Excerpt from the Book of Living Words

from Farther Away - Jonathan Franzen
from Farther Away – Jonathan Franzen

Unspoken Fragments

Through someone else’s blog award list I recently discovered The Dream Journal Today – a remarkable blog straightforwardly recounting dreams.  It has stimulated me to pay more attention to what my brain is doing in its “off-hours.”  The post regarding my longing for knowledge of my father is such a result, as is the following post, gathered through the past night.  I have the hunch my psychophysiology works over emotion when I’m out…something my waking mind deters.  Whatever the case, I have found the ritual to be as intriguing as working with photo-prompts to dislodge other-conscious concerns, and recommend it to writers everywhere as a kind of exercise in translation.

Thrown on my back as from a jungle gym – panicked in the way of breath-smashed bodies.  Helpless then, disempowered.

Lying next to you in our warm nest of bed, nose and right eye microscopically near the flesh of your chest – the sharp distinction of its tattoo’s inky night and the blemishless cream covering your major pectorals.

I see it falling, the exploding crush of a thick plate of glass the size of a small wall and maybe four inches thick – variegated and stained – slicing and dicing my face with the stories you don’t share.

The night is full of phrases.  Intimacies shredded by the unspoken, the secrets.  A literal compaction of my face in bloodied fragments – the world a shattered windshield.

Sleeping fitfully you deliver direct language through the dark.  “This is wrong and this is wrong and this is wrong…with you.”  I don’t remember details, only that I’m broken like a vase of porcelain on the floor of an empty manor.

The decompression and drainage, the fracturing damage of all you hold apart.  Discommunication.  What is withheld.  The feeling of what happens when I supply the captions to your silence.

more_fractured_light_by_thescreamingid

“What is fiction after all, if not a kind of purposeful dreaming?”

-Jonathan Franzen-

Questionable

Spinning in a bit of ineffectual conundrum…what reaches the paper expands…

Does remarking constitute remarkable?

Do I discover value only when change causes difference?

Is recognition of closeness a result of disjunction?

What engineers a ‘train of thought’ – who lays the track?

Which is more creative – reading or writing?

When are thoughts and feelings the same?

Is language a metaphor?

Who asked you?

Does the talking stop at conversation’s end?

What does skin separate?

When does beginning begin?

Why is death?

What is meant by ‘same’?

Is there anything as dangerous as freedom?  Anything as certain as risk?

What  are the ingredients of making?

How do we identify?

Do emotions signify?  If so, what?  If not, why?

When?

What is gained by loss?

Are these questions rhetorical?  Essential?  Trivial?  For whom?

Who answers how and what kind of who does that make?

What?!?

Please feel free to respond to any or all of the above – wisdom/insight/hypotheses are warmly welcomed!

Very Inspiring

In the space of three weeks I have received 3 nominations for the “Very Inspiring Blogger” award here on WordPress.  I’m a little bit wordless.  It feels in me that inspiration works like a system of waterfalls.  Someone kicks the rock out of the way and the water flows, tumbles over one fall dislodging more obstructions, flowing on, saturate and soothing…on…  “When it rains…”  I am very thankful for these nominations / recommendations / kudos.  It is very inspiring to be considered inspiring.  Thank you: The Rag Tree, The Writer Site, and Words That Flow Like Water.  So, essentially, the award bounces right back at you – for its bestowal is so inspiring in itself.  To view my 7 things and the bloggers I nominate in kind, please visit my initial response: https://manoftheword.com/2012/11/23/reasons-for-thanks-inspiration/

Please take a look at my current blog roll as well – through these other bloggers I have come to follow many new blogs that promise to be quite inspiring, but don’t feel I’ve followed them long enough to contribute awards.  I would like to point out a few bloggers who have newly inspired me by their contribution of comments to my posts:

Simon H Lilly

R. L. Culpeper

Elena Caravela – an explosion of creativity I have followed consistently

Mari Sanchez Cayuso – her tangles of words (and images!) always unraveling potent internal realities

Petrujviljoen – ever active and compelling

Biblioklept – consistently instigative tidbits

Literodditie – fantastic and curious and quirky

This Blog Needs a Title – I thoroughly enjoy what happens here

Appropriately Frayed

 

Brainsnorts – always thoughtful and genuine

Okay, so it isn’t difficult to compile lists of inspiring bloggers in our community – and the happiness it brings is the fulminating trajectory of ever discovering more through awards like these – THANK YOU ALL!

