Prologue

writing instruments

Even if it’s only a prologue, it is necessary to begin.  To start with the starting itself.  Some origins are good at that: a bang, a blast, a whisper.

My starts tend to happen with fits.  Inconsistent and occasional, not inceptions, revelations, events.

Supposing it begins in a “mood” and emerges at pen.  Or simply pass by.  Aborted, forgotten.  The pen is what matters, not me.

Swerving from mood to mood, idea / experience, relation / response, passaging effect to affect to effect.  Hardly recognizable.  Yet if the pen is involved, or some other artifact-creator, symbol-maker, discretionary device, a remnant emerges, a record, a trace.

Never the mood itself, not even the experience, but some marker of it, a token or emblem, remains.

Starting with the loss then.  Beginning at the bones.

There’s a boon to that, you see.  It ceases to be important: what the where.  Beginning with the pen, it doesn’t matter.  Memory, emotion or event.  Past, presence or future.  All of those – NO MATTER.  But the instrument – the tools ready-to-hand – typewriter, pencil, keyboard or pen = matter.  Some thing happens then: it begins.

Now it’s started.  Starting with the starting also leads (you must perceive).  If the aim is the action itself, the rest does follow.  Hand leading eye, leading ink, following line, copying language, searching the words, shaping the letters, changing ideas (using different terms), evoking a thought, altering memory, writing a process: a process called “writing.”  A particular animal scraping at paper with ink.

It happens.

Begins.

Follows, outstrips, and results.  Always something greater and lesser, more-than / deprived, exactly inaccurate.

Ambiguous and real.  Using language.

“A ‘beginning’ is something other than a ‘commencement’.  A new weather pattern, for example, begins with a storm.  Its commencement, however, is the complete change of air conditions that brings it about in advance.  A beginning is the onset of something; a commencement is that from which something arises or springs forth…

…Whoever begins many things often never attains a commencement.”

–Martin Heidegger, “Holderlin’s Hymns”

Heidegger - Holderlins Hymns

In a word…

Emporia profile

Someone (some voice in my head) recently asked me this question:  “If you had only one word to describe human existence, from your experience, knowledge, and present perspective: what would that word be?”

I heard livingbeingsurvival…I thought – “What I think (I think, at least presently) is that you will never know, or be able to imagine, how you will survive.”  The jobs you will have, the people you will grow close to or far from, the ‘successes’ or ‘failures’ your path will exhibit, struggles or ecstasies you will sustain, what you will achieve or create or ignore or forget…you cannot predict, cannot forecast, how it will actually play out.  Loves, griefs, happinesses, sorrows, places, events, connections, schisms, likes/dislikes, preferences/abhorrences, and so on…

Looking back…one day…attempting to recount, account for, surmise or shape what happened!? in your life/lifetime/process – it will be surprising.  Unpredictable, unaccountable, unREcountable – a lot of “who would have imagined that!?”  Or that that would lead to that with her or him or them, and then that – who could have known?

SURPRISE!

Sure there are tendencies, “natural draws” as it were.  I’ve continually been uncomfortable with authority, laws, sunlight, loud noises and hot weather.  I’ve been consistently upset by imbalances of power, by crowds, by presuppositions and arbitrary assertions.  I’ve always been a touch distressed by the power of emotions and the weakness of will/intentions.  There are characteristics that appear contiguous – I’ve long been drawn to classical music / melodic / spare & melancholic sounds; I’ve always been invigorated by the rain; I’ve noticed a penchant for solitary spaces and human-less environments; a taste for progressive/reflective/informed/ intelligent culture (recognizing each of those as highly contested terms, i.e. – a fascination with communication – language, words, expressions, conventional meanings and gestures; a distaste for popularity & fame / ‘pop culture’/ mass effects; a distrust of temporary desire; an emaciated self-esteem and expansive self-concern; a craving for passion / romance / intensity of human encounter; and so on.  I’ve always moved toward cool colors, particularly in the fields of grey, stormy blue, dusty browns and pine-needle green; always distrusted people who shout, yell or preach – drama, makeup, surface effects.  Hell when we search for things consistent from birth to death, our lists could run quite long…and yet…

How’d we get here?  What if we look at the events, the people, the places, the feelings, interactions and all the ways we recall them (at specific instances, in particular situations)?

What if we look at what we do?  Whether we drink or smoke or not, get angry more or less, the ways we engage strangers / friends / family?  What we read, listen to, pay attention, are distracted by (same thing), are pulled to observe, think about, and why?  How much we touch?  When no one needs us?  When we’re alone?  Or falling to sleep?  Or have slipped out of the stream, have “free time,” traveling, assumed to be otherwise engaged?

