ReMarking SelfAwareness

Erasure

 

If I possessed the capability of remarking, I would.  Indeed, in that term resides my life’s work.  I am a Remarker.  I attend, scrutinize, mull and vacuum the world around me for occurrences, things, and events that are “remarkable,” and then I make every attempt to re-mark them.  Sometimes I succeed, and my re-marks trigger stimuli for re-marking in others; often I fail – both in the assessment of what (in fact – in a special – species/al – sense) is remarkable, and, in my ability to effectively mark something in relationship to itself.

Summer Recapitulation

Given the nature of things… withdrawal from school… disregulation of schedule / child-rearing / presences… obligated projects, desired collaborations, attempts… preponderance of labor… decrepitude and erosion of house, car, body…

Herein lies a revised Summer Reading List – old and new and recapitulatory…

“FICTION”

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“POETRY”

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“OTHER”

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Please Stand By…

…still working…

detail from "THERE IS A BOOK IN YOU" by Hallie Linnebur
detail from “THERE IS A BOOK IN YOU” by Hallie Linnebur

Eradicating Borders

A work in progress…

if i build it…perhaps it will come.

Writing: Impetus

writing-unthinkable-workshop-web-550x367

 

It’s hypnotic.  Illogic.  You may recall genetic components – a sentiment, experience, curiosity or sensation…the fabrication begins its own spells.  That plane where you drift from expression or fractaling inquiry toward Medium.  When plot is played out and the voices keep talking.  Or some other member begs a word.

You are no longer quite “author.”  When it begins I’m usually puzzled or amazed.  A vague and shifty core obsesses and eludes me.  I ponder awhile, do research, spawn a dialogue or few with available others…but eventually turn to writing.  A word inscribed in secret not only leads to more, but ricochets through spacetime like a pinball.  The versions of the brain call out over the callosum:  “Felt anything like this before?  Have we had an experience that resonates?” / and / “Say – it seems I’m in the midst of something – check it out!  Any words in your concordance for such as this?”  To and fro – attemps to signify and symbolize, reify, rectify, making truce with our immersion.

The “language drill.”  As it burrows metaphor, it fragments and splinters dust around the edges.  Retrieving as it leads.  Recalling through invention.  I use my handwriting to find out.   To find out.  Searching something, spelunking expeditions, a nettling curiosity blind-feeling hunches and perceptions.  Pulling them towards words in attempts to trick them into trap.  Building tunnels, margins, stairwells to aim the lights at.  As if  broad enough term-corrals might lasso and then spiral, slowly cinching it round, whatever “it” is.

But whoa then, hold on!  Once a breadcrumb trail’s discerned, it forges.  Makes its rhinoceric way in accrual and erasure.  Constructing as you follow, conundrum’d and deleting.  A word – and sources cling like filaments.  None of them accurate and all informing.  History, culture – traditions.  Intimate pain and joy.  Perception, conception and query.  Discovering bewilderment.  Creating the unsaid.

Victim and perpetrator both, you, author, artist, song.  Skewing and distorting in equal measures.  Changing as you change it.  This is the making.  The being-made.  Creator and created both.  The artist in her medium.

There is no “having done.”  Failure or not, it virals and contaminates.  The path is incompletion.  “The Artist’s Way…”  Never through, until it’s through with you, coincident with a life.

Who do we say that we are?

exploring mystery

 

 

 

Boomerang

Another “aside” – writings that happen in the meantimes…

Boomerang

I consider myself ‘straight as an arrow’  that swerves like a boomerang.  In other words, I ruminate clear sensations, desires, opinions – consider, and then revise.  It all comes back to me.

When I was a child, I thought as a child, behaved as a child…but now…now that…well, I’ve put away the childish things.  Now I’m just a fucked-up adult.  It’s hard for me to tell from what’s coming or going.

She’s cumming.  Now she’s going.

