The Open

“What to write on the blank sheet of paper, already blackened with every conceivable handwriting?

Choose, why choose?”

-J.M.G. LeClezio-

“There seem endlessly those situations of particular experience wherein one knows and doesn’t know, all at the same instant, which is to say, the information is inherent, actual, in the given system, but (itself a word of this qualification) we cannot step out of its context to see ‘what it is’ we thus ‘know'”

-Robert Creeley-

“I speak now and shelter in the tent of language or writing”

-Michel Serres-

Flustercucks – aborted short stories

here’s a story begun for Fluster Magazine’s short story competition…ended all too briefly?

Dropping the Mask

It is clear that we called for the meeting to leave something behind.

I don’t believe that either of us questioned its integrity, intentions.

We both of us asking to know.

 

It had been long in coming, decades.  Still not yet old we hoped to find some kind of truth and choosing.  A discovery discovering.  Both an offering, a revelation, no lives to be lost.

 

I had never seen her this way.  Never this close nor this complicated.  I allowed her to undress, even asked her to.  I did my best as well, to arrive ready, with a thousand masks.

 

Long navigation.  The years had dug channels, paved roads.  The routes were secret, but we remembered, as if written on the palms of our hands.  We read them with our eyes, began to retrace.

 

I made the first call, in order to argue, to work something out.  Why we never, nor knew.  Our stories paralleled – the subterfuge, pain, and the pathways of scars.  We dug to heal, opening the wounds.

 

We held it together, even with weapons.  To cleave – cut and joined.  Rifts and bridges.  His truths were all lies, logically constructed.  I sprayed mine as graffiti on his monuments, defaced.  Undone.

 

I guess each truth is a lie to something else.  Our stories held water and ran.  We found ourselves somewhere in their flow and stood together as a base in cascade.  In the thundering rain the masks dissolved and our veils clung to our bodies, sheer.

 

What we experienced together we did not forget, but forged a place for it.  Here and now.  We began.  Possessions and pasts stolen, we clung and feigned, using only our skin and joined breaths – our voicings.  Fluid in a world of statues.

 

Something fell away, eventuating our silence.  We departed the space we had filled, abandoning its form bags packed full.  I felt I’d left something behind, still checking my pockets and luggage.

 

He preferred the weight he carried, holding him secure and anchored to the earth.  I chose the flight, and the destination, returning us unharmed.  My pillowcase was empty, nothing lost, nothing gained.  Of much was made.

 

I guess we masked our joy in difficulty.

  Which fell to the ground in our separate ways.

 

“This is how we originate and how we are formed: a slapdash piece of work, subject to the vagaries of time and the blunders of brief opportunities”

-Michel Serres-

 

N Filbert 2012

 

 

Waking into Questions

“It is already late when you wake up inside a question”                    -Anne Carson-

 

It takes some prodding.  Prodding and probing.  You must have set out, been triggered or poked or otherwise disturbed.  In the first place: to ask.

So something, anything, disturbs you.  Annoys, feels good, causes you to move out of a way, or adjust.  Friction.  Something like pain or a sharp thrill, label it fear, designate desire.  In any case – unrest, discomfort, necessity.

There’s the rub.  A displacement of sorts, like an involuntary glance, or tripping on sidewalks.  Awareness.  I have legs.  Eyes.  An elbow.  Breath.  A need for a restroom, that kind of thing.  Self/other; here/there; now/now.  Force, motion, mass enter the vicinity.  You become aware.

To right yourself, “get your bearings,” “take stock” and what-not usually begins in some knee-jerk instinctual mannered-reaction, as it were.  Pierce-poke – wince and recoil.  Delight – magnetism and submission.  You are not awake, only slightly coming-to.  Displaced, disturbed, floundering for shore.

An experience is occurring and senses churn, mind starts mapping, here and now are tired of hiding – regardless of the fun of the game.  You startle and seek, calling things names deep in your head, listening for echoes that mate.  Radar of accounting and imagination, disjunctively it gradually becomes “all systems go.”

Go where?

And how do these systems “go”?

Who is it that’s waking?

The entire propensity expanding the proverbial “What the – ?!”

Whether infant or sage, and all of us, after all, somewhere in between.