Underneath is the meaning that it is meaningful to each of us – however small or distant these contacts and connections – that we each are offering ourselves and our work and welcoming those of one another – thank goodness and human capacity.

To paraphrase Dave Eggers (writing about David Foster Wallace):

“Which is, after all and conveniently enough for the end of this introduction, what an author’s seeking when he sets out to write – anything, but particularly a blog like this, a blog that attempts to give so much, that requires sacrifice and dedication.  Who would do such a thing if not for want of connection and thus of love?”

THANKS AGAIN – AND KEEP BLOGGING!

Fathers & Sons

Seeking My Father

flint hills-001    Seeking my Father

I’m stumbling about in a vast field of corn or wheat (mostly stubble) – for the requisite difficulty I want to say stalks of maize – but most likely it is wheat (author living in Kansas), though the sharp starkness of the dying shoots suggest otherwise.  There may be snow, it’s that bleak.  I’m lugging, perhaps draggling (yes – dragging a straggling weight – I do that) a shovel – nothing unusual about the tool except that it feels abnormally heavy and the iron parts are particularly cold (reminding me of the processings of my brain).  A book is open on my lap (I’m sitting in an airport) to ward off any attempts at conversation and indicate a desire to be left alone, so I might continue my dreaming.  I’m using the shovel to dig for my dad.  Like – to find him.  The field is a veritable landscape, not a “quarter” or even thousands of acres, but more like a steppe – some foreboding Russian prairie-plain – but clearly cultivated and almost fallow, or otherwise undone.

So I’m trudging through, eyeing the horizon, searching for some limiter, some possible landmarks that could clue me or direct me toward a where to dig.  Every once in awhile I stoop or coil and plunge the blade into the cloddy frozen soil, strung up in tares and straw and grasses.  I guess I’m expecting a thunk or an explosion of stars or something, because I never dig for long in one place, and soon pull up and move along.  How do I know that he’s here?  It’s as if something told me so.  A sensation a helluva lot like intuition, or premonition.  It’s a thankless task, I’ll tell you that, with the approaching holidays and stuck like this waiting on delayed Winter flights.  What hope is there for me?  It is already dusk and the field’s enormous.  I’m alone, you know.  Out here trying to find my father.  Trying to find my way.

flint hills snow

Afterword

Ever since I’ve been nearly-adult, or as long as I distinctly remember thinking about things like this – like death or family or meaning – I’ve wished I knew my father.  In college I thought it might be a matter of vocabulary – that we didn’t possess the correct vehicle for exchanging emotion and memories and hopes – so I studied America’s westward movement (the paths of our ancestry), studied land management and read farmer-writers like Wendell Berry and William Kloefkorn, Larry Woiwode, William Stafford, Robert Bly and ilk.  Trying to forge a connection now that sports and God had run their course, for me.  As my own children arrived I turned to movements like Men and the Water of Life, the Iron John sort of thing – searching what is my heritage – of gender, of blood – what the hell does “manly”(ness) mean beyond observation and nurture?  Now with sons.  Hunting for metaphors or language that might serve as derricks plumbing wells – that might draw out my father and myself and somehow blend us together.  Poem after poem, story by letter asking intimacy.  Sometimes I’d gain the courage for a lunch or an outing to interrogate him directly about how he felt about things and what were his stories.  I gifted my mother and he with a book of great questions and a blank notebook so they might fill out their inner-info when they felt like it, “for their grandchildren,” I’d said, “for posterity.”  Simply wanting to know.  As far as I know, it’s still empty.

