There, Thank You

sketch by Hallie Linnebur
sketch by Hallie Linnebur

There’s this first thing.  And then the side of it.  The underside.  Maybe a knot.

My shirt looks like a dress.

A darkness that comes open.  A light controlled by dimmer switch.

It’s just work.  Effort.  The cost of paying attention.  No end of account.

Start with what you might call a “feeling.”  Continue that way.  And move on.  Navigable hunch.

The roles are flipped.

And flipped again.

Flip-flop, padding along.

Topside.

I don’t remember much, but it all comes with.  Sometimes called “effects.”

Affect.  I perceive.

I watch her move, and move, and move again.  I listen.  I smell.  I wish to touch.  I like to learn.  I don’t know what.  Just find out.  It doesn’t happen.  Well, sometimes.  But not as often as I wish.

I don’t know what the wishes are.

If that’s not true, then I don’t understand.

Over.  Under.  Stand.  Other sides.

When most accurate, I breathe.  Just that, and staying there, I follow.

Staying as a sort of plodding.  A moving.  A padding along.

It seems that sounds compete.  But they collapse, constructing more.

If sights and sounds were all.  Or,

If there was a difference.

A word was used – was “murky.”

I touch the curves.  I’m searching edges.

The switch dims and brightens, dims again, brightens.

Something.  And then the side of it.  Another side.  A knot.

Outside being inside, dims and brightens, inside-out again.  Staying there.

An old and thankful argument.  To whom?  For what?  To what?  For whom?  And so on.

Or just affect.  And staying there, I move along.  And I am thankful.

Between the Spheres

sketch by Hallie Linnebur

This is what it looks like, in the one hand

Between the Spheres

I try to wrap my mind around it.

An attempt to connect the two – a keen accomplishment (perhaps unique to all the world of humans) – of right knowing what left is doing, and vice-versa.

Lost along the way.

I describe it as a process – indicating neither beginning nor end-directing goal, but rather recursive procedural motions.  Realm of natural orders?  Reversible time?  Or indifferent to?

Can’t tell one from the other – hypothesize function – track trace with technology.  Pretend data.  Posit interpretation as theory.  Wind up again.

Variously termed reentry.  Autopoiesis.  Self-organization, containment, production.  Ouroborous.  Infinite regress.

Middle is muddle.  Diversely called.  Corpus Callosum.  Hermeneutics.  Subjective objectivity. The observer effect.  Confusion.

Fusion-with.  Heads and tails are absent, or amount to the same.  Keeping an eye (I) on the eye (I), so to speak.  There are no levels of perception, simply additive, truly more of the same.  No stacking, just tangle.  Alongside, underneath, around, beside, below and through, but ever bound by hemispheres.

Imagine dynamo-balls – activated collectives of interdependent energized cells humming, buzzing or otherwise functioning according to their wired connective wholes-in-part.  Betwixt the vibratory masses some buffery twingled transmission zone irrepressibly attempting translation of pulse-sorts, glyph-types, data blips…circuitously globe-to-globe.

I try to wrap my mind around it.

Wrapping, coiling, carrying…sire-wires…another organizational knottage of wattage…behavioral systems, courier-tropes, internal/infernal communications rife with all the residual, syntactical, emergent and scumbling give-and-take, mis-interpretation and noise.

Submarines and warships, encryption and decoding, fuzzily idiosyncratic as love or larger loops.  Chaos all the way down or ‘round.  Patterning bottom’s-up or through.

This is what it looks like, in the one hand.

Exploring the Interior

Howitis - Beckett

I am an outdoorsman of the indoors

-Heidi Julavits-

Maybe I’m meant to be a philosopher – one who asks, observes, thinks + wonders, ponders perspectives, theorizes potential generalities, hopes reports and reflections might “stick” somehow to a wider frame, might be shared, or sound true.  Perhaps that’s sociology, or anthropology, or just the case of being a “social animal” – who could say?

I notice a title, er, there is a title I just saw on the spine of a book loaned to me by the library where I work, en-titled “Gesturing Toward Reality”…which, if we believed it, proves another spine in the pile: “The Primacy of Semiosis.”  If.

Or as if.  Azziff.  As. If.

If that’s how-it-is.

(“How It Is” is also in the stack).

As If That’s How It Is

And So It Begins

Goes

“And so it goes.”

My house is cluttered.  I seem to have a penchant for creators.  Not artistes.  Perhaps the kids wonder.  I task and clean (hardly) in order to order what I can especially whenever anything or everything feels disordered (or I am), but I repeatedly conjoin with those whose vibrancy depends (or seems to) on mess, on possibility and potential, on emergence.  Whilst I career about, disordered and emergent, clinging, striving, desperate for order:  ordered thoughts, ordered words, ordered places, ordered life.  None of which ever even remotely eventuate.

Except perhaps.  Or, as if. 

Still things settle quickly in me.

Crumble, toss, shred, pile or pack anything about, for, with, around me (even my self with my self, or selves) and it funnels, spirals, gathers – most amazingly efficiently! – in fact quite remarkably and chemical-reactiony to a bottom or base – a dredge, a sludge, a collection of chaos quickly finding its way to a murmur – a melancholy.

