I continually conclude that these two are up to something unique and astounding in American letters:
and….
i advise you fervently…be aware
I continually conclude that these two are up to something unique and astounding in American letters:
and….
i advise you fervently…be aware
“meant to detect just how slushed our insides were from too much speech, how blighted we’d become from the language toxin…
The know-it-alls are always the last to know. Β Everyone’s a diagnostician, and everyone’s wrong…”
-Ben Marcus-
“As is usual with me I would not go on with the rest of the story and come back to the difficult sentence later. Β With others it may be different – but when I am that far in a work the story must exist in each word or I cannot go on…”
-Louis Zukofsky-
-Lukas Felzmann-
I know….there’s a LOT of envy fuming out of you readers eyes!
(use your local library!)
“No useless chatter, but a word of necessity face to face with itself.
With this word, I have written my books.
Word of sand. Β Word of eternity.
Thoughts of shipwreck, but also of haven.”
“To approach silence before the silent sign.
To approach the book before the page.
To wait for words that wake our thoughts as they write us.”
-Edmond Jabes-
“When a sparrow feels the freezing cold air, he puffs up his feathers and gathers his feet under his body;
he bears the surrounding cold by countering it with his inner warmth.
The writer, who is also warm-blooded, fights even harder”
-Viktor Shklovsky-
“The bow’s harmony arises from the strained stick forced by the bow-string.
Subsequently, harmony resides in unity and contradiction.
It is kinetic energy that’s about to become dynamic energy.”
“And those of us, never angels, who are verbal, who ‘on this low, relative ground’ write, those of us who lowly imagine that ascending into print is the maximum reality of experiences? Β May resignation – the virtue to which we must resign ourselves – be with us. Β It will be our destiny to mold ourselves to syntax, to its treacherous chain of events, to the imprecision, the maybes, the too many emphases, the buts, the hemisphere of lies and of darkness in our speech.”
-Jorge Luis Borges-
Swarm.Β Absorb.
Β
metaphor:Β the entire discography of Mark Kozelek (+ Sun Kil Moon, Red House Painters) / each version of Max Richterβs βHaunted Oceanβ on dizzying random repeat β this is the setting:Β atmosphere.Β environment.Β βcontext.β
metaphor:Β the Kansas sky in storm
Β Β Β Β Β Β Β Β Β Β Β metaphor:Β dealing with Ache.Β (βbeing humanβ)
metaphor:Β βControl without Hierarchyβ by Deborah M. Gordonβ¦on some page in a book called Swarm by Lucas Felzmann:
βA flock of birds turning in the sky is doing something that people donβt know how to do: moving together, beautifully, without a leader or choreographer.Β Itβs a spectacular version of the collective behavior that goes on everywhere, in groups of animals and among cells within our bodiesβ¦Life in all its forms is messy, surprising, and complicated.Β Itβs difficult to imagine how any social group could be organized without any hierarchy.Β We are used to hierarchy as the principle that organizes human institutions.Β Think of companies, armies, governments, orchestras, schools, and clubs β without any person directing another, or having more power than another.Β Although we are so accustomed to hierarchy that we think of it as necessary, it is rare in nature.β
think of language.
Β Β Β Β Β Β Β Β Β Β Β what is scattered widely or uniquely ubiquitous β call it βswarm.β
βIββ¦lost.
I know I cannot gather to a grown pillar of I-ness, something you might recognize, could βidentify.β
I know I cannot be where I am as long as βtimeβ and βspaceβ function effectively in my frames of referenceβ¦
I spread.
I swarm.
βI-swarmβ
(the βhumanβ world-situation)
Β Β Β Β Β Β Β Β Β Β Β Leaving that aside.
How might one (dependent on two or more in order to, well, in order to simply βbeβ)
how might that one (singular mark β β/β) handle (manage? survive?) βitsβ Ache?
βTo be or not to be, that IS the questionβ
(o wise god)
Β Β Β Β Β Β Β Β Β Β Β So I splitβ¦upβ¦
I canvas the sky, the context, the landscape, the sitz im leben, in fragments.
I approach, engage, invade the world like shot scattered from the anguished burst of a wombgun.
I-particle.
I-swarm.
Absorb.
Β Β Β Β Β Β Β Β Β Β Β Seminal-syllable words resound –
– Let their pulse reverberate your bodies like hymns β
God.Β Void.Β I.Β You.Β Song.Β Life.Β Death.Β Love.Β Real.Β Being. (Not).
and so onβ¦
all with no definitionβ¦
IS.Β IT.Β THIS.
nowhere near
where we mean to be.
Absorb.
Swarm.

Β Β Β Β Β Β Β Β Β Β Β In this situation then,
of too much
of grave luck
(all that hope and final destitution)
I swarm.Β I absorb.
I decenter.Β I explode.
I desist in pretense
in sense
I spread.
One markβ¦.thousands of pixelsβ¦.without hierarchy
(a swarm of cells)
(a flock of birds)
(a fish in school)
I swarm.
I absorb.
[ – I love you – ]
Β -for my wife
new ekphrastic attempt with Holly Suzanne at Combinatory Art in Motion:
Should you have the time…and it requires a bit…I would love to hear responses to the following essay by E.M. Cioran from all you interesting minds I observe! Β Thanks –
-E.M. Cioran-
Student Magazine of IISER Mohali
Music, Musicology, and related Matters
a photographic pilgrimage to Orthodox Christian monasteries across the continent
Meandering Through a Literary Life
Orthodox Christianity, Culture and Religion, Making the Journey of Faith
Erik Kwakkel blogging about medieval manuscripts
"That's the big what happened."
Networking the complexity community since 1999