Language/Life

This is the same struggle – (LanguageLife)

this mis-match, trans-mesh, between media (their mediums)

.

A woman arrived – beautiful.

First thought: why isn’t language like her?

no – why isn’t language Her.

The difference. Media.

Eventually I felt this about music, painting, photography.

Eventually I felt this about perception, expression, myself.

.

i.e. Why isn’t one thing another to the same effect? Why doesn’t one temporally unified multiplicity (perception) correlate adequately in another?

.

My writing, these shapes, lines, movements, and possible sounds and touches and sayings are ever as real as hers, (equal), but not her (different) <in so many ways, sort of> <and not many ways, kind of>

.

There is animated material in motion with layers of perception – interpretation – impression / meanings. And here as well.

But they are not the same,

metaphorically, experientially, actually.

And they are.

(We are, species-level, carrying similar realities in similarly leaky containers).

And we aren’t.

  • Effect (1)
  • Affect (2)
  • Mode (0)
  • Artifice (N+1 / N-1)
  • Occurrence Happening Being (=)

We are.

And aren’t.

Same Difference

.

Language lives. is alive. is not life. is life.

As also language.

And not.

She and I are. And are modally identified. Materially.

And are categorically for many striations,

same.

And not.

Effect. Affect. Also same difference, everywhere within scales. Eventually, no difference?

Eventually…only same? In a thin layer, deep and thickly.

Undone. Coordinated.

Same difference.

eventuates:

AND – – – – OR – – – – NOT

(same differencings, as each require equal potentialities)

.

Endless.

This is a slippery slope of a flat plane.

.

Therefore I love the “Book of Idolatry,” “truth,” empirical methods! Same differences, endlessly, potential, infinite variation and similitude. Swerving curves of identity deranged.

Lo how the mirror distorts in its clarity.

The painting clarifying distorted.

Voila.

Another.

The same.

Again.

Differently.

.

One might suppose differing due to activity – close circle – if static could be posited or possible we’d see (as we are seen). But seeing is active. As is that seen.

therefore, indeterminate

that is, knowably unknowable

i.e. uncertain in its certainty

Voila!

What?

same difference

BEING

matters

Thank you reader…

Again, that uncanny occurs. Someone stumbles upon some old composition or effort. Someone comments insightfully, provocatively, and I come into a new relation to what I had let into the world a decade ago. Thank you. Today, reviewing, I was struck by this piece from some other me some time past, and it felt resonant again, much later, as continuing me…

From my longer work, 2012, I, For Instants, (https://manoftheword.com/experimenctes/i-for-instants/), the brief section “I the Question”https://manoftheword.files.wordpress.com/2012/05/i-the-question.pdf

Again, thank you readers for bringing new readings…

“I is Another” (or pronouns as shifters; after Jon Fosse)

Like the first,

the every new

dependent of change;

agent of again,

now this

.

the starting

that continues

into while

.

its struck

and tumbled

and keeps rumbling

a murmured name

.

an other, again,

an I, again,

iota, (the smallest mark),

now this

Alias V. Harlequin, remembers (via language)

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I always wondered at my naming – “Alias V.” Not knowing where I come from, and finding all locatable Harlequins tricky and at play.

“Alias Verbum” – who would name an infant that? Another name, a word. Also known as, logos. Usually I identify as iota subscript, after Robert Frost.

No one knows my origin, but he’s very hard to find, everywhere, continually on his odyssey.

i‘m reading a book entitled “How Words Make Things Happen.” What have we made? Ideas, spells; subjects, objects, and actions. Incantations all. Beginnings, I suppose, but not the first.

As I understand it, aging along, someone had to be there for me to come about, and coming-about would be my story. Who or what might tell it? Acted, sung, or read? Becoming other after other after other. Known again as… by any other name. The player. The trickster. The Joke.

In the beginning was… and I began, an alias of something… and everything its word.

You. There. You. Here.

A gold, glaring like sunlight, like foil paper,

glints out of the hands, gathered to plead,

like tears with their measure of salt, gleaming

an eye, like the viscous reflecting residue

of pleasure – piss, blood, the living sweats

and leaks, we run, we water the dying.

.

You there.  You.  There.

Far cries (moans, wails, echoes) from here.

You here.  You.  Here.

Murmurs, whispers, gasps, and laughter.

Breath upon an ear.

.

Blue radiance from the heart, red running out the vein.

The wheeze that squelches exhale.

Stuttered stumble – each mistake…the trial being

to sketch, to trace, erase.

Once we waved at one another.

Each goodbye a beckon.

And all digress.

.

