(Parenthesis) : Swarm – Becomings

Reflection swarmIntelligence_swarm_1

(Parenthesis) : Swarm

developing concept, ideas, form

Confession:  for me the process involving humans crafting and innovating artifacts is (perhaps, nearly) as pleasurable and fascinating as the delight and enjoyment of the “accomplished” creation / artifact / best-of-my-ability result.

Today I plunged into a work I project for my future – a collection of poetic writings with a provisional cohesion designated by the titular nomenclature (Parenthesis) : Swarm.  I am offering the beginnings, inchoate guesswork, anticipatory effort, languaging hoping to find some concretion or sense – in case others too are fascinated by the ways in which we humans find forms, structures, outlets, mediums for the expression of our experience.

Poetry depends on its realization to activate and actualize its purposes.  I think that form and structure, metaphor and language rudiments all occur as potencies – possibilities, options, offerings – to both direct and elicit, open and enclose, what we are moved, determined, or curious to communicate.

Here lies (or rises) the inception of one of this year’s projects for me… for better or worse, I hope it provides instigation or inspiration in you concerning the prospects of concocting, explaining, depicting, describing, or mediating some forms of human experiencings of our living, our worlds.

(Parenthesis) : Swarm

assaying beginnings

(The blue was an empty sector of sky) :

before the ascending clamor of birds,

blackbirds, maybe.  Or wrens, sparrows, the murther of crows

at which point : (monochrome)

(Soundless activities = black / white) : an argument of colors.

(White page.  Blank.  Emptiness.  A void) : A chaos.

Sounds, ideas, emotions bum-rushing, flood-filling, desire-aching to mark up, cross out, cross-hatch, scribble-claim, create/destroy the unwanting, unwanted : (Blank page.  White.  Unlined.  Refusing).

(White noise.  A chaos.  A filler) : (A Parenthesis) : A Swarm.

Rising up or rising down?  Its violence, this freedom (this emptiness, bereavement) : this horde.

(If parenthesis sounds aside reflective calm) the lettered patterns are closing in, are pressing, encroaching (an erasured calm).

There are (Breath-gaps, Awareness) : while we survive.

Endure infinity, perception, experience : ALIVE (reflect. dream. prepare to become).

(Sleep-freedom) : surreality of anxious dreams.

(The “little deaths”) : vigorous and belabored, exhaustively lusted , our desires.

Like fires, like (Ash).  (A remains, an inchoate.

A beginning) : an actuality.

If triggering happens – within swarm – directions will alter towards (flow)

An isolation (becomes compatible).  (We thrive) or are disjointed.

Differentiation (in accord).

(This is how it ends) : in its beginnings.

You arrive – a great undoing – traumatic archive.  I retreat

(or receive, select the join).  Independence (community).

The surge : (the Swell).  We swarm – the two, no six, no twelve

(of Us).  The (love) : and discord.  (Arrangements) interrupted.

(Habitude) : and nuance.  (The Parenthesis) : The Swarm.

 

The bum-rush of living

entanglement

There are places we “escape to,” i.e. repair to for very specific reasons and purposes.  Maybe an acquaintance’s pad for hurried or feverish orgasms.  A park or patch of woods for perspective, silence or briefly encounters with “natural nature.”  A carrel in a library to prompt and focus our studies.  A basement stairwell for sustaining shots of liquor, bathroom window or fire escape for a stealthy cigarette.  Favored chair and lighting for reading, drawing, reverie…

Repair.

A therapist’s office wherein to be oblivious for a moment, anonymously honest, saved from (and toward) pressing responsibilities.  A café, a waiting room, a stoplight, a store.  Our furtive thievery of solitude.  Self-care.  Secrets.

A human is a strange animal indeed.  Tantalized by taboo.  Somehow more fully owner when the product is taken for oneself.  Somehow more strenuously truthful when maintaining a lie.  Somehow better at self-care when stealthy and artfully dodging.

Perhaps not all of us.

Who claims directly to know what they want?  What feels good to them?  What they obsessively desire?

“Pre-emptive strikes.”  We are wary.  We negotiate rather than demand or direct (what separates the “neurotic” from the “psychopath”?).

The time goes by.  Incrementally, unceasingly, dependably.  In leaps.  Life, again, moment after moment, wends and charges, plows and slips its certain way into death.

We hesitate, we detour, we “pit stop.”  We navigate, wander and avoid.  We indulge and punish, set out and swerve, ashame and repent.  Sort of.  Sneaking pleasures, performing roles and rites, detracting, desisting, compulsing, rewarding…

Remarkable at tricking and deceiving ourselves.

