The Violation in Art

The Violation in Art

 

The trouble with artists, as I see it, is that they’re always breaking things.  Breaking out, breaking in.

As if their experience of the world (and in my opinion anyone might be an artist at any given time)…well, look at it like this…a human person develops perceptions and accumulates.  Artistry consists in these experiences transmuting, transforming and breaking out in alternate forms.

The world seeps, floods, sifts or bursts its way into the artist’s mechanisms of being, and their processing of said worlding breaks its way out, somewhere, somehow.  Often anywhere, anyhow!

Breaking in to us.

A person combined with their experience breaks out in a form through their hands or their vision, movements or mouth…the artifact then enters our perception, experience, breaking in to our own operations and proceedings…entering us.

Now you’ve a mingling of persons going on via artifact, motion or sound.

If you think about this, it’s threatening.  It’s criminal!  It’s viral.  And it can happen at great distances, even invisible, even in your sleep.  It may appear at first benign, even pleasurable, might mirror some part of ourselves (or so it seems) – because of its careless remove from identity toward object it feels safe and external…but how we take it in!

With anger or lusting or joy.  Voyeuristically, “privately,” or in a well-guarded institution.  Through literature, youtube, mp3s.  In deep thought or with staid attention, and passing glances or air-gathering ears.  No matter, there’s infusion, con-fusion, an intimate entwining going on.

And it is without-which-not on either side: construction/reception, speaker/hearer, writer/reader, dancer/audience.  We all become necessary and involved, creating ubiquitous perpetration.  And no one to accuse once it’s part of our experience, our (perhaps unwitting) invitation.

Like cancer or nutrients, an other-marked entity joins with our own joining to theirs in apprehension, a collusion of worlds and of persons.  An act in which all are responsible: reciprocal engagement of voyeuristic and combinatory intimacy, breaking open, breaking in,

breaking out

breaking through

a delicious and permissive crime.

Another Pause, Another Someday

“Words give clothing to hide our nakedness”

Susan Howe

“But a word is a bottomless pit”

Lyn Hejinian

And then it arrives, unexpectedly, another gap.  She sees a magician in bright jester’s garb, seated on a branch in a tree.  Amid the traffic.  Amid a swarm of bees, of thrumming crows and starlings.  A bat lies in labored breathing on the sidewalk.

Lightning- and Lady- bugs.

Like that, like both.

There is no goal to it in the beginning.  At first.  The seconds’ glow catches you off guard.  “What was that?” neon spot moving in the night.  Imperceptible polka-dotted red creeping carefully over your toe.  Structures pause.  Structures moment.  When realized, when you bring your own accident: awareness.

What pressures turns out to be necessity.  Of deadline, of assignment, of transactional fulfillment – relationship or vocation, even health.  Without apparent choice.  Or ever so long ago.  Why markings called parentheses are shields.  What gives pause.  And stays the pressuring.  For the moment.

An extended kiss.

A lapse in volume.

An ignored alarm.

You find yourself there : (YOU).

The rest of the world lining up, encroaching, exerting itself, themselves, your other selves, against the slender boundaries, the slick curving walls – they can’t be climbed, nor be toppled, only inverted )if you accept the pressures(, or erased as if they’d never happened.  Become brackets.  Prison versus asylum (in its native safety-seeking sense).

(YOU)?  )YOU(?  [YOU]?  ]YOU[?

            Now and then.  Another pause.  Another Sabbath.  A so-called rest.  Time is not the issue (as duration).  Time is at issue in its momentary absence.  Glancing the lightning-bug, bird-call, ladybug feeling out the stem.

“Another pause” with pressures all around.  Expectations or chores.  But no one calling, not this nowLast week too, unexpected, unprepared, cage door left awry, or finding key in hand.  Parentheses.  And then you sleep that active way we call “rest.”  For a moment.  You make, for the joy of making, or not.  Either way is pleasure.  Or pleasant at the most.

Such as now, another pause, this day, another Someday that arrived.

