Tag: Poetry

Fathers Day 2012

On By NW FilbertIn Poetry2 Comments

Fathers Day 2012

(for Tristan, Aidan, Ida and Oliver)

 

I would use the word “foundational”

but it’s much much more than that.

“The child is father to the man”

in so very many ways.

 

Fundament comes closer

expanding in us a sense

of ever-expanding edges

of universe and galaxies

within which everything that is,

is

 

But, personally, it’s larger,

and deeper, and wider

and exponentially more important

 

these children that father me

to fatherhood.

Giving me these things they’ve made

of me.

 

I look at them.

I long for them.

I love them.

and I marvel.

 

I come from this! I sing

these four amazing

and tremendous beings

making me their father,

 

shaping me as man,

a human,

a relationship

after all.

 

I’m not much of one for ‘truth’

but will say ‘this I believe.’

 

N Filbert 2012

 

Ghost-Love-Coherence

On By NW FilbertIn Experimenctes, Writing4 Comments

Ghost-Love: Natives of a Dwindled Sphere

 

“If it cohered,

cohered to you, if you were there, to say,

‘Oh, it is not the way we say it is,

not that.  Oh no; that way isn’t the way.’”

–William Bronk-

“We keep coming back and coming back

To the real…

…straight to the word,

Straight to the transfixing object.”

–Wallace Stevens-

“Fleeting,

they look for rescue through something in us, the most fleeting of all.”

–Rainer Maria Rilke-

“No, we had come too far for that belief

and saw ourselves as ghosts against the real,

and time and place as ghosts; there is the real.

It is there.  Where we are: nowhere.  It is there.”

–William Bronk-

 

            If the real continued.  Continues, without us.  Without.  Tree, bird, house, river.  If.  As if.

 

If it cohered.  To you.  But for a moment, now here, where we are, if you and I cohered, making what is between us, what is real.

Eyes and what’s seen.  Hands and their touch.  Ears and the music, the noise (the silence).  And so on.  The real.  It is there.

You called?

I called.  Call.  Am calling.

“If it cohered, cohered to you, if you were there, to say,”

Where we are: nowhere.

Not the way we say.  I say.  You say.  Not the way it is.

There is the real.

We say to the angel.  The halfling.  The between.

“House. Pond. Flower. I. You. Platypus.”

“Oh, it is not the way we say it is, not that. Oh no,” you say.

But the word is.  There.  Transfiguring angel.  Figure marking the between, made between.  Nowhere.

Fleeting, transfixing object, what you say we say I say, what we write.

Straight to the object.

“that isn’t the way,” we say, “not the way we say it is”

But it is there.

We keep coming back and coming back

As if it cohered

We

To things.  Transfixing objects.  You.  Words.  Fleeting.  Now here.

We say to the angel, the between, “is it there?”

Half-cohere, half-cohere, wholly transfixed by the object, fleeting, in-between, being made?  You.  I.  It is there.

Is it there?  Where we are?  Now here.  Nowhere.

Half, tri-partite even.  Thus now then.  As if.

 

The fly is bothering me.  It lands.  I am thirsty.  It is gone.

 

You made an object.  It is there.  I am looking.  While I am looking there is paint, form, shape, rectangular, drips strokes runs splotches.  From here I imagine texture.  With my fingers, it is there.  Where I am.  If it coheres.  Between, meeting point, figuring angel.  Ghost of the real.

I smell.  I smell you.  Between my nose and you and me.  Nowhere.  The connective stroke between w and h is awkward, unmatched.  We have to make it.  Make it work.  Cohere.  Happen.  Fleeting.  Fabricate.

It is there.  Between my eye and the page: “wh” “Nowhere” is there.  Cursive broken.  Either way.  Visual puzzle.  Ancient.  Reader supplying breath breaks tone punctuation.  Reader punctuating piercing, when I listen, ears to your lips, to your voice, I perforate, puncture, separate, we make.  It is there.  Angel.  Between.  As if it cohered, me to you, if you were there, to say “Oh it is not that way” as I punctured it, broke it down, chewed to fragments.  Fragments (fleeting) it is there.  Hands, voices, bodies, where we are, suture, stack, come back and come back, house.  Conversation.  Fence.  Pool.  Kiss. Nowhere.  As if.  Angel.

