Language Me

“Mabou, Nova Scotia, 1977” by Robert Frank

Today’s blog is the above photo by a photographer who’s work continually leaves me speechless.  Robert Frank’s films and especially late photographic work are for me quintessential photograph/graphoto reciprocators.  I still have not uncovered languaging for the above picture which I have spent many an hour gazing at/into/through.  I encourage you to do the same…and please please please add languaging to it as you find some – I’d love to read any and all verbal responses!  Thank you!

A little something extra – a photo of Frank’s I believe must resonate with all writers…

"Fear - No Fear" by Robert Frank

Looking forward to your responses!

manowords

VOCABULARY FOR THE VOID

“the void is waiting for vocabulary”

-Edmond Jabes-

Hundreds of thousands of bloggers just today.  More hundreds of thousands of words.  If internet and web cloud technocommunication virtuality haze space signifies anything to me it’s an enormous, incalculable black hole.  Like numbers of the dead in war-torn countries, the mind numbs, is unable to actually perceive, barely conceive the truly vast amounts of language traversing the aether even as my fidgety cursor leads me on.

Greyscale.  Fog.  If we could layer the sentences uploading and downloading each nanosecond we would create a gigantic palimpsest of shadows and abstraction.  With all of these voices, all these digits and copies and pastes and links and quotations and -ipedias of information flooding, flooding, pouring forth…who might hear?  How will your line or my line, each individual’s arrangement, profession, offering into the dialogue/multilogue languaging necessarily is – find a hint of an echo, a reverberation, let alone a true response?

“There are many more languages than one imagines.  And humans reveal themselves much more often than they wish.  So many things that speak!  But there are always so few listeners, so that humans, so to speak, only chatter in a void when they engage in confessions.  They waste their truths just as the sun wastes its light.  Isn’t it too bad that the void has no ears?”  -Friedrich Nietzsche-

Void:  deaf and hungry, is that what I’m understanding?  Like black-hole-vacuumings…taking everything in without distinction, churning it up like a sink-e-rator, farting it further through the absence of space?

And what of Jabes…a seer…some hopeful pseudo-Biblical desert screamer…personalizing the void?  Trying to soothe or encourage us in our madness to express, uncover, discover, be acknowledged, be heard – urging us to seed the void with our words?  A void without ears waits for language – what does this mean?

“the whole struggle of literature is in fact an effort to escape from the confines of language”
-Italo Calvino-

“Any page of writing is a knot of silence unravelled”

“Letters give form to absence”

-Jabes-

Closer…at least to some thinking…that this reaching, this stretching, this hope beyond hope and irrational exigency to language language language this world…is also to get further, farther out, farther in to our world in its muteness.  Void might be empty, deaf, dumb, blind…and our language, our images and movements and sounds might cohere once in awhile…if only…this cosmosphere of chatter (i think i’ve even read “blogosphere” somewhere) might possibly torque us forward, pulling from our mouths languagings that belong…”to make writing appear, is not to dispose of privileged knowledge: it is to discover what everyone knows but no one can say.  It is to try, just once, to raise the veil which maintains us in an obscurity we have not chosen” (Philippe Sollers)

So everyone, keep feeding the sphere, fertilizing clouds, singing into the canyon…the void waits and waits and will always be waiting (else it could not be void)…there seems to be something Promethean, mythic, human about the effort to fill it, one word at a time

“the blank page, the void where everything is called into question”

-Ronald Sukenick-

“and you’d know.  You would know goddamn it.  And never be able to say”

-Denis Johnson-

“mysteries are problems that encroach on their own data” (George Santayana)…

to be continued

WordRain, an experimencte

WordRain

Words are dropping like heavy Autumn rain off of leaves. I walk over them like lily pads, every step a stride over something not said, that liquidy deep.

They lie here tendentially. Bobbing so lightly against the surface of things, skin on a bubble, what can they hold?

They feel heavy, made of water and air, a breath. I test them with “heaviness,” with “weight.” They hold. I try “mountain,” I try “sea.” I heave “sorrow” and “darkness” and “death” into the words. They continue to stick to the surface, though I could not see them underneath.

I step again. Around me the pluck and leave marks, then vanish away.

I step. I have landed on “brick” held fast by the world. It wobbles a bit as if in a thick fluid, but I’ve balanced and am able to stand. I use “house” to shelter and observe. I choose “window” and “bay” and “uncovered” to watch them fall, to try and count them.

How they plop and then slide on each object in my surround. For moments they adhere, just long enough for me to piece them out – “branch” “wagon” “tarp” “barn” “flower” and then they have wriggled on and away, objects identified by attention and sense. Yet the rain of words is steady and all-over-at-once so I cannot take them off-guard, or catch something before its language is there. This is true as well for all of my perceptions.