If Mormons came to your door and asked “Do you believe in God?”  And you, after shuffling your feet, considering your day, pondering whether you wanted to spend part of it talking with religious strangers, checking in with your dependents (in this case, 4 children that are your human charge & devotion), zipping the past through your education, upbringing, familial ties & traditions, behaviors, relationships, responsibilities, concerns, and so forth, responded “No, no, I do not find myself believing in God.”  And then these polite young men said – “Well then, what do you believe in, if you don’t mind us asking?”

SURPRISE!

More shuffling, pondering, internal argument and gentleness, patience, consideration, critical inquiry…(i.e. politeness)…and “hmmmm!  I haven’t been asked that directly in quite some time!”  (Is it that no one wants to hear?  Know?  That I divert it?  Don’t know? Is “care” involved?).  I said something in the order of Meaning.  Something to the tune of – “Well, pardon me, but I guess I must believe/think (in Wittgenstein these are inseparable), that from our atoms & cells to our bodies, relationships, labor, behaviors, emotions, environment, world, ‘cosmos’ – trying to know as much as I can about each aspect of my being a human being – I think/believe that perhaps we each try to assemble, account for, respond, act, engage, construct experiences that give a shape to, a confluence, a medium, rationale, tone that feels satisfactory to our breathing, being, seeing, feeling, happening…making meaning, I guess.  Including, but oddly outstripping, simply surviving.  Much that seems unnecessary (tastes, preferences, selections, refusals).  Religions, philosophies, teams, employment, families, nations, entertainments, cultures and interests – all these might provide some larger structuring for our shaping, and all, no doubt, influence how we piece it together, make a kind of sense, provide potential “fits” for our choices, responses, activities and emotions…but we each also fashion all this living, this experiencing, this acting and being in apparently very idiosyncratic ways…”

“I guess I believe that this is the sort of thing we do.  I guess I think/believe that…at this moment.”

???

I think when these considerate young men return, and to the voice in my head that constantly interviews me…next time I might just respond:

SURPRISE!

I believe that life is surprising.  Unbelievable, astonishing, revelatory, frightening, sometimes shocking and amazing, astounding, uncanny and a pain/joy/ache/pleasure/exhaustion/stimulus to be wondered at.

My answer today, in one word…

Life is – surprise.

happy profile

From Laszlo Krasznahorkai: “Like a ninja.”

“In this system, nothing is more dangerous for an artist than success”

Laszlo

“Who made artists believe that art can be practiced only ‘successfully’?  Who made them believe that for a book to reach its goal and its readers, the ‘taste-makers’ are absolutely necessary?  How could they have allowed the critics, the editors, the owners of the chain bookstores, and so on, have so much power?  And who made them believe that they are truly artists?  Artists have come to believe that they, too, just like other people, need money and fame, money and fame for everyday life, moreover for being able to lead a lifestyle; and that these two repugnant things are seen as necessary for everything is not only tragic but ridiculous as well.  What kind of artist or writer lives like that?  Who is going to believe even a single line written?  What kind of esteem can the art of our age garner for itself after even one such bout of deal-making?  No, the artist’s needs are few: let there be something for him to eat and a place to live, and then every day he should circumambulate the city and country, like mendicants of old.  Nothing whatever can be more important for him than his own personal dignity, and this is exactly what he loses forever after the very first deal-making transaction…And so what do I recommend?  The taste of failure in place of success, poverty instead of wealth, anonymity in place of renown.  For now, utter concealment as opposed to publicity, perfect camouflage to the point of invisibility, because what the artist who lives in personal freedom and independence finds himself confronting today is unbelievably strong, and seems invincible…above all else, an artist must be cautious.  Like a ninja.”

LK

all excerpts taken from a powerful volume of Music & Literature:

MandL-Kraz

Be faithful Go

Be faithful Go.

On Articulating Experience

“The more ways of articulating human experience one knows the better.”

– Eugene Gendlin

I would like very much to say/write something today.  Something resonant and broad, something that would stimulate empathy, reflection, acute sensations, self-awareness and some renewed purposiveness toward what any reader might consider their own “good” and the larger “good” of the “world.”  That would motivate us to be more fully, attentive to what we most value, what we most wish to value; that would tickle, trigger and activate that within each of our experiencings whatever it is in us that occurs in those sweet, heartbreaking and perception-exploding moments in which we feel like WE matter, that the WORLD we participate in matters, that meaning is worth, well, Life…and that Life as we are living it, we live together.