I saw a coyote the other day.  I was driving in the country, speeding along a gravel road.  A grey coyote, large, apparently healthy, came streaming through the corn or wheat or soybeans pacing my van like a dog.  These things surprise me.  And  happen.

Now she’s going.

Like a coyote I set out to pace her, run alongside, track and trace her.  She’s cumming, I’m breakneck, I’m hungry, I’ve got her, I’m with her, we’re “in” as it were…

She’s going.

I run straight and fast and hard and she knows it.  I’m honest.  I can’t tell truth from lies.  She loses me, I parallel, and now we’re neck-and-neck, side-by-side, and sprinting, I’ve got her, she’s stretching, I’m on her, she’s spreading, I’m ravenous, she’s daunting, I fear, I crave, on point, in flight, the Caravan has nothing on me.

If I were a sailor.  An aardvark.  A policeman.  I am none of these.  But I love her, she outpaces me, I can’t catch, and she looks back, and she’s cumming, and now going.

I wish.

And that would be how it would end, with my wishing, her being, my envisioning and inventing and conspiring, but there’s more.  And the coyote, and the rabbit, and the hawk and howling wind.  And the mountain and the river and the ocean and breezy glade.  And there’s life – yes, there’s that, and we’re here, or somewhere, and everything rushes, and to be honest I don’t know deception from reality, my perceptions and illusions are the same, but I dream.  And a coyote, and a boy.  And a human and a male.  And she’s a lady and a wolf, a rodent and a scream, and we tossle and we fight, and devour and delight, and it’s all a simple game – a complex, coordinated, disjunctive weather of dance that never quite syncs up, and that’s okay, because the coyote thrives in run, and the owl lives for the hunt…the mouse delights in escape, and the thought its incompletion…

And I straight as an arrow, swerving like a boomerang.

Lessons Learning in Metaphors

1-photo 2-002

HERE.  Abandoned places fall apart.  Decay to exposure.  We, bereft.  We, grieving.  In the absence of care… Upkeep.  Keeping up.  Often when significant change occurs, we do not bother “keeping up.”  Rather things, people, places, seem to hold on as long as possible to what is familial / familiar / to what seems known, as long as they can.  Perhaps this marks some difference between survival and thriving.  Maintenance versus development.  Preservation versus advance.  Enclosing versus opening.

But time.  Molecules move and shake around; synapses shift, come undone, frackle, rewire…adjust.  Adapt.  There are new conditions.  The movement of beings, of the world, continuously alters our context, alters ourselves.  When they left, or something seemed lost, other inhabitants, presences, qualities, realities fill the perceptive interoperable surround…some constraints are increased, some loosened, restraints, license, “competition”:  wind, rodents, weather, routine… The primary structuring relationships morph.  Continually.

Now wife.  Now wife and children.  Now certain finances.  Now no finances.  Now surety, stability, now uncertainty, hazard, CHANGE.  CHANGE (never not occurring) ALWAYS EQUALS OPPORTUNITY (for living things), ALWAYS EQUALS DIFFERENCE.

Now no wife.  Now children.  Now no job.  Now scrapping for sustenance.  Now certain friendships.  Now the absence of certain friends.

Now different care.

What will the winds do?  The rain, the sun, the heat, the ice?  Critters?  What new sounds will my structure make – interactions – given the changes in conditions, in surround?  WHAT ARE WE NOW?  The same.  Structurally – a form made for interaction, a part of the world, interlocked and interwoven, a bundle of functions and processes, intentions and conditions – exposed by happening in a world.

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“Things fall apart, the center cannot hold”

(Great!  How else…life?)

And how beautiful the potencies of change.  How messy.  How easy to attribute – “good” “bad” “difficult” “help” “harm” “ease”…

But is what’s happening to the homestead, the barn now – in lieu of human use and care – less easy?  Less beautiful?  Does not every context surrounding and composing a structure of forms – both help and harm of a sort?

