Why is it that what requires an army is always represented by one tiny little man? Or that incremental power leaves aside the human – “horsepower” – cannon?
Insurmountable odds left to a roll of the dice.
I used to not have patience for this game, the long slow proposition of loss dotted by occasional accidents of “victory.” Ever outnumbered on defense, I get it now. I’m 42 years old. The dice roll all day, and as the sides increase the odds go down and the stakes are higher.
Why even bother to play? It’s a question we ask regularly. Such a commitment of time, of energy, attention. So much spent twiddling thumbs or enduring loss or unwanted wins.
The world is enormous, and yet miniature, even to Legos.
You and me and you, my sons, miniscule players in a massive machine of rules we did not invent.
There must be a reason we play. I don’t believe we want to defeat one another. But the commitment. The attention and energy, the time. I’m pretty certain we want those things.
So we risk. Join in, gathering around what becomes a battlefield from a motivation of love, of loneliness, collaborations and deceits, treaties made and broken, a collective misplaced on a board.
“I received 500,000 discrete bits of information today, of which maybe 25 are important. My job is to make some sense of it…[I want to write] stuff about what it feels like to live. Instead of being a relief from what it feels like to live.”
-David Foster Wallace-
That sense that the moon is obscure – cracked or marred in some indefinable way. That it might never rain. That parenting equals living with people you helplessly love.
Or marriage as painting, but you can’t control the medium, or even learn to think in it. You’ll never be wood, cloth, pigment or oils. I was never good at math, chemistry or geometry. For making a masterpiece, my chances are slim. Manic-depressive’s “in love” – like playing chess with marbles and confusing the rules of the games.
It seems possible that people who age wish they were young – tighter, unwrinkled, new-made. I don’t know – people don’t seem satisfied, somehow. You get the feeling, sometimes, I don’t know…I get the feeling sometimes that people wished they weren’t people. You know, that, like, they wished they were simple or something. Simple scientifically. Not complex, elaborate organisms, you know? But more like a single cell or an amoeba – something with apparent purpose or sort of unified mission. That they knew what to do. Or would – if they could just pull everything together, into line.
I think that’s what people mean by “making sense”? Something like that. Something like inventing God, some unified theory, some golden thread, some identity, some narrative. People are weird like that, but it makes for a fascinating species – the Storytelling Species – ingenious and fantastic, often unbelievable – the lengths to which these collectives will go to spin a yarn. Fit experience.
They’ll use numbers and actions and colors. Matter or energy and form. Inventing for anything a space and a duration. It looks like fighting with nature, but it’s kinda not – ‘cause it’s also how they perceive it. People.
With these enormously intricate mechanisms for constructing order, fabricating texture and variation and difference. To mash it all back together uniquely – imprinted, as it were – some new amalgam and full of traces – shadows and whispers of origins. Con-fused. Remade. Undone.
I used to think that was a purpose – to give meaning. Now I see it as a condition. A convention of rare and specific animals. At least we convene. We wouldn’t do well isolate – craving a single-cell or elemental type existence. We’re collectives – conventional conceptions. People! (said with a huff-sigh of air and exhausted incredulity).
You gotta love ‘em! ‘Cause if you’re reading this – “making sense” of these frenetic marks and spaces, light and shadow – then you’re one of them, and it does you no good to resist or despise yourself. Your own kind. Though people can, and many do.
Funny (peculiar) how you’ll find people that want to be much greater, grander than the mysterious incalculable beings they are, and then a bundle that wish they were less, tinier, singular things, and then the incredible bulk of people who somehow conflate the two: believing simplicity to be grandeur, the one – the all, everything/nothing, unity/diversity same difference and so on – go figure! (Really, try it).
Let’s choose a pinnacle example: say unpack “God” or the workings of atoms and molecules, hell, even protoplasm – seems we could learn an awe-full LOT from each of these straightforward messages we uncover: “I am that I am.”
Not like there’s a whole lot there. It is what it is, my memory – glossy, apparently endless, and stripped bare. But there seem to be windows, areas the light creeps in, and doorways – entries to room after room of possibilities. If I could get in there, could move past this moment of glimpsing, find the courage to carry myself forward (or is it back?). Remains to be seen, here – me at the cusp, in full view, just on the verge, of remembering.
What just happened?
N Filbert 2012
this post created as participation in beloved weekly Friday Fictioneers – check it out! join!
received this little garland today and a congratulations from WordPress – my account is 1 year old!
