Invisible Man Chronicles, cont’d

Click HERE for parts 1 and 2

2-xray handshake

III.

 

            Rattling bones, deep-falling diaphragm – through continuous sightings and encounters with “H” (“her”) these consistently occur – even over hours, days, and months.

            I might say that what characterizes our particular version of intimacy are curiosity and wonder and the ecstasy of discovery and finding – imbuing apparently abandoned spaces with vitality and imagination.

 

            A week later was a potluck for the visiting artist.  Small-talking with “her” in the kitchen – I felt inadequate to be occupying her time and “let her go” to mingle with the many I was certain were desirous of her indomitable and imaginative company.  I spoke with her partner, the farm-inhabiting-best-friend-artist-lady, and H sidled in.  There was much laughter (their minds are contagious and entertaining – as if the structures of adulthood and professional culture never quite ‘took’ or corralled possibilities)…around “her” my breath dissipates.  We’d both been hired as rural mail carrier associates with joint training to occur the week following; both commissioned to respond to this artist’s intimately relational performance work; both in love with abandoned places and their loss and decay – both committed to discovering lost or overlooked things. 

            There we were.

            I in poverty. 

            Day one of training sat us next to one another, her length and beauty, doodles and read-alouds from the training manual enthralling.  I worked to breathe and lived through my peripheral perception – registering her movements, hair, wrist, knee, hands, mouth pronouncing acronyms, quirky nervous habits, footwear, scent and clothing…

            She suggested (did she?) lunch together.  I’m quite certain that converged through a clumsy stumbling and fragmented semblance of conversation.  I had planned only banana and peanut butter on my budget – yet each day we went – for that amazing hour – somewhere I’d never been before in a city I’d spent over three decades in and around.  An abandoned hotel, a nature trail, small chain restaurants, of which one, perhaps, constituted a first “date,” as, after placing our orders, she removed to the restroom and I was left to pay the bill!  (Delightful things like that).

 

            Blessings.  I was gaining practice in “soaking in the good” – a strategy instructed through my therapy, and H was much better than I ever imagined, a remarkable alchemy of behaviors and body parts – co-constituting an unknown ‘ideal’ to my mind, sensations, experience and history.  I was dumbstruck, amazed, bewildered, befuddled – in other words – alive and in hope.

 

            I’d been asking her coterie of creator-friends to visit my home for fire or food or an art-making party – to no response or avail.  Everyone taking a read.  She agreed, then doubted, then declared she thought she might appear via an internet message.  Thus she arrived, of a Sunday afternoon in April, to my home.

             We parlayed and exchanged – art, family, friends, lives, plans, hopes, strategies, likes and dislikes, ideas and tears, meanings and lies and other truths.  I ached toward her – finding romance and desire and a periscope of loving peeking out, looking round, checking for safety.  It isn’t safe.  It’s unlikely, bizarre, fantastical : sixteen years between us and four marriages – her blossoming while I fade to grey, her popping with –larity, my struggling for place.  She asked me to sit next to her.

            The sides of our arms.  Legs.  Eventually fingers becoming entangled.  We talked staring straight ahead, caught in some astronaut training module machine, no gravity, no reference, dizzied and desirous, disbelieving and desirous, frightened and desirous, with just the right amount of belonging and estrangement, novelty to craft courage and excitement throughout our neural nets.

             We concocted funnel cakes of cinnamon and sugar, mustard, jalapenos and sausage.  They flopped and sickened, we laughed and she left.  I think perhaps we loved, even then, that day.  She left behind a bevy of hands from a book she created, by extraction.  Our hands were open, our minds and hearts, a letting-go, with patterns and a freeing, a dance: in common, in Kansas, in history, in hope, in commitments, in fears and neuroses.

             Letting-go.

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Invisible Man Chronicles, continued

These consist of my attempts to account (to myself mostly) for the past 6 months of my somewhat turbulent season…

Read part 1 HERE

Kansas Ruins

 

II.

 

“Dying seeds split towards open…”

 

            “I was about to ask you to speak to me stories of how we met,” she murmured as we waited for sleep, “I never tire of them, how they change as we go, all our perspectives…”

            And we begin.

            “How was it for you when I entered that kitchen?” I ask, for what occurred in me I am still – four months later – unable to give voice to, just as I was unable then.