I smell “must” and “dust” and baking “bread.” Wet “smoke,” “plants,” and “heater fumes,” some I am unable to see,

the sounds of “piano” and “strings” traveling toward me from great distances, invisible, and yet filled up with words.

I step again, into this grey rain.

I am wanting more language to catch on more surfaces, especially the unseeable ones. These “feelings,” “melancholy” and “nostalgia” with “sentiment” and “ennui.” More words please, more details in this downpour: identify “griefs” and these “loves.” I open my arms out wide, hunch over, lean back – where must they fall in order to land on these things I uncover no words for?

“Silvery” “mercurial” and “faint.” “Ominous,” “wistful” and an “obtuse pain.”

Not only. So much more without name in them!

“Molly.” “Wendy.” “Theodore.” “Distance,” “remorseful,” “unrequited” and “maimed.” “Misbegotten,” “disabled,” “mourn of the manufacturer’s defect.” “Insoluble.” “Ineffable.” “Now.”

I lay down. Afloat on the words as the stream together, overlap and cohere. Wide open now, mouth, legs, eyes and arms, rain runneling ears and nostrils, fingers and clothes – saturate me with words, let me hear of it all, all that there is, inward and out –

I am ready to drown – if all might be covered in words.

N Filbert 2011

It Begins

This very morning, in the midst of a heated discussion with my beloved spouse, my eyes (seeking some rest-place) perused the nearest bookshelf to the table.  Top shelf Proust and Beckett’s complete works.  Next shelf down the Kafka shelf.  Beneath that the Dostoevsky shelf.  Finally, bottom floor a shelf of Henry Miller.

I felt a familiar tugging, this things that happens as I walk through my house and am ever stopped long enough to actually look.  My stomach, my limbs, my fingers, my nose need or desire some particular bound and beautiful carrier of words.  Today – the resonation settled on Dostoevsky’s “Writers Diary” and Gustav Janouch’s “Conversations with Kafka” and a single-volume work of Kafka’s “Diaries.”  I never know why, but after two decades of magnetism and result, I just go with it.

These become the first things I peruse when I reach my desk, get busyness out of the way and household necessities, have cleared air and desk to get down to it, this labor of languaging.  I met an interesting energetic man earlier in the week who goes by “Sam the Writer,” another local word-lover (who also led me to WordPress and the idea of blogging) and apparently he had planted the idea of all this nonsense in my head – of rattling off my head more spontaneously that “blogging” involves.  I’d always viewed it all as a part of America’s “everyone’s a star” mentality – millions of human critters out there letting their brain brittle bubble and boil out over the planisphere of shared space.  Who needs another?

Probably no one.

But my wife had pointed out that sometimes she listens to me when she doesn’t really feel she has the strength, because she wants to and cares…and knows by the way I am talking that I need to.  Maybe blogging will help her poor soul.  So here goes the splattered, I hope dialogue, but feels an awful lot like monologue thusfar.

From Dostoevsky I stumbled right into as good a tagline as any for “blogging:”

“My situation is as uncertain as it can be.  But I shall talk to myself and for my own amusement, in the form of this diary, whatever may come of it.  What shall I talk about?  About everything that strikes me and sets me to thinking.”

“What truly shapes life, what makes it meaningful, is always taking place unnoticed before us.”

“We all know that entire trains of thought can sometimes pass through our heads in an instant, like sensations of some sort, without being translated into human language, never mind into literary language.  Your idea, even though it may be a bad one, is always more profound when it is within you, but when you put it into words it is more ridiculous and less honest.”

“constantly concerned with moments of transition, uncertain boundaries in life and between life and art.”

“All that I have seen, heard and read”

Here goes….

Traces

“All that is written is fictive” Stephane Mallarme

“It may be that to understand ourselves as fictions, is to understand ourselves as fully as we can” Jeanette Winterson

“Discovery – that is important.  First comes the discovery then follows the work.  And then sometimes something from it remains” -Josef Sudek

 

Par example

One should have a look at Steve Tomasula’s “TOC,” a “new-media” novel that is astonishing in its use of language and image.

Or check out Jesse Ball’s website http://www.jesseball.com

Or Ander Monson’s work on the business: http://www.otherelectricities.com

Cy Twombly’s work:

Or Viggo Mortensen:

Henri Michaux:

even an attempt of me own:

and so forth

The New Wor(l)d

Brand spanking for me. Utilizing electric light surge blip space for languaging. I’ve been writing with a pen on a page for decades believing my devotion to discovering things words can do. All along all sorts of things have been evolving and swerving in other technologies. I’m planning to try my hand at this immediate ephemeral eminently malleable tool… As I figure it out, hopefully there will be many interesting things for you to “read” and “see.” With words whisking about in their core…creating and unconcealing worlds