digitalia in a way representative.  Forgive me, and if you are able come see the originals through the month of November at Mead’s Coffee House in Wichita, KS – they are rich to behold!)


               

Holly Suzanne and the Layering of Experience

It is my great pleasure to be composing something for myself regarding my wife’s art in regards to an upcoming showing of hers in Wichita KS (see below for details).  I am accustomed to engaging her work with an ekphrastic/participatory sensibility and interaction rather than an observer’s point of view.  The pieces below are mixed media encaustic works by Holly Suzanne on 6×6 or 8×8 wood boards.

This slideshow requires JavaScript.

“First my…forever my…grown in a…garden” of hands, words, expressions, visages and image.

The mind in bloom, the mouth as fruit, our world in our hands, are nothing new.

Underlying love vaguely aware of an end from the stars of night to ground of flesh,

in layers.

I was thinking of text-emotion-change-emotion-text-emotion-change.  Of over and again.  Begin.

With rarely the perspective to see in, or through, as we are forming and tattering layers simultaneously.  Always.

There is something viscous about us, like warm wax.

“Turning away…she saw herself…”  But not really.  Recollection rearranges, perception also blinds.  Assemblers and dissemblers we.  Our stories.  Growing them even as we prune.  Story over story, backwards, forwards, like the strokes of a brush, the trembling of hands, motions of a body at rest.  What comes out, in, or through depends on the moment.  Each story a backstory with a curious future.

“First my…forever my…” ever-altering “garden,” the world in my hands behind my face.  I tinker and trouble, collage and create, rationally embodied in emotion.  What shields and separates reveals and connects: our skin, our language(s), our sighs.

Even our  names are malleable, oily pools.

Look at, look in, look through.  And over again.

Begin.

If near Wichita…you can look for yourself!!:

Holly Suzanne Show: Mead’s Corner Coffee House
October 31-November 30, 2012

see more of Holly’s works here: Holly Suzanne: A Gallery of Creative Artistry

Holly Suzanne Fine Art

and visit her blog! Lifeinrelationtoart

Related: Show Announcement – Mead’s Corner (Combinatory Art in Motion)

Sentence Strokes

About running small.  Over a surface made of paint.  Exhilerating lostness.  It is then I know texture.  Arms draped over a streaking swell.  Scritches and scumbles underfoot.  Are there this many colors in the sea?  Splattering like sparrows.  Am I getting the picture?  I lie down.  Cairns and edgings against my back.  What seemed soft – crisp and poky as briars.  What looked hard and smooth gives like dried glue.  I scurry in the trenches left by brush.  Spin through dips and curls.  A painting is a planet I inhabit.  Directed through the paths of subtlest vein.  To explore I engage.  Guard asks that I step away.

N Filbert

Words & Images (Viggo Mortensen)

 

Side Effects in the Center

Where to begin.  One thing I do, as a kind of employment, is to interview and attempt to translate other artists and their work into inviting and hopefully instigative verbal or visual language in order to promote local projects.  For example, here is some blog writing I did on artists for an exhibition in 2010 (River City Biennale).  Sometimes this work is more tricky than others.

Over the past few weeks I have met with four artists for a new project / exhibition that will occur here in Wichita at the end of November.  There is great variety in their work, as tends to be the case with genuine artists…I’m learning that is a significant element of what we call “art,” – that it is irreproducible.  The same materials in any other individual’s hands or mind, situation or context, (even if the attempt was to copy) would be unique.  But I mean, these works are UNIQUE!  And that is thrilling.

This slideshow requires JavaScript.

So far so good.

So the project we’re involved in is like this.  A building of modernist design that has served as home to Kansas Gas & Electric and Protection One is being reformed / remade into a community of living spaces.

Old KG & E building

proposed Lux building

All good…

Now there are a LOT of strange materials being deconstructed and gutted out of this building in order to renew it.  That’s where the artists come in.  They are the minds and hands that can find ways to transform “stuff” – wood, wire, glass, insulation, bricks, panels, flooring, tiles, clocks, veneer, canisters, bulbs, etc… into artifacts… things preservative and creative that extend the life of the materials as well as extend into the community and the future as works of art to be interacted with, engaged, stimulated by, and so forth.

All this to say that today I reached a kind of threshold… a blessed one.  Witnessing these artists eyes and minds, hands and work (as if it’s not enough living in a household of children with a wife whose a visual artist!) – pressed me toward a very interesting catharsis.

And it’s process.

Process.

Process.

Our lives, our surroundings, our relationships, ourselves… rings of trees that become lines and patterns in finished wood; wires that become sculptures; pipes and styrofoam that become living spaces and visual delights; things that may have been overlooked or thrown away, added to the world’s enormous waste piles or incorporated into something beautiful or riveting, reflective or enlightening…

Our lives are these interconnected webbings in which everything counts.  We’re all processing quite more than our organismal spaces can handle…and we pass it around, as energy, as movement, as vision, as language.  Cycles and recycles, my tree is your violin, your window is my canvas, as another artist I visited with said: “we’re immersed in resources,” there is much more available than we are able to do with…natural, fabricated, invented, virtual – we’re drowning in resources…and we’re all processing processing processing…Wordpress blogs give ample evidence of this – and I find it exciting and moving, hopeful and amazing that it is so, and that we’re ALL in it!  From single-cells to planets…miniscule and enormous interactions…like wind, electricity, magnetism, fire…air exchanging molecules with our skin…

So this is a spillage of gratitude and hopefully encouragement – that by and large those of us with time to post blogs and devices to do it with – are freaking lucky and aswarm in resource and with brilliant loads of company…

something this project and the artists around me have sunk into my core.

and so on…