Would it be false to say this erosion, this abandonment to other interests and types of care, this shifting of primary interactions, reciprocating attachments, looks like loss?  With all that light pouring through?  All the redolent air and wheezing whistling and rattle?  Has the new (ever-altering) context of comings-and-goings helped or harmed this structure…or, perhaps mostly…BOTH?  Just like the previous and every future one?

We.  I.  You.  Crafted ever-so-intricately in contexts we are unable to adequately identify (comprehensively) or evaluate – for they ARE the context that is co-creating (in-forming) our identifications and evaluations.  We interpret – according to the context we are enmeshed in/with.

CHANGE CONTEXT – CHANGE PERCEPTION, INTERPRETATION, IDENTIFICATIONS, EVALUATIONS…change even what we look for…

A breaking, a leaving, an abandonment, some loss…(simply, really, change) – do they not equal a kind of damage, a kind of harm, so full of openings, exposure, new perspectives granted the initializing structures that we truly DO NOT KNOW what living is for?  But this? – TO LIVE?!

The rent places let the outside in in novel ways, creating coevally novel openings for the inside to emerge.  The wear co-creates other structural stresses and reliefs, new releases and new enclosures, novel shapes and textures, colors perhaps we never knew were possible to begin with.  Never a potential until the context came that facilitates and allows, enacts and enables.

Always interacting, we change.  Always changing (along with our entire surround) defines INTER-ACTION.  Barn: Enter, Action.  Always.

NOW…this…

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Experiences confoundingly rendered with these sound contexts:

Creativity’s Luck

Last week I in fact took one day “off.”  Truly OFF.  It rained.  I read.  It rained.  I read.  I wrote…

heavy rainfall

Eight hours later, finally, I am drunk with language.  Like Kansas soil, I require such storms for the necessary surplus… for markings to begin to pool, swirl and confuse – for essential destabilization – undoing language from its conventional attachments and turning it toward an alchemy, a natural compound and resource, something to be stirred and sludged or steeped – allowing for aroma, skimming and residue.  Just language, less meaning – an additive experience, unknown potentials of letters combined by some strange combinatory activity of intuition, convention and accident.  Creativity’s luck.

There is a point to drunkenness – whether artificial, of language or pleasure or love, whether substance, experience or drug – it is to be estranged and immersed – in some sense undone.  Renewed.  Despoiled.  It slows and diffuses me enough to write beautifully again.  Instead of making words, to concentrate on shaping letters.  Forces to create.

It is a baffling and bewilderment – allowing us to require effort for focus, selection and choice – so discreet motions of bodies become both complex and marvelous again, the capacity for smell a wonder and delight, communication and gesture (at all) a mysterious gift.

Inebriation levels the field.  Returns to a source.  Baudelaire may have meant we are potential and solidarity at once – flounderers grasping at tools and beginnings, constructing, cooperating.  We are begun.

Perhaps, then, we drink to erase and begin.  We scramble ourselves toward infancy that we might make effort to grow, while minimizing automated meanings.  To struggle to learn, to be becoming rather than operative.  Innovative over automatic.  To develop and realize.

I love to form letters once drowned in the rain of them.

Flood everything to discover what’s possible.

Saturate in order to dredge, to pan, to anticipate.

pioggia-di-parole

The “Necessity” Notebook

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B4 Notebook EntryOn May the 22nd

From the Notebooks… a poem perpetually in progress…

Untitled (In Progress)

The poem linked above I pushed out last week… and marked it as “in progress” because for some reason it is one that the process of making, unmaking, forging and revising it (still feels “off” as published at above) has intrigued me.  Here are the pages of notebook from which it hails, perhaps this is of interest, perhaps not, for better or worse…

We are working on an exhibition of new media for June at Wichita’s Fisch Haus, and have been battling over how to show process and creation when exhibiting technologically enabled and activated art.  Perhaps that is why I’ve been more conscious of my own processes of making and revising.  In any case, here is a little trail through the notebooks as a piece is coming to be…

edited drafts

In Progress….

 .

I am thankful for this loosening quiet,

your slackening ties of dusk.