But I haven’t the first idea, concept or “hook” to know how to do that.  I have nothing to say.  I have urges, wishes, passions, dreams and a kind of crushing, yearning hope – that we might focus a little, shape ourselves, choose something for ourselves and one another and act with and toward ourselves, one another and the world in ways and fashions that could soothe, nourish, calm, comfort, extend and enhance our collective experience of being humans in a world full of so many other things we depend and inter-depend and co-depend on and with.  Rather than our easy, disruptive, erratic, dissatisfying instinctual and common practice of reactingresponding, self-protecting, guarding, distancing, lashing out, closing in…separating, hurting and harming, frightened, cowardly and weak.

I don’t know where to start with that.  I would that I could write the experience of others, could find synchrony and sympatico with my friends, family and acquaintances, could articulate the complexity and depth, mystery and reticulated implicit intricacies of their experiencings: their pains, joys, desires, griefs, knowings & doubts, wonderings and certainties, histories and prognoses, lusts and woundings… that I might be so much more tender to them, embracing, receptive, unthreatened and inclusive, gentle and comprehending.

I would like so desperately to be able to articulate the human experience of the world accurately…yet I am always wrong when I speak another, always deficient even when I speak myself…

other things articulate as well…

sciences, arts, histories, events, activities, gestures, accidents, philosophies, medicines, practices, rituals and religions

here are a few sounds (and in this order!) that have articulated my experience, today:

and

remarkable “accidental” or “fortuitous” articulations…

along with The Jerusalem Address by Laszlo Krasznahorkai

the sorrow and struggle of my love

the energy and delight of local biology professors to their craft and instruction

the events and experiencings of a day….

Here’s to us all

Social Media Space

https://www.facebook.com/pages/Articulating-Experience-with-The-Whole-Hurly-Burly/1507331726208608Articulating

in case you want to join me there as well…

Quotation / Interpretation

“To read a distant text, distant in space, time, or conceptual world – is a utopian task…The task is one whose initial intention cannot be fulfilled in the development of its activity and which has to be satisfied with approximations essentially contradictory to the purpose which had started it…”

– Ortega y Gasset –

“In that sense the activity of language is in many particular ways utopian: One can never convey what one wants to convey.”

– A. L. Becker –

“it is deficient in the sense that it says less than it wishes to say, 

and it is exuberant in the sense that ‘it says more than it plans’

This utopian characteristic of language is a source of flexibility that results from signs that are simultaneously deficient and exuberant.”

– Yair Neuman –

communication utopia

Between the Spheres

sketch by Hallie Linnebur

This is what it looks like, in the one hand

Between the Spheres

I try to wrap my mind around it.

An attempt to connect the two – a keen accomplishment (perhaps unique to all the world of humans) – of right knowing what left is doing, and vice-versa.

Lost along the way.

I describe it as a process – indicating neither beginning nor end-directing goal, but rather recursive procedural motions.  Realm of natural orders?  Reversible time?  Or indifferent to?

Can’t tell one from the other – hypothesize function – track trace with technology.  Pretend data.  Posit interpretation as theory.  Wind up again.

Variously termed reentry.  Autopoiesis.  Self-organization, containment, production.  Ouroborous.  Infinite regress.

Middle is muddle.  Diversely called.  Corpus Callosum.  Hermeneutics.  Subjective objectivity. The observer effect.  Confusion.

Fusion-with.  Heads and tails are absent, or amount to the same.  Keeping an eye (I) on the eye (I), so to speak.  There are no levels of perception, simply additive, truly more of the same.  No stacking, just tangle.  Alongside, underneath, around, beside, below and through, but ever bound by hemispheres.

Imagine dynamo-balls – activated collectives of interdependent energized cells humming, buzzing or otherwise functioning according to their wired connective wholes-in-part.  Betwixt the vibratory masses some buffery twingled transmission zone irrepressibly attempting translation of pulse-sorts, glyph-types, data blips…circuitously globe-to-globe.

I try to wrap my mind around it.

Wrapping, coiling, carrying…sire-wires…another organizational knottage of wattage…behavioral systems, courier-tropes, internal/infernal communications rife with all the residual, syntactical, emergent and scumbling give-and-take, mis-interpretation and noise.

Submarines and warships, encryption and decoding, fuzzily idiosyncratic as love or larger loops.  Chaos all the way down or ‘round.  Patterning bottom’s-up or through.

This is what it looks like, in the one hand.