“Express only that which cannot be expressed. Leave it unexpressed.”
-Maurice Blanchot-
“The world eternally turns round; all things therein are incessantly moving, the earth, the rocks of Caucasus, and the pyramids of Egypt, both by the public motion and their own. Even constancy itself is no other but a slower and more languishing motion. I cannot fix my object; ‘tis always tottering and reeling by a natural giddiness; I take it as it is at the instant I consider it; I do not paint its being, I paint its passage.”
-Michel de Montaigne, 1580-
“Sincerity – it’s the insatiable process
of transition, of fluctuation…”
-Arkadii Dragomoshchenko-
I began one place, and become another.
Wallace remarked that the most difficult thing to teach young writers was the difference between expressive writing and communicative writing.
“Two utterances cling tightly to each other, like two bodies but having indistinct boundaries.” (Maurice Blanchot)
A notification informs me that today is the first anniversary of my experience of the blogosphere.
Humbled over 365 days.
And thank you.
.
I imagine many writers/artists start out, in the youth of their writing (or creative work) from a singular sense. There’s this “me” experiencing this “world,” it seems like – an I and a chaos, an identity and a multitude. When the I (or eye) feels full, it is like to burst. Things touch us, hurt us, impinge on our locus, our “self,” and it seems something must be done about it – we must exert – strike back, reach out, kiss, craft – exhibit our presence. Interact. The dualities are clear.
Are confused. Experience turns out to be very mixed, an impossibly confusing weave. As we begin to plunder these “moments,” we’re countered. Things that happened to us, we were there for, in all fairness, our activities encroach.
We begin perhaps to recognize our existence as agents – not only done to, but doing; not only recipients but respondants, reactive. The wrestle of expressing ourselves through materials (language, movement, matter or sound) teaches us this. The Other’s inextricably woven – what occurs and results is the same. Is unlike. We lose balance.
Conceiving the work as a subject toward object (our creating) deriving from object to subject (our experiences) – our investigations quickly expose this unclear. Attacked by requirements of how. Stubborn like marble or tricky as oils, even recalcitrant conventions, we begin to comprehend a falsity to working on, as a single direction, and realize it’s all a working with. And we struggle.
Even working with. The earth, or people, or bodies, or clay, things rarely abide our intentions. We set out to disburden ourselves, get incited to construct or create (to “use”) and find ourselves consistently foiled. Reality doesn’t care. We find precious little room for expression. Compromise and nuance, novelty or style – ineffective to the longings we exude.
Perhaps at this stage we lose faith in our voices or visions – what we seek we does not seem to obtain. This is fine. This is something no product can resolve. For there isn’t. There is no solution to life. We are IN it. And there is no replacement for death. Then we’re OUT.
Whether language or matter, movement or sound, our “I” never works on an Other. We are INsulated. INextricably. Communicative activity means cohabiting the spaces, simultaneous-ing the times. Realities – experiences – accord. Everything possessing the prefix co-. It’s admitting the reciprocal, the recursive – we’re not separate beings being, we are beings expressing ourselves commensurately. Perhaps control is adjusting to convention. Accepting agreements with place. Expression living IN and WITH, communication the word for the weave. That we’re behaving, creating, co-mposing in inseparable connectivity (inexpressible process) – transition, fluctuation, IN –
Were I to map my way. I would be able. By feel I would be able. Blind or no, an inner moisture, dark. We speak of eerie streets at night, that obscure mist. Even like that, lamp posts and all, in there, inner chambers, as if the heart were made of rooms, but inside out, in other words. A cavern of the outside, shrouded in nightmist, my dank heart. Without my glasses I am blind. These are the lights I speak of. Vague indeterminate orbs. Still I could map my way. Even now, were you to plague me, or stand me in a corner of the night’s cold rain, I have no doubts. For maps are made by walking. No one sees.
I am telling you a simple story. A simple story of simple things and full of details. I will be telling it the rest of my life.
Details.
detail – Anselm Kiefer
tree bark
age and character
Take time.
It takes time to develop the details, these simple stories. Bear with me.
This year I stopped smoking. I began “vaping” e-cigarettes on Father’s Day, a reciprocal gift from my family, ostensibly FOR my family: my health – their comfort and security.