Writing: Resonance and Quotation

Resonance: Reverberations: The Nature of Quotation

 

“Awake O sleeper!…”

(Ephesians 5)

“…life is but a dream”

(children’s rhyme)

“The Tao that can be spoken…”

(Tao te Ching)

“From the way I say your name I always know…”

(???)

“In the beginning was the Word…”

(John 1)

“To be or not to be”

(Hamlet)

“Try again.  Fail again.  Try again.  Fail better.”

(Sam Beckett)

“I went to the word to make it my gesture.  I went, and I am going”

(Edmond Jabes)

            Color stained into fabric woven into rug.  Of a piece, as they say, indistinguishable from the object itself.  So the words flow into us, saturate and stain us, are absorbed and resurface as we ourselves.  Like echoes in the cranium, or instinctual responses of the body.  Resonant reverberations.

“And so it was…” (A.A. Milne?)

“Once upon a time..”  “In the beginning…”

Countless appearances, an abyss of sources, the word lives on.

Who first used “love” or “light”?  “To be” or “not”?  “Hello,” “yes,” “a”?

Our life is quotation, interpretation, paraphrase.

We shelter in a common blanket.

We’re covered with a shared snow.

We drink of one great water.

Languages one to another, stained and woven rug.

N Filbert 2012


Such Great Heights

Such Great Heights: On Loving

“I wonder at vocalism’s ability to rephrase or reenact meaning and goodness even without the wished-for love.  Can a trace become the thing it traces, secure as ever, real as ever – a chosen set of echo-fragments? … The still eye reflects a neutral ‘you’ that is me; and yet secret.  Who can hold such mirroring cheap?  It’s a vital aspect of marriage and of deep friendship.”

-Susan Howe-

            These are things she told me:

She tells me she just needs to be held.  Held and heard.  And validated.  That I understand how she feels, that I empathize.  No need to agree with her or her feelings, no need to fix anything.  Just pay attention (“be with me” she calls it), say some things back kind of like echoes so she can hear that I’m listening, knows I’ve “got” it, and nod and affirm.  Saying things like “I hear how hard that is for you,” or “I can see this makes you angry” and the like.  A safe place, a sounding board, a kind of mirroring…a world-the-size-of-arms or bodies in which it’s okay to be in process, to have your stuff, to be inaccurate, and be.

I tell her I just want to be loved for who I am, not what I do or how I perform, whether I make someone feel better or not, whether I’m useful or succeed, get stronger, am sensitive, smart or good-looking.  I’m fine with being any of those things, but they will always feel like side-effects or attributes, things taken up from time to time, situation-contextually.  I really want to be loved for who I am also, or otherwise, the self I do not know, am unaware of, except that it’s always changing.  I’m wanting value as a being, I suppose, that it’s simply good enough, and matters, that I am.  That someone would choose that.

She’d like to be appreciated for all of her efforts.  All the pains she endures, compromises she makes, limitations she accepts in order to account for me, for my “neuroses” (read “personality”).  ‘d like to hear a heartfelt “thank you” now and then for her services and sensitivities, considerations and workings toward dialogue, care and attention.  She’d like to be recognized, feel wanted, feel loved and craved and adored.

I’d like to be loved with my spaces and misgivings.  From a distance, and the distance loved too – the whole globe of me – my fears, paranoias and worries.  My anxious body.  Jealous narratives, fantastic brain.  As an entity – yes – as a system or sphere, to be chosen, sought out and let be, even celebrated as this odd, unique and difficult human, just like all the others, but different too, in exactly the same ways we all of us are.  A curious realm of unknowns and effects.  Would like that cloud of debris I refer to as “me” to trigger charges in her, of desire, of respect, of wonder and intimate knowledge.  A paradox really.  To be known as unknown, loved dissimilarly, absolutely, and so on.  Misplaced desires, but there all the same.  I ask her to love indeterminacy and confusion.