What would a writer do?  A philosopher?  Musician?  Psychologist?  Lover?  Parent?  Friend?  Any, all of the roles I might enact as parts of my selves?  Or…what would I do?  What might an I made up of me(s) want to do?

That thing [being, organism]…in moments settled and gathered and overwhelmed – feeling steady, calm and helpless in the face of things – MELANCHOLY – “good” I guess (comparatively – a state in which the energy is gone for acting, for performing in the face, presence or need of another)…particularly:

  • When the weather is ‘right’ for it (40s & raining)
  • When there’s too much or too little to do
  • When depleted from something taxing (performances, events, demands, others)
  • When certain of scarcity and definite end

The thing wants particular music – “sad songs” (Mark Kozelek, Arvo Part, soundtracks, solo piano or cello); a stable table and sheaf of lined blank papers; a Bic Crystal medium ball-point pen in blue or black; 1-3 hours uninterrupted; endless drink equal parts vodka, tonic and 100% grapefruit juice; a cigarette or two; loose layered clothing; and an outside for the inside to poke around in I guess, to hazard (haphazardly). 

That’s what I do.

Time and space, a melancholy, a setting…

or sex,

a vital moisty intimacy with (and only with) the one I love,

desperately (unfortunately) need, desire, crave, wish for…

So – to write.

To leak in a hesitant line.  Ink.

To see if the liquid residue scraping looping shapes across light blue lines of snowy-white notebook pages might in-scribe, in-form, make my inchoate choate – make the amorphous and disordered shapely and full, meaningful, possible.

Whether I might accept, discern, agree with something that makes its journey through the networks and passageways that apparently compose me

that might result in something I recognize or comply with, if even only

– like these are the times I stare neither at the bush with its waving tendrils, nor the fence poles they move against, but somewhere in between –

if even only [syn. for withholding judgment] (my drafts are filled with these) to hear the unknown or misremembered word

nothing in focus but an unlabelable feeling

which I call (when required) – “melancholy” –

defining for me something calm, dank, pure, correct –

a sieved and all-accounted-for awareness –

before some crazed and passionate outburst or heat, some diversion of this otherwise apparent cold, wet, burn.

The word I can’t recall (that I need) begins with a “c.”  Or perhaps an “a” or “ad-.” 

Or maybe something else among its 26 options.  25 really, I use so few that begin with “z.”

**********************************

Lael asks for statistical proof of decreased attention spans while I get bored of expression, description, “tack”…change the color of my pen and wonder why the average popular song is 3-5 minutes long but novels normally run past 100 pages.

It would seem that we all just want to be and be loved, however we verbalize it.

I still haven’t remembered that word…and refuse to utilize thesauri or Google.  Or any alternate synonym finder.

Our value lines seem so personal and arbitrary and irrational (philosopher?  Anthro-socio-psycho-logist?).

I want to be intimate with my partner.

In such a way.

In such a way that she understands, comprehends, – EXPERIENCES – how significant, important, crucial, essential

she really (REALLY)

IS

to me

to ‘a’ “me.”

Being.

This rambling ridiculous writing

is all, actually, thoroughly,

another misguided attempt to communicate.

Truly or in reality

That I exist in order to be a “me” in relation to a “you.”

Quite simply.

It weighs nothing

bears no responsibility

It’s simply.

I marry you (again).

I am.  A “folded clock.”

among billions.

If even only undeterminedly, undecided, uncertain, unsure, debatable, dubiously, [all synonyms for withheld judgments].

Not least among the spines arrayed before me: Complexity – My Struggle – The Erotic Phenomenon – Reviving the Living – Experiencing & The Creation of Meaning – Things Merely Are – Intertwingled – and Love.

**********************************************

It occurs to me in matters of most everything that I need / demand / require CONTINUAL PROOF for something – for me – to count as “true” or “actual” – things have to be perpetually evidenced.

Nothing is…but…well…that’s why I trust in death.

I-Native Writing: Attempt at a Self-Portrait

Ouroboros

Things one realizes about oneself when one is “partnered” or loved well.  That seems to be the theme for me of late.  The differences between “automatic” self-recrimination when the Other speaks of an annoyance or a threat to useful relating vs. a kind of awareness and curiosity about one’s own behaviors that opens up understanding and attention related to the same habitual practices…

For instance.  For years, the only tattoo I got that was not an author or artist’s name / signature / or self-portrait, was a whim of “…and then there’s me…”: and I had a simple Ouroboros inked into my shoulder.  The snake eating its own tail.  Sign of health, sign of destruction.  Sign of…

What’s in a “sign?”  A fundamental query ruling the bulk of my waking hours, and carried over from my sleep.

Ouroboros2

THIS NIGHT.  Reading others’ words it dawns on me…”My biography is my catalog.  But the man who was there before I decided to become a reader is missing.  I, in short, am missing.” [Vila-Matas – Dublinesque]

I, in short, am missing.  So long accustomed to defining and describing myself in relation to world, others, children, parents, education, travels, experiences, friends…roles, behaviors, actions, theories, ideas, feelings…and so on…

Each scenario, event, surround, circumstance, company : co-creating WHO / WHAT I am – with no idea what “I” might be stripped of literature, philosophy, family, knowledge, accomplishments, relationships, language, interpretations, and so on…

I had marked myself with “signs” of who I “am” for my children postmortem.  OTHERS.  Read these people, look at these artists, think about these things…and you will have some idea of who your father “was” – Nathan Filbert – a bibliography.

