Inception

He with the mind meandering like the great rivers – those that function metaphorically for whole cultures and histories – the Taiga and Thames, Amazon, Euphrates, Danube, the Mighty Mississipp, and so on – along with all of the tributaries and streams, springs far removed, deltas and falls…

In that his mind has assimilated, absorbed particles of eons of blood, trash and shit, death and being born, creatures and passengers, landscapes and strata, wars and rumors of wars, nations and races and species…

he was the written word as a river, knowledge as a catch-all, depository, wealth and waste and millions of miles to tangle

the body being like this as well – billions of cells, some relatively foreign to others, some of entirely different types, all connected and held together somehow; “body” of water, of work, of being: arteries, capillaries, aminos, neurons, stems, DNAs, whole worlds of rivers, lakes and creeks.

Heidegger pictured it a hell of a journey through thickest forest – rivers do this – sometimes underground, the earth is filled with reservoir – to traverse the “open,” coming to a clearing, a stream wending its way in dry desert, mountain meadow, steppes and prairies…the surround is still denser than dense,

his mind become so, with awareness of the body, or mind as body, also mind matter stuff, indecipherable, inexplicable, barely described.

Yet all, so far, inscribed?  What little of all could be held.  Infinitessimal.  Finite.  In the face of infinity…relation.

Derrida’s abysme – a feeling, an unknowing, almost a certainty that “things will never be sorted out…” that the tiny wiggles over the mapped surfaces can never all be traced, all the planes, there is not time nor capacity, to follow thoroughly even an arbitrarily chosen segment of a smallest stream, constant movement from and toward, through, up and down, over, under, behind, before…abysme.

Untraceable traces.  Mind, emotion, sense, soul, causality discombobulated and befuddled beyond cognizance or comprehension, indeed – of what comprehension consists.

“Know thyself,” cruel riddle, as if spoken by a genuine god – something entirely Other, outside, impossible and impassible…the knowing cannot be known, or who knows it?  Is knowing it now, and then now?

The rivers do not know, they flow, happen.  God cannot know or not be a self/person in any way that corresponds with us – without not-knowing or abysming in endless spirals centrifugal and –tripetal.

Bakhtin sees the picture of us seeing pictures of what we do not see…all together…but we’re never all together and imagining is only one way to correspond.

It would require a miracle, yet it already is, he thinks – inexplicable, unprecedented, unaccounted for…kenotic theory, Forms and Chaos, quarks and atoms – nothing explained, ever re-described, only resolved in irresoluble faith – in theory, in truth.

And so on…mapping these rivers.

Oceans and the pooling of eyes, vast landscapes of fleshes, fragile impossible organs, tenuous and tenaciously flowing on, through drought, through death, flood and

“all things come about through opposition, and the universe flows like a river”

(Heraclitus)

                He with the mind meandering like great rivers and their effluvia…

A Serial Struggle

Metaphors of Mind

Metaphors of Mind

 

I thought about the East like sunrise, or, the bright shadow of sun as it sets on the sea.  Opening out, up, growing wider from a perceptive center.

 

I thought of my own like a spider rushing to complete its web and attachments to structures while the prey already wriggles in its core.  Spinning quickly, creating patterns, finding foundations so one might approach, carefully, and engage.

 

And of the wise, “responding with the submissiveness of a mirror to a completely unthinkable array of things where there’s no space or time” (Arkadii Dragomoshchenko, Xenia).  “And which I can’t accept” (he adds immediately afterwords).

 

My wife like a field of slender grasses made out of senses waving in rain.  It touches everywhere and then is guided and drawn into the veins and roots in a natural process.

 

An ecstatic: the moon hovering above, without details, yet influencing tides.

 

Fundamentalists jackhammering surfaces to shape; drilling from the riggings a far cylindrical bore.

 

The verbavore – translating, translating, translating…signs, digits, numbers.

 

Intuitionists: winds situationally directed by unseen prompts or hidden obstacles.

 

Perhaps the thing itself – sensual and complex machine – absorbing, recording, repeating and combining – crafting temperaments at the switchboard?

N Filbert 2012

Writing: the Characters

Writing: the Characters (1)

 

Not beginning from anywhere but here.

Here being where I am looking for a character, a someone, and specific, with a mind, a body, and particular knowledge and actions, whom I might observe and record.  On whom I might test out my language.  Whom I create.

Exercise in perception, then.  To see what I could see, perhaps, if I looked a certain way, at or into a certain person.  What I might hear, and how to say it.  What would be felt and its work of translation.  The smells and the tastes and the histories, for both of us.  Or perhaps even all.  No, that’s too far.

Right here, though, investigating perception, that preform vehicle, formed by our surroundings – imagination – the multiplex of learning structures allowing me to sense, to perceive.  That also, is here.

Imagination and perception – their invention we call world, and a character, a subject/object like my hand I might observe, hold aside of me while attached by nerves and cells, tissues and blood, by life, its embodiment.

Non-abstract abstracted – that conundrum – here.  The truthfulness of experiencing becoming honest lies.  The words, the print of hand, what tells (or who), and how.

Perhaps another thinks this way?  Well, not exactly, but shares concerns with idiomatic nuances?  Perhaps his education (or hers) was difficult, or pleasurably a breeze, they mastered information like a large and thirsty sponge?  Absorbed and were absorbed in such interstitial structures.  Or not.  Not at all.

An uneducated person with adaptive gifts for resonance.  A mimicking trickster riddling what is heard into naïve and complex wisdoms?  That would be fun.

Perhaps another world – country, continent, planet?  Someone observed for years suddenly inserted in a strange context, situation.  How do they behave, react, manage and survive?  I could use myself in a planet of clouds, or the tunnels of worms, what would characterize me?  How would I change?  What might I effect?  If I were made of clay or had a thousand lovers in a desert?

The only edge to possibility is what experience brings.

 

But pretending to begin right now, I see him clear.  There is a woman he is watching he finds beautiful.  When she works he sees the curve of her small breast which he desires.  He is ruddy yet refined, of middling age.  He’d like to court her but fears all pain that can’t be bandaged.  He’s afraid of words and their millions of ropes and anchors.  Reality feels like conflict, for him, a continual coming-against, and adjustment.  Adaptation he experiences as loss.  Of unrealized ideals.  And so he walks, spinning narratives in his head.

 

Here, that possible visitor handmade.  But who?  And how would I know him?  And where was he from?  How was he formed?  Who does he belive?  And so forth…

One way to be here.

One way to press your hand against the wall.