More instants of I…

I struggle up the mountain, tattered on its sides. The incline so steep and with no ropes to hold me. There is moon up above, punctuating the sky. Breathmarks, the verbs between the objects. I tumble often, scrape, slide and bruise. The outcome is uncertain. Way up, way down, no way out.

 

 

I clambered over the wall. It was there I found the well. I have gazed into that dark cylinder, at times with light in my eyes like flint-flecks, at times in weeping worry. How slick, how straight and untraversed the walls.

 

 

I float in a cloud-like balloon. I hover there in dream. I spend days traveling this way, ranging over presence and past, over water and plain, jagged peaks and craggy fjords, memories. I cannot describe what I perceive at this distance, it is untrustworthy like dark carrion in the sun’s glare.

 

 

I swim in my sleep. Lumber and slumber are rhyme. I move about that way when under, submersion and windowless light. This room in my cranium, this hallway my heart, tangled in entrails and veins, I wriggle a slow-motion dance. The death kind – the circles and spins.

 

 

I suspect it was a struggle, the clawing and chuffing up over the wall. An inside, an outside, beyond. A large forest of straight-spined blackened pines. I I I I l l l – giant digits seeming infinite, numberless, thick with resemblance and variations.

 

 

I discovered myself in the music, each bleak stick-figure with its bulbs of dark baggage and death-flags and banners. Occasionally a hollow, a void, a rest. I slept through the rectangles sheeted in white, I peered through the half-notes with clarity, I sounded the holes of the wholes. The rest scattered polyps of pain, dashes and branches running together, an aggregate noise.

 

 

I saw my father once, with his father. Saw through. Grandfather, eaten away on a hospital bed, what moisture remained dabbed the corners of his wadded-up eyes, pleading with my father to kidnap him home for his death. I understood then. About home being a safe place to die. That ends come out of beginnings and belong to each other. I watched my father depart.

 

Up With/Against/Into/Through Word(s) (pt. 3)

Part Three: Up through Word(s)

Along with the simple, yet profound pleasure of making things.

To write out a word by hand, or to unscramble a term using a keyboard like collage, creates things. Objects. Each letter, each word, small buildings like a carpenter or a renderer’s lines, a chef alchemizing ingredients, a child with its Legos. Alphabet-blocks, rhythms, sounds, breath and tone, voice and line. There is a satisfaction for humans in labor accomplished, in tasks performed.

And if unnecessary or gratuitous – in other words, for some reason beyond survival – what a delight and surprise it can be!

 

To make and to break with the logic of identity. To reconcile opposites (or eliminate by erasing or copulating them): inner/outer, same/difference, thought/matter + time, self/world, beginning/end

 

So that in creating, the beginning is always already begun, and the making can go in any direction, without direction, directing

poeisis —- aporia

Aporeisis?

the self-questioning making

the making-doubts(?)

Playing here.

Labor as play, game with all the seriousness and imitation (family resemblance) of religion, signifying being…

 

self-generative and generative of self

and so on…

always “and so on…”

abyss or freedom

 

A pouring

(movement both full to empty

emptying to filling)

-what writing might be like-

and then some…

the engagement itself

investigation experiment inquiry

 

“I am experimenting in the linguistic field

in the hope

that there exists in language an unknown vivacity

which it is a pleasure to awaken”

-Robert Walser-

or the FORMING BLANK

“When someone says ‘I stand there looking’ [writing, playing, speaking, being], for there read forming, that is, ‘I stand forming looking’ [ditto]…for all there’s are forming –

flexible schemas-at-large, all exactly expanding as they are reduced”

-Madeline Gins-

 

And so we (forming) write (forming)

 

a (“without”) poros (“passage”)

difficulty + expediency

BEGIN

“It may be that to understand ourselves as fictions,

is to understand ourselves as fully as we can”

-Jeannette Winterson-

I. Write.

Thinking it through….or trying

Fiction as Forms of Response as Fiction

…someone has been through an experience, now they are looking for the story of their experience…

you can’t live with an experience that remains without a story”

-Max Frisch-

We want to have a reason for feeling this way or that – for feeling bad or for feeling good.