Infinite Ouroboros

Hmmmm.

I AM what I am related to.  Never being able to come to the end of it…I do not know what/who I am.

I can say something of the how…which felt like a revelation on me of why the most off-handed permanent mark I requested to be inscribed into my body has come to feel most adequate / representative / apt / true?

The how is like this.  I recognize in intimacy and dialogue with a loving other (my partner) over time habits of mind: annoyances, arrogancies, logorrhea, unwise knowledge-sharing (always borrowed)…INSECURITY, self-doubt, terror, UNCERTAINTY.

In most seconds of my awakeness two things are tangled, wound, immediate, simultaneous, recursive and self-devouringly going on: WHAT AM I DOING/WHAT AM I? and WHY?

My children run in, blast a request that feels like a demand – at the kitchen counter I: what am I hearing?  What am I feeling about what I’m hearing?  Why am I feel-hearing that?  What should I do?  Why do I think ‘should’?  How should I respond?  Why do I think there’s a ‘should’-how to respond?

On the porch reading with coffee:  Why do I cross my legs?  Why do I like coffee?  What am I looking at?  Why does a squirrel catch my eye?  Why did I choose these glasses?  Why am I thinking about these things?  Is this what others think about?  What ‘should’ I be thinking about?  Why ‘should’?  How should I work?  How should I think?  Why do I think I should have a way of thinking?  Why do I think about the way that I sit?  What kind of being thinks about the way it sits when it thinks on a porch and is distracted by a squirrel?

WHAT AM I?/WHAT AM I DOING?  and WHY? leading to HOW?

What am I doing?  Looking at letters on a screen.  Why do I look at these letters on a screen?  Why does language move me, draw me, resonate?  What is resonating?  Why?  Should other things be resonating?  I enjoy looking at my love.  Am I looking in the ‘right’ way?  Why do I enjoy looking at my love?  How should I look at my love?  Why do I look at my love?  What kind of thing is drawn to gaze at his love?  What is love?  Why do we love?  How should we love / might we love?  Why do I hold books certain ways.  How do I hold them?  How might I hold them?  Why?  What kind of thing thinks about how and why and what he holds?  What was that tone?  Why that tone?  What kind of being uses that tone?

And so on.  Moment after moment.  I get a drink.  Why did I get a drink.  Why was I thirsty.  What does it mean that I was thirsty.  How should I vary what I drink to my thirst?  Why?

Rarely do I consider “Who” does these things.  It’s too far removed.  Too unknowable – beyond any what/why/how I can even begin to contemplate.

But constantly constantly constantly WHAT AM I DOING?  WHAT AM I? (in this situation, this situation, this situation) and WHY?  HOW?

tangled ouroboros

And this is how my days pass.  Finding myself moving, teaching, listening, talking, drinking, eating, loving, avoiding, forgetting, imagining, smelling, saying, wishing, regretting, ashamed, confused, uncertain, unknown…but always searching, observing, inquiring, scrutinizing…

WHAT AM I DOING?  WHAT AM I that DOes such things?  WHY am I doing them?  HOW ‘should’ I do them and where/why/what/who thinks of ‘should’?  WHY?

And finding nothing but infinite tangles, recursive spiraling production and reduction, endless context surrounding every moment that is constructed only of questions and hypotheses…

I chose a good tattoo.

Permanently self-devouring and regurgitant.

Self-Imitations of Myself. (Gordon Lish)

doubleourobors

perhaps shed light on through an-other?

“A single voice raises the clamor of being”

Gilles Deleuze

New Work in the Works

therebeingimage

BECOMING: A Something-Writing …Provisionally (cont’d)

Say it – “Mikhail!”, say it “Lover,” “son,” or “dad.”

Give me a robe, a title, anything,

let me to be,

yet call me “Person.”

(same as you).

Just like with all our difference.

Generic sets.

And without cease.

What’s inexhaustible

and finite.

Here We Be.

Call us “Person(s)”

In order to get by, to get along, to carry on, I invade your body as if planned.  Swapping breath and sounds and fluids.  Making more.  A “he” a “she.” A “husband,” “wife.”  A “muse” and “lover.”  We pretend in our pretense and we become.

Call us Person(s).

We raise the dead and name it “memory,” name it “history,” name it “god.”

We start to drown, but we’ve become, and name it “family,” name it “nation,” name it “state” or “land” or “friendship.”

We disperse.

We send out tracts: “PLEASE CALL US PERSON(S)!”

No response.

And we become what we will be.

 **************************************************

I scream your name for I am helpless, “I” am hopeless without you.  And so I grasp and shape your body, your behavior, your aplomb.  I demand answer for my question is the telling and I need to be an I: “Call me Person!”

It begins.

And it is reckless, it is violent and warm. 

I am coddled, moisty, fragile.  I need purchase(d).  I need won.