We are interesting characters, sincerely.

Operative on many contradictory planes.  Ridiculous, incredible, foolish, amazing…complex.

Woven into surrounds we continually seek to distinguish ourselves from, in, for.  Tremendously unstable, uncertain, tormented, delighted and undone.

Just try to piece it apart: what you WANT, and what you WANT.  What you DO and what you WISH.  Where you GO and where you ARE.  Who you APPEAR and why you BE.

What you want and what you want.  What you desire and what you mean.  What you do and what you say.  How.  How.  Why.  and What.

It is all quite twisted.  Very weird and strange and unusually usual for us, to BE.  The “high” and the “low.”  “Good” and “bad.”  “Productive” and “lazy.”  Health and unhealthy, partial and whole, fragment and phrase.

Complicated beings in intricate surrounds.  The regularity is what’s irregular, the constancy is changing, that which we’d love to consider paradox or mystery.  The off-putting put on.  The performance unmasked.

“How many out-of-character things did I need to do, I wondered, before the world rearranged itself around me?”

-Ben Lerner, 10:04

Deceptive dialogues giving so much away.  Proper behaviors exposing our lies.

My son recently said he was a “walking contradiction” and I thought is that not the nature of humanity?

Confusion and contrast, contractions and deconstruct.

Wilder beasts – fearful and proud, generously scrooged, clinging as it slips our grasps.

Odd, misnomered things.  Smart here, dull there, sexy and unkind, popularly rejected, abnormally similar.  Attempts to be truthful mire us in espionage.

The bum rush of living – death’s inescapable quicksand

For (every?) New Year

Greetings all.  I realize something now.  I realize (today), I realize, sitting in the sun of a Winter in Kansas, on my porch, in a rocker, alone, a side-effect, a remnant, remainder, myself… I realize that I have long dreamt of leaving some legacy, of making some mark, of contributing to the world – the natural world – the world as made up of plants, animals, landscapes, elements, humans… the world dizzied with combinations of atoms and molecules… and yet… and yet… I realize it was all about love – all about being realized by being loved, and realizing meaning in loving – NOT leaving a literary legacy, NOT producing interesting and intriguing offspring, NOT making art or language or objects that would outlast me – NO, no, no…  Simply recognizing that I exist, existed, am existing in the world of another, and that the world exists, existed, will exist for me – by my affection and attention to its nuances, details, and differences – its specificity of my attention, attraction and resolve:  LOVE.

I found this entry in an old journal, a blue oversized Moleskine soft-covered journal, and found (years later) that it still seemed to speak for me… but as I typed and edited it I realized that it has been outdone, realized, accomplished, in the FACT of BEING LOVED and BEING ENABLED TO LOVE… and so all the hopes remain, all the purposes and visions, all the projected communications and connections… but in a context rearranged, reapportioned, reinvented – that of MEANING derived from LOVING and being LOVED.  Thanks to my vibrant partner and accomplice, inspiration and reward – for taking the grave gravity of production and transforming it into action… the pinched acuity of competition and accomplishment into offshoot, accumulation and extraneous luxury – that the hopes, dreams and ideas / ideals of a human existence might be translated into freedom, grace, and potential benefit or gift – possibility rather than necessity; offering rather than identity; potentiality rather than desperation – a giving in distinction from a grasping : so I might still possess similar hoping without the fear and trembling, without a sense of pointlessness, without a perception of failure.  LOVING – intricate maneuvers of helping and healing, intimate operations of interaction and reciprocation, finely detailed activities of acceptance and reception – the sigh, the breath, the pulse of BEING… change me.  Change and change and change me.  As a parent, a man, a partner, a person.  Thank you dear love – a wonder, a woman, an incredible human – a person: full and becoming, so generous, so tender, so affirmative and kind, so rich and creative, inventive and becoming, so new – I love you.  The world is different now.  Its meaning, its point, its aim, its occasion.

This old and rediscovered writing has distinct meaning… because you, and life, and love, and… an evolving and differentiated “I.”

Jacobsen - thought series

I am using the blue notebook with a blue pen to complement.  Why?  Because you asked.  You said “everyone wants to know.”

In other words, if it’s going to count for what matters, it has got to be specific and special – set apart, somehow more final, more complete.  I’ll use it for the whole – for photos, drawings and more – all the blue notebook in blue ink – for you.  Because apparently, “everyone wants to know.”

