Writing Rejections (on the rejection of several more submissions)

Self-Soothing

 

The drudgery of dawning – sometimes so elegant and enlightening, sometimes belabored and torturous impatience – always the heavy friction of waves.  Of particles as they place and displace in their constant rearrangement, the permanent battle of hope and resignation.  Rising up, coming down.

How I write about disappointments – the very act of writing an urgent inking of the sky, even while it fades or darkens, glares or washes out.

Of rejections – their steady dismissal, the missed sunrise/sunset – a glory of chance forever undone.  Overlooked.  “Wrong place at the wrong time.”

In other words, again.  That waves and particles eons-old rumble and bumble about around and against one another, often contrary impulses and contents dislodging, jockeying, a kind of dance seen from extremely close or far enough away, making out of blue or black a purpled-grey tinged greenish pink and orange; or a bleeding scrape of burgundy’d magenta replete with yellowing sears.

Straining can produce glorious things.

The continuous waffling betwixt bright and ominous, stars glittering through their winky charms, or a saturate void.  White dreaming pale translucence or deeper colors leaking through.  It never stops, the gradients without lines.  So I continue in the way that I flow, waves and particles of me assembling/reassembling and what results is what the friction sparks – disappointments and the hope to write them out.

Another opportunity – for collaborative creativity

my spouse/partner etc. posted this this morning and I find it instigative – love to see/hear what comes of it for the rest of you!

http://ekphrastixarts.com/2012/05/10/ekphrastic-opportunities/

(more pix to work from at post!)

“Over there, it is raining…”

Furthering Apologies for Rain

I’ve spent many years proclaiming, exclaiming, disputing and evangelizing my love of rain.

More intimately, for decades my journals and diaries are soaked through with ink and reflections of agonizing effort to verbalize just what it is, exactly, that the circumstance of raining represents, evokes, fulfills or actualizes in and for me.

I’ve written of fog and dusk, how they soften the edges, blur the inessential, provide a veil of connectedness and symbiosis of what is perceivable, in keeping with my sense and belief about selves, things, world.

I’ve written of smoke, the ephemerality of moments, a texturing for the fragility of what’s present.

I’ve noted how the greying of cloud, runnels and droplets heighten other colors like green, rather than glaring them out in the brightness of sun.  We filter everything – visible precipitation provides the physical opportunity of “seeing” that.

Or what is blocked and distorted (rain on glasses, windows, drops on an eye or a lash) – how choosy and minutely invested our visions are – what we choose to see, shape, create and how multitudinous what we skew, block out and deny.

Also its comfort – the blanketing, softening and quieting of snow and rain on atmosphere and mood.  Like a muting and subtlety; a gentling and slowing of a pace.  I’ve always felt I can curl up in rain, in fog, in mist and drizzle – cloaked, protected, respected, wombed.

And nourished.  How birds, soil, plants, trees, worms, flowers, sand crave and delight in the generosity and equanimity of rainfall.  How it blesses all regardless.  Helps me feel part, wholed, valuable and real.  I can stand in rain, clean in rain, play in rain, drink rain – without wealth or beauty, intelligence or strength, position or power.

What struck me today was how the pattering of rain – patterned and random, distinct while flowing together – was in perfect accord with my inner world – how my thoughts and feelings go, move, through, pool, form streams, gather, swell, evaporate.

The porosity.  The feeling that rain both permeates and respects boundaries, wets without drowning, soaks without penetrating.  Gives and gives and gives.  Inward, outward; saturate but rarely flood; joins without binding.

The list goes on.  What I find I repeat most often, having no words to explain it, is that the condition of rain (like the music of Mark Kozelek), of all the world most closely approximates my own fullest experiences or feeling of myself.

Somehow feeling that if someone “gets” the joy and glory, protection and soothing of rain, they’re a long way toward “getting” me, or me toward being known,

or at least somehow related.

p.s. – in Kansas it’s dreamy today!

Choose. Why choose?

“What to write on the blank sheet of paper, already blackened with every conceivable handwriting?  Choose, why choose?”

-J.M.G. LeClezio-

a blank page

“I speak now and shelter in the tent of language or writing”

-Michel Serres-

Choose.  Why choose?

Deep in love

the sight, the thought, the feel.

Look around.

 

Over here a line comes singing, her misting whispers, behind the ear.

Bold graffiti in the midst: the faces, the lettering.

Trilling of a baby’s babble.

 

Choose.  Why choose?

I build my shelter, I fashion my tent of language.

I might hide here.  I might scribble the wall.

Curving words, like celanic, like ocean.

 

I choose.

Why choose?

To shelter, to bloom.

I build a barn of story, the structure to hold it in.

 

This body, its experiences.

This wife, and hers.

Seven starling children, darting out and in.

And things: stuff, books, ideas, smells.

Dreams and hopes; fears and memory.

Do words burn?

 

I make a sprinkler, and a hose.  I fill them with water.

There is a fire there.  For warmth.

 

To build a well.

I am speaking tools.

Choose.  Why choose?

 

To erase disease-words, and plight.

She says color and I leave it on the walls.

Call and response, they’re in, through the windows.

 

I sing a night with rain.

I sculpt a bed of vowels.

We cry out in the form of wings:

 

Take shelter.

And choose.

Why choose?

 

“There seem endlessly those situations of particular experience wherein one knows and doesn’t know, all at the same instant, which is to say, the information is inherent, actual, in the given system, but (itself a word of this qualification) we cannot step out of its context to see ‘what it is’ we thus ‘know.’”

-Robert Creeley-

The Open

“What to write on the blank sheet of paper, already blackened with every conceivable handwriting?

Choose, why choose?”

-J.M.G. LeClezio-

“There seem endlessly those situations of particular experience wherein one knows and doesn’t know, all at the same instant, which is to say, the information is inherent, actual, in the given system, but (itself a word of this qualification) we cannot step out of its context to see ‘what it is’ we thus ‘know'”

-Robert Creeley-

“I speak now and shelter in the tent of language or writing”

-Michel Serres-