You are one, and there are many.

We begin.

“Mother.”  “Lover.”  “Child.”

Call me Person.

Call me something.

We grow limbs and we grow hair.  We swap shapes and alter presence.  We emerge and we invade.

I am Ishmael, I am

Allah, I am Sam.

You are giant, you are troll, you are fairy.

I can’t tell but for the asking (as if same, as if identical) – simple call.

Call me Person.

We begin.

 **********************************************************************

 In some ways our job [for survival] is simply to affirm one another.

To provide response (which is a call) to a call (a form of response).

I affirm you (which affirms I) by telling you (asking back) when you ask (telling me you are – where?).

Co-respondence is affirmation – positive or negative (each a both/and) [as with most things living].

You there –where?—ask me, I will acknowledge – thereby telling “you” –

both of us thereby affirmed, established…

…Being…

Thusly, there are Varieties of Presence.

I am Stephen K. Plato, Laurell H. Hardy, John

Quincy Locke,

call me “Person.”

“We” will therefore become via our calling, our response,

-mutually constituted identities

-for the moment.

Johann Sebastian Souza strikes a note

Federico Garcia Chopin hears that tone,

thereby constituting,

no, co-constituting…

…sound.

Sound, press of fingerpads on forearm, shoulder, buttocks, calf,

breast, or clay,

each,

each each,

resonance, difference, identification,

-a becoming, become-

Affirmation.

Compliance.

What might seem

passive, active, passing to-and-fro, creating “We,” “Us,” “People,” “Person(s)”

Trolls beneath the bridge.

Knocking, knocking.

We.  Are.  There.

(Which is “Here” for NOW).

 *******************************************************************

Being.  and Time.

                                 (one might say)

Call me Friedrich, Ortega, Alfred.

or:  Being + Event.

                                 Address me Giorgio, Alain, Ricky G.

Actor, actant, the motion of bodies.

Ludwig Joycenstein;

                                   rejoice in time;

Osip, Anna, the noise of time.

Being.                                    Event.

kairos

“it is Time”

fullness.

redolent.

predilective.  propicient.  promising.  proclamative.

 

NOW.

In the Beginning, the wormy End.

Every Ending a Begin.

Transference.  Transmission.  Translation.

It is love.

Call.                                               Response.

Affirm

Telling                                           Asking

Achieve.

Archive.

WE ARE

You/I         a          He/She

(not long before combine, breed, be/have)

BE-COME

 

WE.

 

“I” was lost, until you found me…

…in other words…

…varieties of presence.

bumping into brambles,

slipping into sea,

hearkening to shriek,

Ask                                                Tell

yay/nay,

                  no matter,

                                          what matters?

                                                                  too much, too little?

near enough

 

Begin.

Become.

just BE.

 

Be.  Be.  Bee.

1. B. 2. C. D.

Dee Harvey Osmont.

Olivia Newton jaunt.

Wolfgang Adolf Heisman.

Prince Albert Nobel.

 

Call “me” “Person.”

 

Julio W. G. Sebold.

Sign on page,

                              raised to the eye,

                                                                  digited “touch,”

BECOME.

 

Vocable.  Insignia.  Etching.  Stroke.  Motion.

 

WE.

 

Call us Person(s).

*********************************************

“The pen asks / much more than it can answer /

one word at a time”

-Philip Levine-

Everyman logo

BECOMING: A Something-Writing …Provisionally

Provisionally: A Something-Writing

-What I Have in Me to Write Now-

Everyman

            I am Melville, I am Aristotle Dostoevsky.  Address me as Plato, Poinsot, Peirce.  Franz Ferdinand Pessoa.  I don’t care.

Call me Person.  Anyone madly bearded and wielding a pen.

The one writing, saying, speaking.  The gesturer.  Being-doing-becoming.  The Nothing-sans-audition.  The Singer-without-ears.  Seer-without-vision.  Images – begone!

Call me Person.  Listen! – it becomes.

Wrapped in filthy sweet meconium and lies, lays, swaddling undone.  Wrapt, swaddled, held: Become.

It begins.  A sighing and a sound.  A saying and a listener.  Bronk, Bakhtin, Blanchot.  Call it what you will.  Call me Person-with-a-Pen.  Number me “Frail Parcel.”

I utter, you reply.  I gains an “I.”

She responds and “I” becomes a “He.”

Call me Shakespeare, call me Tolstoy, call me Sterne.  I yelp a Joycean Woolf!  It begins.

Call me Person.

Damaged, swollen and undone, without a reason, and yet a flailing voice.

We translate love and I become.  We cobble names.  “Honeywizz,” “Beastyballs,” “Xanadu.”

Say a word, and say again.

It sounds like singing.

Cry out Jeezus! Aquinas! and let us move.

Heidegger, Hegel, Haar.  William Dewey, Tomas Pynchon.  Another ring, another rung, another syllable.

Translation, transmission, footnoting insertions, assertion.  I am John James, Alfred South Hampton.  Bewildered and Amazed.  Immanuel (God-with-us) Nietzsche, Darwin D. Descartes.

Just call me Person and I will answer, becoming “I” and I become.

The whisper and its hearing,

you moaned and I perked up.

“Yes?” “No!” Otherwise.

We are here.

Call us Person(s).

I/You, Self/Other, He/She, Says/Hears, Touches/Felt, Imagine the memory.

Begin.

**************************************************************************************

            At long last, we arrive.  Gilles and Jacques and Simon.  Luce and Helen and Clarice.  Paired, impaired, distorted.

            You may call us Person(s).  We are named.

            Once called, for a response.  The asking is the telling.

            I cry out.

There is echo.

It begins.

Frail parcel.

            Laurence Carlyle.

                                    Samwell Bronte.

                                                            Simone de Cortazar.

Someone sings, it garners litany,

“We are here.”

please call us Person(s).

At first I was a scientist: a philosopher of stories,

for you I depicted scenes and portraits,

invented tools.

Everything a bridge.

The word “between.”

We gestured: “Call us Person(s)”

We said Moscow, India and Greece.  We stuttered America.  We shrieked of Arabia and England.

A run of names and numbers, symbols and beliefs.  We made equations, normatives, reliefs.  We consulted, constructed, and revised.

All us People.  Call me Person.  Calling “you.”

I made an image of yourself, and you became…along with “I.”

We shouted slogans, rafted rivers, swam the seas.  We scaled the peaks.  We dug beneath.  We drifted out.

And kept on calling, calling back

and calling forth, all the asking that is telling, and the stating towards inquire.

It began.  It formed a we, and that resulted in an I and a Thou, gone either way, but none other.

It plays with brain and body is the brain the body,

call us “Person(s)”

A kind of beast and gentle species.

We, animal and saint

because we said so.

“Call us Person(s)”

for the asking and the telling

the query-and-response

its to-and-fro

and the becoming

We will be.

******************************************************************************

What we intended – -ologies and –isms and parades.

And “we” begins

Call us People, call us Person(s)

The beasts, alive for NOW –

a simple Zone,

a sphere, an angle,

our “perception” as we say.

I am Maurice and Piaget, von Uexkull van Beethoven

Call me Person

And drunk on signs

(that We developed)

in-between

so we might BE.

(Let’s call them “words”)

Let’s call them breaches, bridges, dreams.

Let’s call it Love.

(and its undoing, its location, its domain)

Let’s call it governance or law.

Let’s make a Zoo with separate cages, create a Zone for disciplines and fields.  Feelings.  Cultivating crops and crafts and musics.  Let’s call it “Science” and beg for silence, and beg for naming and for names, more names and names and things, more names and names for things.

Let’s mix them up and cause explosions.

Me + You.

and co-created.

Please call us “Person(s)”

And let us mark and underscore: Disprove.  Debate.  Erase.

Let’s say “adjust.”

Let’s try to capture or discover – now we’re we.

But call us “Person(s)”

We will be.

I have become.

Spring Forward – Saving Daylight

Flow-Stainless-Sculptures-001

Taken with a feeling of grandeur: a premonitory greatness arising with convergence.  There are uncertainty principles and the bafflings of mathematics as one ranges across scales.  Relationships over time and fictional emissions, philosophies, transpositions of experience…and sometimes, somehow, they inextricably and irreducibly link up, reciprocally foster…and generate moments of novelty.  Perhaps this is indicated with the term emergence.  There is music, too, and emotion.

A sense of sense.  Of universal process in which one plays a micro-part, participation.  For the time – being and becoming seem joined.  There may be love, generation, sometimes even intuition of revelation.  Simply processes – ongoing self-organization – of “selves,” and smaller and larger collective, complex, and dynamic systems.

Something like “meaning,” I suggest.  Nobody gets what I mean.

Which represents entropy.  Things falling apart even as they arise, conjoin…together.

Things I do not mind.  Emergence / entropy … it’s all dynamic – which is what I’m thankful for in the now.  “Alive” perhaps we’d call it, un-“dead,” – a state I’m thrilled to avoid.

****

Of course there’s a “Her,” and a “Them,” or “they,” – my spouse/partner/girlfriend/significance-of-Other … and the offspring numbering 1-4 – the “matterings that matter” in me… my hand and body, pen and paper, & the complicated processes between that emit some strange result.

Physics tells me “strange attractors” (at that relational scale), I suppose it’s literature’s “muse,” romance’s “one,” the what-fors and what-nots equaling “It,” equaling “unknown,” equaling “that to which things tend.”  Optimization, in a sense (if only a fantastical one).

Depending on the color of the glasses.  What hole is peered through, by whom, from what angle.  Perspective.  Outlook.  Relation.  Some mean free path I’m on.  Perhaps now a ‘we.’

“I” feels uncomfortable, unnatural.  The idea there might be a group-of-me consoles.  If only one (other, more).  If only a “you — too?!”

i'm_nobody_who_are_you2– Emily Dickinson

something like that.

Dancing like cancer survivors…

https://www.youtube.com/watch?v=jpndIFSA2jw&noredirect=1

At least grateful we’re experiencing

That’s a sort of Spring-Forward, is it not?

