Into Letters…Words…Language

(click image for music)

Minds as Museums

woke up with this fed from memory…

The zany mind of Stanislaw Szukalski

Signs of Love

“sheer curiosity is even more universal and compelling than lust…”

-Nelson Goodman-

Our Similarities are Different, our Differences so very Alike

            I tell him he’s gotta grant she’s pretty much the same as the last one – skin all over, shoulder-length hair, fingernails and eyeballs.  Her insides must resemble too – veins and nerves, capillaries and molecules, organs and structural bones.  Her life can’t be that much different – born of a woman spent with a man, fluctuating assemblage of persons and animals, a fair share of good times and bad, events and arrangements all occurring in particular times at particular places.  Spoken to and speaking, looked at and looking, heard and hearing, nurtured and natured.  Surely a sign for something.  A sign for herself.

“But she’s so god-damned different man!” he says.  “One in 7+billion!  ‘Like’ no other creature I’ve known!  Her thoughts are anomalous.  She sentences words her-uniquely, her habits, nuances, quirks.  I tell you there’s no one else ‘like’ her!” he insists.

I point out that there are great similarities to her differences – we all of us with particularized habits, specified modes of talk, no two bones alike and what have you – but they’re bones, flesh and language all the same.  She falls within the mean – income and weight, literacy, height, okay.

“But there’re so many differences in those similarities, you dig?” he whines.  “It’s like everybody’s riffing and she’s got my groove!”

            And Johnson has a theory of perspective.  “TOP” he calls it.  He’ll listen to you gloat or bemoan and respond with his “that’s the TOPs!” as if he’s settled the foundations.  I try to get at what he means.

            The undergrads recently requested that I speak to them of love, and I told them all this story (it conveniently being Valentine’s Day).  I read through the roll call, through Margaret, Mary, Toby and Frank.  Through Matilde and Jason and Luzanne and Lars.  Some fat, some skinny, but most in-between, each exhibiting some marker – for instance, their names.  We need those tags to tell us apart, do we not?  We’re all so darn much the same.  Autopsies, biopsies, EKGs, X-rays and cardiograms – most of our differences are ever so slight.  Some flesh here, hair here or not, coloring, dialect, language, inches either way.  However, what we notice – are attracted to or struck by, occasionally enthralled or repelled by – in other words, whatever catches your attention – will lie in those mini-borders of difference.

We’re programmed that way, it’s a survival skill bred in the chemicals – be aware of the unexpected, the variant, the things that are unique – sights, shapes, sounds or energy – locate, isolate, focus – survive it.  Use your limited energy and resources for that – ignore the enormous other.

So every time you’re swept by lust or fall in love – there really IS a difference to that bloke or blonde – IN that gendered entity – you’ve perceived it.  Now comes the process of fitting it to YOUR life.  Your self, habits, knowledge and activities, groups and quirks and ways.  “Normalizing” – becoming “intimate” with those astounding specificities – familiar.

Accommodate, adapt, survive.

By now you’re holding hands or marrying.  Waking up next to.  Joining your bodies and your mealtimes, work and pleasure, daily rounds – and it turns out your partner’s much the same as all the rest (without losing any of their uniquenesses you first attuned to – in fact at this point you’ve uncovered many many more – including a surprising set of facets regarding yourself) – fitting and squeezing and torqueing them into their “signs,” incorporating it all into your own.

They fight, they cry, they talk and fear.  They’re selfish and sweet, funny and sour.  Relatively weak and strong, smart and dumb, kind and cruel.  What did you expect?

Yet having become part of your world, seaming into your point of view, you’re never so alert to them as first you were when they were strange to you and un-experienced, unless you’re threatened or faced with change.  Your energy and perception (remember, by instinct) are set to trigger differences, out-of-the-ordinary readings and measures – the defamiliar.

So although your partner’s arse is golden – or curved similarly to any other – your eyes lock elsewhere.  On unknowns.  Untoucheds.  It’s not adventure or risk that you seek – not exactly – although your senses could be called “restless” in their fearful jitterings and scans – you’re tuned to locate difference – unconsciously filing all that registers “recognize” as same.

As if the world were a line-up and your senses are always on call at the station.

And so on.

We all know (by now) that we’re all fundamentally, formally, the same.  We’re of genus and species and kind.  A school of fish, a hoard of bees.  Excited by difference (spelled “possible danger”) and presumptive of same (spelled “familiar”).

“What’s love got to do with it?” a spritely student asks.

What “love” has to do with it is to shape perception intentionally.  To recognize and remember the vastness of similarity (choosing to ignore many limbic cries over slight variations – the unreasonable feelings of attraction, shazaam, lust and novelty) and cultivating attention to the differences of the familiar.  The creative work of defamiliarization.

A cloud is a cloud is fine droplets of liquids and gas, pressures and waves, particles in patterns and puzzles and billions of babbling atoms…OR…sketchy shapes of oceans, mountains, camel-backs or breasts.  A cloud.  If you dissect your partner’s thumb or knee, spine or brain, or even examine an eyelash or bead of sweat close enough – you’ll enter world upon world of mystery and minute difference…similar to everyone else.  They’re individual entity’s shaped roughly like gorillas or aliens with less hair.  Or angels.  But they don’t think, walk, breathe, sleep, talk, dream, feel, sweat, laugh, stumble, fear, mimic, grieve, complain, remember, hope or anything else “like” ANY OTHER human in the world, not now, not past, not future.  Tune to that – you’ll never ever exhaust it – as you’ll never come to the end of yourself.