In a perfect world…”Oh it is not the way we say it is, not that”

“No, we had come too far for that belief”

Fleeting fleeting fleeting and coming back coming back

here

 

 

There is no coming back, either to nowhere or now

But the word.  Transfixing object.  Painting.  House.  Yard.  Bed.

 

Squirrel on the trunk, I swallow, skitters away.  Not there.  It is not the way I say it is, not now.  Except this: if you go straight to the word, it is there.

 

Painting, photo, body, voice – transfixing objects – if it cohered, cohered to you, if you were there

If I was, I am, now here.

You are not.  Now you are.  Words, the real, I keep coming back and coming back, writing

You are.  You are.  You are.

 

I hold the page close.  I look.  Youareyouareyouare, I puncture, punctuate, I wonder if it coheres, cohered, if you were there, will be, the words are, the page, a barely thing, ghost of a horizon line held straight to the eye, nothing between eye and edge, very little, almost nothing, but I see, see something

It is not the way we say it is, oh no, not that,

but we keep coming back, coming back, saying again, each time new, different, again, same words, written they are there, angel, we are, we are, we are, nowhere, now here, if it cohered.

Writing: the Blocks

On By NW FilbertIn Art, Experimenctes, Writing5 Comments

Writing: the Blocks

“and everything here like an incomprehensible explanation”

-Arkadii Dragomoshchenko-

 

There are those times of overwhelm.  Edit?  Create?  Organize?  Submit?  Wander about (for “inspiration”)? or sit and stare (“meditation”)?

There are those times.  So much written, nothing sold.  Years of working, thinking, learning, feeling…orphaned.  Turned away.  Left out.  Sent back.

Rejection.

Here’s the open field and some more ever-uncertain time.  Feels fragile.  I feel I should be making, arranging words toward unknown meanings or inferences, but I’m also drowning in them – so many of my own, millions of others as well.  Approved words, theirs, successful words, words now “bound,” where mine (I try the positive) are “free,” “independent,” “loose”… not owned by any other hands or minds.

But the words seem to want it.  They emit their own desires.  For partners, for dances, for strolls.  Attachment.  They even like to work!  Anything at all – they just want to be, active.

Mine aren’t.  They jimmied their way around my emotions and spleen; infested every nook, cranny and fold of my brain; strained my throat and cramped my hand…but once I’d rid myself of them – sealed them between the bars of blue lines, they began to wither and starve.  Atrophy.  My words – these voiceless victims.

They’ve got plenty of company all lined up and folded together – hell, they’re stacked on top of each other…but they need human parts for life.  Need eyes and mouths, lungs and ears, hands and minds, perceptors, receivers and nerves.  I look down on them all like leaves from last winter, or hidden away in mausoleum-like drawers.  I feel sorrow.

There are zillions of others – exactly the same as mine but for their order – speeding all over the world – through wires and lights – through voices, canals – held gently in hands – slick and shiny on mags – proclaimed on billboards and signs.  But not mine.  Not these innumerable identical versions but for my script, my experience, my faulty manipulation.

What gives?

What gives at these moments, these gulag-ish terms of withholding and stasis?

A letter or email perhaps.  A talk with my wife or my sons or my daughter.  A glance at a spine or a page.  Some music with lyrics.  A friend.  They are moving, alert.  Every-ready for use.  In use.  Wording their function.  My continued submissions might be jail-breaks for them.  My blogs and my posts and my readings.  The phone calls.  We could try it?  See how they still work?

Or even something like this.  This query of what do they want?  Working them into myself.  Materializing them.

I don’t know.  I don’t know if it helps.  I can’t tell at this moment.  They seem stuck.  And yet not.  Here they are, ever coming, ever becoming, nothing.

Like us.  Maybe I’m stuck.  Becoming nothing (inevitably) but becoming nonetheless, all the while.