We are never satisfied merely to state the fact we feel this way or that :

we admit this fact only – become conscious of it only – when we have furnished

some kind of motivation”

-Friedrich Nietzsche-

the error of imaginary causes”

Sees. Hears. Smells. Tastes. Feels.

Attracts/contracts. Reaches out/recoils.

Pleasure. Pain. Good. Bad. Happy. Hurt.

Satisfaction. Need. Preference. Proclivity. Desire.

someone has been through an experience”

Simple facts: experience: a living organism encountering its environment and its individuality, i.e. its entity withing environment.

now they are looking for a story for their experience…”

that is the story, as far as we know.

Feels. Tastes. Sees. Hears. Smells.

Experiences.

Attracts/retracts; Expands/recoils; moves/stays stationary.

Responds.

Then begins interpretation (the application of imagination to experience):

Pleasure. Pain. Happy. Hurt. Gain. Loss. Excite. Fear. Satisfaction. Need.

Storying. Signing. Duplicitous. “Meaning”: referencing anything outside of experience to occurring experience: compare. contrast. similar. different. preference. proclivity. desire.

Can we live without the stories? Delusions? Imagination – constructions?

Only experience our lives as they occur?

you can’t live with an experience that remains without a story”

Is that so?

Furthest Remove: that of the question mark – shorthand for infinity.

How quickly inquisitiveness. The infant. Satisfaction. Need.

The gaze, the fuzzy ear pricked, the sniffing, the tongue suck and wail, the grasping arms: ?

now it is looking for the story of its experience”

A fore and an aft. A this and that. A me and not-me. A feeling and a countering feeling. An imagination. Illusion. Additive.

? = infinity = desire.

In the behavior, in the almost-thought, in the instincts…

Complexly constructed to image-in to experience, alternate experiences.

Metaphor. Meaning. Combine and extract. Wish. Desire.

Preference. Proclivity. ?

Proliferation of experience

When activation of the questioning (quest-ing) ceases, the organism dies.

? = possibility. Potential. Infinity.

Why is it so “difficult” to stop at experience and rather to move on to “experiment”? To weave and unwind. Knot and sever.

one senses…

as one improvises on the piano”

after Wallace Stevens

not only do we perceive what we are prepared to perceive,

but we perceive what we want to perceive

our senses carry with them the double ballast

of our preconceptions (imagine!) and our desires (wish)

after F. Gonzalez-Crussi

when someone says ‘I stand there perceiving,’ for there read forming,

that is, ‘I stand forming perceiving’…all there’s are forming

after Madeline Gins

Why? = ? = infinity = abyss = void.

Experience = there is + ?

(when again occurs)

Sees. Hears. Smells. Tastes. Feels. again (imagination begun)

Same. Different. (imagination begun)

Reference rather than new now (imagination begun)

Story construction. Illusion. Apparently infinite desire.

There is “and” (imaginative construction – addition/subtraction)

there is “again” (invention connection – illusion? – difference/similarity – story begun)

Organism experiences…questions…desires…goes on”

(as opposed to? “reality”? = experience – experience – experience – experience –

like the single-cell’d?)

Just so we’re clear on that, once perception engaged…we’re experimenting, imagining a story.