Why is it so hard for fathers and sons?  How many of us wish we really knew – our parents from the inside out?  Believe that somehow knowing more than their strategies of being would offer us a clearer, fuller sense of ourselves?  Unburden.  Invite.  Be near.  As my father and I both age, I find myself anticipating his stages – frustrations, weariness and increasing losses.  I find myself encountering bewilderments I saw him endure, and still I constantly wonder what he would say – if he said – not regarding politics or basketball or weather or cars, but about me.  About him.  About being a father and a man, a husband and a laborer, a person, a friend.  About humor and music and art, about culture and meaning.  He studied much and has lived long, lost so many, traveled and loved and he’s beautiful.  As with my sons – toward whom I try to be so open and true – the conundrum of unknowing and uncertainty related to those closest to us is a mystery that hurts.  The above piece is one of a life of installments.  A kind of cry.

 

 

 

At Risk

            Why is it that what requires an army is always represented by one tiny little man?  Or that incremental power leaves aside the human – “horsepower” – cannon?

Insurmountable odds left to a roll of the dice.

I used to not have patience for this game, the long slow proposition of loss dotted by occasional accidents of “victory.”  Ever outnumbered on defense, I get it now.  I’m 42 years old.  The dice roll all day, and as the sides increase the odds go down and the stakes are higher.

Why even bother to play?  It’s a question we ask regularly.  Such a commitment of time, of energy, attention.  So much spent twiddling thumbs or enduring loss or unwanted wins.

The world is enormous, and yet miniature, even to Legos.

You and me and you, my sons, miniscule players in a massive machine of rules we did not invent.

There must be a reason we play.  I don’t believe we want to defeat one another.  But the commitment.  The attention and energy, the time.  I’m pretty certain we want those things.

So we risk.  Join in, gathering around what becomes a battlefield from a motivation of love, of loneliness, collaborations and deceits, treaties made and broken, a collective misplaced on a board.

Bon chance affection.

And another roll of the dice.

With something agreed from the start.

Feeling Now

awaiting the arrival of my beloved…

Words Living

Aleksandr Hemon - Best European Fiction 2013

Hemon2

“When we are not sure, we are most alive”

-Graham Greene-

The Feeling of Today

Voices of the Book of the Dead & Vitality

I have to agree that one major thing I have never been able either to tell when talking with others, nor explicate when trying to share – about writing, the activity – is the pleasure.  For me, if I can move my experience of the world into language and there let language create a new experience with world for me, whether I’m miserable or joyous, in tedium or ennervated, things feel alright with the universe.  Sometimes even if I’m just drawing letters onto paper, words or not, phrases or not, discernable meaning or not – I still feel fine.  But then, if there seems like a resonant flow – if the language available and the experience felt engage recursively – there truly IS nothing quite like it in my experience of life.  David Foster Wallace says it this way, and I’ve heard similar attempts come out of my mouth:

“When I discovered writing I discovered a thing that gave me a combination of fulfillment (moral/aesthetic/existential/etc.) and near-genital pleasure I’d not dared to hope for from anything”

that rang exactly true for me….and…

“when i’d sit down and look up and it would be hours later and there’d be this mess of filled-up notebook paper and I just felt wrung out and well-fucked and, well, blessed.”

I probably wouldn’t blog that term (“blessed” or “f*@ked”), but there it is, and again, it does come as close as I can think to that satisfied, dizzying, emptied loose feeling that comes from a safe and open, intense and releasing session of writing.  I am thinking that the words “combination” and “pleasure” and “fulfillment” do the most to describe the process and experience of experimenting and experiencing in language for me.  And it is very similar to sexual intimacy, because once you have moved into the other (in this case, language) – the other has as much to do with, as much control over, as much effective presence in, the beauty and sense of meaning of, content and activity of the process and results or engagement as you – the writer – do.

Making it with the world is one of those weird mysterious ecstasies that are incomparable and indescribable.  I would be deceptive if I said that anything were “better” than it, though it has (in our limited emotional/emotive base) many similarities to being “spent” with one’s spouse, or those rare and profound connections with one’s children – I guess it ought to make some sense that intimacy-with would draw from the same human wells.  There is a quiver of experiences that no one speaks of without a touch of awe, a befuddled amaze, or a glad bafflement, and for me, the activity of reading and writing is one of these.