She asks to be free of her past – not its effects but its definitions.  That we encounter it together – our childhoods and children, our spouses and griefs, our risks and our failures, fulfillments and joys – not compared with the present, competitively, but engaged, encouraged, absorbed.  That not everything “not-me” be a threat, not her job and its clients, her acquaintances, family and friends, past lovers our journeys, events – that they be welcomed and included as ours now – memories, sources, realities we bring to a NOW.  Not as distractions, escapes, private holdings.  That we invite each other whole and unprocessed.  That we be a process for each.  That I be here now with, see her moving toward me, being here, not fragment and dissect her into her pasts and the world.

I tell her I’d like to be ultimate, her be-all, end-all, preference and ideal.  Chaos and all, that this mass of me be some divinity-like, awe-inspiring wonder of an incomparable glory she adore and pursue.  I want to feel special, holy, set apart, unbelievably brilliant and beautiful – in short, spectacular – in all my grungy messy remedial ways and blundering battles.  That it truly stun her how amazing I am all muddied up and crazy, insecure and inconsistent, incompatible and at serious odds with myself – that I be wonderful to her.

She told me she’d like it to be real.  To be purposive and true.  That we be brave and open, vulnerable and strong.  Flexible and protective, guarded and unafraid.  That we feel life securely and take great risks, be certain and unsure.  That we trust and be trustworthy in every metamorphoses we move through.  Tenderly powerful, gently fierce, insistent and forgiving, patiently intense.  That we strive for balance, a balance I guess like nuclear fusion – unaccountable energies in a strangely held rest.

I said it all sounds good, sounds like love to me, and impossible.  Which is fine as I’ve started as a failure, but heroic, and she’s a god arose from ashes.  Hell, she’s died and lived again.  We latch on, strap in and unwind.  We are here.  Here we go.  These terrible chasms and such great heights.

These are things I tell myself.

N Filbert 2012

(couldn’t help but think of this – click for tunes)

Day Dreamer Award!

Day Dreamer Award

I’m back from my five minute, coffee-laden, brain-reprieve.

Thanks to Lotus Ohms for awarding me this badge/honor/advice?

It is an honor to be read, thought of, and chosen.

Award works like this:

Upon receipt of this award, you are to take a mental vacation for 5 minutes. (Gaze off into space, look out of the window, have yourself a wonderful daydream….)

When you have returned from you daydream, you are required to take another one tomorrow.

Lather, Rinse, Repeat.

Award this to 3 other people. You can only pass this award on to three (3) people.

And me own nominees for this self-loving reprieve include:

the Self Appointed Life Counselor at http://unwantedadvice.wordpress.com/

lots of thought and reading go into these blogs

Jean-Paul Galibert and his “philosophy of non-existence”

(philosophizing can always use some aimless gazing for fuel)

and

Careful for Isa

some hefty poetry-writing happening there

You guys take five and refuel…dive in…do it again…dive in.

Thanks for working!

manoftheword

Blurt

Blurt

 

We have to hold still.  To take care.  To look at each other.  To remember what we’ve never quite understood: the value of one another.  Which we’ve never really comprehended, nor, finally, are we quite able to.

I suggest the exercise:  Pretend-Everything-Depends-On-It, that is, on The Other, i.e. even within yourself.  See how far it goes, if it chances to keep you alive, or defends the rights of another, imaginary or not.

Luckily, the always perhaps.  Perhaps, to a point.  To the point – what is possible – tell me who might be the one deciding that?  (or the many?).  I’m listening.  This is where God lies.  The possible.  Irreducible without end, fortunately.  And how.

Go on then, practice, live, throw yourself into it – see what becomes.  At least you will.  Forget about it!  There’s always until.  What has that to do with us?  Very little, finally, it’s something we will never experience, we cannot process or reflect upon.  So get to it now, then.  That’s all I’m saying.  Pretend, provoke, prevent and process.  There’s nothing to it.

Defend the other with your life.

 

Mark Marking Marks

Cy Twombly

Mark Marking Marks

“oh it’s working, it’s magic, each word lifts me up, takes me away from here,

from this nothing; I feel…I am…speak always, Maybegenius.”

Macedonio Fernandez

Writing as the ‘Talking Cure’

As long as I keep speaking, Mark thinks, – ?

