Writing Prompt

I have been attempting to take part in Madison Woods organized Friday Fictioneers which has been very enjoyable and a fantastic exercise – particularly to see the many figments of minds operating on a singular prompt – how various persons / how various world!  I came across this sentence standing on its own in the midst of a story by Lynne Tillman recently and it just will not leave my head.  I thought “a picture is worth a thousand words!?” – how about “these words are worth a billion pictures!?”  I’m sharing them here hoping they might also inspire in many of you reams of stories…And I’d love to receive links to the works that you create with/in/from them – any length, any time.  Here’s the sentence:

“In an embrace, something may be confirmed, avoided, or resolved.”

-Lynne Tillman from her story “Phantoms” in This is Not It

Sunday Sustenance

conversations with my wife (www.lifeinrelationtoart.wordpress.com & www.ekphrastixarts.com)

and all accompanied by:

Sigur Ros’ relatively new “Valtari” album

hope your day is great!

Sweet I.L.L (inter-library loan) Manna today!

“Anything you can write is already somehow immanent in the language, a baffling fact that has various ways of affecting those who discern it…For if we both of us, reader and writer, command our common language – and if not, why go on? – then we both know, potentially, whatever it can say, and shall neither of us gain anything if I raise my voice…Let us agree to pay attention, then, to some sequences of words which I shall now set down, with my usual respect (which you share)…uses of words which entail ways of being used by words”

-Hugh Kenner, from the foreword to Prepositions, and applicable to both)!

Thank you Wichita Public Library!  Thank you Inter-Library Loan!

Day Dreamer Award!

Day Dreamer Award

I’m back from my five minute, coffee-laden, brain-reprieve.

Thanks to Lotus Ohms for awarding me this badge/honor/advice?

It is an honor to be read, thought of, and chosen.

Award works like this:

Upon receipt of this award, you are to take a mental vacation for 5 minutes. (Gaze off into space, look out of the window, have yourself a wonderful daydream….)

When you have returned from you daydream, you are required to take another one tomorrow.

Lather, Rinse, Repeat.

Award this to 3 other people. You can only pass this award on to three (3) people.

And me own nominees for this self-loving reprieve include:

the Self Appointed Life Counselor at http://unwantedadvice.wordpress.com/

lots of thought and reading go into these blogs

Jean-Paul Galibert and his “philosophy of non-existence”

(philosophizing can always use some aimless gazing for fuel)

and

Careful for Isa

some hefty poetry-writing happening there

You guys take five and refuel…dive in…do it again…dive in.

Thanks for working!

manoftheword

So Rich and Rewarding in their Own Unique Ways!

Favorite sourcings of mine

and pleasures

both INTENSELY recommended for readers and thinkers alike

(are those one and the same?)

Content’s Dream

“The essential aspect of writing centered on its language is its possibilities for relationship, viz, it is the body of ‘us’ness, in which we are, the ground of our commonness, 

Language is commonness in being, through which we see & make sense of  & value.  Its exploration is the exploration of the human common ground.  The move from purely descriptive, outward directive, writing toward writing centered on it wordness, its physicality, its haecceity (thisness) is, in its impulse, an investigation of human self-sameness, of the place of our connection: in the world, in the word, in ourselves.”

-Charles Bernstein-

Heroes Ringing True

Robert Musil

On “the writer type”:

One can describe this type as the person in whom the irredeemable solitude of the self in the world and among people comes most forcefully to mind:  as the sensitive person who is never given his due;  whose emotions react more to imponderable reasons than to compelling ones; who despises people of strong character with the anxious superiority a child has over an adult who will die half a lifetime before he will; who feels even in friendship and love that breath of antipathy that keeps every being distant from others and constitutes the painful, nihilistic secret of individuality; who is even able to hate his own ideals because they appear to him not as goals but as the products of the decay of his idealism.  These are only isolated and individual instances, but corresponding to all of them, or rather underlying them, is a specific attitude toward and experience of knowledge, as well as of the material world that corresponds to it.”

On the writer’s region (“nonratioid”):

“There is no better way to characterize this region than to point out that it is the area of the individual’s reactivity to the world and other individuals, the realm of values and valuations, of ethical and aesthetic relationships, the realm of the idea…in this region facts do not submit, laws are sieves, events do not repeat themselves but are infinitely variable and individual…there is in the writer’s territory from the start no end of unknowns, of equations, and of possible solutions.  The task is to discover ever new solutions, connections, constellations, variables, to set up prototypes of an order of events, appealing models of how one can be human, to invent the inner person…which then nevertheless branches out somewhere into a boundless thicket, although not without somehow fulfilling its purpose…”

These quotes come from his exceptional small essay Sketch of What the Writer Knows

which I desperately wanted to reproduce here…

if it “rings true” for you – please find a mentor and friend in Robert Musil:

A resonance in technical difficulties

“Writing is for me a means of modulating and organizing phenomenal and circumstantial information from all points of experience, a process I refer to as ‘tuning’ myself.  As I grow older and seemingly remove myself from unity with any singular, or even plural, socio-cultural environment, I seem more ‘on my own’ in a vast environment of internalized experience.  My approach to poetics has become the search for responses and behavioral modes relative to this experience, to surviving it as well as conditioning myself to it.  Constantly the effort seems to be away from any formalization of ideas or structure or definitive process and towards a rejuvenating line of ‘basics’, that mythical point where each process is fresh and new and wholly responsive to indigenous conditions…

“In a sense, I am trying to cope with the urge of poetry as opposed to the structure of it.  This urge seems to lie within the rooted and individual beginnings of the activity, centered on a meditative, self-encoded embrace of those issues and inclinations I find within my own humanness.  The intention therefore becomes the opening of experience toward a continual address of the self”

-Craig Watson-

in

Noteworthy (not noteworthy – “omniscient observing” – worthy!!)

I continually conclude that these two are up to something unique and astounding in American letters:

BEN MARCUS

and….

JESSE BALL

i advise you fervently…be aware

Borrowed, but WOW! BAM! (and I’ll regale you no more!)…

“‘The omniscient observer,’ Dala said continuing for them out of another day, ‘reads from the first word to the last with great care for the spaces between them so they are unframed by enthusiasts or detractors”

-Louis Zukovsky, from Little

MAY WE ALL READ THIS WAY!