A Division of Subjects

Simple HouseI am looking at my wife’s face for significance.  Scrutinizing her as if MY meaning might come from there.  The eyes and motion of my children, our puppies, the touching between them.  I gaze, ravenously, melancholy, nostalgically, as if some sort of synching provided reason.

Observing, begging input for desired effect.

Words on a page in front of me.  The sounds of the heat switching on and swishing (or swooshing) through an anatomy of ducts.  Rememory.  Fashioning bodied memories forward toward anticipated satisfaction of imagined desires.

Re-membering an already unknown future.  As if to place it onto a pleasure/pain balance and put myself at risk for emotion.  As if I am wanting to feel.  Pleasure OR pain, satiation OR loss, grief or elation.  Simply.  To feel.  And to be able to tell.  To evaluate, process and produce.  Perceive, procure and proceed.

Attend, assemble and assess.  All componented in threes, a perspectival point of either/ors.

In other words – seeking options of experience through this-or-that, barely realizing the gargantuan disturbance of the field in which bi-polars conjoin – the third, the invested participant – “observer.”

I search her eyes – peering her into double bind by my own delimitations.  Reflecting the kids play and laughter – deflecting – by framing-problems that lens my limited views of want and need.

Ravenous, melancholy, natural look of desire for pleasure and dread of pain – dualizing a multi-more intricate kaleidoscope of possible probables.

The implicit intricacies + the avoidance and/or discounting of “one’s own role” (the responsibility, culpability, of our ever-presentness we ever effort to escape) – being participatory.  Being.

And what of the lens?  If I expand the prism, rotate the glass – distort, blur, focus.  How expansive, elastic, extensive are my tools?  How effectual the how I look, the what I look for, the why?

I continue examining her face, and his and his, and his and hers.  Listen for their sounds, their movements, borrowing moods from the connections I make, perceive, feel…asking now to fill out my arrival…more aware of many roles that depend on distant stories…now arising…participant…into now

as it happens, it occurs…

simple house drawings

BE.  HOME.  NOW.

HAPPY HOLIDAYS

2013-2014

Our 80/20 Vision and Rememory

“Nothing’s like anything else in the long run.

Nothing you write down is ever as true as you think it was.”

-Charles Wright, “Lost Souls”-

Rememory is just a thing we do when we “need” it – or, for reasons that aren’t really rational at all – we seem to feel we do.  In other words, our experience (what our organism, our little assemblage of cells, lives through) works in us like nutrients that our neuronally connected organs (even smaller collectives of cellular functional troupes) select predictively – as probable perhapses – to aid our survival in each moment.

That it’s always subject to change, often flatly incoherent, or dreadfully inappropriate to any given situation proffers no guilt or dishonor – could we really expect accurate predictions of unforeseen and total novelty with infinite contingencies each next moment is?

We do the best with what we have.  After all, we’re not even able to use our tools intentionally – they work on automatic algorithms we are not aware of unless there is a problem.  Scientists might use machines and fabricated contraptions or instruments to measure and calculate “experiences/experiments” – something semi-controlled, devised and arranged in a lab.  We, on the other hand (scientists included), do not have access to our controls (of which there really aren’t any – just meticulously interconnected and recursively interactive meshworks) – our controls (or rather, effects) result in their humming along.

Ah, rememory, refraction – there whenever we need it (or think/feel we do, or hadn’t even sensed it) – and never to the point but that we make it so – experiencing piecemeal fragments the system spits out in relation to itself and its environment, and puzzling them together as if encountered in the world – using them like stencils or frames through which to assess our surrounds.

What a tricky treat!  Phantasms of deconstructed digestions floating a stream, plucked willy-nilly by impulsory triggers and collaged onto a canvas called Perception.  Howdy-do!  When 80% of the show is our relation to ourselves, it’s no wonder we feel criticized!  (for a sensory example – here’s a breakdown of what influences what we see….):

Vis Path 3

– from Maturana and Varela, The Tree of Knowledge

Each of us with our 80/20 view on the realms between – the worlds we share – it’s no wonder we’re ill at ease arguing agreements.  I’d have to ask my sons to calculate the potentials, but even from my 80+20 it’s infinitesimal – our shot at “sharing a moment” as we say.

Hanson brain

-from Rick Hanson, Buddha’s Brain

Perhaps to some Turing machine, or deep-distance galaxy view we’d look like a calibrated system, but the contingencies and unknown variables all changing with each changing change surpass even the weather…

So go on rememoring and adapting your stories, just keep in mind the bric-a-brac you’re rummaging in and it’s exponentially altering situation and experiencing states (by the millisecond), and consider offering those with and around you something in the neighborhood of 80% benefit of your doubt (your self-generated POV)!?

“I give you mine [dreams] for the same reason,

To summon the spirits up and set the body to music.”

-Charles Wright, Lost Souls-