WHAT IS REAL?

            As long as I keep talking to myself, even better the inscribing, using matter somewhat foreign to myself, like this plastic pen, this sheet of paper, this blue ink…I am providing myself with evidence.  A humming continuity, a series of marks, a silent sounding breathed into air.

But when unable?

As long as I keep telling myself these stories, Mark thinks, – ?  then what – ?  why – ?

There is evidence that I am here, he says to himself, marking it down.  Marks make Marks, he supposes, I am, at least as far as the reach of this pen, and I stay, at least longer than my thoughts, he thinks.

Mark got tattoo’d.  He did so for evidence, a permanence.  They said it could not be undone.  So he had them spit into his skin the names of those who had changed him, affected.  As if to say, to go on and on saying, these, these existed for me, in and on me, these folks made impressions that made impressions on me, therefore I must, yes, it logically follows, here – you can see them can you not – ?, it logically follows that I must exist – to have these names, these titled and organized and permanent woundings of names, of those who existed (it’s attested by many), so it follows, it must, with them pierced in my arms, that I, too…

If it all keeps on talking, these whispering names, the sound of my voice, the terms in my head, and if I work to make it real, as an object, if I chisel or stencil or ink it to the world, then surely it must testify on my behalf – I was here!  I am here!  I’ve left my Mark!  Mark marking Mark – a declare!

Or so he is thinking through his days, through his life or lives, through his odd and self-imposing tormenting sort of fear, of worry.

Am I?

To no effect?  he wonders – ?

Mark often fears he’s interchangeable.  Or worse.  Perhaps another boy would have been a better son, left a fuller name, a more remarkable mark than – ?.  Another man a truer spouse and more sensitive or empathetic, more evolved or more mature than his straggly droopy heavy brain of a – ?.  A more substantial father with clearer love and direction, firmer hands, readier tears – ?.  Mark was aware they were out there.  They’d been fellow students, inhabited stories and novels and other people’s lives.  Why were his people stuck with the – ?.  His nagging mark, so often read right over as innocuously as a comma or period.  Weren’t they looking for content not a pause or an absence?  A man marked by inquiry?

But if I leave here some trail strewn round my desk, this floor all these cupboards, perhaps at some point they will see I was here!  I am!  And I was watching and listening, loving and feeling them all.  Spending myself and my worries in this strange attempting to trace and to hold, to keep and remember their details, their effects, my responding.

Someday shuffling through or perhaps clearing out, maybe they’ll stop, pause, question and wonder.  Who was this man?  Where was he?  When?  How?  Why?

What did he do think make say?  And perhaps they’ll find these markings.  Perhaps they won’t have burned or mouldered away, and all these messaging reports, all these processings and accounts will come to mean, to have significance, these bird-routes of scratches and marks, dashes dots lines, this pouring forth of constructing an identity against with the world…

As long as I keep speaking, Mark thinks, possibly –

– ? –

Inscribing a Now

Inscribing a Now

 

Today I just feel like writing.  I don’t have anything in particular to say, no specific emotion I am needing to express (that I know; or am aware of), simply a kind of quiet delight in our capacity to make language.  To fit words together, to knit our lives, to be.

Enormously unusual (I cannot stress that enough!) it is around 50 degrees and solidly overcast in Kansas this June 1st.  Not humid even, but sprinkling now and again, the kind of precipitation you could enter and be refreshed, but a long time in getting wet.  As if the sky is asking us to take it easy, to relax, be reprieved, just enjoy.

My children are reading and practicing stringed instruments; my wife is making sounds that are delicious as she struggles with a painting; my room is dark.  These are moments of peace, are unexpected, a relief, a protection, a comforted grief.

Language is a beautiful necessity, unnecessarily.  Like bodies and voices, flowers and food.  Like mountains.  Oh, necessity can be argued for each, but what’s the point?  The world is, and that’s enough, that’s what’s important.  It seems.  And what a hinge-word!  It means we’ll never know, and that’s not the point.  Is must be different from certainty.