For (every?) New Year

Greetings all.  I realize something now.  I realize (today), I realize, sitting in the sun of a Winter in Kansas, on my porch, in a rocker, alone, a side-effect, a remnant, remainder, myself… I realize that I have long dreamt of leaving some legacy, of making some mark, of contributing to the world – the natural world – the world as made up of plants, animals, landscapes, elements, humans… the world dizzied with combinations of atoms and molecules… and yet… and yet… I realize it was all about love – all about being realized by being loved, and realizing meaning in loving – NOT leaving a literary legacy, NOT producing interesting and intriguing offspring, NOT making art or language or objects that would outlast me – NO, no, no…  Simply recognizing that I exist, existed, am existing in the world of another, and that the world exists, existed, will exist for me – by my affection and attention to its nuances, details, and differences – its specificity of my attention, attraction and resolve:  LOVE.

I found this entry in an old journal, a blue oversized Moleskine soft-covered journal, and found (years later) that it still seemed to speak for me… but as I typed and edited it I realized that it has been outdone, realized, accomplished, in the FACT of BEING LOVED and BEING ENABLED TO LOVE… and so all the hopes remain, all the purposes and visions, all the projected communications and connections… but in a context rearranged, reapportioned, reinvented – that of MEANING derived from LOVING and being LOVED.  Thanks to my vibrant partner and accomplice, inspiration and reward – for taking the grave gravity of production and transforming it into action… the pinched acuity of competition and accomplishment into offshoot, accumulation and extraneous luxury – that the hopes, dreams and ideas / ideals of a human existence might be translated into freedom, grace, and potential benefit or gift – possibility rather than necessity; offering rather than identity; potentiality rather than desperation – a giving in distinction from a grasping : so I might still possess similar hoping without the fear and trembling, without a sense of pointlessness, without a perception of failure.  LOVING – intricate maneuvers of helping and healing, intimate operations of interaction and reciprocation, finely detailed activities of acceptance and reception – the sigh, the breath, the pulse of BEING… change me.  Change and change and change me.  As a parent, a man, a partner, a person.  Thank you dear love – a wonder, a woman, an incredible human – a person: full and becoming, so generous, so tender, so affirmative and kind, so rich and creative, inventive and becoming, so new – I love you.  The world is different now.  Its meaning, its point, its aim, its occasion.

This old and rediscovered writing has distinct meaning… because you, and life, and love, and… an evolving and differentiated “I.”

Jacobsen - thought series

I am using the blue notebook with a blue pen to complement.  Why?  Because you asked.  You said “everyone wants to know.”

In other words, if it’s going to count for what matters, it has got to be specific and special – set apart, somehow more final, more complete.  I’ll use it for the whole – for photos, drawings and more – all the blue notebook in blue ink – for you.  Because apparently, “everyone wants to know.”

Mom and dad ask in their roundabout, passive-regressive surreptitiously accusatory way, as is their fashion – kindly and quiet, ever with a look of care and concern, yet secretly shouting their “what is wrong with you!?” “What is wrong with US, that you…” and on and on and blah blah blah…

My memory isn’t like that the first five years of life…that I pretend to remember.  But all is mostly smells and sounds and light from there.  Trees and grass and dirt, how brightness gleamed and glanced and filtered through, with times of wind and rain.

Not that you care… I’m fairly certain that’s not what is being asked for, not by you, by my sibling, children, or lifetime of “friends” and “family” – whoever, wherever they’ve become.

You’re the livewire – and perhaps the children – perhaps they will want to know, at some point, perhaps not.  Perhaps everyone’s already figured my story – diagnosed and prescribed me.  Perhaps.

Be that as it may, I’ve thought long and hard, reviewing what I thought I knew, how I felt I felt, what it seems I’ve seen, and so on, and decided, for you, for you, really, and maybe a little of a bit for myself (curiously) and a percentage for my kids should they ever seek to know or wonder, or have need of psychological freedom, or give a shit about who or why… I decided to use this damned blue notebook with matching pen and try to learn just what I think about it all, mostly because, as you put it, “everyone wants to know” – (and WHO might this “everyone” be?).

Should I start with the hands, the head, or the heart?  I suppose the limbs and loins will come into play as well – god knows the guts and the goiter.

I remember an opening.  A time I was touched, in the rain, and my suddenly skin, my obvious self-enclosure – as opening, margin, and veil – a fabric of me, and a screen.

I wanted to make a difference, you see.  Make something, I don’t know, construct an element everyone could hold on to.  Take in hand, heart and head.  Keep or repeat as needed.  Something like that.  I knew I wouldn’t last, none of this, none of anything.  “The center cannot hold” sort of deal.

I ought not begin there.  They’re all wound up together like knots – the head looking down, arms wrapped around, concealing and revealing the heart, the guts, the loins and moving limbs.  I can’t take a one without other, thinking and feeling about it, my actions, ideas, and sensations all.

Perhaps I’ll pretend.  (Just what you’ve all loved so well about me – to discover pretense – how I’ve molded myself to imagined desires).  I’ll pretend I’m an aged man seated on a stiff wooden chair, children / grandchildren gathered all about me – a specimen or model – something to be taken apart and examined.  I lift off my shirt and my body is read – questions asked – we all get somewhere in this way.

jacobsen - thought series1

Let’s see – here – along the shoulder – a self-portrait by Egon Schiele (self-tormented asylum brother) and a snake that is eating its tail.  “Le Ouroborous,” I  hack out – “don’t you know it?”  Sign of doctors, ingenuity, medicine and art – creation, destruction intertwined round and round.  Self-devouring while birthing its form as it alters.  The mastication and regurgitation of “I.”