I guess I’m suggesting that there’s really no such thing as stasis or block in living beings.  Regardless what or who or how, we’re becoming (the 5 Ws all taken care of).  Now & Here all five essential questions are active whether I write down answers or not.  As long as we breathe.  Work is going on.

And words, so eagerly activated.

N Filbert 2012

Embraces

On By NW FilbertIn Experimenctes, Writing20 Comments

I didn’t get around to performing the Friday Fictioneers prompt-100-word-story this week…having gotten sidetracked by a prompt that has haunted me all week from the writings of Lynne Tillman…finally, something worked out of me related to this… as follows:

EMBRACE

“in an embrace, something may be confirmed, avoided, or resolved”

-Lynne Tillman-

            A kind of “there was.”

Sinking into his arms, strong and coily, warm almost gruff.  The dusty smell of oil and denim.  She felt small, she felt memory.  She closed her eyes as in sleep, and allowed.  So much to confront and to question, perhaps to ignore, but now, just this now, this embrace.

He’d wounded her for years.  Secretly whittling strips from her heart with a scalpel.  Holding her mind under liquids and spells, the sky and its stars, overwhelming her with presence while silently working dissection.  His voice anesthetic, a narrative of dreams.  She was victim.

And part of her knew.  Wanted.  Would rather.  She with her own confused expectations, demands.  Her ownership.  Defiance.  Some part of her vision selected this blur.  Macroscopic.  Details out of focus, the essence of place.  Embrace.

***

She had shouted, threatened.  He had thrown.  She began her crumbled march as he grabbed her.  He corded her in arms, shackled her to his chest.  She, unable to move, to breathe.  A little dizzy.  Anger and fear.  Him holding.  Him safe.  He panicking.  It held.  The embrace.

She struggled, she sobbed.  She squirmed and struck out.  Refused.  He held.  He tightened.  As if in a last expiration, the lungs clinging life.  She stabbed and she stabbed and she stabbed.  He bled.  He held.  A braced embrace.

Eventually collapsing.  Exhaustion disabled the leaving, dismantled the stay.  Floor and furniture took them in and supported.  And held by receiving their burden.  Stasis.  Time, embraced.

***

That morning – the fog – the waves – all the greying of sands.  They’d wandered alone for solitude’s space.  To be lost.  Unbeknown.

A moist, briny chill had embraced him.  Swallowed him up.  Become him.  Immersed, he released.  Saturate, evaporate.  Began.  Unwinding like a mummy’s cloth he disrobed.  His anguish, his anger, his hope.  Dissolving out to sea in trails.  Emptied.  Cleaned with a salty sludge, he weighed.  He grew heavy.  He blended in with the mist.

Enough moisture to formulate drops, her tears joined the air.  Embracing herself through the wind off the water she shook and she stumbled, she clutched.  Unseeing, she fumbled along. Desperate.  Undone.  Like the thick cover of sky, her past and her present, her future combined and ran away down the rock.  She was hollow.  Held only by her arms, her hair keeping her head in its place.  She wept out her body until drained like a sieve.  The charcoal of sands embraced her.  Falling.

***

The hesitancy.  Two scarred bodies full of wounds, slowly exposing.  The want for another.  A crave and a care.  Some tendering need to devour.  They approach gently, allow touch, speaking perimeters.  A leg crosses over.  Eyes keep locking and unlocking with an almost audible click.  Food is had.  Hunger remains.  They move and they walk, learning hands and arms and shoulders.  They gaze.

Arriving at last at embrace.  Caressing the soreness of worlds.  They mate at their bruisings.  It becomes more.  Ravenous and fearful, they struggle.  Wrestling and huddling, they carefully voice every play.  The directions.  No pain is no gain.  And they gain.

Become more in the matching – four legs and eight limbs, doubling heartsize and brains, and they fitted.  They enter, they receive.  Exposing and sheltered.  In opening wounds they are bandaged.  They had not believed, they were doubt.  This, a healing embrace.  A beginning.