            What I can say is that I entered anxious, uncertain, afraid and filled with grief – but knowing I must begin somewhere, try, introduce, extend myself, my life, beyond the coil I’d created of children, survival, and pain.

             An old yellow farmhouse replete with water pump, out-buildings, repurposed windmill-like sculptures, abandoned well, mannequin-legs lined windows, rust, piles of parts, cats and kittens, bunnies and snakes.  The home of two lively artists, the wife soon to be known to me as “her” best friend.  Corn and wheat fields with their fences and rows, tall prairie grasses, birds of prey, and heat and wind is what I stepped out of my car toward this April Kansas day.

            I carried a backpack of notebooks, pens and books, a small cooler with two wrapped bratwurst, a liter of vodka and TexSun grapefruit juice cans (my armory against strangers and surprises, perhaps against myself) toward the homestead’s screened-in porch.

            Opened the door to a greeting androgynous mannequin and a doorway to the kitchen.

             I turned the latch with an apologetic and nervous smile as if to express “None of you will know me and will probably wonder why I turned up here in your home.”  The lady of the house greeted me and quickly introduced me to a workspace full of smoking hams, tossing salads, and baking grains.  At the island stood…and here I blank out.

             My torso, from lowest throat through loin-bottom, floods with feeling, with absence, with amazement and hunger.  The first sheer drop of a roller coaster.  Catching air off the road.  Losing your hold on the side of a mountain.  What seemed so certain – a mountain of absence and grief, a path of sorrow, loss and regret, misplaced footing, and fright like a life-ending fall… or life-fulfilling…

             All I remember was a brain flushed with “who IS that creature?” – large glasses, Dukes of Hazard or Wild Western clothes – a button shirt tied just under the breasts, long and limby body, mass of hair the color of ripe dusty wheat – long like the Kansas horizon.  I nodded politely to each, walked through three rooms and out the front door into air.  I had lost all my breath for that journey.

             Confused and baffled by the overthrow of my reason and will to be a severe and grieving abandoned invisible man, I set off to examine the property, to photograph remnants, to see as far as I could see and let the wind blow this internal combustion away.

             Part of me knew I’d survived.  What undid me was turning out not to be mortal.  Perhaps I maintained the resilience and adaptation of a child with a little less flexibility and imagination, but the floods and droughts had not burned me fallow.  It frightened me.

             Eventually I conversed most of the evening away with “her” young, thoughtful boyfriend, engaged the generous and open artist-in-residence and made more plans to enjoy this group of hopeful, resourceful humans… while “she” moved about like the grass and the wind, the trees bending, swaying – each too large to comprehend, each farther than the eye knew how to see.

             One learns a landscape by living in and with it over time…

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Reasons

Reasons why a novel, memoir, or longer work may never be “FORTHCOMING!” from me: whenever I begin to write I get absorbed in the activity of writing. I seem unable (after all these years) to force myself to craft characters or plots or descriptions… The characters are LANGUAGE, the plot is made by LANGUAGE, and the LANGUAGE only seeks to inscribe itself…

Invisible Man Chronicles – Pt. 1

The times have been odd and I’ve been at pains to record them.  Here is a series I began recently in attempts to account for my life over the past 6 months or so… for what they’re worth.  In this current apparent “season” of ongoing stress related to surviving I am culling old notebooks for substance and will begin posting as I find time to type them. \

Kansas Ruins

Invisible Man Chronicles

            Six months ago, things were different.  I found myself unable to breathe, in England, windswept and drowned out in a kind of panicked grief – a she had proficiently evacuated my life, my home, a marriage… a business, a practice… The weather was cold and drizzly – melancholy, hibernatory, reflexive.  One might say: “Winter.”  My return would be to four children, now employment, no sustenance, no inner strength, little support and a home hardly emptied of her artifacts.  She had literally flown away.

Seasons in Kansas are cyclically exemplary.  Summer – hell-hot, a dry blowing flame, readings often surpassing 100.  Winter is a subzero freeze – bitter blizzards and veils of ice – both producing post-apocalyptic land.  Autumn, as is idealized, a gradual and colorful falling away – temperatures, foliage and field – a clear and moist sarcophagus.  And Spring.  Spring is explosive – blustery, redolent – a balmy turbulence of expansion and growth.

Some have suggested that landscapes, climates and geographies form the tangible shape to our thoughts and personalities and beliefs.  It makes many kinds of sense.

