Potent Selections from Vacation Reading

“I wondered what indeed it meant about me that I was so set against the notion of convention that I should attack it.  So, I replaced the dream with the novel, stripping the stories of my dreams of any real meaning, but causing the form of them to mean everything.”

“…the gap between the subject of enunciation and the subject of enunciating not only failed to appear to me as a place of entry, but also failed to register as something I might elide.  For me, there was no gap, as there is no gap for anyone.”

P Everett 1

“…generally, people are only inclined to speak of the past with those they believe will somehow not only share some commonality, but who will also be disposed to exhibiting sympathy.”

“Is a photograph always present tense?  I described them so…better, let the question be, is what is in the photograph always in the present, without a before, without an after?  Of course, it is.  And isn’t that actually you in the picture?”

ennuyeux

“On Ludwig Boltzman’s tombstone is carved: S=k. LogW.  S is the entropy of a system, k represents Boltzman’s Constant, and W is a measure of the chaos of a system, essentially the extent to which energy is dispersed in the world.  This equation meant little to me as I read of it the first time, but as I considered it I grew excited.  The space between S and W is the space between the living thing in front of me and stuff hidden inside beyond my observation and comprehension.  It raises the question:  How many ways can the parts of a thing be rearranged before I can see a difference?  How many ways can the atoms and molecules of my hand move and recombine before I realize that something is wrong?  Thinking about it scared me.  Certainly, I understood that natural events symbolize collapse into chaos and that events are motivated by dissolution, but the idea of such subversive and invisible change moved me.  I likened it to observing the minds of others.”

P Everett 2

ootheca

“Ezra Pound said, ‘Every word must be charged with meaning to the utmost possible degree.’  Let it be the case then.  But words need no help from anyone.  Bet thew ords kneeknow hellip freeum heinywon.  Context, story, time, place – don’t these work like Bekins men, packing the words like so many trunks?  But finally, words are not cases to be packed at all, but solid bricks (and, of course, like a brick, even a word’s atoms are not motionless).”

“We do not give the creature reality enough credit, choosing to see it sitting out there as either a construct of ours or an infinitely regressing cause for the trickery of our senses.  But I claim here that the most important thing I have learned is that reality has a soul, reality is conscious of itself and of us, and further is not impressed by us or our attempts to see it.  In fact, we see it all the time and don’t know it, perhaps can’t.  It is like love in that way.”

-all quotes by Percival Everett

from his novel, Glyph

Glyph - Everett

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a la Sympatico

This week marks (for me) an exciting new release from Explosions in the Sky and David Wingo – they’ve composed the soundtrack for the recent film Prince Avalanche (I’m also a fan of Paul Rudd).

PAMuralalthough I haven’t viewed the film yet (I fully intend to) – I was unable to wait to acquire the soundtrack, in fact it was a primary plus in returning to Kansas from the Rockies of Colorado (after the books – see prior post).

Beyond that – it would appear the film offers a sympathetic example of quest in another mode – and the soundtrack definitely does… So, entering a new semester, a season of changes and re-established routines – finding our way forward – quest – here is a sampling of the soundtrack: Prince Avalanche by Explosions in the Sky and David Wingo: