Experience, anyway. Empty, the space of life. (page 3)

“To reach, not the point where one no longer says I, but the point where it is no longer of any importance whether one says I…

…A book has neither object nor subject; it is made of variously formed matters, and very different dates and speeds…

…There is no difference between what a book talks about and how it is made…

…A book exists only through the outside and on the outside.”

gilles deleuze & felix guattari –

3

“My relation to others is staggered all the way to the infinite;

from the bottom up, never horizontally, the distance from here to there…

…what you call ‘distance’ is but the time of breathing in, of breathing out.

All the oxygen man needs is in his lungs.

Empty, the space of life.”

-Edmond Jabes-

            Passage to and fro.  Fore and aft.  Passing through.  So many streams of signs and symbols, sounds, referents – in some pores and out from others.  A long and endless middle.

If photons, neither particles or waves (or both) – packs of energized events.  Here, then there, everything on its way.  As if life (the verb) is journey.  Booking passage in a network of traces.  Slug-lines.  Marking, evaporate, recombinant maps.

Convergences – sense/perception/neurons and quanta.  Convergences – weather and molecules and thises and thats (write “I” and “you”) and light and air, ground and other conjoining disjunctive matters.  Convergences – roving planets in orbital trajectories, distances sustained by what is near, all the kinds and classifications.

Descriptions and errors.  Adapt, adjust, revise.  And err.  Trial err trial err, survive.  For now.  Temporarily.  This way.  The always-conditioning clause: Now.  If.

A stone Buddha, or just its head, being drawn by an artist.  A trace, remark, a transcription – transformation – another form.  For now.  And then…

Tracing convergences – our qualia – as events describe – the meeting and meshwork of lines, of motions, of pathways and bendings in travel, of stars and their dust.  Refraction, reflection, sharing directions, constraints.  Opportunities for pulse, for pattern, for wave.

To journey then, to map.  Now, if.  The long and ever-ending middle always already begun.  Trajectories and knots, unravel.

Experience, anyway.  Breathe in, breathe out, the trace.  The empty plenitude, the pregnant space, and timing’s distance.  We join.

Experience, anyway. diverted toward Empty, the space of life.

Experience, anyway.

(click above if you missed the start)

2 pages in…the new fiction meets a message….

Empty, the space of life

“My relation to others is staggered all the way to the infinite;

from the bottom up, never horizontally, the distance from here to there…

…What you call ‘distance’ is but the time of breathing in, of breathing out.

All the oxygen man needs is in his lungs.

Empty, the space of life.”

-Edmond Jabes, from A Foreigner Carrying in the Crook of His Arm a Tiny Book

perhaps a title change, but certainly a deepening of the layers…

anyway, Experience, anyway. goes on into the encounters…

Synchronous Display – Serendipity

The books I first encountered today – and in such intriguing titular order….

and when is additional engagement with Olafur Arnald’s work not welcome

The Meticulous Blur

entry for Friday Fictioneers, June 28, 2013

copyright - Indira

How it left my mouth, toward her.  How long I’d ached and labored it.  How meticulously prepared.  From amorphous origins – a preoccupation and urge, a hunch, desire.  Like longing + some desperate attention.  Had I shared this constant process, they’d have named it “obsession.”  A phrase, a statement, a promise, a claim.  How it left my mouth when the moment arrived, arrowing itself toward her.  A chiseled and hair-thin fibre of sound, a core-content-chain of DNA, let free in the matter between us.  How it blurred and whooshed past.  Disintegrative and smeared in possible meanings.  How quickly the resulting compound decomposed and deconstructed.

Experience, anyway. cont’d

2

            Like before, but never exactly.  That’s why similar and memory, and that’s why it’s new.  Begins.  Never not change.  If only pennies.  It works.  It goes on.

So that what seems a chasing, a tracing, a spy-archaeology-sci/fi-breathless-fragile-safebreak (i.e. “creative writing”) is also dirgy dredging, slurry stirring, re-invention redone renewing some old search.  If he wrote “to get it right” it would be wrong.

Standard unlocatable with too many variations depending on, all boundaries shift with each decision – though it feels less freedom of choice than compulsion to find – where there’s nothing to find that’s not making (constructed – what’s there getting too little credit in general) – what’s done with what’s attended.

Not meant to be confusing – but from quark or qualia, wave-particle to universes full of looming holes, it plainly is.  At least what we’re able to tell of it – representamen – hingey symbols we careen from like units of mobiles in wind or gyring pirate swings.

There is that.  Is, is, is, is : handy set of markings and concepts “to be” the seeking and the sought – condition and conclusion – of begin.

Listening now – the statue the only Other besides the dogs – well, and whomever all conjoined to craft these scribblings to serve as silent sounds filled with elastic contents over meticulously-constructed time.  The billions.  And infinite (as far as he’s concerned or capable of “counting”) quanta of wave/particle/atom/molecule/element – dithering thoroughfares making up ginormous pervasive systems within systems in which he depends and participates toward is.

– To music, quiet head of Buddha lurked behind, no longer staring with the eyes as much as ears – sense shift and collusion – never one without another – it goes on.

June 23, 2013 – 3:44 pm – if you had the coordinates you could Google Map it.

What I was composing the other day in my head, or wherever daydreaming occurs: filling up that gap between inside or outside, idea and actual, etcetera.  They told me not to worry about losing it – that it would return, re-emerge.  I lost it.  The idea, sensation, form, content – everything.  Well, not everything, exactly, I guess, because how could I conjure that there was something, some experience, some initiative or other, had I truthfully lost it?  Okay, maybe they’re right, and “everything” is a question of access.

In any case, well, no – in present case or tense or whatever now-situation might be (“Weather”? – see Roland Barthes, The Preparation of the Novel, or Tim Ingold’s essay in Vital Beauty) I am not experiencing “access” to something some part or parts of me (some connectivities) believe or invent a past tense for – a disjunction/abstraction/detachment from.  A difference.

I am believing that I felt differently about something at some other time, that language was forming out of me relating to that affect, and that I had the potential capacity to express all that semiotically – or, in a way that it might make sense, be shared, exist.

Now I’m languaging nothing.  Or, not exactly nothing, more like a different something that in fact is the semiosis of another inexpressible or inaccessible possible something.  Which means, potentially, anyone could find it, discover/uncover/invent/compose/co-construct (co- probably redundant to con- but then I’m not Russian, at least not currently) that initiative and perhaps I’d re-cognize or re-member whatever realigned threads rewove into this particular weaving (what is “now”).

Etcetera.  This is how it goes down for me (current context taken mostly for granted).

 

 

Transductive Conversations…cont’d (via Lance Olsen)

baby at laptop

 

“One of the wonderful things about word processors is they transform all composition into continuous process.  You can rearrange, rewrite, tinker, copy, cut, paste, open separate files for separate chapters or story sections or poem fragments, a window for notes, another for your outline, and still another for your list of characters and their attributes, and have them all on your screen simultaneously so you can flip among them as necessary while your web browser provides you with a dictionary, a thesaurus, a Wikipedia page, a website to aid you checking this fact or that…

(The less than wonderful thing about word processors is they make every draft look like a final draft, sloppy writing look as polished as just-published.  Careful about being duped by the sheen, and don’t disregard the notion of trying to compose on a lined tablet unless you’ve already tried it and found it lacking; it is a method that both slows perception and increases conscientiousness).”

-Lance Olsen-

olsen

 

Happy Fathers Day

Fathers DayTo all of you out there loving, protecting, nurturing, listening, comforting, engaging and delighting in your children:

HAPPY FATHERS DAY!!!

which, as my wife’s card to me pointed out, cannot be incoincidentally unjumbled into:

HE FARTS!  HAPPY DAY!!

farting fathers

oh the gifts and joys a good father offers!

and the unmeasurable joy and delight brought a man by fathering.

Pectus Carinatum – Recovery

Greetings readers.  I have spent the past few days to-and-froing from my son in the hospital undergoing a corrective surgery related to pectus carinatumand full-family summer and researching the pros and cons of PDA (patron- or demand-driven acquisitions).  I am very happy to say that after a nearly 5-hour surgery, in which we allowed “experts” to cut our son’s chest nipple to nipple, lay back the muscle, chip-scrape “excise” the cartilage out of his ribcage, crack his sternum, reshape him and insert a flexible metal bar…he is recovering smashingly, already walking about, playing card-games, and humorously retorting.  This is the first “major” operation, injury, break, accident or otherwise that has occurred to my genetic offspring, and, although I’ve endured much trauma with the injuries and surgeries of my spouse, I was unsure what to anticipate going through in allowing invasive slicings and breakings to my precious son’s body.

Needless to say, it is affective.

At night I slept as if in a dark void.

I felt shamefully unattentive to my other children, lacking energy and focus.

I let deadline stressors and ongoing responsibilities take their places in my tissues and veins, deep recesses of my cortex, and let my eyes drift repeatedly into mid-point aether.

I don’t know.

Something like this went on in my son.

it was pretty foggy in me.

So now we enter “recovery.”  Realignment.  Exercise.  Recall.  Precision.  Strengthening.  Focus.  Effort.  Rest.

and facing the stack of avoidances.

Recall looks like this (for me):

My Medicine(s):

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– regaining presence of mind –

“You could try to express what bliss it was in those days to be alive.  Of course there were bothersome things here or there.  Terrible things, if you looked too closely.  There was the dreadful burden of everything that’s too much alive, all that mingles with air, earth and water in an attempt to destroy you.  There was the malice of men, the voracity of beasts, and the indifference of objects.  There were all the sounds and sights and smells like continual dagger-thrusts in the flesh.  It wasn’t easy to live with all those things; no, no one could have said it was easy.  But all the same it was funny in a way, touching and funny, a splendid adventure complete with emotion, language, consciousness, and perhaps, in some recess of the memory, a kind of nostalgia for silence and peace…Yes, what was happening to you was an unforgettable and unique adventure…”

-J.M.G. Le Clezio, Terra Amata

HERE’S TO YOU SON

Making Trouble….er…Making Meaning (via Jay Lemke)

I personally attempt to read every writing I am able to obtain by my favorites.  Some of my blog entries may therefore be redundant, as redundancy is a way that I am able to sense patterns and make connections and thereby forge what I experience as meaning.  The following is one of the summary writings (nah, that’s not quite right – even with redundancies and retellings I rarely find a summary-type writing by my favorites – there’s always difference – and that is what snags me!)… Okay, for your interaction, pleasure, and engagement, without further ado…

Making Meaning, Making Trouble

by Jay Lemke (1995)