***

In death they are laid side by each.  Before long the roots will take over, a tendrilled combine.  The skin will grow lax and more fluid, the moss and the mold remedy.  Bones become ashen and dust.  Filtering one for another.  Transposed.  There will be one flesh, this earth, the conglomerate of bodies and beings with rain, moon and sunshine.  Planted there, embraced in all that will hold.

They take to the breeze like powder and spark.  Knuckles and teeth cackling the stones.  A huffed form of cloud, they merge, they seep.  Skein on the water, grain on the leaves, one and the other, the other again.  No one can tell.  Salt sugar sand shaken together and forever sifting.  Their love, their lives, its embrace.

N Filbert 2012

Places

On By NW FilbertIn Experimenctes2 Comments

The Essence of Place

“To record the essence of a place, so that it can be inhabited by something outside itself, is to start a story.  This means searching for a language, one that we know intuitively but cannot spell out.”

-Lukas Felzmann, Landfall–

“The time has come to talk of whatever we want”

-Arkadii Dragomoshchenko, Xenia–

“the work drives beyond promise, craving and time”

-Louis Zukofsky, Prepositions–

            Sometimes there were birds there.  They passed through in groups, in swoops.

I’ve seen people there too, but not swooping or grouping.  It just isn’t that kind of place.

 

It felt large and open yet cloistered, contained.  There were large trees all around and throughout.  Somehow it seemed level.

I don’t recall there being water, but I believe it staid nearby.  As if it were ready for when it was needed.

I’ve no memory of critters or pets, cycles or frogs.  Only birds that might swarm like the leaves filling trees as they swayed.

Oh my, but the blur!  The soft focus in apprehending!  It rocks and it waves, it flows through you while sitting, I say!

I wonder the eyelids of storms.  I leap lying down.  I silently sing out the shrieking of birds.  I love in this place.  As wild or as calm as is needed, a respondent surround.

When I’m here I try to tell you, by searching for words or the making of pictures.  That don’t capture.

Have you wandered here before?  To the essence of a place?

Please do tell me or show me what’s yours…

 

N Filbert 2012

Writing Prompt

On By NW FilbertIn Current Reading, Writing5 Comments

I have been attempting to take part in Madison Woods organized Friday Fictioneers which has been very enjoyable and a fantastic exercise – particularly to see the many figments of minds operating on a singular prompt – how various persons / how various world!  I came across this sentence standing on its own in the midst of a story by Lynne Tillman recently and it just will not leave my head.  I thought “a picture is worth a thousand words!?” – how about “these words are worth a billion pictures!?”  I’m sharing them here hoping they might also inspire in many of you reams of stories…And I’d love to receive links to the works that you create with/in/from them – any length, any time.  Here’s the sentence:

“In an embrace, something may be confirmed, avoided, or resolved.”

-Lynne Tillman from her story “Phantoms” in This is Not It–

Writing: the Characters

On By NW FilbertIn Art, Experimenctes, Writing1 Comment

Writing: the Characters (1)

 

Not beginning from anywhere but here.

Here being where I am looking for a character, a someone, and specific, with a mind, a body, and particular knowledge and actions, whom I might observe and record.  On whom I might test out my language.  Whom I create.

Exercise in perception, then.  To see what I could see, perhaps, if I looked a certain way, at or into a certain person.  What I might hear, and how to say it.  What would be felt and its work of translation.  The smells and the tastes and the histories, for both of us.  Or perhaps even all.  No, that’s too far.

Right here, though, investigating perception, that preform vehicle, formed by our surroundings – imagination – the multiplex of learning structures allowing me to sense, to perceive.  That also, is here.

Imagination and perception – their invention we call world, and a character, a subject/object like my hand I might observe, hold aside of me while attached by nerves and cells, tissues and blood, by life, its embodiment.

Non-abstract abstracted – that conundrum – here.  The truthfulness of experiencing becoming honest lies.  The words, the print of hand, what tells (or who), and how.