Exploring the Interior

Howitis - Beckett

I am an outdoorsman of the indoors

-Heidi Julavits-

Maybe I’m meant to be a philosopher – one who asks, observes, thinks + wonders, ponders perspectives, theorizes potential generalities, hopes reports and reflections might “stick” somehow to a wider frame, might be shared, or sound true.  Perhaps that’s sociology, or anthropology, or just the case of being a “social animal” – who could say?

I notice a title, er, there is a title I just saw on the spine of a book loaned to me by the library where I work, en-titled “Gesturing Toward Reality”…which, if we believed it, proves another spine in the pile: “The Primacy of Semiosis.”  If.

Or as if.  Azziff.  As. If.

If that’s how-it-is.

(“How It Is” is also in the stack).

As If That’s How It Is

And So It Begins

Goes

“And so it goes.”

My house is cluttered.  I seem to have a penchant for creators.  Not artistes.  Perhaps the kids wonder.  I task and clean (hardly) in order to order what I can especially whenever anything or everything feels disordered (or I am), but I repeatedly conjoin with those whose vibrancy depends (or seems to) on mess, on possibility and potential, on emergence.  Whilst I career about, disordered and emergent, clinging, striving, desperate for order:  ordered thoughts, ordered words, ordered places, ordered life.  None of which ever even remotely eventuate.

Except perhaps.  Or, as if. 

Still things settle quickly in me.

Crumble, toss, shred, pile or pack anything about, for, with, around me (even my self with my self, or selves) and it funnels, spirals, gathers – most amazingly efficiently! – in fact quite remarkably and chemical-reactiony to a bottom or base – a dredge, a sludge, a collection of chaos quickly finding its way to a murmur – a melancholy.

What would a writer do?  A philosopher?  Musician?  Psychologist?  Lover?  Parent?  Friend?  Any, all of the roles I might enact as parts of my selves?  Or…what would I do?  What might an I made up of me(s) want to do?

That thing [being, organism]…in moments settled and gathered and overwhelmed – feeling steady, calm and helpless in the face of things – MELANCHOLY – “good” I guess (comparatively – a state in which the energy is gone for acting, for performing in the face, presence or need of another)…particularly:

  • When the weather is ‘right’ for it (40s & raining)
  • When there’s too much or too little to do
  • When depleted from something taxing (performances, events, demands, others)
  • When certain of scarcity and definite end

The thing wants particular music – “sad songs” (Mark Kozelek, Arvo Part, soundtracks, solo piano or cello); a stable table and sheaf of lined blank papers; a Bic Crystal medium ball-point pen in blue or black; 1-3 hours uninterrupted; endless drink equal parts vodka, tonic and 100% grapefruit juice; a cigarette or two; loose layered clothing; and an outside for the inside to poke around in I guess, to hazard (haphazardly). 

That’s what I do.

Time and space, a melancholy, a setting…

or sex,

a vital moisty intimacy with (and only with) the one I love,

desperately (unfortunately) need, desire, crave, wish for…

So – to write.

To leak in a hesitant line.  Ink.

To see if the liquid residue scraping looping shapes across light blue lines of snowy-white notebook pages might in-scribe, in-form, make my inchoate choate – make the amorphous and disordered shapely and full, meaningful, possible.

Whether I might accept, discern, agree with something that makes its journey through the networks and passageways that apparently compose me

that might result in something I recognize or comply with, if even only

– like these are the times I stare neither at the bush with its waving tendrils, nor the fence poles they move against, but somewhere in between –

if even only [syn. for withholding judgment] (my drafts are filled with these) to hear the unknown or misremembered word

nothing in focus but an unlabelable feeling

which I call (when required) – “melancholy” –

defining for me something calm, dank, pure, correct –

a sieved and all-accounted-for awareness –

before some crazed and passionate outburst or heat, some diversion of this otherwise apparent cold, wet, burn.

The word I can’t recall (that I need) begins with a “c.”  Or perhaps an “a” or “ad-.” 

Or maybe something else among its 26 options.  25 really, I use so few that begin with “z.”

**********************************

Lael asks for statistical proof of decreased attention spans while I get bored of expression, description, “tack”…change the color of my pen and wonder why the average popular song is 3-5 minutes long but novels normally run past 100 pages.

It would seem that we all just want to be and be loved, however we verbalize it.

I still haven’t remembered that word…and refuse to utilize thesauri or Google.  Or any alternate synonym finder.

Our value lines seem so personal and arbitrary and irrational (philosopher?  Anthro-socio-psycho-logist?).