Too often, once more… for Thucydides…

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Feathers, flowers, for Filbert,

little donkey he must be,

ass-braying poems – silt and muck of muddle,

collecting stones and eyes and sunsets,

almost any gaze.  Almost an acknowledgment.

To be.  For.  Anyonething.  Anywhere.

Once necessary.  Once.

.

And then more…

FlowerFilbertAssImage

A Letter in Employ

I am performing a task for my employer.  I am writing a professional letter.  I am letting you know that I labor.  I am here to be useful, and used.  I submit.  My actions indicate that I accept structure and system as representative of survival.  I will do what you ask.  I recognize organization as power.  In fact, any kind of organizing indicates a position of imaginative power and control.  To differentiate, to specify, to label, name, assign – all are a fiat of power and authority or authorship – a claiming of superiority over things named, situated, recognized.  Supposedly if I comply dutifully – bow and behave in ways that signify structure as something larger (or more important) than me – I will have internet access, some food, air-conditioning, coverings, a car, and someplace to live (in certain mountainous areas, none of these are beneficial).  “Teamwork” is misnomer.

My philosophy is simple:

  • The mind or brain is an intermittent trickle of the rivers of the body which are hardly discernible in the waves of the world.
  • “I” am No one, Nowhere, which is to say Everyone, right Here. A poet wrote of presenting his face as a smashed window baring open sky – I thought that was me – No one Nowhere = Everyone right Here (whenever/wherever that happens to be).
  • Experience is what happens. What happens is what is.  If criticized as “for us” (whichever ‘experiencer’) I ask – what else could it be?
  • Knowing limits. If “for-this” is all my experience can be, then those are my limits.  Once I sense my limits I can attempt to challenge, question, and extend them, for alternate experiencing.
  • Ideas/Thoughts/Concepts/Theories [abstractions/imaginings] (like structure, perception, systems, organization, self, number, truth, etc.) are compelling because the limits of their effects are unknown to us. Ideas (ideologies) allow us to ‘experience’ power and control and compliance of the world around us (apparently), even though the dripping-trickle-stream-river-ocean of our limited participation in world flows always and is unalterably changing and miniscule.  Bodies die.  Each every/no-one where/when-ever.
  • The propensity or lust for belief – in ‘observation,’ ‘experiment,’ ‘objectivity,’ ‘analysis,’ ‘deduction,’ ‘ideas,’ numbers or language or effects of imagined power and control (technicity) – are wishes against the body, against dying, against limitation, against what happens, anyway.
  • Thoughts and effects do not make experience longer.
  • Experience is living, is limited.
  • Living is the extremely limited experience of dying.

Admitting or confessing that I exist to meet needs, that this is my employment, may be a Credo of Little Import.  A submission of insignificance in accepting others’ systems, structures, and arbitrary claims to power.  Compliance.  Resignation.  Complaisance.  Dependence. [Co-dependence – opting out of experience/living exits the submission-religion].

My voice dribbles, a hardly perceptible microorganism in the ocean of world.  My experience a parenthetical waving particle.  My living its effective dying.

In a beginning that never began, the ending already comes.

World is an intermittent trickle of the rivers of living, barely and scarcely discerned.

We are Here Now, how would we like our fleet experiencing of dying to be?

Haunted Man: I am: the possession

“quiet field without possession”

Laurie Sheck, Captivity

wavewords

I am an ocean of signs.  Of a womby surround – undulate, viscous, discombobulate, obscure.  Tremulous quarks of murky markings and inference, connotative particles, confused, ill-defined, and indifferent.  Instigative convolutions, a potentia of concatenation and combine, cations and anions, dispersive attract.

Filled with words.  Prescriptive, disruptive, chaotic, coherent.  A turbulence transposing subjects, predicatively morphing, an aqueous slurrage of verb, vim and weave.  Compositive, foreign, constitutive terms.  Not-I.  Of Other.  As shapes and colors, sounds, concepts, any all perceived – no idgit of me, all permeable outside – Otherness, environ, cocoon – borrowed, received (or rejected?), an elusive collude.

Signifiers swarm me.  Inherited meanings, genetic loom of semiotic loops and swirls.  Who begins?  No ex nihilo.  All arrange, revise, adapt.  We’re composed.  I of an ocean of signs.  Language and impulses, instincts and codes.  Ellipses and notions imposed.  Undifferentiate, senseless, stirred by experience – a cacophonous chorus of bones to my suture.