Mom and dad ask in their roundabout, passive-regressive surreptitiously accusatory way, as is their fashion – kindly and quiet, ever with a look of care and concern, yet secretly shouting their “what is wrong with you!?” “What is wrong with US, that you…” and on and on and blah blah blah…

My memory isn’t like that the first five years of life…that I pretend to remember.  But all is mostly smells and sounds and light from there.  Trees and grass and dirt, how brightness gleamed and glanced and filtered through, with times of wind and rain.

Not that you care… I’m fairly certain that’s not what is being asked for, not by you, by my sibling, children, or lifetime of “friends” and “family” – whoever, wherever they’ve become.

You’re the livewire – and perhaps the children – perhaps they will want to know, at some point, perhaps not.  Perhaps everyone’s already figured my story – diagnosed and prescribed me.  Perhaps.

Be that as it may, I’ve thought long and hard, reviewing what I thought I knew, how I felt I felt, what it seems I’ve seen, and so on, and decided, for you, for you, really, and maybe a little of a bit for myself (curiously) and a percentage for my kids should they ever seek to know or wonder, or have need of psychological freedom, or give a shit about who or why… I decided to use this damned blue notebook with matching pen and try to learn just what I think about it all, mostly because, as you put it, “everyone wants to know” – (and WHO might this “everyone” be?).

Should I start with the hands, the head, or the heart?  I suppose the limbs and loins will come into play as well – god knows the guts and the goiter.

I remember an opening.  A time I was touched, in the rain, and my suddenly skin, my obvious self-enclosure – as opening, margin, and veil – a fabric of me, and a screen.

I wanted to make a difference, you see.  Make something, I don’t know, construct an element everyone could hold on to.  Take in hand, heart and head.  Keep or repeat as needed.  Something like that.  I knew I wouldn’t last, none of this, none of anything.  “The center cannot hold” sort of deal.

I ought not begin there.  They’re all wound up together like knots – the head looking down, arms wrapped around, concealing and revealing the heart, the guts, the loins and moving limbs.  I can’t take a one without other, thinking and feeling about it, my actions, ideas, and sensations all.

Perhaps I’ll pretend.  (Just what you’ve all loved so well about me – to discover pretense – how I’ve molded myself to imagined desires).  I’ll pretend I’m an aged man seated on a stiff wooden chair, children / grandchildren gathered all about me – a specimen or model – something to be taken apart and examined.  I lift off my shirt and my body is read – questions asked – we all get somewhere in this way.

jacobsen - thought series1

Let’s see – here – along the shoulder – a self-portrait by Egon Schiele (self-tormented asylum brother) and a snake that is eating its tail.  “Le Ouroborous,” I  hack out – “don’t you know it?”  Sign of doctors, ingenuity, medicine and art – creation, destruction intertwined round and round.  Self-devouring while birthing its form as it alters.  The mastication and regurgitation of “I.”

A young one might say “what’s that? – the curlicues and elaborate spiel?”  Garcia Lorca I’d sigh.  Yes.  The grand leaping bugger of light.  He’s yellow and lemons, crickets and birds!  You know the stuff that sends you!  Portal moments of sight or song and ‘wham!’  all the crap pelted into your brain and body get shaken and stirred together like surrealist still life.  Incongruity making sense.  Opposites attracting, no, better – look at your aging mother and I – a juxtaposed spectrum, paradox and carnival!

They say that you wanted to know.

Yes there’s Kafka, Blanchot, Cixous and Lispector.  Jabes and Beckett now seeped in my veins.  Dostoevsky, Bakhtin, Rilke.  Gods and angels, drink and demons all carved in the skin of their names.  Nietzsche and ridiculous happiness.  Wittgenstein and the torment of words, of meanings, of none.  I’d be a working inscription, at surface.

The corridors – head, heart and hands.

Are you sure anyone wanted to know?

The sounds of piano?  Coaxing the keys in steady patterns – mimicking rain; or poems – yes, we forget Giacometti’s “Man Falling” – a perpetual stumble on the back of my hand, hoping neither knew what the other was up to.  But they did and they do – I see that now – all parts of same body, stretched with same skin.  Poems as stripped-down sculptures, some essential chants or song – just a gaze or a wisp of caress.  Droppings of blood.  Miracles that something remains after we’re through with our twisting and grasping.

Is this what you wanted?  Does it explain – anything?  I doubt it.  Hardly think so.

Read on.

Here at the ribs.  The cracked and the lumpen.  There was a time.  Times I thought maybe risking and danger – a reach at euphoria – some panicking life – might make one feel much more alive.  How do you think you all got here?  Desperate plungings into the unknown, oh dear ones, like mad scientists messing around in the lab!  The edges of cliffs, clinging to limbs, insecure at wits’ ends, going for broke.