Repetitive exercise

In Passing

notes to the soundtrack for my final disappearance

  1. This is how we emerge                                            Concrescence by Caspian

                  beginning rhythm and reference

                  repetition and development of variations

                 slowly, gently

                 steady structures, establishing chords, core melodies

                 nostalgia for simplicity, grace of being

                 opening…up….toward, into

  1. This is how we make              Freedom Blade by This Will Destroy You / Lymbyc System

              as out from dreams, while dreaming remains

             principles, values, self inquiry

             as gradual clearings of fog

             acquiring voice, an “I”, somethings to say and to be

             slowly, gradually, reaching and dredging

            tinkering, organizing, choosing, placing

            beginning to see

           to open to feel

            Hello…I am…there is…

  1. Entering depth…                                 Epochs in Dmaj by Caspian

                 coming toward finding

                 concentration, inquiry, staying, layering, unlayering

                 passion builds this way

                empathy…moving into…world…self…other

               touching…diving…flying…swimming

               entering living

  1. Grief                                           Less by Nils Frahm

                what is singular

                 isolation

                tears

               “Less.” things, people, potentials, possibilities can be lost

                ache. desire.. wish. sorrow

                muffling pain…our inner workings…

                the stillness, the silence surround

                to remember

                to wonder and to miss. to fall or to fail or need to lie down

                to yearn from pain. to want.

               to experience less. lack.

                learning subtlety

  1. Heaving the scream              Three-Legged Workhorse by This Will Destroy You

    rage. revenge. determination. to seethe

    out of ashes…begin again

    explicitly

    Anger.

    To choose

    Obstruction. Opposition.

    To work. To pound. To continue.

    To find vocation.

    Three-Legged…to step forth with all one has…and step and step and struggle and step

    To tear away and apply…not to stop…to expand

    Insist

    To break forth. Announce. I am!

    I am, I am, I still am…

    to recede…I may be….but only

    toiling away…a way forward, surely, toiling…

    the keeping at…the consume…continue, continue

    I can’t go on…I must. go. on….through

  1. Personal Victories                                  Any Other Name by Thomas Newman

    gains. comprehensions.

    coming to respond to one’s own “I am”

    to say yes. alone. with world. in world.

    perhaps not of

    but alive

    aware one is alive

    one is

    and a world of others

    breath. grace.

    learning to say okay to one’s self, to world

  1. Happening                                        Day 1 by Explosions in the Sky

              engagement

              there is a world and it is occuring, happening

             events

              experience, experiments

              accumulation and then freedom (from and to)

              fascination, wonder

              wide-eyed…beholding

              possibility of promise…clear air

  1. Perspective                                 Over There, It’s Raining by Nils Frahm

    reflection

    a widening of borders, boundaries

    liminality of it all

    flow, spread, rest…

    far beyond one…

  1. Love                    The Only Moment We Were Alone by Explosions in the Sky

    shock of AN other

    thumps, rocks…startlement…stun

    feels like a different world

    unknowns

    disbelief

    wonder

    amaze

    …like revelation…

    pours down…trickle at first…

    more…more… (heartbeats)

    more…more…

    learning, details, fullness, expansion, sky, night, grandeur, power, ecstasy, mushrooming…breath, joining, at a jog…a joy…

    it arrives = AT ONCE! CULMINATIVE! TOGETHER!

    ENORMITY! gasp or sigh

    down…

    up…

    recede…

    return…

    elation – anguish – hope – despair

    Love.

  1. New heights, new depths…recovering…                  Epochs in Dmaj by Caspian

    left up, out, space, sky, night

    adrift, afloat

    looking around…

    still here…remains…

    vision changed, rearranged…

    world different again…

    to absorb, take in, a daze, a comfort

  1. To season                            Mighty Rio Grande by This Will Destroy You

    to have lived

    endured

    to still be standing, crawling, walking, breathing

    to build again…

    learning to live in the world, the “there are”

    and you are…one among…

    becoming part…

    years, seasons, days, people, places, works, movements,

    actions, sayings, knowings, doings, losses, gains,

    accumulate…a-mounts…a thickness to things

          nostalgia, tenderness, fullness, its dream

          presence, presents, worth, echoes, its sea

          plenty, rise, rest…

          prepare…we are not through

          heart quickens…

         construct your words, your deeds, character

         begin to GIVE

         to RECEIVE

         ………………incredible fullnesses of joy………………

         this dizzying intoxicating enormousness of world, of life

         this paradise of being: look! listen! taste touch smell!

          SEE! BE!! Oh just be!!! (PRAISE)

           and then…………..

                                         carry……….

