A Kind of Credo : Intertextuality : “Art is Difficult” : Manifesto?

“perhaps our arrival at interpretive conclusions participates in that process and affirms the inescapability of attempting to read the world in an empowered way, even if we are always missing the point”

-Anne McConnell, Approaching Disappearance

But then there is a reality to writing – the unexpected, the making-up, emergence and invention.  I believe in it, in spite of my theories, in spite of acquired knowledge.  Something like the terms of paradox.  Little matter, much substance (not really).

For fun, let’s say (in the manner of a credo):

  •  “I believe…

that language is a socially constructed resource recursively constituting and innovating meaning potential

  • “I believe…

‘the notion of meaning potential can be characterized as a heterogeneous totality of knowledge of conventionalized patterns of normatively correct situated verbal behavior which manifests itself and emerges from social practices of a given social community’ (-Mika Lahteenmaki)

  • “We believe…

that actual meanings are emergent from meaning potentials – are jointly created – recursively and interactively dependent – in their situatedness and perspectivity, unique and irreducible

  • “We believe…

‘reality works in overt mystery’ (-Macedonio Fernandez, via JL Borges)

  • “We believe…

that to live ‘is to make all these repetitions coexist in a space in which difference is distributed’ (-Gilles Deleuze)

  • “We believe…

that living occurs via the ‘conservation of autopoiesis and the conservation of adaptation – a constant and mutual structural coupling of continuous transformations betwixt organisms and environments (envorganisms)’ (-Humberto Maturana, Francisco Varela, Paul Kockelman)

  • “We believe…

in complexity and meaning, difference and repetition, redundancy and novelty, structures and contingencies, openness and change

Measures of reality (situated and perspectival…partial and relative to) – our As-if-oscope and Toxic spoon-deep.  A hurly-burly and chaotic entanglementintertwingled – adjoined in movements (writing of writing) to use an outdated metaphor:  textuality and trace.

  • “We could believe…

that ‘texts record the meanings we make: in words, pictures and deeds…shaping and shaped by our social relationships, politically, as individuals as members of social groups’ (-Jay Lemke)

That no effect is not mutual, recursive, intermingled and intertwined.  Life is ambient, writing of writing.

In other words.

  • “We believe…

that ‘Art is difficult’ (-Viktor Shklovsky) and meanings dialogic/multilogic / multimodal/multivalent (-Mikhail Bakhtin, Gunther Kress, Bruno Latour, semiosis)

Empiricism regarding ourselves is impossible (the situation and perspective necessary are not available) so we rely.  i.e. we need one another and beyond.  Envorganisms, we.  We believe (we could say.  I might).

“When we leave each other, we leave.”

Henrik Nordbrandt

A text composed is intertexuality – an Irish monk illuminating a copy; a modern blogger mashing-up – bricolage, meaning – I write, WITH.

To say I instantiate a social practice.  It becomes.

Thank you.  And welcome.

-a glyph is a hunt for optimism-

Slideshow of works cited:

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In Essence

“It is in and through language that man constitutes himself as a subject, because language alone establishes the concept of “ego” in reality, in its reality which is that of the being.

The ‘subjectivity’ we are discussing here is the capacity of the speaker to posit himself as ‘subject.’  It is defined not by the feeling which everyone experiences of being himself…but as the psychic unity that transcends the totality of the actual experiences it assembles and that makes the permanence of the consciousness.  Now we hold that ‘subjectivity,’ whether it is placed in phenomenology or in psychology, as one may wish, is only the emergence in the being of a fundamental property of language.  ‘Ego’ is he who says ‘ego.’  That is where we see the foundation of ‘subjectivity,’ which is determined by the linguistic status of ‘person.'”

-Emile Benveniste-

“signification occurs only through discourse, that discourse requires a subject, and that the subject itself is an effect of discourse.”

-Kaja Silverman-

Fictions of Family, pt. 10

the developing words:

FAMILY A FICTION

Family 1

and part 10:

10

It taking so long to figure it out.  What it’s “about.”

Discombobulates like sporadic noise.  The fragments living are.

 

Four decades, seven children from three wives until he recognizes relation.  Which changes things.  Significantly.

It is the third wife (times charm) – out three strikes she staid on.  Stays on.  The difference between things.

In relation to one another.  Evolving perception.  The what-not, call it “aboutness.”  Or in relation to…

 

This in relation to that is about this much this high this far.  Or else nothing at all.  In itself.  By itself.

By himself, barely amount, insignificant cipher, plus three plus seven plus anything adding up, er, becomes.

Alone is less than one, or, not a number.  It takes 1 to know 1, in other words, all-one really means no 1.  Unless distinguished from something else, another 1, an other.

 

This he could tell.  The third wife, the difference between.  The aboutness.  Differing shapes entirely, nearer still, at this distance.

1 cannot equal.  Impossible equation.  Might as well be naught, be 0 – a 1 wrapped around itself (turned-in) – revealing just a hole, something seen through.  Looked straight through.

Telescope, microscope, still substance unseen, a looking at, really, looking for.  Simply looking, opened at both ends.  Perhaps a simple function.  What an organism is, alone.

 

She calls out, in fact pursues him halfway across.  As if to say she sees something, peering through her self-same circularity – that he is there.  He begins experience, begins to get it – something else must be looking, another 1, for him to be seen, to hear of himself.

In what she tells him.

 

Multiple inputs introduce noise (read chaos, read being), make possibilities, provide things to figure out.  With all the variables it takes a lot of time (to get what it’s about).