And break we did.

But just look at you fertile seedlings, good eggs.  I never meant to be rough with you all.  To risk what is fragile in you.  Ribs, here – cave and cage for the heart.

I can still breathe you.  Charred and chortled, this was one great pleasure – to know I was breathing, in-spired.  I know you all despised it, and it caused me to smell stale and rotting, but the rush of smoke down this pipe here into the bellows of slimy flesh…that let me know I was taking it in, not an automaton or senseless machine – no, I was hearing, seeing, tasting, smelling – BEING – I could feel it in my ashen lungs.  Sometimes it hurt.  What we ingest.  But it really goes in and visibly comes out – everything – for good or ill.  I needed to know it tangibly.

Why? you ask, why?

Look at the cranium stooped and weighed down.  That sucker was a burden of liquid fire.  All curled over like that the entirety of my life – looking in, at, in.  What’s there?  How does it work?  For “whom”?  When?  Is there even a why?  Examining, dreaming, recording and imagining – listen – say it back, say it forth, combine and copulate, shake it and stir – use that heavy weight, whirr whirr chrrr and whirr.  Profile the shape of some jagged question mark, dotted where the heart must be.

And look at it now, nearly buried into the chest.  It happens.  Weather-systems, signsponge, it all will run its course.  It once was aimed upwards and outwards, into fantasies, hopes and abstractions, and for years I kept it aimed straight ahead – horizontal, seeking directions – but slowly and surely its drug down toward the heart, pulsing muscle, plug for the cords.  Everything up and away, everything out there or behind, it’s all happening here – in the mix, filtering through, circulating the circuitry of head, heart and hands – latching up or breaking down in the system.

What was it you wanted to know?  Limbs and loins, head and heart, I’m acknowledging and exposing, affording view – I’m aware description does not explain a thing – the wonderful views of science still unable to explain…

The waste gets processed below, legs running away now knobby and stiff.  But there, clinging in its corner like a core – my erratic, agitated, beating beast.  Entire web of inexplicable drives and energy, fears and misery, desires and dread – my heart.  Does this explain it?  Does this explain anything?  What anyone wanted to know?

Gasping there like the mouth of a landed fish, pulsing purplish like an aroused member – my heart.  If I poke and coax it, tear at it or wring it onto this blue notebook in blued blood – will it explain?

Here, whomever, look.  Here it lies, cheats, and steals.  Here it gives and it aches and breaks.  Here it prolongs and stops itself short.  Pulpy mass of living meat – humana – the am therefore am.  Take it, read it, test it – heal it if you wish or can.  I’m open.

Is this what you wanted?

What everyone wanted to know?

Black Blizzard

Celldom

Click the image for the first entry:

34-IMG_0708

            They brought me a pencil.

Just as easily broken, but the softness and variations of shading are gentler, and it emits a soothing sound (whatever “soothing” might mean for me here).  As well, I am able to watch it exhaust itself, and must keep rotating it within my fingers to fashion readable markings.  I do enjoy whispering in these lines with graphite.  Its liminal appearance and capacity for subtlety and starkness.

A pencil accomplishes something (I am thinking).  Makes tangible the dust and fog – our weathers of uncertainty.  You have to squint a little to make it out when used for forming language, and it quickly evaporates, fades.  Feels more made of matter than an ink pen…more temporary and inevitably fragile, decomposing.

They led me to the library today, accompanied closely, of course.  I saw more colors, shapes and forms than I have seen for weeks.  Selection was limited but there were some illustrated texts on natural science and even a few collections of art.  “What do you think these pictures express?” they asked of paintings or sculptures I paused upon.

“Look” I said, “look.”

I pretended sullen and began to ecstatically absorb – lines with dozens of colors peeking about the edges, throwing some other sector of the painting into bright relief, leading my eyes like young tight calves signaling, dashing about in summer.  My eyes leapt about after splotches and strokes, sunk slowly into (imagined) vast planes of layer upon layer of shading and tone (what an interestingly borrowed term!), scratched back, built over, washed in and out.  I danced through sprays of evocative squiggles, hyphens, circles, blocks and splatters, all in the space of half of an hour (does ‘space’ really apply to sequence?  To time? – “Don’t get hung up on words” again, always afraid I’ll disappear more fully, remove to too far a distance).

And why should they (or you) care?  Why should anyone?

broken pencil

******************************

            Too much shading, pencil evaporated, disappeared (literally “before my very eyes!” – what a ridiculous statement – as if eyes were anything without the information of the hands!)

Why distance is required.

This pen appears to be blue, although by the light I am provided to scribble by, it is difficult to tell (Ha!  Eyes even need speech to operate!)

What messages are all our so-called senses constantly inundating our poor cerebrum with?  Life is one massive assault on minds from birth until its end.  It’s no wonder then, is it?

One requires a kind of distance to “see” (observe, perceive, etc.).  How might one achieve this necessary gap from what one must inevitably be the substance and content of?  One needs a mirror and a separate self.  I believe this is variously referred to as “dissociation,” “transference,” “schizophrenia,” “writer.”

It is suggested that I attempt to describe further what I am noting down.  I already know that is not possible.  “Ouroborous” I say, and close my lips and eyes, quieting my hands.

Celldom

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“he accepted each moment

shocked by having a face in the mirror

or torn away from it by the beauty of the world”

– from Zen by Stephen Berg

“…its mumbled inadequacy reminds us always

In this world how little can be communicated.

And for these, they too are only tokens

Of what there is no word for:…”

– from To Dido by W. S. Merwin

Then this is my canvas, my clay, the space I am allotted to “begin.”  “To write what I feel” as they put it.  From a palette of words, of letters, the shapes of sounds.

What color would they be?  What lines and outlines?  What surfaces, form?  What I am representing onto this blank?  When or where or what or how is it / was it present before this?  Had I more than a pen I might draw.  Monochrome doesn’t suit the subject I observe.  (“The greater the challenge” I suppose they or you or I might suggest – ack).

As if it were a can to pour.  A brush to dab or spread.  A chisel to pound or some multi-dimensional possibility.  No – one color, a flat surface, and whatever twisted lines I might make with this dark blood.

“Don’t simply regurgitate your story,” I heard, “write things we don’t already know or are able to find out in multitudes of ways.”  This is why “feelings” you say (they say).  Do we really have feelings bereft of ideas?

I imagine this is what is meant by declension.  Some traceable undoing.  Some fodder to deconstruct, patterns or plot recognition: analysis.  Is that so?  “Feelings” you say?

“I began to write down the things I feel,” I wrote, firstly, quoting them, but quickly realizing that that was a quote of a quote, and perhaps out of context, perhaps accidental, of another I have great affinity for, of mind, form and content, but would not dare or hope to repeat or revise.  Stillborn.  Abort.

“Feelings.”  And how might I gain access to this?  These?  Are not, spoken, emotions dissolved?  Transformed into some other reality?  Or fiction?  Does anyone even know yet what we talk about when we talk about “emotion”?  (I suspect there is a sort of object to them/it out there somewhere to be found and to dissect, describe, observe or experiment with – on the in-fernal-ternet or recordings of the surgings of the brain, the body, our systems).  Probably it goes without saying, but I have no “access” here.  “In” here.

How then should I represent void?  And again I ask – where/who/how ever might void have ever been presented in the first place as some natural sign I might re-present?  This is what a medium is for, no?  An intermediary between?  A vehicle or method of expression, disclosure, communication, power?  So what is this barely material of ink and pulp (one color or hue each, mind you!) between?

Them or you and my emotions?  Is that it?  One unknown and untranslatable to another?  I might describe here or caricature the you or them I imagine examining this frame, this “picture,” but who would pretend or proffer that I might, in that process, be knowing them to you?  And like the immateriality of an inner world, even if I could copy all the pulses, darts, knots and dashes of a stenciling electric light on some screen or render a mapping of neuronal activities imaged in all my various “states.”  What would be revealed in that?  What more would ANY of us know?

The electricity and charges my brain produces we might label “agitated subject,” or “concentrated subject,” “depressed subject,” “gazing subject,” “excited,” “disregulated,” and so on.  Within each of which (and millions of others besides) the terms occur so ambiguously and objective-arbitrarily we end further away than we began.

Alas, it wearies me to consider.  Efforts doomed and erroneous at the outset…scoffable.  How did such a project even crop up amongst us?  What did we think we might uncover?  (Ah, back to the mysterious ocean or caves from which we may have sprung!  Our reptilian selves, our triune brains, conjectures, conjectures, wild-ass-hairs of a nightmare!)

“Fine” they gently, politely nod, “fine.”  You (me/I) are doing well.  Don’t get hung up on “feelings” “emotions” terms – just put pen to paper, let’s just see what comes forth.  Don’t get “hung up on words” eh?  Yet make more words.  Is not inquiry senseless?  I rest my case.  I drain and break the pen.  If only I had flame at my disposal.

