Welcoming Others : Inside

“we fill pre-existing forms and when we fill them we change them and are changed”

-Frank Bidart-

Refractions on Fiction

Reflecting on fiction as representation, as presentation, as inquiry, investigation.

About how little I care – re: ideas – the freedom of impersonal investment – when a piece is duly fictional.

After the days spent composing Signs of Love I’ve only thought of how I haven’t thought of it since it was posted.  Johnson’s theory of perception, the professor’s thoughts and ideas, Monte or Margaret, Frank or Lars – how they none of them reflect on me.  How I didn’t have to worry how they came across or sounded, what positions or actions they became – what they represented – it wasn’t me!  Who does battle with a shadow?

So often, the stringy stream of conception-reflection-creation-manifestation seems to pull heavy parts of the self along with it.  Dark or slimy residue.  As if a reader who took issue, questioned or challenged a something that I wrote or language I expressed as fiction were in fact addressing some aspect of ME – rather than an open work of invented text.  Suppose, for instance, my wife reads a piece and follows it up with “so you’re saying that life is more difficult because of me?!” or a random visitor commented “how could you think or say this?!”  When in fact, of course, I didn’t – Lorraine did, or the professor or husband, writer or sand crab or whomever the character that acted or expressed it did.  Ask them then?  Another way of saying – “ask yourself.”   That’s what I as a writer continually have to do.  Language comes out, forms an idea, or a behavior is described and I have to wonder at it – is that indeed what the voicing thinks or wants or does?

Like a painter with their lines and colors, textures and strokes: what belongs once something has been marked there?

The freedoms of fiction spread as I recognized the therapy-like patience and reflection I provide to characters and voices – to language – in texts (fiction or non-fiction).  I do not feel threatened by them, do not take them personally, neither when I read nor write them.  They are other – other matter, other contexts, other contents, other kind from me.  I am busy handling matter…piecing it together, painting over, scraping away, diluting, splattering, letting it run…open to what “feels” or “sounds” right given the matter at hand – content, tools and resources.  Strenuously engaged, passionately even (at times), and also separate, observant, addressed as much by the work as it forms as addressing it onto the page.

Which got me to thinking – how much kinder might I be, even towards my “self” were I to engage what creates me as “other”?  We’re an oddly organized confabulation of matter and energy, after all, multiple diverse systems coordinate and constitutive, creative and adaptive toward a sort of dynamic organismic “whole.”  My brain no more a “me” than my penis or big toe.  How often with sharp pain in my knee or some zany daydream, a nail needing trimmed or hair left in a brush, do I question, challenge or take issue with a personal self for such systemic occurrence?  I participate with, or have (am characterized by) knees and eyes and organs, but they do not equal me.

What if some kind of “I” (collective of natural dynamic and organic systems) listened to, read, inquired and engaged the contents, emotions, concepts, actions and instincts that occurred within as fictions engaged – as benign or indeterminate others – akin to characters or words in a story or play – organized matter with energy – rather than some sort of judgmental scrutiny so often readily applied to “Me”?

The “I,” the “me,” the “self,” the “brain,” the “calf,” the organs, veins, chemicals, liquids, cords and tendons, bones and tissues, the individual cells of me – all inter-relational organisms in themselves involved in a system I experience as “me.”  With recognition, suspended disbelief, detachment, passion and care granted as I offer my own and others manifest creations in language or image, movement or sound?

Attend to your cells and systems as characters and languages today – manifestations of being – not entirely your”self” – welcome all the others inside as well.

Charting Change

“the rare scholars who are nomads-by-choice are essential to the intellectual welfare of the settled disciplines.”

-Szolem Mandelbrot-

After 12 nomadic years of self-study, retail labor, marriages and parenting, I am now in my second semester of graduate studies in Library & Information Sciences.  As my coursework progresses and evolves toward more specified researching, the organization of my passions and values, interests and desires do as well.  Over the past year my blog manoftheword and the other blogs I participate in have primarily been creative instigations and outlets.  Places where my ongoing work in art and literature can find some audience and I can process and work through ideas and conceptions as they fumble their way toward something more finished, hopefully one day publishable, perhaps useful to others.  Most of my poetic efforts I have exposed through Spoondeep along with the work of a dear friend of mine.  The works my wife and I set out to do and continue (not nearly as often as we desire) can be witnessed at Combinatory Art in Motion, where we attempt a contemporary and relational ekphrasis as an open and intimate artistic endeavor.  

As the demands of schooling, parenting and marriage bundle and thicken, my focuses also need to sharpen and grow more efficient.  In accord with this, I have changed the title and some of the goals of keeping this blog active and vital.  The discipline of Library & Information Sciences is proving to be a wonderful practical theoretical grounding of the majority of those aspects I love most about our world:  language, art, relationships and learning, and I am focusing my investigative work in the program on semiotics, human-information-behavior, Information Retrieval systems and tools and design, and the function of language in our acquisition of knowledge and interpretation of the world and its data.  This is nothing new for me, and I have attempted and practiced many of these same methods throughout my life – reading, writing, and communicating with others.