When we experience loss we consider to be great, we often find it inexplicable, and it may exhibit many qualities in common with fallow fields of Kansas Winters.  Clinging to cold and dark uncannily, as if depressive states were somehow desirable.  As if persisting in sorrow might validate what grew there before.  What cannot repeat (we think) – bumper crops and windfalls – the decay of which we experience as hopelessness, helplessness,  a ruin.  Plumbing gone bad, a roof worn away, the appliances failed.  Eyesight, blood pressures and flesh.  Things fall apart, the center cannot hold – wisely penned, and yet the Seasons.

When a wheat crop fails to a Summer’s drought and burn – there is thorough discoloration and a withering.  The rusty dun of a malpracticed rain dissolved by menacing sun seems a sign of things gone wrong, things never to be the same.  And it is so.  In some various version of “now” – growth is undone, production waylaid, and a pestilent edition of dying appears to have its way.  We cherish that in our bemoaning.  Misfortunes as notches on a belt that signify toward some later date: “We survived.”  “We survive.”

Certainly not forever, but perhaps another season.  Another cycling of the clock.  We sleep and we wake, and “every day begins the same.”  Every week and month and year.

That apparently demolished – scarred and furrowed stillborn field, however, hasn’t lost capacity, only a season’s fruit, a momentary harvest.

I shackled myself to determined grief.  Treating my earth with lyme.  Still its soil didn’t die.  Flowers and grasses were never erased, only unsung and silent, covered, eventually, by a type of ashen snow – very difficult to see.

The lesson I find ever-so-hard to incorporate is that the responsibility of flourishing or dearth lies not on the soil, the weather, or farmer – wind, sun, rain or seed – not even diligence, care or quality.  Rather, its growth or despoiling depends on the entire orchestra of factors.

What blooms for a term, given other conditions, even ever-so-slightly adjusted, may miserably deteriorate, may “fail to thrive” or “take.”  Human infants, ant colonies, milo crops and butterfly paths, wildlife populations and the microscopic advance of forests all share this cosmic weather – growth and decay depend on convergence.

A determined depression, a strange and celebrated joy – can be deranged by simple sounds or gestures, weathers or tastes.

Helplessness altered towards hope by some unexpected “yes.”

I was contacted to compose a responsive work for a miniscule fee in relation to a visiting artist.  I was given employment, extremely part-time it appeared – as a rural mail carrier ‘associate’ – filling in for regular carriers days off.  And yet they were SOMEthing, a shift in the breeze, a change in barometric pressures, percentages of precipitation, doors opened with smiles.

A bonfire had been planned at a farm to forge acquaintance with the visiting artist – two weeks of work from Brooklyn, NY.  In my selected sorrow I avoided meeting people or mingling in groups, even contacting more than a handful of friends (often reaching out and then canceling in efforts to conserve energy for survival).  Yet work (survival) was serious business and necessitated uncomfortable measure.  I went to the farm and the fire, and from there began a new history.  New season.  Dying seeds split toward open…(to be continued…)

Revisiting “I”-dentity

01-diagram-complexity-of-place-ID1

“I”-dentity: and/or “I” is a product of the Other and the Us

 

I wouldn’t know how to tell you my story, though life knows I try and have tried (as if someone cared).

 

What is it to you?  And “I”?  Is “we”?  When the parts are estranged, differentiated – unknown and uncertain?  If the question of being is YouMe + We?

 

My approach to myself as an Other and Us.

 

Thinking in time with the seasons – their perceptible growth and decay.  Their relations.

 

For all the world in the sheer ice of January the wheat crop is dead… but it rises late in the Spring.

The drizzling, chill fog is burned off by the Summer.

 

I succumb to grief, and then joy, but grief will come again (and then joy…and then grief… and then)…

 

Fall and its gradual dying: discoloration, departure.  What we experience as lengthening quiet.

 

I thought it was over (this “I”), again and again.  But it always turns out it is ready to bloom and express, given certain conditions (the “I” and what blooms, as well as conditions – differing every time).

 

Not quite fallow – apparently.  The seeds and resources are there (that’s the HUMAN) – called out by consortial action.

 

So “I” is the product of the Other and the Us.  Always more than one and all their relations.  Sea, land and sky, our cells and their content-rich contexts.

 

I’ve been abandoned and resumed without loss each mysterious gain.  I’ve betrayed and discovered new friends.  We don’t remember where to categorize pain: is it “bad” is it “good” – but then simply it is just like we and the other and the us.