And so it goes, ever waking in questions…

(What could be more exciting?

More repetitively strange?)

Intimacy

photo by ParkeHarrison

Intimacy

“People really understand very little of one another”

-Anne Carson-

            You might say we studied one another through a thick fog.  Or learned one another in the dark, guessing, reaching, feeling our way.

For many years.

We were determined.

Recording nuances, memorizing beats, mimicking rises and falls.  Taking fingerprints with our bodies, collecting snapshots for official documents.  We created and invented artifacts together in order not to know – who was who and which was which.  We merged as often as we could, and more than often asked.

We still remember general shapes and movements – tones, colors, outlines.  Each a sort of negative of the other – surfaces accepting imprints, continuous translations.

You could say we were scholars and specialists.  At times we counted hairs, many times while splitting them.  From observation it is hard to tell bodies tangled in fighting from those wrestling in love.  Unfettered laughter from convulsive wails.  We learned to do so by watching them changing one to another and back again.  Momentary gradients.  We were able to dance on thin lines.

In earnest we catalogued vocabularies by rote, genetics, neuroses, causes and effects, our marriage a lab of research and experiment.  Encycopedic and replete.

Through interference of weather and evolution’s inexplicable leaps we adapted apparati for morphing data, constructing theses.  Compared and bickered notes and conclusions, matters and intention.  Interpretations varied.

More astrology than –onomy, more alchemy than chemistry, we carried forth our quest.  Meteorology, geology, archaeology we sought of one another, growing compendiums of analyses and flow, catalysts and katharses.

Our distance became cosmically microscopic, mythological and rite.  You might say we were studying one another in a great fog.  We kept on receiving each other in the dark.

The Garden of Selves, a thought-experiment

Garden of Selves
Robt. ParkeHarrison

Garden of Selves (unmasking, a thought-experiment)

“All my life I’ve heard one makes many”

-Charles Olson-

This is what I hear here.

Someone sitting up and looking round.

Someone peeking.

And one makes many.

How many?

 

It doesn’t matter.

What matters is what the others are doing.

When only one looks up as if to speak.

I am hearing “tend the garden”

I am hearing “heteroglossia”*

I am reading “every on their own Babel”*

 

Why are the many huddled in boxes, like seedpods?

Perhaps shriveling, or nearly dead?

What prompted the one?

I hear here one prompting many.

I hear the call “Rise up!”

A voice sounds singular.

 

Which is not the case.

A person is a chorus.

Something else pressures for soloists.

What if each their cadenza, in unison?

Who then, what then, how would we be?

This is what I see in this sea.

 

And why so many-yous asleep?

How we tranquilize and put under

Person – what have you done?

The space of a world we call web

is made for a show of hands

nothing is not connected…

 

Wake.

This is what I hear here.

Wake up.

You are not alone.

You are one many,

singularly plural.

 

Tend to the garden of selves.

Know the manufacturer’s labels on every packet of seed.

When it is yours you have chosen and planted

look up

join the chorus

shouting down the mummer’s call

N Filbert 2012

*M.M. Bakhtin’s concept of the plurality of utterances and personhood

*from great British linguist J.R. Firth

Two Continuations….

(click Can You Imagine below for full text)

#1.  “Can you imagine?”…and so it is

Can you imagine
ParkeHarrison Photo

and #2: “Outwide…” (outward)

(click Outwide below for full text)

Outwide

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The Structure of this Blog (“Totalife”)

Imagine:

The Novel:

“Vaguely we knew each other, also almost ourselves, among other things”

N Filbert  2012

Springing Forward? Let’s Say “He Jumps”

The Flight
Robert Parke-Harrison

 

 

 

Springing Forward? – Let’s Say “He Jumps”

I breathe in.  Drawn-long, held as if full of some essential substance, then let leak, some as a rush, some hardly – again signifying a value – a perhaps-last or at-long-last.  I’ve breathed out.

I breathe in.  My children, my wife, my house and its yard.  Strange concoctions of scents – some floral, some stench; some earthy, some fume – through my fingers, my beard, my innermost emotions and mind, the surfaces of skin.  I let them come through, I chase them, I hold…they pass…through cells, through nerves, through blood and muscle, snap of tendon and ache of bone.  I’ve breathed out.