“Love” or “attachment,” “personal relations” or whatever we refer to it by – orients and trains our perception through attention (intentional perception).  Keeping in mind and check the reality of mass similarities (with all their exhilarating differences) and fixing determinedly on the magnitudes of distinctive, unrepeatable, specifics and uniquities of this one chosen familiar.

            Anyway, that’s a version of Johnson’s TOP:  “it all depends on how you’re looking at it.”

Processing Change

‘How could human behavior be described? Surely only by sketching the actions of a variety of humans, as they are all mixed up together. What determines our judgment, our concepts and reactions, is not what one man is doing now, an individual action, but the whole hurly-burly of human actions, the background against which we see any action’

– Ludwig Wittgenstein, Zettel

“CERTAIN NOVELS NOT ONLY cry out for critical interpretations but actually try to direct them . This is probably analogous to a piece of music that both demands and defines the listener’s movements , say like a waltz. Frequently, too, those novels that direct their own critical reading concern themselves thematically with what we might consider high brow or intellectual issues — stuff proper to art, engineering, antique lit., philosophy, etc. These novels carve out for themselves an interstice between flat-out fiction and a sort of weird cerebral roman à clef. When they fail, as my own first long thing did, they’re pretty dreadful. But when they succeed, as I claim David Markson’s Wittgenstein’s Mistress does , they serve the vital & vanishing function of reminding us of fiction’s limitless possibilities for reach & grasp, for making heads throb heartlike , & for sanctifying the marriages of cerebration & emotion, abstraction & lived life , transcendent truth -seeking & daily schlepping, marriages that in our happy epoch of technical occlusion & entertainment-marketing seem increasing consummatable only in the imagination”

-David Foster Wallace, The Empty Plenum-

IN THE PROCESS OF CHANGE

more soon….

Conjoined Semiosis – A Valentine

HERE:

Conjoined Semiosis – A Valentine for my wife

Amassing contexts and histories barely constitute beginnings.  Relations between entities are potentially infinite and full of traces.  Somehow, occasionally, they equal: an identity – identities – by what’s between.  Continuous dynamic variables.

By chance each of our indefinite immensities meshed boundaries.  Bodies permeable as minds, and vice-versa.  Reciprocity – reality and dream.  Kisses channeling deep into veins, correspondence shipped and received – held gently in the hands while splicing ripples through craniums.  Made of margins we, venturing portals and hallways one of another.  Each an entourage, an army, and its festival.

Bound by genuine threads.  Wrapping rocks and trading rings, patchworking children toward tapestry.  Our eyes – microscoping telescopes, telescoping memories.  We are wheres and whens, whos and whats – and how!  No wonder why receives no answers, only possible descriptions.

We search for language with our bodies.  Attempting to define the terms and parse the verbs together: love, trust, respect and honesty.  We have said “you are my person,” communication requiring the whole shebang – dismembered pasts and potential futures – all we do not know mustered toward a truth, collaborating is.

If we were to withhold what we cannot show, “whereof which we cannot speak” (as Ludwig tells) avoiding formal pseudo-propositions, we would only telegraph senses, dropping our abstracting frames and their symbol’d referents.

But we are artists – metaphors ourselves – infusing nonsense into world, creating kinds of sense, some of it illuminative.  Morphing forms and casting doubts to converge in content.

I love you.  I am so glad

WE ARE HERE

fRiction

“The more narrowly we examine language, the sharper becomes the conflict between it and our requirement.  (For the crystalline purity of logic was, of course, not a result of investigation; it was a requirement.)  The conflict becomes intolerable; the requirement is now in danger of becoming empty. – We have got onto slippery ice where there is no friction and so in a certain sense the conditions are ideal, but also, just because of that, we are unable to walk.  We want to walk; so we need friction. Back to the rough ground!”

-Ludwig Wittgenstein-

“Language is a labyrinth of paths.  You approach from one side and know your way about; you approach the same place from another side and no longer know your way about.”

TO THE LIBRARY!!!!

Weekend classes in Library & Information Science =

here’s a glorious sample to browse the “information”: Language & Representation, David Blair

with the music of:

Live Models

Notes on Fiction and Philosophy

(complete text linked)

Brian Evenson

I thickly recommend you print and mark up the entire essay, but to tantalize your imaginative mental taste buds, here’s a representative nuggety excerpt:

“Good fiction, I would argue, always poses problems – ethical, linguistic, epistemological, ontological – and writers and readers, I believe, should be willing to draw on everything around them to pose tentative answers to those problems and, by way of them, pose problems of their own.  For innovative writers, I believe, philosophy is always best an errant affair, a personal and intense wandering, a series of tools that one can employ, move beyond, come back to; it is our ability as writers to stay curious, to borrow, to bricoler, and to adapt and move on that keeps us from becoming stale.”

Gallery of Linguistic/Semiotic Hero(in)es

How many do you know?  How many do you “love”?

“…We know we can never be anything but parallel

And proximate in our relations, but we are linked up

Anyway in the sun’s equation, the house from which

It steals forth on occasion, pretending, isn’t

It funny, to pass unnoticed, until the deeply shelving

Darker pastures project their own reflection

And are caught in history,

 

Transfixed, like caves against the sky

Or rotting spars sketched in phosphorous, for what we did.”

-John Ashbery, from The Sun-

Materials from the Book of the Living

Materials (for Dubravka Djuric) by Lyn Hejinian

from The Language of Inquiry by Lyn Hejinian

[worth every second]