A Narrative Construction

This weird stuff:

This Stuff

            The sky is “cloudy.”  This is part of who he is, just now, in this case.  She’d said “______ ___ _______, _____!” in just that tone, this manner – another aspect constructing him.  That he’s a “he” is also not irrelevant.  Of so many “years,” “locations,” “relations,” “activities” and “behaviors,” “interactions” and “learnings” ought not be ignored or left aside.  There’s no other way to identify him, along with appearance, but that depends (and has changed dramatically from those first cells).

The man is “of an age,” as some might say, keeping track in the ways that people will.  Is “like” (comparing as they do).  Says and does, makes and thinks, with categories shared among the lot of us.  A male human, then, within the commerce of the world, regardless of distinctions, and because of them.

“Specialness” is a classification reserved for none and all.  A sensuous “unique,” observable and rich, endless and utterly common.

And yet we’ll pay attention, for awhile, to THIS ONE.  The one recounted and described, gradually revealed (such as it is), and selected for this tale and task (a narrative product of our genes).  We abide.

Recording “life” – an optional project at our disposal, and “communication” – a capacity shared.  Let’s do this then, with “me” – teller, author, scientific artist; and “you” (all) – necessary “others,” listeners, readers, hearers, respondents.  Composing and perceiving, interpreting, creating – the ways we get along and mean, “make sense of,” all that “happens”

as we’re “in it.”

as we “are it.”

Let’s begin.

We have begun.

And “long” ago, in its beginning – wherever (whenever) – that might be for any one of us.  “Us” – that spreads the lying truth of it – that we are “We” and never “one” or “me” or “he” or “she” or “it” or “they” without the others.  Simply being – substances and structures interactive in “their” ways…

We, the happening, as we perceive it.

What we make of it.

(Whomever we are).

Squirrel, fir tree, trout.

Stone, astronaut, wetness.

“We” – bound by our conditions.

Let’s begin.

[I’m glad we’re sharing] (he says).

THERE IS A BEAR

Contingent Narratives

                                                …and for her,

whose face

I held in my hands

a few hours, whom I gave back

only to keep holding the space where she ws,

I light

a small fire in the rain*

Narrative Construction

Tyranny of Transition

Greetings all – I wanted to apologize for the sloppy frenzy of disregulated writings I’ve been releasing with little meditation or editing of late.  “In the midst of things…” somewhere near the crossover looping of composition, storage, digestion, excretion, and growing…I’ve found it somewhat difficult to know what it is I am doing aside from what must be done.

400px-Cycles_of_Life

Feeling change,

an entering of halves and fractions

tired and ecstatic

sad and delighted

moving on and along.

Having lost and lost and lost

while ever continuing to gain,

such simple equations

of little sense

yet filled with meaning

a meager promise

and maximal joy.

Existence is the Cusp – A Journal Entry

cursive journaling

It’s December, and I’m writing outside, lucky by so many counts.

  • It’s December, and 45°
  • My partner in love and life instills health and wellness in me
  • I’m writing
  • James is serving me coffee, ice water and double greyhounds enabling me to work without interruption

I’m in what you might call a “Cusp Area.”

The present is always a liminal space.  I am a few days away from completing a Master’s degree in Library & Information Management, and months away from embarking on a PhD in Media & Communication coupled to the Arts at a University in Switzerland.

I work very part-time (10-20 hours / week) for the United States Postal Service, attend regular psychotherapy sessions, parent 4 children, read and write as much as I can, cook and clean a LOT, and spend as much time as I can with my beloved (a brilliant, gorgeous, amazing, resourceful, intelligent and creative human).

I rest very little.

We (my immediate family) will not survive January on my income (sans school loans).  Cusp.

Change is imminent, and yet NEVER is NOT.

Every day relationships morph.  What could be termed “stability” in life must be radically redefined to have any resemblance or “fit” to reality – which is always, ALWAYS in enormous, factually ubiquitous, tremendous FLUX.

There is something like “similarity” – of persons, circumstances, situations, emotions, experiences… which we occasionally tag “familiar” or “repetition,” (providing a modicum of regularity, “consistency,” “normativity”) but none of it, EVER!! – is “identical,” “same,” “repeated.”  Not even ourselves, one “moment” to the next (i.e. in spans of cursive time – what seems utterly continuous is still difference – otherwise could not be noticed).

I am writing this in cursive in attempts toward continuities of form and content.  And yet there is vast uniqueness with each stroke.  “Distance,” difference, change.