I breathe in.  Sun-saturate and gleaming after the exceptional days of steady dark rain.  The fans are whirring, windows propped.  It is night.  The wet has passed.  The inside.  Full with smoke of dry leaf and lung, I exhale.  I’ve breathed out.

One day: 50sish chill and thick drizzle; the next: 82 degrees warm and nary a cloud.  It is Kansas, not uncommon to span thirty degrees in either direction in its differences of highs and lows from day to day, multiple seasons endured every 36 hours, a place my wife (Oregon-bred) names “schizophrenic”…change, its speed and accrual.

I breathe in.  We left him either building on what he already had or starting something new, something fresh (building on all he already had) in the Spring, a wet-now-dry, unimaginably rainy and verdant-now-bright and vibrating in the sun’s Spring rays of a year, a year that for reasons unsurmised seems to him enormous – open and glaring, great obstacles of blank.  Without directions or directives, at an edge, a frontier, an expanse…like a blind man blindfolded (thus muffling the ears) and hog-tied in the trunk of a vehicle on a plane or placed in the hull of a rocket, drugged to dream, awakened and set forth…where he could not know, but only, if gutsy or desperate enough, might grope, or set out…or double over, hunker down, spin himself and see what he has, what he brings wherever he goes…

a fragile little egg on a continent-sized glacier, endlessness behind, indeterminate ahead and a recklessly rattling now…change, motion, flow,

no where (as a placedness)

no when (as a fixed moment)

no how (as a correct path, replete with map and supply)

no why (as a genuine reason)

no what (of comprehended identities, complete entities)

nothing but movement and emptiness, finitude and frontier.  Stunned, deranged, nearly catatonic, nervous, breathless…I’ve breathed out.

I breathe in.  Fosse, Wallace, Bernhard.  Celan, Derrida, Bakhtin.  Kafka, Montale and Blanchot.  Languages – songs, poems and signs.  Beckett, Jabes and Walser.  Rilke, Roubaud and Gertrude Stein.  Stevens, Thirlwell, Stafford.  Cixous.  Clement.  Tillman.  The sounds, textures, silent emphases and vocabularies, grammars and syntaxes whirl about in whispers…blurs and hues, a beauty; cacophony, melody, consonant percussion…shushing out the ears…I’ve breathed out.

I breathe in.  Grains and grandparents, livestock and faith.  Institutions and knowledge and parents, their arms.  A sibling and a thousand loves.  Culture and geography, politics and verbs, losses and gains, failure’s success: atoms making webs of sick knots and health, betters and worse and could-be-worser-stills…a fabric?  a substance?  some tissue?…it snaps…I’ve breathed out.

Facing an unseeable void, we left him.  In shock, exultant, with unimagined possibility.  Either I build on what I already have or I start something new, something fresh (building on all that’s passing through), I think to myself, on this clear near-summer’s night, at this edge, this vast expanse, this outer space, just breathing first, first breathing.  I’ve breathed in.  I’ve breathed out.

Let’s say “He jumps.”

Otto Lilienthal on Fliegeberg
by Ottomar Anschutz 1884

Springing…forward??

Either you build on what you already have or you start something new, something fresh (building on what you already have), I thought to myself as it was raining that day, that wonderful unimaginable and rainy wet first virile fertile day of Spring of that year, that crazy, tremendous ice block glacier of a year full of so many things I couldn’t keep up with, so many changes happening like quicksand, or coming upon the Great North, vast tracts of undiscovered frontier, snowy land, gargantuan and open, that year, that future, the future of the end of the world.

I was, you see, attempting to make my way there – to find my way, feeling about like a blind man frightened in the dark (why should that matter? I thought, why should it matter to the blind if it were dark?  Still, things are more ominous in the night, more unknown, seeing or not, more uncertain, more uncertain indeed, I thought).

And perhaps that’s it.  Perhaps that’s the whole story right there, a little library card-sized description, my now, that now-past experience dragging on as a present unopened, some blinding night setting at what seemed a foreboding and wide-open end of the world?