 

“I” dent.  I am in-formed while in-forming.  When I move, lie or make, I am changed.

 

It’s not fault of an-other, an outside, an “external,” nor “me” in my body, my space and my time, but the “we” is the cause – the “us” in relation: all is com-pound, com-plex, and co-herent (“co-here-in-it”?).  Here together we change and are changed.  And thus love.

 

And our fear.  And we forecast by memory.

 

“I” am not “I” as “I” was.  Nor like the “I” “I” will be.  Which “I” cannot predict for all its co-dependence.  Which we labeled “dis-ease” and no wonder – it makes us uneasy being out of control.

 

Yet we’re only an “I” in a context.  A context of other and us.

 

When the “other”s keep changing (be coyote or mountain, NY or SF, literature, germ, snail or partner) the “I” also shifts and adapts, becomes “else,” becomes novel, strikes a balance with all that is “us.”

 

So give credit where credit is due (or a “cause”): whatever your “I” equals a me + a you – and is describable in manifold ways – as a god or the weather, a child or a feather, and is probably always ALL AND.

 

So no “OR.”  Choice is an additive move.

 

TV news brought us the phrase “and now this.”  Exponentialed via World-Wide-Web, and most probably true (or maybe it’s real).  Connections incalculable, meshwork beyond comprehension, impossible untangling deciphers…now this and now this and now this = “I” (and “you” and “us” and “we” and “world”).

 

Terms are confusing.

 

We Are.  Con-fused beyond knowing.

 

There is no other way (then/than) To Be.

 

“I” as a product of Other and Us.

Siegel - Neurobiology of We

Where the Summer has Gone

GetOutWayJuly

WordPress peers and inspiring friends – new love, new work, busy summer offspring and the above explain my lack of involvement here.  Autumn approaches, new semesters, school year beginning, and so on.  I SO hope to be active in your company again.  I appreciate your comments and patience.  What a large thing life is.

As I catch up on your works – I am SO thankful for the talents, visions, expressions, idiosyncratic thought and emotion that each of you have found a particular and meaningful (and SIGNIFICANT in whatever medium) way to realize in this forum.  I appreciate it greatly and am truly humbled and grateful for these odd and generative connections.

thereading

image from the reading replete with lifeguard (son), hostess handing out favors (buttons, nipples), stewardess serving odd mixtures of airline snacks, a priest blessing and moving people around, a waitress and a dapper emcee, a basket of fortunes created by my daughter, and myself wandering the space reading pieces and climbing on things.

 

ReMarking SelfAwareness

Erasure

 

If I possessed the capability of remarking, I would.  Indeed, in that term resides my life’s work.  I am a Remarker.  I attend, scrutinize, mull and vacuum the world around me for occurrences, things, and events that are “remarkable,” and then I make every attempt to re-mark them.  Sometimes I succeed, and my re-marks trigger stimuli for re-marking in others; often I fail – both in the assessment of what (in fact – in a special – species/al – sense) is remarkable, and, in my ability to effectively mark something in relationship to itself.

Communication : Calibration

Peanuts

Perhaps we join in a wooded area, wander about, espying for foxes and deer, or bunnies.

Maybe we just use our eyes.

Sometimes we use the term-containers – words of our languages – bring varieties of ourselves, our experiences, our learning, our responses to syllables and sounds, and craft new spaces whereby the potentials echo.

I raise my hand, you respond in kind.  A nod, a wave, a shake.

Perhaps the fuzzy boundaries of ourselves engage – we hug, we kiss, we make sounds one to another…

Both leaping over the log.  Both scrambling the scaffold.

Gazes infiltrating one another on the river, on the Van Gogh, on the sculpted heap.

“You heard that too?”

Footfalls.

Whispers.

atomic structures

Suppose we take up space.  Suppose we are compositions of compositions that make a kind of interactive boundary – both for ourselves and that which surrounds us.  The same, but different.  Suppose all that spins around me gives me a sort of “area.”  Suppose I lend the air, the water, the sound and ground a similar sort of “area” by my own buzzing, my own movements.  Call me color.  I am “blue.”  But when I engage you in my blustering – you, “yellow” – we don’t end up making stripes…

WE, are “green.”

overlap engageI breathe…my compositions of compositions exchange and interchange – some re-inhaled, some new and distinct, some left to re-compose.  I enter you.  I lend a boundary.  I find I do not dissolve.  And yet, exchange.