All this to say that The Whole Hurly Burly will become a place for me to work out my creative life in language and symbols (or images) as it has been, but will probably have fewer posts and hopefully entries that are more fully developed.  Research takes time, and so many hours of reading and interpretation, and as elements arise that I can only work out for myself poetically or in imaginative prose, if they seem to have some merit or I need feedback I will post them here.  There may also be more theoretical hypotheses as I struggle to make sense of the many lines of thought rubber-band-balling my brain.  I will keep up with Friday Fictioneers so that there will be at least one fiction exercise a week and will continue to pass on crucial inspirational quotes/music/arts/ideas as they flood my desk.

It has become very clear to me that I want whatever I do to be drawn up from the whole messy complex background texture and tangle of being a living human being among other humans and the larger matrices of the world – it is this untangleable complex and network of social and natural, individual and corporate, intimate and estranged, abstracted and imaginative realities that I take Wittgenstein to be referring to when he refers to it as “the whole hurly-burly” of our goings-on.  And the sinewy, grueling and challenging process of attempting to refer to our experience semantically, in language, in symbols, in sounds and shapes is the most rewarding activity I experience – and when we come close to our desire it feels in me to be what David Foster Wallace signifies “making the head throb heart-like.”  

These, then are the goals of this blog moving forward.  To engage and investigate the “whole hurly burly” and to offer it to you  in hopes it might cause your “heads to throb heart-like.”  I cannot thank you enough for whatever time you give my process and work, your kindness in engaging and insightful comments.  Here’s to development and change —

and what is currently infusing me:  Currently Reading

Processing Change

‘How could human behavior be described? Surely only by sketching the actions of a variety of humans, as they are all mixed up together. What determines our judgment, our concepts and reactions, is not what one man is doing now, an individual action, but the whole hurly-burly of human actions, the background against which we see any action’

– Ludwig Wittgenstein, Zettel

“CERTAIN NOVELS NOT ONLY cry out for critical interpretations but actually try to direct them . This is probably analogous to a piece of music that both demands and defines the listener’s movements , say like a waltz. Frequently, too, those novels that direct their own critical reading concern themselves thematically with what we might consider high brow or intellectual issues — stuff proper to art, engineering, antique lit., philosophy, etc. These novels carve out for themselves an interstice between flat-out fiction and a sort of weird cerebral roman à clef. When they fail, as my own first long thing did, they’re pretty dreadful. But when they succeed, as I claim David Markson’s Wittgenstein’s Mistress does , they serve the vital & vanishing function of reminding us of fiction’s limitless possibilities for reach & grasp, for making heads throb heartlike , & for sanctifying the marriages of cerebration & emotion, abstraction & lived life , transcendent truth -seeking & daily schlepping, marriages that in our happy epoch of technical occlusion & entertainment-marketing seem increasing consummatable only in the imagination”

-David Foster Wallace, The Empty Plenum-

IN THE PROCESS OF CHANGE

more soon….

Continuities – for my wife and children

Another day filled with the thickness of love

for my wife on Valentine’s

IMG_3479

The Way It Is

 

There’s a thread you follow.  It goes among

things that change.  But it doesn’t change.

People wonder about what you are pursuing.

You have to explain about the thread.

But it is hard for others to see.

While you hold it you can’t get lost.

Tragedies happen; people get hurt

or die; and you suffer and get old.

Nothing you do can stop time’s unfolding.

You don’t ever let go of the thread

William Stafford

Conjoined Semiosis – A Valentine

HERE:

Conjoined Semiosis – A Valentine for my wife

Amassing contexts and histories barely constitute beginnings.  Relations between entities are potentially infinite and full of traces.  Somehow, occasionally, they equal: an identity – identities – by what’s between.  Continuous dynamic variables.

By chance each of our indefinite immensities meshed boundaries.  Bodies permeable as minds, and vice-versa.  Reciprocity – reality and dream.  Kisses channeling deep into veins, correspondence shipped and received – held gently in the hands while splicing ripples through craniums.  Made of margins we, venturing portals and hallways one of another.  Each an entourage, an army, and its festival.

Bound by genuine threads.  Wrapping rocks and trading rings, patchworking children toward tapestry.  Our eyes – microscoping telescopes, telescoping memories.  We are wheres and whens, whos and whats – and how!  No wonder why receives no answers, only possible descriptions.

We search for language with our bodies.  Attempting to define the terms and parse the verbs together: love, trust, respect and honesty.  We have said “you are my person,” communication requiring the whole shebang – dismembered pasts and potential futures – all we do not know mustered toward a truth, collaborating is.

If we were to withhold what we cannot show, “whereof which we cannot speak” (as Ludwig tells) avoiding formal pseudo-propositions, we would only telegraph senses, dropping our abstracting frames and their symbol’d referents.