Let’s revisit where we’re at here, it will help me get my bearings, help me decide how to proceed – do I build, do I set out?  In one case I work with what’s already there (here) all my work and toil and worry, all my whereabouts and wherewithal; on the other I construct, invent, create, here in my whereabouts and utilizing my wherewithal, I craft something not already here around and within me, make something occur, I act or continue, by acting continuing, in what direction, that is the question, how here now, this interminable present situation I am coming to find myself in, how shall I go on, proceed, in what manner?

Where am I, for starters, and am I alone?  I find myself wanting, quite naturally, spontaneously even, it seems, to be inclusive here, to desire (apparently) inclusion, to say “let’s” and “where are we” to establish a location, a whereabouts, a “situation,” as if the feeling of lostness of untrammeled terrain will forever be my sitz em leben as long as left to myself alone, as long as I can espy no reference points, no company, no where-with-al to my whereabouts.

Where were we, then, I’ll assume we’re together, that there are many of us in similar straits, coterminous, co-traveling, travailing, up into up against up toward this vast unknown expanse, this blankness, empty landscape thick as ice and night, as blindness.  We should reach out our hands perhaps.  Extend our arms, get a feel for things, touch what might be there in this dark, or rather this milky grey of blindness, this lack of distinction of specificity of landmarks, with no map, nothing we could read, could decipher or chart.  I grope.

First day of Spring, did I say?  Is that a location though?  A place?  A place in time perhaps, discoverable square on a grid, a 21st, an equinox in things, in elements cycling and shifting about one another, out into the galaxy, some enormous imaginative gyre, it is raining, blind or not, on this first day of Spring of this particular year, haunted and mystical year, it is raining – we can hear it, can feel it on our skin, we are wet.  I am wet.

Determing then, our whereabouts: it is wet, it is Spring, let me describe it for you this thick endless open night of a year –

It is blinding – a glaring brightness that equals blackest night – one imagines it with the help of images – photos and films of discoveries of the glinting scintillant wastelands of the Poles…a disorienting everywhere one must forge ahead through, one needs ropes and flagpoles, say Everest in storm, say outer space, say vertiginous void, perhaps one’s own mind in nightmare, or depression, shock, grief.

This is where we are, some of us, in a saturating rain at the edge of a great blank expanse, blinding in its sheer whiteness, its big empty, darkening the brain, cancelling out the signposts, fogging the familiars, there is rain there is blindness and void.

I love the rain.

Maybe we love the vast expanse – the future – the unknown?  Perhaps we feel ourselves at the edge of tremendous, breathtaking, thrill-seeking adventure?  Perhaps it calls for a hurtling, what do they call this?  A point of no return, of lift-off, all systems go?

Either I build on what I already have or I start something new, something fresh (building with what I already have), I think to myself in this rain on this day, this wonderful unimaginable and rainy wet first virile and fertile day of Spring this year, this crazy and breathtaking, frightening ominous glacier of a year full of so many changes and detours, jagged peaks and harrowing cliffs, quicksand and mountain range and all at once undiscovered future frontier, scintillant, open, glaring and flood-drenched and dark, my blindness, my groping here at the edge of the future of the end of the world

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Scripting the Photographer…the Photographer attempts a poem

from Alejandra Figueroa's
book "Corpus"

Corpus

(after Alejandra Figueroa)

 

Here I cover the surface of the body

the body the surface, the covering;

One begins by entering the frame

the body the frame, a welcoming,

a focusing and open terrain,

I advance

 

A boundary frames a region

one must discover how to explore

a removal of the covers

may expose the surface display

the region, the mounting and frame are one

to the senses

 

I attend

with hands and smell and vision

I cover the surface of the body

bringing the cover to surface

entering the frame and mounting

I go on

 

To penetrate the body,

uncover what the covering covers

seek what surfaces in the surface,

mysterious border

pliant and porous

a solid liquid, an ever-forming form

 

I retreat

impassable yet liminal

covering countering my own

I give space

to space already withheld

and everywhere available

within its frame

 

The asking gaze

ensnares what it questions

but cannot possess

the living surface does not answer

but responds in its covering

at one with what’s beneath

 

Inseparably inhabitant

to countenance this cover

is to uncover, to discover –

surface to surface –

indecipherable content