Oral, aural, textured and gestured, I swim and I sink, flux in the float.  Fragments and fractures, compounds and bonds, links and erasures.  Malformations.  Dis-ease.  Some viral, some blocked, unusable and ill-conceived, undone, or aborted.  Indisposition. Swim on, slurry substance, amalgam of shreds, resist and desist, copy and swallow.  I choke.  I chortle.  What makes “mine”?  Just a word, (yet another), from whence and from where we don’t know, but not “us” (neither that, nor this keystroke, this breathy design, dasein, without ownmost).  Even a name is built upon countless.  Other.

Epi-, meta-, arche-, unknown and unknowing, interpreted through mediated mattery fracas, encompassing commotion, tempestuous din, innately ordained.  But not-I, freak iota, insignificant smallest, author of none.  No one.  No thing.  No not-I.

Quavery, wavering, components of signs, my birth-sea and umwelt, disjoiner and fabricate mush.

This become, in this swelter, this wrap and unravel.  Efface and inveigle a ubiquitous unique.  I am drowning, a seaway of signs.

Haunted Man

[from a crumpled writing found under a car seat among additional trash, transposed to typing as a record of a mind’s mayhem and mistakes]

“Deliver me, prays the haunted man.  Therefore…”

Gunnar Olsson, Abysmal

I am Dostoevsky and I am Beckett.  I am Hegel and Heidegger and Holderlin.  I am Kafka.

I am not good enough for any of you.  I do not merit your time nor your attention, affection, sensibilities, your human talents, or your care… no conceivable reason to mention “love.”

But I love you.  I am the one who loves you.  The one who writes.  Who writes these words.  The haunted one, the Reader, the Librarian; the Lover, Scholar, I am me.  I love you.  I am haunted.  Words runnel through me, and with them thoughts, and with them feelings, and with them meanings, which means…nothing.  No matter, no space, no time.

The “haunted man” is a passage, a passing, a ‘type.’  Of no import, little reality, barely occurrence.

*

I am Blanchot, am Homer, am divine Scriptures, and Shakespeare.  Simply, small-ly, in my own way, this very general way, I am what humans do with language.  For one another, with one another, to one another, as.

*

Yards and houses, flesh and voices, signs and symbols, marks and sounds, music and rhythyms and gestures, as attempts to conjoin – join and connect – survive, discover, endure, be, become, in-volve… With no idea.  Or ideas that continually prove false and faulty.  Elaborate records of revision, perhaps better inscribed as simple songs of effort.  Urges only TO BE, and that, TO BE CONNECTED.

But what do I know?  I’m Pythagoras, call me Ishmael or Ahab, Everyman or Whatever.  I’m out-dated.  Assign me a number.  I don’t really care.  I really care.  I am here, and I, (at least) re-present, or present again, or presence, a sort of being.  Such as it is… with no “REAL” way to evaluate, estimate, “tell,” or “express.”

*

Satan, then, Jesus, Joyce, Proust, Alexander.  No matter, no space, no time, only IS.

A “tradition” (as it were, in our own words).  We.  Its + That + This.  US.  Humans strangely (apparently) in environments.  These ways of thinking, of being, of behaving and operating, of supposedly surviving (but with what evidence?  WHO or WHAT might know?).

How might elements arranged thus & so, survive?  I am Nebuchadnezzar, Mohammed, Hammurabi and Ishtar.  I am ab-original.

I am Nothing.  Everything.  No one.  Me.

Each time.

Each press of the pen: “Hello – ‘here’”

*

As simply as I can construct it (all of it, any of “it”) it goes something like this: accidents occur, accidents are weird, and accidents give way.

I, like all other(s), an accidental novel.  Occasional and Whatever.

WHAT HAPPENS TO BE… at any given point-of-measurement (i.e. as far as we have a capacity to render, sunder, and effect – “Reality” (for us)).  Some quirky, unlikely, ridiculous, painstaking, odds-massively-against, and over-dramatic assessment of a certain sort of being-in, being-with, co-occurrence, happen-stance, we fabricate “human.”

TO BE SOMETHING

(organism, constituent, element, participant, activity)

*

In many other words (for the sake or ability of ‘them,’ ‘it,’ ‘all’) I may as well be.  Be Hallie or Ollie or Aidan or Rhesus.  Chief Joseph or Samson or Ghandi or Jordan.  Be you or Sara or Maya or Jimmy John.

“no matter.  Try again.  Fail again…” no matter.

THIS TOO SHALL PASS.

“the venom of the serpents were within him”

Gunnar Olsson, Abysmal

HOW SHOULD I KNOW?

*

And so what if I were Bernhard or Bach, Napoleon, Attila, Montaigne or Dorothy Parker?  If I had the ammunition or energy (and weaponry?) – the rhetoric, the nerve, or the madness.  L. Sterne, Nagarjuna, Hafiz, JL Borges?

“No matter.  Try again.  Fail again…”

Titian, Beethoven, Plato/Socrates, Palestrina.  Michelangelo, V. van Gogh, and Chuang Tzu.  You.

“No matter.  Try again.  Fail again.”

(hardly Beckett)

Within / Without

Image result for person walking past yard b&w

 

“I have only to go on, as if there were something to be done, something begun, somewhere to go.  It all boils down to a question of words, I must not forget this…”

– Samuel Beckett, The Unnameable

Waiting for the passerby to pass.  Contingency.  To not open the door until the potential for harm is past.  No apparent harm: adult man, skin color variance, divergent ethnicity, strolling outside the iron black gate surrounding my home, gesturing toward and addressing my small pet mammal (a dog) – ostensibly safely contained and separate – from the strange-other, (“stranger”) traveling past my abode on a designated path “outside,” a public sidewalk… yet no harm is ever apparent, or we’d be almost certain to avoid it.

From behind the closed door, thus abandoning the small animal, the “pet” that I care for (“care”? – to keep alive with food and water, activity and touch – for what reasons I have never understood, it seems something we do, or something done to us) in any case (who “us”?) to me (“me”?), in any case, in every case, (what is “case”? – case is what occurs), in any case the sensation that harm is imminent, is possible, that any/every-thing (or case) harbors potential threat – intrusion, oppression, obligation, response-ability – that ANY passer(s)-by may enforce (force what in?), force “presence” (presence: the pressure of an other)…occurring-with.

Mammal, woman, weather, man.  Peril of change, of inevitable occurring, alteration, the inception of a “case.”  Event.  Permutation.  Disaster.  Perhaps.

Wait for “it” to pass (ambiguous constancy of language, of pronouns, of perhaps).  To be.

No apparent harm, harm always arriving where not apparent, otherwise averted.

Therefore damage expected everywhere, until proven otherwise or bypassed, for when has it ever been the “case” that harm, hurt, or affliction were not lurking unaware?

Always caught “off-guard” when injured.  As in “accident,” or un-fore-seen.  Must not not-fore-see.  Avoid wreckage.

He passes by.  Or she, or it, or they (ambiguous language and malleable, eminently referable, transferable, vague for application).  No harm incurred (as far as is known).  As who knows?  Who might know?  Or what?

World transforms.  Passers-by.  Incidents.  We have a “case” (who – “we”?).  “I” step back, step in, amidst  walls, barriers, rooms.  “I” retreat.  Evading catastrophe.  Probable hardship.  Imaginable uncertainty.  Such is the “case,” my “cave,” a cave uncertain, unreliable, self-designated, no one knows.  This (what “this”?) is vague – hurt has always materialized unexpectedly.  Danger is disaster, or if not, no harm no foul, never wounded by suspecting, only oblivious or uninformed.  Must anticipate harm.  Less proven guiltless.  Never guiltless.  Never harm without an-other, without outside, without obscurity.  What is “with-out”?

When ever not with-out?  With-out always.  With.  No in without with-out.  Danger of disaster.  Any definability requiring with-out.  No in without out.  Being with out.

Waiting for passersby to pass.  Bye.

When have I been harmed when I expected?  Perhaps in love, perhaps adventure.  Any venture with out.  Into the without. Within without.  Knowing I was risking with the out.  “Self-harm.”  It would appear without’s within as well.  Never not another.  Abysmal and ubiquitous.  Possibly impossible: to be without with-out.  No reference or referral without being-with “out.”

No within then.  Only out could be.  In with in?  Self-same.  Tautology.  A=A.  How A without out?  Without not-A?  Without absence, other, space, not-line, shapelessness, void?  A=A because A is distinguishable from.  Distinct.  From – ?  Without.

Why “without”?  Why not only “with” – necessarily out or other?  Variant.  Different.  Without “out” no “with.”

Squirrel, leaves, air, skin.  Cells, organs, activities and processes.  Even what’s “in” is “out” for “with.”  “In” “with” “out.”  A=A.  So say.  Think.  “I.”  Passing by.  Table, paper, pen, without prompting “in.”  In without as well.  No “in.”  A=A.  IN WITH OUT.

Out the “within.”  Without in/out.  Writing.  Saying.  Bleeding.  Breathing.

Only think with out.  All out, away, a way.

Wait for a way to away.  Within/Without.  A/A.  No equals.  Never equal.