Our voices, carried by term-containers, expand, swell, contract, until there is a blend of meanings, intentions.

Maybe we only inflect.

Our fuzzy, buzzing boundaries.

Engage, exchange, co-constitute.

You move.  You lend me form.  I respond.  I interact in kind.

Fuzz, buzz, calibrate.

You said.  I replied.  I summarized.  You disagreed.  Partially.  Edit, recompose.

If “I” am a composition.  I am composed of compositions – recognizable.  Body.  Organs.  Veins.  Plasma.  Neurons.  Molecules.  Clusters.  DNA.  Synapses.  Atoms….

You, composition of compositions…a composition within compositions : surround, situation, “space” (is there such thing?).  Space, time – any emptied space to occupy?  No.  Displacement, exchange.  Calibrate.

Table.  A/C.  Drink glass.  Water.  Music.  Each element, action, “happening” altering, vibrating, co-creating the rest…

Calibrating BEING.

OCCURRING.

THIS.

Co-composing…compositions made of compositions made of…within compositions of compositions…making…

We calibrate.

I enter you.  We correlate.  Calibrate.  Collaborate.  Co-create.

I recede.

You, though different, remain.

How intimate it can be…and yet.

We lend and are lent.  Gift and are gifted.

Our fuzzy, buzzing borders.

Ever-exchanging.  Ever-engaging.

We climb.  We calibrate.

We dance, we speak, we respond, we laugh, we play, we swim…

We dream, we sleep, we breathe…

WE CALIBRATE…

…and become.

This is mysterious to me.  Mysterious and wonderful.  How I tend to think I “know” I am made of the same miniscule moving structures as you, as air, as mountain, as stream… And yet I retain a form… maintain an autopoietic and dynamic interchange and existence (for a time) as a cognizable (humanly) and dynamic “organism” or form of life.  Like a language, a rock, a helix, an artwork, an idea.  That I “know” these elemental spaces composed of tinier spaces making up larger spaces are all active, are full, are constantly coming and going, interacting and recombining, becoming and altering, editing and con-forming… and yet we identify, recognize, perceive…and do it again – come together, and calibrate…

Action.  Language.  Presence.  Exchange.

Remain.  Begin.  Engender.  Preserve.

BECOME.

Each of it: action, communication, gesture, touch, sense, perception, behavior, belief,

OPPORTUNITY and ENACTMENT of CALIBRATION…

COMMUNICATION

hello.

communication

Creativity’s Luck

Last week I in fact took one day “off.”  Truly OFF.  It rained.  I read.  It rained.  I read.  I wrote…

heavy rainfall

Eight hours later, finally, I am drunk with language.  Like Kansas soil, I require such storms for the necessary surplus… for markings to begin to pool, swirl and confuse – for essential destabilization – undoing language from its conventional attachments and turning it toward an alchemy, a natural compound and resource, something to be stirred and sludged or steeped – allowing for aroma, skimming and residue.  Just language, less meaning – an additive experience, unknown potentials of letters combined by some strange combinatory activity of intuition, convention and accident.  Creativity’s luck.

There is a point to drunkenness – whether artificial, of language or pleasure or love, whether substance, experience or drug – it is to be estranged and immersed – in some sense undone.  Renewed.  Despoiled.  It slows and diffuses me enough to write beautifully again.  Instead of making words, to concentrate on shaping letters.  Forces to create.

It is a baffling and bewilderment – allowing us to require effort for focus, selection and choice – so discreet motions of bodies become both complex and marvelous again, the capacity for smell a wonder and delight, communication and gesture (at all) a mysterious gift.

Inebriation levels the field.  Returns to a source.  Baudelaire may have meant we are potential and solidarity at once – flounderers grasping at tools and beginnings, constructing, cooperating.  We are begun.

Perhaps, then, we drink to erase and begin.  We scramble ourselves toward infancy that we might make effort to grow, while minimizing automated meanings.  To struggle to learn, to be becoming rather than operative.  Innovative over automatic.  To develop and realize.

I love to form letters once drowned in the rain of them.

Flood everything to discover what’s possible.

Saturate in order to dredge, to pan, to anticipate.

pioggia-di-parole

The “Necessity” Notebook

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B4 Notebook EntryOn May the 22nd