But we are artists – metaphors ourselves – infusing nonsense into world, creating kinds of sense, some of it illuminative.  Morphing forms and casting doubts to converge in content.

I love you.  I am so glad

WE ARE HERE

Going on from there…

“For that I blame the craven desire to speak, to write, to be heard.”

-Ben Marcus, The Flame Alphabet

Nerve Language by Daniel Schreber
Nerve Language by Daniel Schreber

Semantic Animals

It goes on.  Seduced (sickened and soothed) by symbols, I read.  I write.  In dilettante-like forays into advanced mathematics, physics, cognitive sciences and biology,  I learn:

“The first message is that there is disorder”

(-James Yorke, attributed with naming the science known as Chaos)

            So back to first principles (they have a habit of coming in threes, and splitting into fragments).  I take out a blank sheet of paper, filled with lines.  A patterned absence.  Boundarying void.  I write “seduced” because I’m thinking about language.  Thinking instinct and survival and desperate need.  Thinking overload, “more than you could possibly imagine.”  Semantic animals.

When I last saw the snow fall, it was raining, offering an impression of “wet.”

She is far from me in two dimensions.  Only two, of multiples of three.  I count by the “trick of the nines.”

If only there were a way to collect accurate data.  Then adequately calculate and organize.  Unfortunately, life is mostly made of problems existing on continuums of countless dynamic variables, most of which – unsolvable.  They call these “differential,” or Derrida’s Infinitude of Differance.  Professionals finally agreeing: “regularity is aberration.”

We search for patterns.  Even in chaos we find them (or create).  Seduced (sickened and soothed) by symbols, we “read.”  There are so many oscillating signals that even the few we don’t inherently tune out we call “noise.”

Philosophically, on the other hand, where I feel more like an amateur or novice, I understand the problem/hypothesis/theory equation to be: EVERYTHING goes into EVERYTHING, that we’re only ever engaging possibilities.  That probables are fleeting, and certainties are few:  You are limited, peculiar, and definitely will die.

In other words, “the very process of cutting up and cutting off, opens up and opens out,” or some of us are developing “a belief in the musicality of creative disjunction” (Lance Olsen), because, seduced (sickened and soothed) by symbols, we select and collage our own inspection.

It’s easy to forget the first things that we find, i.e. that all positive statements and beliefs are built on “that there is disorder,”

and seduced (sickened and soothed) by symbols,

we go on from there.

PRESS ON – Thank You

PRESS ON – Thank You.

For some reason this old post was on my stats page today…I opened it and browsed through and it says things again that I continue to experience:

thank you persistent workers and players of WordPress!

(click on image or title for past post)

Spontaneous Reduction

ink and touch

Then I dropped my voice – BOOM – right onto the sidewalk.

A glitter, a spritzing, a spark.  A diffusion and ooze.  It runs out.

Watch it pour along the surface, draining toward sewage.

Voice.  A voice.  My voice.  Sploosh.

 

All the books I want are priceless.

Those I need – they cost too much.

I am a writer who learns.

I am a learner who writes.

I am a failure that loves.

I am a lover that fails.

It becomes apparent: Yes, I am.  A parent.

The book I am not reading –

Emotions and Understanding

caught in a withdrawal.

That is, boundaried from writing.

Between abstraction, and empathy.

There lies a void, inevitably.

You can’t trust silence.

We rush to fill.

(That distant sound).

Therefore,

I read for conversation.

But Writer says I’m “vague”

(don’t fulfill responsibilities)

Attention.  Integrity.  Inquiry.  Response.

(-ability)

I simply tripped, a clumsiness

[I dropped my voice]

but I am here.

Enmeshed in words but unable.

(metadata lacking)

I’m no librarian.

Vague because I say so.

(my human apparatus little equipped for the overwhelm of data)

Ant in a kingdom

-of words-

of signifiers.

Less than that.

I wrap my brain around it.

Waving goodbye to body.

My voice drops.

Alberto Giacometti sketch of Diego Giacometti

 

 

Currently Reading

Greetings and so many thanks for those of you who take the time to investigate my works here.  Our lives have been a bit topsy-turvy in the ekphrastic household – I’m adjusting back into another semester of Library & Information Science, Holly is busy practicing and painting and starting more graduate education in Expressive Arts Therapy, the kids are growing and struggling and succeeding and being beautiful young people in our world.  All that to say I haven’t had the open spaces for creative composition that function effectively for creating new verbal connections – I’m sure they’re happening, I just haven’t had the time to attend very closely and note them down.  I received a request to update my Currently Reading page, which I usually do 2 or 3 times a year, or as the books-at-hand protecting my desk/work area experience significant change.  My “To the Library” post offered a number of new (to me) books that I’m currently intently poring through, and here are a few more titles this week:

and I’ll work on a refresher of my Currently Reading page soon!