  1. The Final New…                                     Postcard from 1952 by Explosions in the Sky

                where is this? where am I? where are we going?

                wha-?!

                let go………….

               release……….

               spread out…join…grow light

               sweetly and sweetly sing

               smile….acknowledge….thank….

on………..

upon surface of waves of cloud of sky of dream of eyes of breath of bodies and hands and hair and tongue and voice and meetings and partings and griefs and joys and haunts and words and journeys and memories and imaginations and….

and on………..

(delivery)

– so long –

(a star implodes)

  1. Reverberations Freedom Blade by This Will Destroy You / Lymbyc System

I, for instants : a fictional series

I would like to start experimenting here with another fictional idea I have of a series of brief sketches of a pronoun.  “The concept or open field behind “I, for instants” includes the linguistic function of the pronoun (“‘I’ can only be identified by the instance of speech which contains it, and by that alone” –Emile Benveniste), an inquiry into the use of the singular pronoun with pluralities of selves/individuals (“Language is like drinking from one’s own reflection in still water.  We only take from it what we are at that time.” –Simon van Booy) and the spatio-temporal/multivalent/polyphonic boundary of it all (“where the wash of uncertainty begins” –Nelly Sachs).

In bursts of instants of writing, I (Is) speak(s).  Multiple instants of Is.  Exploring I via time, place, situation, knowledge, composition, etc. hopefully thereby instigating some of us to consider (reconsider) our “Is” and engage personality and community in its becoming.

This instant seemed apropos to Valentine’s Day:

If I grew, for instance, in which direction?  Perhaps a swell, a fissure, a scar or disease.  I believe I reach out, long crooked arm with a wide-opened hand.  Or is it grasping?  Even the relation feels fictional.  How could I know?  Without you.

Excerpt

“I do not know whether semiology will ever establish itself as a science.  The very people who observe this discipline have difficulty in defining it because everything is a sign in the world of forms, sounds, and colors, and a science embracing everything remains inconceivable.  But if we want to bide by verbal languages there are certainly considerable differences between the word as it is seen and the word as it is read and understood.  The word as it is seen is far less alphabetical than the word as it is read and pronounced.  It can be regarded as an ideogram.

Its faults are its lack of multivalence and its claim to some lasting truth.  The industry of communication would be basically undermined if the various means of expression claimed to have any duration in time.  What we need is not language but the suggestion, the arabesque, which is born and dies within a few minutes.  What we need is that which we see, hear, and touch for a single moment, and which is then consumed and replaced by a similar stimulus”

-Eugenio Montale-

 

Words are Misleading (an addenda)

The “Time” Machine (or, Words can be Misleading)

They pronounced the words

and pointed at the face

the face with the hands.

They announced the words

as terms and math and concepts.

Other things they had named and gestured:

Squirrel

Tree

Water

Me

But these hands, this face

they designated “time.”

So that it might be lost

or found

gained or squandered

like a toy, a friend

or the contents of a wallet.

But it is not like that.

Time cannot be “there.”

Is not a nearness or distance

It does not take up space

It is no thing

And so the words were all wrong

full of pasts, presents, futures

rather than nows or occurings

manifestings or become.

I misunderstood

as do we all, it seems

at least us who greet

the great face of numbers

with plans and regrets

and false concepts called speed

I am tired of our language

listening now to Hopi & Shawnee

to Far East and Far South

signs accounting for Einstein

and Heisenberg

not abstracted like equations

or metaphysical symbol

but present in all its various forms

and modes of meaning(s)

faceless globes without hands

and pointing in every direction

N Filbert 2012

So many thoughts…so little time…words too…

Happy Valentines Day

Up in Word(s) Addenda 2…

Would appear somewhere, must, would need to, a chapter called “Where Now? Who Now?” by Maurice Blanchot on Samuel Beckett…

one of many addenda (effluvia?) to the Word(s)

drawing by Holly Suzanne

On Reading

 

It adds up

it weighs down

this unknowing of things

without being

what they say

to each other

once inside

reaching

the angle of repose

adding up

weighing down

like an ocean

its surf

and its merciless drowning

 

N Filbert 2012