Perhaps another thinks this way?  Well, not exactly, but shares concerns with idiomatic nuances?  Perhaps his education (or hers) was difficult, or pleasurably a breeze, they mastered information like a large and thirsty sponge?  Absorbed and were absorbed in such interstitial structures.  Or not.  Not at all.

An uneducated person with adaptive gifts for resonance.  A mimicking trickster riddling what is heard into naïve and complex wisdoms?  That would be fun.

Perhaps another world – country, continent, planet?  Someone observed for years suddenly inserted in a strange context, situation.  How do they behave, react, manage and survive?  I could use myself in a planet of clouds, or the tunnels of worms, what would characterize me?  How would I change?  What might I effect?  If I were made of clay or had a thousand lovers in a desert?

The only edge to possibility is what experience brings.

 

But pretending to begin right now, I see him clear.  There is a woman he is watching he finds beautiful.  When she works he sees the curve of her small breast which he desires.  He is ruddy yet refined, of middling age.  He’d like to court her but fears all pain that can’t be bandaged.  He’s afraid of words and their millions of ropes and anchors.  Reality feels like conflict, for him, a continual coming-against, and adjustment.  Adaptation he experiences as loss.  Of unrealized ideals.  And so he walks, spinning narratives in his head.

 

Here, that possible visitor handmade.  But who?  And how would I know him?  And where was he from?  How was he formed?  Who does he belive?  And so forth…

One way to be here.

One way to press your hand against the wall.

 

 

 

Another Pause, Another Someday

On By NW FilbertIn Experimenctes, Journallings2 Comments

“Words give clothing to hide our nakedness”

–Susan Howe–

“But a word is a bottomless pit”

–Lyn Hejinian–

And then it arrives, unexpectedly, another gap.  She sees a magician in bright jester’s garb, seated on a branch in a tree.  Amid the traffic.  Amid a swarm of bees, of thrumming crows and starlings.  A bat lies in labored breathing on the sidewalk.

Lightning- and Lady- bugs.

Like that, like both.

There is no goal to it in the beginning.  At first.  The seconds’ glow catches you off guard.  “What was that?” neon spot moving in the night.  Imperceptible polka-dotted red creeping carefully over your toe.  Structures pause.  Structures moment.  When realized, when you bring your own accident: awareness.

What pressures turns out to be necessity.  Of deadline, of assignment, of transactional fulfillment – relationship or vocation, even health.  Without apparent choice.  Or ever so long ago.  Why markings called parentheses are shields.  What gives pause.  And stays the pressuring.  For the moment.

An extended kiss.

A lapse in volume.

An ignored alarm.

You find yourself there : (YOU).

The rest of the world lining up, encroaching, exerting itself, themselves, your other selves, against the slender boundaries, the slick curving walls – they can’t be climbed, nor be toppled, only inverted )if you accept the pressures(, or erased as if they’d never happened.  Become brackets.  Prison versus asylum (in its native safety-seeking sense).

(YOU)?  )YOU(?  [YOU]?  ]YOU[?

            Now and then.  Another pause.  Another Sabbath.  A so-called rest.  Time is not the issue (as duration).  Time is at issue in its momentary absence.  Glancing the lightning-bug, bird-call, ladybug feeling out the stem.

“Another pause” with pressures all around.  Expectations or chores.  But no one calling, not this now.  Last week too, unexpected, unprepared, cage door left awry, or finding key in hand.  Parentheses.  And then you sleep that active way we call “rest.”  For a moment.  You make, for the joy of making, or not.  Either way is pleasure.  Or pleasant at the most.

Such as now, another pause, this day, another Someday that arrived.

Such Great Heights

On By NW FilbertIn Experimenctes, Writing9 Comments

Such Great Heights: On Loving

“I wonder at vocalism’s ability to rephrase or reenact meaning and goodness even without the wished-for love.  Can a trace become the thing it traces, secure as ever, real as ever – a chosen set of echo-fragments? … The still eye reflects a neutral ‘you’ that is me; and yet secret.  Who can hold such mirroring cheap?  It’s a vital aspect of marriage and of deep friendship.”