I want to be intimate with my partner.

In such a way.

In such a way that she understands, comprehends, – EXPERIENCES – how significant, important, crucial, essential

she really (REALLY)

IS

to me

to ‘a’ “me.”

Being.

This rambling ridiculous writing

is all, actually, thoroughly,

another misguided attempt to communicate.

Truly or in reality

That I exist in order to be a “me” in relation to a “you.”

Quite simply.

It weighs nothing

bears no responsibility

It’s simply.

I marry you (again).

I am.  A “folded clock.”

among billions.

If even only undeterminedly, undecided, uncertain, unsure, debatable, dubiously, [all synonyms for withheld judgments].

Not least among the spines arrayed before me: Complexity – My Struggle – The Erotic Phenomenon – Reviving the Living – Experiencing & The Creation of Meaning – Things Merely Are – Intertwingled – and Love.

**********************************************

It occurs to me in matters of most everything that I need / demand / require CONTINUAL PROOF for something – for me – to count as “true” or “actual” – things have to be perpetually evidenced.

Nothing is…but…well…that’s why I trust in death.

A book review of sorts –

A “Book Review” – complements The Whole Hurly-Burly

Vila-Matas - Dublinesque

Dublinesque

By Enrique Vila-Matas

            We are able to “keep up appearances” – some habitual collage of identities – for quite a long time.

I don’t have ANYthing to say, to speak of, when I encounter – READ – the work of a great writer / a great written work [or writerS – the book above is in translation, and that by two others].  Alas.

Broken.  Spellbound.  With nothing to add, say, profess, testify – unable to stop speaking.

: Literature, no?

The frozen sea within me (fraud, image, appearance, presentation, mis-representation) AXED?

It feels that way: like being stumped in a crucial interview by a question one never expected – exposed – somewhere beyond your bones – on into some uncanny…

Like that.

So I read, with the feeling of partaking of fine food outstripping my station.  So tasteful, delicious and exquisite that the experience teeters at throw-up or orgasm…nearly too much pleasure…too much exposure…too much experience.

And the concomitant deflation, flattened, realizing that I am none of something, perhaps too many of somethings,

disordered, disorganized, confused.

Undone.

Vulnerable and laid bare – with nothing showing.

I am not that

Frightening (terrifying even, at some level) and freeing (or, unknown, unpredictable, possible).

Potential, unlikely, impossible to prove or ascertain – uncertainty – unknowable

to my ‘self’ in my body, as a name, or a father, a partner, a person, a friend.

A cipher.  Undeserving of accolades or attributions, unaware of facts or characteristics –

just a long train of habits,

histories, perceptions and behaviors.  A long, long trail of showing up…taking space…acting…AS.

With nothing else: not more-than or without, not subterfuge or false, no accomplishments or occurrences in lieu of AS.

The residue of NOTHING.

Bereft then, but not of substance.  Empty, but not of force.  Simply laid bare, examined, investigated…

…and found wanting.

I stare.

There are things I can perform, ways I interact, roles fulfilled, tasks achieved, conversations replete with reactions and response,

but that is all.

I have a shape, I’ve garnered knowledge, mastered speech and comprehension, can use my cock, can analyze, interpret and produce.  Can keep alive and support others, draft language and record.  Able to run, walk, sit, stand.  To do, make, say and think.  In other words – TO BE – and be HUMAN (passably), but undefined, unqualified, ephemerally labeled, nothing “sticking,” “fitted,” by which I might be “called.”

Just a human lacking content, wriggling survival as a beast.  An educated beast.  And unwitting, unaware and unforeseen.

AN EMPTY ‘I’.  (Replace with senses – it means the same).  A processing thing, operative organism – a complex or compound of certain circumstances, situations, affordances, of contexts.  But nothing special, just unique.  An additional example of a being.

Being false.  In sense of veiled, covered over, costumed and behaved.  Or misbehaved, rankly naked, shown-up short, struggling by.

It doesn’t matter as a seem or even category, division, or multi-ply.  Can’t reach zero, can’t be counted, a kind of circumstance of pi.  A virtual reality that’s not quite real, not loved quite right to rub it so.

A becoming, misshapen, and clumsily adorned, fooling-no-one.  There is no one.  Only you.  Me.  Us.

“an unleashing of erroneous energy”

Derivative and fake.  A mistake, mistake uncalled-for and unnecessary, and untoward.  A simple “me.”  Empty.  Formed.

An empty ‘I’ inside myself (shelf, shell).

In any order, or, perhaps,

on shuffle

5/5/15