Though often shackled by a fear of loss

in love, I may open toward a growing –

 .

possibilities of a learning, as in youth,

less about the being something

than, profoundly, just to be

that which relaxes and allows

 .

like a cow caught up in weather,

or warm engagements with a child,

with the blossom, and make-believe.

Empowered when our symbol’d systems –

 .

confused by what is happening –

begin to sign that loss

(a form of death) ensures the safety

of our risks.  That harm and haven

 .

are our home – the same as truth:

what’s loved is lost –

and thus we come to love.

Wisdom undoing opposites

 .

in terms of life.

I amt ridiculed by youth –

it’s how I know that many lessons

come unlearned,

 .

that “completeness is

a process of revision”

as they say,

and that our closures

 .

are what open

every day.

.

The above was an editing of the following…which is why it’s still “In Progress…”

child, the blossom, the make-believe

And

 .

And then I want to say

that I am thankful

for this loosening

 .

I want to say

And then I want to say

that I am grateful/thankful

in/for this loosening quiet

for its / and the slackening of ties

 .

perhaps we’d once been shackled by

the fear of loss in love

 .

leaving space for other and tenderness and availability,

freed of the shackling fear of loss

in love

not in the order of other pursuits

thus fencing a truth again

or forging some identity –

burned and brandished iron –

 .

but that we might allow

the finding, its discovery –

all the safeties that arrive with risk –

in all directions

whether in the child, the blossom, or the make-believe

 .

the will to love and to enjoy

our engagement

with world and things and persons

 .

unraveling the expectations

of hurt and damage

parenting ourselves to freedom

 .

the assurance we are looked after,

at least by ourselves,

as well the plenteous others –

our families, our species, our friends

 .

we will probably survive,

unless we do not

and then no matter

death was here from the start

 .

nor had it intention or opportunity

not to be

attachment and loss

and room for growth

 .

so we begin, so we will be

the template that stifles

symbolic structures

learned of experience

 .

in certain ways

 .

do not ask permission

but simply deceive

they are not truthful

 .

Look at your child,

your pet, your mother –

you would not have them

to be a certain thing

 .

an object, tool or concept

but to live and change and grow

until they die and thus dissolve

which is not damage so much

so much as change

 .

thus let it be,

it is quiet

the ties are slackened

the noose loosened

 .

around your heart.

we are here –

the squirrel, man and mountain,

every weather, part and parcel,

as are you

 .

It is begun

we are resolved

to open and allow

for your enjoyment

for your experience

should you engage

 .

and cease to fear

cease to fit to your equation

to whatever maths you assent and ascribe

and start to scribble

doodle, sketch

 .

to select potential

over priority

exception(al) over rule

dynamic in place of determined

 .

and friendship more than fact

 .

perhaps you were meant to be

over being

to selve more than self

 .

for “we were not meant to survive,

only to live.”

 .

*********************

 .

We thank you for the loosening quiet

We are the slackened ties of dusk

 .

I am grateful to this the loosening quiet,

the darkness and this its slackening of ties…

what is once was shackled by the fear of loss

in love, now opened may open toward a growing –

 .

possibilities – a learning, as in youth,

that it is much less about being something

as than it is, profoundly, just to be

that which relaxes and allows

 .

the squirrel (cow) caught up in weather,

our warm engagement with the child,

the blossom, or the make-believe,

empowered when our symbol’d systems

 .

can be get confused with awareness by what is happening,

and when we are able to see that loss,

a form of death, ensures the safety

of our risks.  That harm and heaven haven

 .

are the same – our home as truth

what’s loved is lost

and thus we get come to love.

Wisdom undoing opposites

 .

in the terms of life

I am get ridiculed by youth

it’s how I know that lessons

are get unlearned,

 .

that “completeness

is a process of revision”

as they say, and that a that our closures

opens every day.

 .

“TO SPEAK SO AS NOT TO MEAN, BUT TO BE”

-Dan Beachy-Quick-