Pet mammal dog, own voice, man, woman, child, sensation, language, molecule, atmosphere, ground: without with-in.

WITH, then.  Simply with.  No out, no in.  All danger and disaster, potential and unsuspected harm.  Can not.  Unprotected.  Only WITH.  No out, no in.

Waiting for the passers-by.  Passing.  Bye.

 

 

“All I know is the text” – Samuel Beckett

“A voice comes to one in the dark.  Imagine.

…Deviser of the voice and of its hearer and of himself.  Deviser of himself for company.  Leave it at that.  He speaks of himself as of another.  He says speaking of himself, He speaks of himself as of another.  Himself he devises too for company.  Leave it at that.  Confusion too is company up to a point.  Better hope deferred than none.  Up to a point.  Till the heart starts to sicken.  Company too up to a point.  Better a sick heart than none.  Till it starts to break.  So speaking of himself he concludes for the time being, For the time being leave it at that” – Samuel Beckett, Company

“The words spoke by themselves.  The silence entered them, an excellent refuge, since I was the only one who noticed it.” – Maurice Blanchot, The Madness of the Day

So, speaking of himself, I only noticed it.

The small furry animal, almost humming in its purr, he had chance, so he thought, to please, to comfort, with a pet, a scratch, an acknowledgment, tender, while it butted and marked itself against him.  The illusion.  A kind of company in itself (or to).

The ungrammaticality of occurrences.  Of happening.  What happens to be.  Or is not.  When speaking to himself.  Without voice.  I was the only one, as far as I am able to tell – if in fact this is telling – who noticed it.  It seems words speak of themselves.  From elsewise and through whom.  He says, speaking of himself (or to).  Without voice.

Devising.  Illusion.  I devise, he says, speaking to himself, of himself, without voice.  Seeking – is he? – Am I? – Seeking…company?

A small child (another illusion, devised) passes by, walking a young dog and waving a nod of sorts – I don’t remember which, he says, but I returned a gesture and obtained a moment of calm in the chilly Autumn breeze.  There was a sun full of color due to the leaves in their change, and fall, and flutter (due to the nothing-shaped wind).  But what seemed a moment of warmth, of calm, devised by a child with a dog and a friendly (fearful) gesture, he thought (speaking of himself without voice), I was the only one who noticed it.

I take to reading then – others speaking of themselves without voice (or beyond it) – in order to devise… company? he wonders of himself, to himself.  For when reading, it surely seems the words are speaking only of themselves, no matter who pens them.  Such the character of the texts he chooses (I thought of myself, to myself, or an other I devised as myself, like puppets).  And in part read and read for the experience or feeling that I alone notice it.  That I might in fact provide the company I devise, yet hardly able to tell since I have not penned the words but merely notice – borrow, listen? (there are no voices) – the words seem to speak of themselves.  Without voice.  (He said of himself, devising).  Something like company.  Perhaps.

Even in the color-filled sunlight of Autumn days, I at times experience myself as being quite deeply in dark, he says speaking of himself, myself, devising voices, soundless, out of words that seem to be speaking only of themselves and their variegated histories and usages, and billions of potential speakers and hearers and interpreters – creators and devisers – filled with ambiguity and application.  Here with me on shavings of dead trees, providing stark living contrast to Winter’s day-night.  I get confused, he says speaking of himself.  Confusion too is company devised, up to a point, I suppose.  Obviously “fusion-with” implies an other, perhaps enough, I said, speaking to myself, without voice, here on dead leaves in black scars.  In mutilation.  Transgression.  Inscription.  Perhaps the words will speak of themselves and some other “I” will claim to be the only one that notices.

A strange delusion of company indeed.  He says speaking of himself, devising a voice, its hearer, and an himself as participant and therefore a company to keep.

Reading: “only a detour is adequate” (Agamben), and “in pursuing meaning we are pursuing our limits” (Allen), and was perhaps meaning a synonym or metaphor, simile or metonymy for company he thought, speaking to himself, without voice.  But with an illness, diagnosed by doctors – those scientific political powers responsible for providing facts or devising happenings, pronouncing occurrences – so in any case he is not alone, being-with his illness, I thought, speaking to myself in an absence of sound.  The words spoke by themselves.

Other things as well: the furry animal, its humming purr, its actions; the trees, the leaves, the wind, the light.  The child, the dog, the gestures.  The books, the authors, the words themselves.  Divisors of voices, of hearers, of selves.  Sick hearts, confusion, and company.  Am I the only one who notices? he says speaking of himself, speaking of himself as another.

So speaking of himself he concludes for the time being, For the time being leave it at that.” – Samuel Beckett