I had thought of my habit as an addiction and pleasure – it’s satisfactions including (but not limited to) the occupation of my body and sense so my mind might generate more freely – an item in the hand and oral fixative, the beautiful tedium of packing and rolling, the scents of tobaccos and sweet crackling of flame to thin paper, the distinctive clink of a Zippo. And there was the intake – that onrush of Other-air against the back of the throat, the lung’s recognition that breath is substantial – has meaning and purpose. A matter of routine, comfort, psychophysiology and control. Among other things. Fine insofar as it goes. Pieces of detail. Replacement sufficed.
Last week I contracted a version of the flu [please be patient – the process goes roughly as follows: details accumulate but require time to coalesce and organize toward a meaning – our lives as cabinets of curiosities]. Out of character for me – this was the real deal – an incapacitating sick. Associated with it was the scent and flavor, the electric verve of the nicotine-drop-oils that crackle and pop when my ecig works its vaporous magic. Compounding the problem (if illness is a “problem” per se – perhaps more appropriately “discomfort”) – my comfort no good to me.
In early October, due to an oversight in my timing (hang on – gather ingredients, let them simmer and stew, the feast is ahead), I depleted my store of these essential oils without backup, amidst a time of unusual stress. As a stop-gap measure and to avoid hurt or offense (a grouchiness and malaise isolating those around me) I purchased a package of “all-natural” tobacco cigarettes to get me by until my liquids were refilled. The cigarette had changed – no, it was I who now found it insufficient and distasteful – acrid and smelly – inconvenient and inferior to my system. So I squirreled them away – in case of emergency.
Emergency! (well, hardly, but still): slowly recovering from flu, sore and exhausted, wife away on a ten-day journey to faraway climes, two naughty puppies causing trouble, and tending and taxiing four active, hungry children, one of them herself quite ill – at day two without nicotine (happy pill / support / community / God / alcohol / touch / solitude / nature / music / food – whatever one’s personal representation/manifestation of “comfort” might be)…details…
while my daughter lay napping, the others at school, in a moment of relative quiet…I ferreted out one of those “Natural American Cigarettes,” by now all dried up and crispy, months opened and old, and slipped out to the porch…
Voila!
Except not, really.
Not a sudden revelation – but an accumulation of details taking particular shape.
Not an enlightenment – but light swollen and fractured to specific degrees.
Not momentous insight – but a lens crafted and ground, melted and curved to a singular clarity.
Bic schicks. A flame. A crackle. I inhale. Nothing special to the taste, nothing tremendous for throat or lung. Just a smoky draft of air – as from the belchings of a campfire in the mountains, or a compound conflagration of a family reunion bonfire in the late of night (but it isn’t!) when the kids are down and the adults unwind (but I’m not)…
A detail I’d overlooked about smoking (amassed over more than two decades – stay with me now) was precisely that. Looking things over. Smoking drove me outside and it stopped me. For the length of a cancer stick’s burn in this anti-smoking campaign of a culture, I would be isolated from friends and family, house or home, commerce or eatery, and would be situated somewhere where all there was to do was look over and listen. My hands and mouth, neck and torso occupied – eyes and ears thus freed, for a few minutes, to simply wander and attend. Caught by details.
Like these:
a Jetstream, held in a pale sky, contrasted by solid starkly swaying Winter branches, juxtaposed with the sturdy steel of a streetlight. And the dirtying yellow of late Autumn’s surprise bloomings held in some final tangled stubborn greens among deceasing leaves and grasses. Cracking boards, peeling paints and muted hues of dust in sunlight’s shadows – a vibrant puppy, warm and dark – our lives – amassing details – collating and collecting.
[Cigarettes are unnecessary for this] (a mere detail).
When my wife/partner/spouse/friend/coworking companion and lover is away, a part of me gets excited – when the children are busy with school or their moms – it portends to offer me a kind of working solitude – a something I’m forever whining about – idealizing, anticipating, “requiring,” in its absence. A chance to be temporally isolated with my brain, my body, and language – to think (ostensibly) without limit, read or write to my little heart’s content, to create or conspire with no active consciousnesses to account for but mine – no schedules to sync, no dinners to heed, the only limitations my own (and those sweet blasted puppies – a significant detail!), but still: abnormally free to dig and delve, explore and enjoinder, experiment and invoke reveries without feeling selfish…
but, the details, amassed in this way, exposed something quite different…
Jetstream, streetlamp, sky and tree. Angle of roof, discolored paint, fragmenting light – the nature of materials.