Perhaps I’m engaging a kingdom of “trust”?

An as-if-ness that isn’t afraid?

How little I know.

 

So the ambling to no purpose again.  “Angling” is how I heard it in my mind.  Seems it must be so.  To language in leisure must be near to the impulse of finding to-do for a bored adolescent.  Dropping a line.  Seeing what bites.  Or even just nibbles.

Sprinkling rain.  Haphazard, unpatternable, occasions.  Delight.

No expectation, desire (that’s pressing).  Just a wandering way.

It evokes a wishing-well torso for me.  So many words in the world used in anxiety, in need.  So much language and gesture, expression and sign, mobilized to “get” or “secure;” “ensure” or “relieve.”

Not that, not right now, not need.  Just rest, an in-pleasuring, a reprieve.  Just an hello or a thanks.  A “notice that?” or an “indeed.”  An agreement of person and term, an almost “natural” weave.

Sounds and sense, tones and rhythms, raindrops tickling shingles and birds.  Tires whispering snare-drum waters, puddles triangle-tinkling away.

Hello.  These are words.  It feels good to shape them – a cursive-recursive flow.  To be real (enough), here (enough), to know (enough) to inscribe.  What a pleasure, a leisure, a joy.

Thank you, world, for that hour.

Passing Thoughts

Passing Thoughts

“People don’t always understand what they see…it’s always better with a few verses”

-Henri Rousseau-

“I don’t understand it.  The injustice of it, the random, unpatternable thing life is, feels like guilt, at first, and then matures (thought the verb is obscene in the context) into sorrow.”

-Larry Levis-

            I often feel something that must be near sorrow when I pretend for a moment that I am able to reflect or observe my own life.

Usually this occurs a few minutes after everyone that inhabits the home in which I live have tottered off to their beds or their dreams or wherever it is that they go when they’re alone.  I pour myself a cup of coffee, take on cigarette out of its case, and swing gently on the porch in the night’s dark.

At first, I simply listen.  For the trees, the breeze, my breath.  Then I let my eyes  gaze.  Neither here nor there but some middle-distance that never asks to focus.  Three or four puffs in, two or three sips of day-old reheated coffee, and I begin to feel.  My body reports its day.  How long it has been awake, what muscles have been used, what nutrients processed (or wasted).  I start to find emotions.  Perhaps lodged in the elbows or neck, gut or temples or knees.  Places they sneak off to in the day’s demands.  I gain what feels like a sense of things.  A “this is what you’ve enjoyed, endured, has transpired in your waking.”

And I breathe.  The smoke, exhaling, tells me so.  And the knowing the days that remain are smaller.  And that the days that compose me stretch out.  And I wonder.  “I don’t understand it.”  It baffles me so.

I have the impression throughout my aging frame, that so many places, engagements, and events that require all of me should not feel so dangerous, such threatening.  That the places we spill for one another, on one another – where we come forth – why do we fear so deeply? and try so hard? – why don’t they give rise to elation rather than wound?

I see moments, occasions, and encounters that have scared me to my silent howls – but from here, now, look like people in love giving themselves or trying to – declaring, expressing, vulnerably opening.  Why the fullness of human persons should overwhelm and frighten us so, when we are also one of them – why is this?

Why do I not feel I can hold my own in another’s anger or grief, sorrow or fear?  What is so uncomfortable about difficulty and complexity and unknowns?

The haunting guilt of finitude, of insufficiency, eventually levels out toward a universe of conundrum peopled with questions, and a kind of sorrow and grace seeps in.

By now my smoke has gone out, the coffee has cooled, and it is high time I join my spouse in our final accord.  The waves rise, they wash out.  They rise again.  There is a passing, and some passage, it is ephemeral and sure, and it goes on.

All these passing thoughts, and days.

I don’t understand what I see, but it’s usually better with a few verses…

I have the suspicion that the meaning of things

will never be sorted out

-Denis Johnson-

 

(click image for musical accompaniment to the text:

“Broken” by S. Carey)

(it’s worth listening to even if not reading all the text)