-Susan Howe-

            These are things she told me:

She tells me she just needs to be held.  Held and heard.  And validated.  That I understand how she feels, that I empathize.  No need to agree with her or her feelings, no need to fix anything.  Just pay attention (“be with me” she calls it), say some things back kind of like echoes so she can hear that I’m listening, knows I’ve “got” it, and nod and affirm.  Saying things like “I hear how hard that is for you,” or “I can see this makes you angry” and the like.  A safe place, a sounding board, a kind of mirroring…a world-the-size-of-arms or bodies in which it’s okay to be in process, to have your stuff, to be inaccurate, and be.

I tell her I just want to be loved for who I am, not what I do or how I perform, whether I make someone feel better or not, whether I’m useful or succeed, get stronger, am sensitive, smart or good-looking.  I’m fine with being any of those things, but they will always feel like side-effects or attributes, things taken up from time to time, situation-contextually.  I really want to be loved for who I am also, or otherwise, the self I do not know, am unaware of, except that it’s always changing.  I’m wanting value as a being, I suppose, that it’s simply good enough, and matters, that I am.  That someone would choose that.

She’d like to be appreciated for all of her efforts.  All the pains she endures, compromises she makes, limitations she accepts in order to account for me, for my “neuroses” (read “personality”).  ‘d like to hear a heartfelt “thank you” now and then for her services and sensitivities, considerations and workings toward dialogue, care and attention.  She’d like to be recognized, feel wanted, feel loved and craved and adored.

I’d like to be loved with my spaces and misgivings.  From a distance, and the distance loved too – the whole globe of me – my fears, paranoias and worries.  My anxious body.  Jealous narratives, fantastic brain.  As an entity – yes – as a system or sphere, to be chosen, sought out and let be, even celebrated as this odd, unique and difficult human, just like all the others, but different too, in exactly the same ways we all of us are.  A curious realm of unknowns and effects.  Would like that cloud of debris I refer to as “me” to trigger charges in her, of desire, of respect, of wonder and intimate knowledge.  A paradox really.  To be known as unknown, loved dissimilarly, absolutely, and so on.  Misplaced desires, but there all the same.  I ask her to love indeterminacy and confusion.

She asks to be free of her past – not its effects but its definitions.  That we encounter it together – our childhoods and children, our spouses and griefs, our risks and our failures, fulfillments and joys – not compared with the present, competitively, but engaged, encouraged, absorbed.  That not everything “not-me” be a threat, not her job and its clients, her acquaintances, family and friends, past lovers our journeys, events – that they be welcomed and included as ours now – memories, sources, realities we bring to a NOW.  Not as distractions, escapes, private holdings.  That we invite each other whole and unprocessed.  That we be a process for each.  That I be here now with, see her moving toward me, being here, not fragment and dissect her into her pasts and the world.

I tell her I’d like to be ultimate, her be-all, end-all, preference and ideal.  Chaos and all, that this mass of me be some divinity-like, awe-inspiring wonder of an incomparable glory she adore and pursue.  I want to feel special, holy, set apart, unbelievably brilliant and beautiful – in short, spectacular – in all my grungy messy remedial ways and blundering battles.  That it truly stun her how amazing I am all muddied up and crazy, insecure and inconsistent, incompatible and at serious odds with myself – that I be wonderful to her.

She told me she’d like it to be real.  To be purposive and true.  That we be brave and open, vulnerable and strong.  Flexible and protective, guarded and unafraid.  That we feel life securely and take great risks, be certain and unsure.  That we trust and be trustworthy in every metamorphoses we move through.  Tenderly powerful, gently fierce, insistent and forgiving, patiently intense.  That we strive for balance, a balance I guess like nuclear fusion – unaccountable energies in a strangely held rest.

I said it all sounds good, sounds like love to me, and impossible.  Which is fine as I’ve started as a failure, but heroic, and she’s a god arose from ashes.  Hell, she’s died and lived again.  We latch on, strap in and unwind.  We are here.  Here we go.  These terrible chasms and such great heights.

These are things I tell myself.

N Filbert 2012

(couldn’t help but think of this – click for tunes)