I’m at a loss for what to search or explore, discover, uncover…from what vantage point or perspective? Me? – in relation to – Me? Set out from an entire illusive fabrication? An emptiness without basis?
A point as a map is a nowhere unless there’s something surrounding. Unless there’s another point…somewhere. Me pushing through (the details profess) is a movement nowhere, without reference to something or someone outside, different, Other.
My wife is my primary referent (and “wife” is too small, as grand as it is). My person, my artist, my human. The being attached to me – not really mine at all, but for her purposings toward me. Our children, our puppies, our things. Habitat. “Econiche.” World. What I “relate” to equals me, enables me, crafts me into someONE, someWHERE, doing someTHINGS…which otherwise would NOT be…
Co-dependence? Inter-dependence? I like IN. IN-dependence – in depending, attaching, choosing and evaluating ourselves in our Others – we ARE.
Jetstream, streetlamp, color and line
background, foreground, texture, time
space and matter, energy, form
Details.
The details accrue and accrue, and with time…combine, reformulate, convene – which can feel new and curious and true, but simply go on gathering more, detailing to no end, as they relate, interact, recombine – can feel revelatory, enlightening, even profound – perhaps they all are – but they all are and ongoing…
amass and revise, amass and renew, accumulation and attention, awareness and incremental adjustments of relation…
Without Life in Relation (both the active reality, and the her that makes, with me, an us), I have little where or whom to set out from or toward
When there are assignments – yes, that’s the word – trajectories commissioning the laborious application of signs – I resemble a young school-age girl white-bloused and checkered-skirted skipping little curlicues down a sunlit autumn sidewalk. Either in performance or avoidance of what demands to be done. Activity testifies to play. The weight of the backpack keeps the frolic tethered to the ground.
Geometrically you could geo-graph-ically map the carefree trail, which would end up looking quite a bit like the path of Woodstock’s flight (extended)
[how I investigate world]
Relieved of positive burden – reputation, obligation, guilt, shame, agreement – anywise some sort of internal enforcer relating to the external world – is as if Schulz erased the yellow birdy’s gravitation. The backpack become balloon with the force of hot air but random like helium – set free of a hand and willy-nilly flitting to loss in midwesternly wind-raked sky.
Mine is more of a breach or a gap in the hedge – squares of deconstructed sidewalk without boards.
Collapsing toward me in slow-motion imminence are towers of books and billings, due dates and mouths to feed, souls to placate or nourish…rebar extending in its warped way out of the soil behind me – projects halfway done, future commitments previously agreed, promissory plans enacted for stabilizing measures. Even now I hear the dogs barking outside, wanting in. But the knot of rubber and tie of string are so easily undone…like mowers accidentally thud-chopping coiled garden hose that lay mimicking the hoppity school-girl’s jaunting…and all drifts off and away, falling through space, spinning in time – neither up nor down nor to or fro – simply set free / total loss – momentary or not: unknown – vacuous absence – somehow unmoored.
Wandering back over writings from the past year that I have yet to “organize”…I’m running across portions of interest (that I can’t even access to fix typos in now!? having been done on a former computer and transferred/transmuted with missing marks / disintentions, alas) – but something I can do when I’m sick… so I’ll post a few of these and you can weigh in (if you will) with what you think – whether interesting, worth filing away, saving forward and what-not. Thank you!
Most human flu is a non-pandemic flu that is slightly different from the main human flus that existed in last year’s flu season period. This type of flu is also called “common flu” or “seasonal flu” or “annual flu”. It causes yearly flu epidemics that are generally not deadly except to the very old or very young.
Human flu symptoms usually include fever, cough, sore throat, muscle aches, conjunctivitis and, in severe cases, severe breathing problems and pneumonia that may be fatal. The severity of the infection will depend to a large part on the state of the infected person’s immune system and if the victim has been exposed to the strain before, and is therefore partially immune.