I delight in working in language – a symbology for expressing experience – a fabric, social set and structure – a shared and flexibly rule-bound medium.

Possessing or harboring…containing vast incommunicable DIFFERENCES – between ethnicities, cultures, geographies, genders, contents, shapes, habits, practices, processes…REALITIES.  And yet useable.  Useful.

I am writing outside in December, in Kansas, in the United States of America, in cursive, in English, in black ball-point ink, in a ruled soft-covered notebook, in 2014, in attempts partially to think, to recount, to visualize, to express, to extend, to discover, remember, critique, perceive, view… understand a curious unstoppable flow –

The Experience of Being a Living Organism

with billions of particularities – both structures and substance, arrangement and order, experience and resources, habits, capacities, learning, abilities, perceptions, interpretations, emotions…

THIS kind, type, genus, species, instance, sort, occurrence, happening of this one/many, living (active, interactive, interacting, linked, dependent, individual, functioning) THING.

Differently now and now and NOW.

I cannot curtail difference.  I can hypothesize similarities.  I have agency, but an energy and forcefulness utterly dependent and constrained by countless systems, substances, processes and constituents.

I have a kind of power – corralled by everything within and around me.  I am at the mercy of – the support and boundary of – all else + the combinatory elements and activities of WHAT I exist of and the rest of existings.

I do not fool myself into thinking I am a cause or blame, and yet I am utterly response – able / – ible.  “My” interactions and interactivities, are mine / “me” / THIS.

THIS & THAT, Yin/Yang, Individual/Environment, “self”/”other”, – difference without discontinuity, ever in exchange: molecularly, actively, REALLY, and wholly.

cusp area

EXISTENCE IS THE CUSP.

I love while / as / if / because / in spite of (or in contradistinction to) I am loved.

I move with / against / into / around / while / within / because of / in distinction from, possible movements, contents, and affordances / constraints of everything about / within / around me.

I “exist” (stand-out) because I am, in a swarm, a sea, of existences, existings.

I have no other chances to be…

…outside of my surrounds.

I am.  Within a lifeworld.  Without which – I am not.

And still, “I am.”  Singular / plural.  Similar across space-time, an appearance and occurrence of similarity marked by difference.

The safest expression (for one seeking at “truths” or reliable, testable regularities) is:

WE ARE

or

IT IS.

We, the living.

architectural animal

I thank you.

Coming Bare

head-silhouette-with-question-mark

In the interests of authenticity

  • The fact or quality of being true or in accordance with fact; veracity; correctness. Also (overlapping with sense) accurate reflection of real life, verisimilitude.  
  • Genuineness;
  • The quality of truthful correspondence between inner feelings and their outward expression; unaffectedness, sincerity.
  • A mode of existence arising from self-awareness, critical reflection on one’s goals and values, and responsibility for one’s own actions; the condition of being true to oneself.
  • The fact or quality of being real; actuality, reality. (Oxford English Dictionary, 2014.)

Unveiling.  The action of reveal.  Is the “condition of being true to oneself” a possibility?

Recently my partner and love wrote me a revealing, unveiling, letter that blunted me with authenticity – a quality of herself that she was questioning in that very message.

Self-awareness.  Sincerity.  Something corresponding to actuality, reality.  Genuineness.

How often do we present or re-present ourselves authentically?  Do we all wish to?  What would it look like?  Sound like?  Would we lose friends?  Lovers?  Jobs?  If our outward expressions matched our inner feelings?

WHO AM I?

The complaint was compromise.  Pretense.  The wriggling falsities of “fitting in” or “being useful” or “surviving” in the world of humans.  In social groups and situations.  In life.  The feeling that what “works” or garners respect, interest, desire in the commerce of human beings is not authentic to who I actually am.  That what I am “liked” for is a misrepresentation, a partial product, a fabrication, a mixed message, does NOT “correspond to actuality, reality.”  And is it possible to undo that?  To live authentically in the variegated, unpredictable, situational and relative world of humans?  And is authenticity of an individual even a potential actuality / reality?

This has prompted me days of thought.  In effect it was relieving, releasing – my lover is exhausted of the “play of living” – the work of “fitting in,” “surviving with others,” “belonging” in ways that feel partial, inexact, false even, untrue, ALWAYS incomplete, inaccurate, inauthentic.

I felt freed to say my honesty.  When I father, I pretend to be a father.  I don’t know what I’m doing, I don’t know what I should be doing.  I don’t know what it means to father children.  I love them, I care about them, I am frightened by them, I am exhausted by the responsibility, I gauge my activities based on parenting behaviors I DON’T feel comfortable with, or that I wished for…I act, I pretend I’m a man who knows how to love, instruct, “raise” children!  I do not know what I’m doing.  I feel inauthentic.  Like I’m reaching, practicing, experimenting, trying to be what I think a good “father” might be.