A young one might say “what’s that? – the curlicues and elaborate spiel?”  Garcia Lorca I’d sigh.  Yes.  The grand leaping bugger of light.  He’s yellow and lemons, crickets and birds!  You know the stuff that sends you!  Portal moments of sight or song and ‘wham!’  all the crap pelted into your brain and body get shaken and stirred together like surrealist still life.  Incongruity making sense.  Opposites attracting, no, better – look at your aging mother and I – a juxtaposed spectrum, paradox and carnival!

They say that you wanted to know.

Yes there’s Kafka, Blanchot, Cixous and Lispector.  Jabes and Beckett now seeped in my veins.  Dostoevsky, Bakhtin, Rilke.  Gods and angels, drink and demons all carved in the skin of their names.  Nietzsche and ridiculous happiness.  Wittgenstein and the torment of words, of meanings, of none.  I’d be a working inscription, at surface.

The corridors – head, heart and hands.

Are you sure anyone wanted to know?

The sounds of piano?  Coaxing the keys in steady patterns – mimicking rain; or poems – yes, we forget Giacometti’s “Man Falling” – a perpetual stumble on the back of my hand, hoping neither knew what the other was up to.  But they did and they do – I see that now – all parts of same body, stretched with same skin.  Poems as stripped-down sculptures, some essential chants or song – just a gaze or a wisp of caress.  Droppings of blood.  Miracles that something remains after we’re through with our twisting and grasping.

Is this what you wanted?  Does it explain – anything?  I doubt it.  Hardly think so.

Read on.

Here at the ribs.  The cracked and the lumpen.  There was a time.  Times I thought maybe risking and danger – a reach at euphoria – some panicking life – might make one feel much more alive.  How do you think you all got here?  Desperate plungings into the unknown, oh dear ones, like mad scientists messing around in the lab!  The edges of cliffs, clinging to limbs, insecure at wits’ ends, going for broke.

And break we did.

But just look at you fertile seedlings, good eggs.  I never meant to be rough with you all.  To risk what is fragile in you.  Ribs, here – cave and cage for the heart.

I can still breathe you.  Charred and chortled, this was one great pleasure – to know I was breathing, in-spired.  I know you all despised it, and it caused me to smell stale and rotting, but the rush of smoke down this pipe here into the bellows of slimy flesh…that let me know I was taking it in, not an automaton or senseless machine – no, I was hearing, seeing, tasting, smelling – BEING – I could feel it in my ashen lungs.  Sometimes it hurt.  What we ingest.  But it really goes in and visibly comes out – everything – for good or ill.  I needed to know it tangibly.

Why? you ask, why?

Look at the cranium stooped and weighed down.  That sucker was a burden of liquid fire.  All curled over like that the entirety of my life – looking in, at, in.  What’s there?  How does it work?  For “whom”?  When?  Is there even a why?  Examining, dreaming, recording and imagining – listen – say it back, say it forth, combine and copulate, shake it and stir – use that heavy weight, whirr whirr chrrr and whirr.  Profile the shape of some jagged question mark, dotted where the heart must be.

And look at it now, nearly buried into the chest.  It happens.  Weather-systems, signsponge, it all will run its course.  It once was aimed upwards and outwards, into fantasies, hopes and abstractions, and for years I kept it aimed straight ahead – horizontal, seeking directions – but slowly and surely its drug down toward the heart, pulsing muscle, plug for the cords.  Everything up and away, everything out there or behind, it’s all happening here – in the mix, filtering through, circulating the circuitry of head, heart and hands – latching up or breaking down in the system.

What was it you wanted to know?  Limbs and loins, head and heart, I’m acknowledging and exposing, affording view – I’m aware description does not explain a thing – the wonderful views of science still unable to explain…

The waste gets processed below, legs running away now knobby and stiff.  But there, clinging in its corner like a core – my erratic, agitated, beating beast.  Entire web of inexplicable drives and energy, fears and misery, desires and dread – my heart.  Does this explain it?  Does this explain anything?  What anyone wanted to know?

Gasping there like the mouth of a landed fish, pulsing purplish like an aroused member – my heart.  If I poke and coax it, tear at it or wring it onto this blue notebook in blued blood – will it explain?

Here, whomever, look.  Here it lies, cheats, and steals.  Here it gives and it aches and breaks.  Here it prolongs and stops itself short.  Pulpy mass of living meat – humana – the am therefore am.  Take it, read it, test it – heal it if you wish or can.  I’m open.

Is this what you wanted?

What everyone wanted to know?