All of these symptoms are characteristic of numerous infectious agents, so many that most diagnoses of human influenza technically are diagnoses of influenza-like illness (ILI) and most cases of ILI are not due to influenza.
in a fluey oblivion – that weakness and stingy tingly skin surface of hurt while the bones diseasing ache and organs rot following torrential attack of the virus. Just that sort of glaucous gaze, while wishing I could be contributing meaningful language into the world of humans, duly rearranged toward some import, feeling the passage of a bright cold day filled with wealthy hours bulging with productive possibilities, eyes stung unable to tighten to focus or move without sand, arrow along anywhere, body bereft of batteries soughing along, draped, crumpled, wrenched, deflated here and there throughout the house, asking again and again like a cyclone of pencil marks – sentencing – within a gluey glaze of cranium bathed repletely in symptom-smattering chemicals scrambling and defracting synaptic sparks – “what do we think we’re doing when we want to – write/paint/draw/dialog – express/describe/inscribe/communicate?” “When we want to?” Why do the hours pain so when they disappear in illness or hurt, confusion or despair, inability?” “What have we proposed to ourselves or one another that we might be offering were we not undone?” Whirling conflation of such creamy viscous thoughts like mumbling mush, crossed inquiries, towers of babbling echoes just seeping stains, unable to vomit or defecate, trapped between intestinally sluicing back and forth as if clarity or some stint of reason could make sensible hope and power, as if, on a normal day with faculties and physiology aligned I might dialogically inscribe some arrangement/re-arrangement of terms and rhythms, sounds and sense that would change, remake, foster, enable or disable to some extent deemed important – but would I? Have I? When? How? In the ocean of stories, atomically-termed universe, paltry chicken feed of the barnyard of my pen on paper – what difference outside of me has any word meant lined up just so next to this on or that how it pieces my own world together like a context the two tiniest slits of my perspective, shaping and giving shape to all the data or input, experience or information swilled together like steel shavings to an electromagnet brushing a factory floor – what difference though – really – to spouse or children, you or universe, god or war? Absent depression or dismay because virus + medication is muffled even beyond apathy adding discomfort not soured in the brain but citrus mixed with dairy curdled without complaint what is it I think would have been made if sick days didn’t intervene, interfere, intrude, interrupt, would it have been better than this – this nothing but record of viral mania reformed by terminal translation : linguistics, semiotics, indices and signs available in repressed unhinged layerings of smoke across the pages?
Feel like I’ve been out of the game…aside from Friday Fictioneers I haven’t had time for concocting, playing and revising original texts for awhile…feeling this time opening up a little bit I’ll be trying to finish up some long-term projects, while also working out some ideas that have been swaying to and fro in me cranium…here’s a gutturally wrenched structure that I barfed up today…we’ll see what becomes of it…
#1 perks up, signaling “it’s about time something truly great were written…at least what we’re capable of writing…the best we can do, right now.”
#2, energized by this, by the vibe that the entire gang might be on board, the whole shebang ready to summon resources and operate, sync up, as it were, breathlessly quivers, smiling shyly, eager
#3 promptly curls over and balks, doubts, folds under, clenches. Mostly afraid of failure, or of not having what it takes to see this thing through – concoct something “great” – shimmies and blocks out, switches off the snaps and veils the crackling lights in nearest hallways
#4 is feeling good, having been freed to excesses in the night, sensing the throbbing in the basement and burning like a reptile in the sun, pleased and exotic, inspiring
#7 with pleasurable visions of fantasies and victory. Floodlights on, matched to #4’s bask, but also pulling in air, rolling back shoulders and drawing up the chest while sucking in the tummy
#5 babbling away nondescript utterances, filterlessly spilling data, codes and equations of plots, prose and characters grabbed here and there from the crooks and crannies, gutterways and mushy sewage-scapes like pebbles stuck in gluey glia.
#1 now boisterous and bellowing, carried away in surges, blurting out hurrahs and coach-cliches, beckoning a kind of connective huddle
If #4 could think alone, he’d claim erotic inception for the will of #1, having woken aroused by images spun from #7 throughout their “sleeping” 8Hz
But #1 is wanting more and #3 isn’t giving or opening up
#6 and #7 providing soundtracks and scenarios, pressuring #4 to kick up the heartbeat, #2 to activate arms and hands
Four of the seven are joined, yawping and dipping, rippling a recursive wave – this group is on the move
#4 sends chills down the surface and tingles spine and loins
#2 adjusts all openings, focusing on bright lights and sparkly things, deep greens and muted blues
#4 pounds “approach” and “happy” buttons like timpani
#6 starts sweat and shuffles memory volts of breezes
#3 begins to forget as #5 yammers and badgers and #4 jacuzzies the mass in hot syrups
#1 commands #2 to to focus, clip and edit #5, while #6 and #7 distract with many-colored bouncing balls
Optimally they’ll link up and ride this wave in balance – each informing the other – shocking, supporting and inspiring the murky mass trapped in 22 inches of bone.
All my Words are Silent 