For years and years and years and years I have “feigned” being a writer, a musician, a scholar, an artist (it feels like).  Yes, I’ve read a lot. Yes, I’ve studied, I’ve practiced, I’ve performed.  Yes I think I “get” some things about the world and our human experience of it.  Yes I LOVE writing words, mixing them up, crafting phrases and sentences with them, attempting to mate them to my internal experiences, ideas, emotions… but I almost ALWAYS feel an impostor not an expert, like I’m trying out voices, expressions, characters, compilations to FIND OUT if that’s how I think, feel, imagine?!  So if ever I’m desired, complimented, responded to – I think it is an accident, a gratuitous kindness, a pitying.  That I don’t know what I’m doing, I’m simply trying, groping in language in a thorough darkness.

As a lover, a partner, I have simply tried to please.  To find out what is wanted and do, be, perform that.  How does an intimate relationship “work”?  I don’t know.  Everyone is different.  Nothing I learn to enact, behave, communicate, engage – is successfully effective in the next relationship (or, obviously, in the relationships ended before that!).  Could I BE whatever mucky morphing “self” “living human organism” I am (at any given moment) and be loved?  It seems so unlikely!  I don’t even know what that is (the mucky morphing living individual human organism) to express or represent to the Other one… – do they?  Does ANYone?

So do we ALL feel like we’re FAKING our way through being human?  Adapting “roles” and “styles” and “opinions” and behaviors in order to survive?  To be liked?  To fit in?  To feel good about ourselves?  To feel useful?  To BE?

Over decades, I have found that there are some things that steadily characterize me.  I like to drink and smoke and read and write.  I love to love and desire and be loved and desired.  All of those things share the “actuality” and “reality” of being activities that I don’t understand.  Things that seem to steady, nourish and keep me vital…and yet also damage, wound, hurt and make me vulnerable.  That wobble.  That trembling.

Identity

To my lover I responded theoretically.  That my understanding of a living organism is that its “identity” in fact is created and activated in every moment’s situation and surround.  That ALL of being a human is identifying oneself in relation to circumstance – a moment-to-moment relation and response to THOSE and THAT which constitutes its happening.  That “living” involves trying style, voice, behavior, activity, vocation, perception, interpretation, thought after another after another – quickly realizing that in EVERY instance the “fit” is partial, inauthentic, somewhat true (what feels good) and somewhat false (what is uncomfortable) – that BEING ALIVE is a wandering experimental trial of sorts.  That if we CHOSE or locked ourselves into an IDENTITY and attempted to be consistent in it – we would in fact deteriorate, become bitter – that the wisdom is NOT “I AM THAT” but “THAT IS PARTIALLY ME” for now, in this instance, at present…

????

The questions keep coming.  We bemoan that when we take a job, a position, a role, responsibilities… we tire of them as we feel the constraint of structured, required, or expected behaviors and activities.  When I compose a writing work – within pages I tire of its direction, its characters, its ethos – I can feel where a thing is going and whether it’s interesting to me or not, I tire of it – feel constrained by what’s created, feel fake in pushing it in another direction…even innovation and inventiveness feel PRETEND.

Perhaps LIVING = the tension of partiality.  Striving to “fit” to “belong” to “match” (be safe in, acknowledged, understood, allowed) means adaptation, alteration, invention, reciprocal construction, which would seem to inherently demand compromise, partiality, veiling and highlighting – what will seem / feel to be INAUTHENTIC, misrepresentation, “FAKE.”

And yet – it is through this wriggling tango that we also come to discover what “fits” us – what we enjoy, what our perspectives are, who/how/with whom we like to be, what feels “good” to us and what makes us afraid/uncomfortable/ and so on…

Cynical view: we’re ever pretending and untrue.  Hopeful view: we’re navigating and discovering, becoming.  And it seems that both are “real” and “actual.”  Authenticity (maybe?) equals partiality and pretense for humans?  Equals morphing and becoming?  Equals uncertainty and acting (adapting)?  Equals attempting to be?

Thanksgiving

Thanks

Thanks to all of you I have become aware of – for creating, expressing and sharing your thoughts, ideas and works – giving me the opportunity to engage.

Thanks

And thanks to those of you who take the time and consideration to engage my thoughts, ideas and works – giving things a life beyond my small circumference.