Black Blizzard

Celldom, continued

cy_twombly_untitled_d5624727h

(click image for work-to-present)

I’ve fallen asleep to the written word spoken for many years now.  As when you allow your eyes to relax and the world doubles and then goes hazy, I find written language spoken, or sometimes even spontaneous monologues or conversational chattering to blend like the pitter-pattering of rain.  This young lady alternates between Fernando Pessoa, James Joyce and Macedonio Fernandez, occasionally inserting a poem by Rilke, myth from Borges, language of Sabato or Blanchot.  I’ve requested Laurence Sterne and Chuang-Tzu.

My statement on file is that “only great literature might help me sort out what it is that is asked of me,” and that the mind ‘they’ or ‘you’ are apparently concerned with will only remain attentive and communicable if constantly  nourished by music, language and the visual arts.  Otherwise I’ll be shutting it down, I said.

“How does that feel?” you, they, say again.  “It thinks,” I reply, “it thinks…perhaps it approaches an ‘idea-feeling,’ as the godfather of novels put it, or ‘intuition’ as used in the history of aesthetics…but ‘feel’ still confuses me,” I say.  I need to rest.

I’m beginning to believe I’m caught up in some laboratory system.  Led through corridors, slept in cell-like-hotel-room-type spaces, fed a steady array of the food groups, allowed brief walks out-of-doors (always accompanied, but not all in lab coats).  I have relatively kind courtiers, but I don’t bother with their names, they/you seem human enough, and we all run similar gamuts of experience, as I imagine it.

Yet I don’t really understand why I’m here, or anywhere, for that matter.  Seems an experiment of mind-observation.  One fellow (always accompanied by two or more others) regularly asks me questions about what and how I am doing, what I have done, what I think of doing, have thought about, dreamt, (asking ‘feeling’ questions less and less, as it always throws me off my game, resulting in bewildered wordlessness).  Today he mentioned ‘memory’ while flashing lights along a bar or tapping on the backs of my hands while they lay on my lap.  It’s an odd sort of world to end up in, after all.  I said I remembered a waterfall, a pleasantness, that it may have been Gaugin or Courbet, that they might take me through a museum or find some books about that…He dropped in the ‘how does it feel?’ query again, or ‘where in my body does that memory register?’  What to say to these people?  “In the mind!” I grumbled, “it is only all in the mind – perceptions, sensations, ideas, messages…all my skin, limbs, nerves and flesh send their impulses through there,” I stated, “let me lie down now.”  And thus I am.

They claim this day is my birthday.  That I am allowed to have it “off.”  I believe you, he said, and left me a genuinely glorious stack of books someone fetched from the library.  “We’d still love for you to record your experience,” they added, “if you’d like.”  Create my experience is more like it, I thought.  Fabulate it into these marks on a canvas lacking color or texture, I thought.  Sculpt a word or two in two dimensions, black, white, and yet I do suppose it passes the time (whatever ‘time’ it may be, is).  Who brought me here?

The stack on the table comprises a fifth of this weeks requests I write out when they ask me my needs.  “Weekly” is a term they use, for some reason I accept it.  Exhibition catalogs of Cy Twombly, R.B. Kitaj, Corot and Courbet, Susan Rothenberg, Emil Nolde, Clyfford Still, Millais, Thiebaud, Gwen John, Sam Gilliam, John Piper, always a new Giacometti, the journals of Rilke, writings by C.S. Peirce, Lessing, stories by Brecht, and some medical studies on optics.

It is quiet.  I had asked for music by Max Richter or Arvo Part for my “special day,” apparently this was too much, or none could be found.  They, or he, uses the term “melancholy” a lot in reference to my musical tastes.  And of course inquire (in increasingly subtle terminologies) how that makes me “feel.”  Phrases like “how does that occur to you;” “what do you consider regarding this?” “what impressions do these stir” and so on.  “Make” me feel, hmmmm.  I draw ovaled circles for them, if I’ve a pencil, I have taken to shading them in from time to time, altering lighter and darker passages.

I can’t conceive what their interest might be.  My suspicion grows that it’s simply their job.  What can they learn from a circle besides what they invent?  Maybe it’s their task to confabulate patterns or conclusions, narratives or hypotheses from observing or investigating me, as if I’m a text or a painting.  The world is a strange place to endure.  I think there are very many rooms in this building – have I been misplaced?  From time to time I’ve thought I’ve caught other shuffling souls (I think they planted that idea actually).  It is quiet today.

I get some nifty ideas of what to do with my pen from Twombly today (puts me in mind of Mark Tobey), so I clutter up a page with scribbles until it’s a balanced equation of masses and gaps, much like my daughter’s…”What’s that?!” he/you asks excitedly – “your daughter?!”  “I’ve always imagined I’ve a family” I replied – “children realize.”

I lie down.

I wake realizing I’d never read of Twombly’s life.  He at least had access to crayons if I’m to believe the reproductions in this book, as well as ample unlined paper.  But I also quickly recognize that much of it is simply in pencil, yet it provides me with an almost emblematic understanding…like the mapping of eye’s movements they’re so fond of here.  Perhaps Twombly inhabited a space such as this as well?  This is a touch shaming.  No, couldn’t be, I detect oils or gouache underneath some of these.  How I adore his busy little stories – like scratch papers of a physicist or schoolboy doodles, notes to the self, etcetera.  I’ll copy some as my written reports the next few days and see what you/they make of that!

I lie down.