Arriving today + Reflections

Jakobson - On Language

…and wonderings about language as a tool and an abstract medium.  Wondering if in the endless bewilderment of experience – of living – rife with woundings and joys – we move to shared media, providing communally devised realms in which to re-vision, simultaneously creating new life, wherewith and wherein to investigate and inquire, to dig and dig and…

Language as constructed or agreed-upon and functional (tool) medium.

Then there’s this full of resonances and also contributing to the reflections – required text of a current course:

Library: An Unquiet History by Matthew Battles
Library: An Unquiet History by Matthew Battles

…and I quote:

“As the reader gropes the stacks – lifting books and testing their heft, appraising the fall of letterforms on the title page, scrutinizing marks left by other readers – the more elusive knowledge itself becomes.  All that remains unknown seems to beckon from among the covers, between the lines.  In the library, the reader is wakened from the dream of communion with a single book, startled into a recognition of the word’s materiality by the sheer number of bound volumes; by the sound of pages turning, covers rubbing; by the rank smell of books gathered together in vast numbers…the physicality of the book is strongest in libraries, where the accumulated weight of written words seems to exert a gravity all its own.”

“So the library is a body, too, the pages of books pressed together like organs in the darkness…[in libraries] I can fool myself that the universe is composed of infinite variations of a single element – the book – that I, too, am made of books, like the person in Giuseppe Arcimboldo‘s painting The Librarian

Archimboldo - the Librarian

“…a person made of books; his is not a single book but a whole library”

“I have the distinct impression that the millions of volumes may indeed contain the entirety of human experience: that they make not a model for but a model of the universe.”

“…texts, fabrics to be shredded and woven together in new combinations and patterns…”

“everything in the world exists to end up in a book” (Stephane Mallarme)

“With their leaves of fiber, their inks of copperas and soot, and their words – books are an amalgam of [Roger Bacon‘s] three classes of substance capable of magic: the herbal, the mineral, and the verbal”

“For any question, the library offers no hope of a definitive answer…unlimited and cyclical”

“Together they tell us stories that they could not tell alone”

library pic

“In many places, the volumes are thick with dust, pocked with the holes left by insects,

which are almost as hungry for books as I

-all quotes except where noted – Matthew Battles Library: An Unquiet History

And somehow I can’t help but think the interface and interstice of languaging matter in this way – a way that provides comfort and the slightest skin of distance from the raw inside of skin – inseparable recursions – but mediated immediately – kind of like magic; a LOT like alchemy; always experience – but less abrasive or intrusive than “direct.”  Perhaps paint, light, cameras and brushes, clay, etc – any art that borrows matter outside the body – similarly provides a soluble, gentled, media through which to live forward…

…in other words…are our preferences for embodiment a part of what define us as artists in the societal mesh?  The media through which we most naturally express or experience or embody indicative?  Textuality as embodiment for the writer; clay, stone, marble, etc. for the sculptor; movement for the dancer; oil, pigment, brush, etc. for the painter; lines for the draughtsman and so on…

 

Experience, anyway. (parts 6 and 7 are new)

This work is a slow-grower.  I think it wants to be read that way as well.  Slow accretions of interaction and recursively referent.  Not sure where it will continue.  Click the title page to investigate.  Comments are welcome.

experience anyway cover

Sunday: 3 new things (to me) as gift recommendations (to you)

I have never engaged “graphic novels” much in a kind of snobbery for text and misunderstanding of modes of expression.  This weekend, visiting the library with my children, I snatched out titles that looked interesting and have truly been gifted by them.  I have needed a weekend for rest and refreshment, I am thankful it has come.  Here are my recommendations:

Trouble Will Find Me by The National
Trouble Will Find Me by The National

Trouble Will Find Me by The National

Harvey - Bouchard
Harvey by Herve Bouchard / Janice Nadeau

Seriously Mimicking Birds

combined with Bach, Beethoven, Brahms…

if I had to select an album from my lifetime….

perhaps?

LOVE

LOVE.

De-Presses

“What a joke it is to read or hear—as I have read or heard more times than I can count—that writers ‘see more clearly’ or ‘feel more deeply’ than non-writers. The truth of the matter is that writers hardly ‘see’ or ‘feel’ at all. The disparity between a writer’s works and the world per se is so great as to beggar comment. Writers who arrange their lives so as to ‘have experiences’ in order to reduce them to contemptible linguistic recordings of these experiences are beneath contempt.”

—Something Said, by Gilbert Sorrentino

Dalkey Archive

Via strange twists of events, connections that could only be re-constructed through fantastic imagination, I have been moved back into perusing publishers for work that inspires, raises and extends one’s ideas of what “art,” “literature,” “human” are.

While most publishers must infuse their catalogs with books that will sell, there are still a few presses that are simply committed to grandeur – to works that express and challenge what humans are capable of making, thinking, expressing, creating – works that assess and challenge our condition of being.

Two presses I’d like to promote – that continually provide works that surprise and engage (fully) and elastically foment my boundaries of concept and possibilities – with bewildering form and content – in other words, publishers from whom you might randomly purchase titles and ALWAYS be made richer, better, exponentially more humane – (THIS IS A REMARKABLE THING):

 

please visit them and order…ANYTHING…

your life will be BETTER.

 

 

Excerpts of Mei-Mei Berssenbrugge

Ideal

by Mei-mei Berssenbrugge
1

I did not know beforehand what would count for me as a new color. Its beauty is an analysis
of things I believe in or experience, but seems to alter events very little. The significance of a bird
flying out of grapes in a store relates to the beauty of the color of the translucency of grapes.
There is a space among some objects on a table that reminded her of a person, the way the bird reminded her,
a sense of the ideal of the space she would be able to see. Beauty can look like this around objects.
plastic bag on a bush, moving slightly, makes an alcove, a glove or mist, holding the hill.
Time can look like this. The plane of yourself separates from the plane of spaces between objects,
an ordered succession a person apprehends, in order to be reminded.

Mei-mei Berssenbrugge

Red Quiet, Section 3

by Mei-mei Berssenbrugge
Our conversation is a wing below my consciousness, like organization in blowing cloth, eddies of water, its order of light on film with no lens.

A higher resonance of story finds its way to higher organization: data swirl into group dreams.

Then story surfaces, as if recognized; flies buzzing in your room suddenly translate to “Oh! You’re crying!”

So, here I hug the old person, who’s not “light” until I embrace him.

My happiness at seeing him, my French suit constitute at the interface of wing and occasion.

Postulate whether the friendship is fulfilling.

Reduce by small increments your worry about the nature of compassion or the chill of emotional identification among girlfriends, your wish to be held in the consciousness of another, like a person waiting for you to wake.

Postulate the wave nature of wanting him to wait (white space) and the quanta of fractal conflict, point to point, along the outline of a petal, shore from a small boat.

Words spoken with force create particles.

He calls the location of accidents a morphic field; their recurrence is resonance, as of an archetype with the vibration of a seed.

My last thoughts were bitter and helpless.

Friends witnessing grief enter your consciousness, illuminating your form, so quiet comes.

berssenbrugge red quiet

A Reading of Red Quiet

Potent Selections from Vacation Reading

“I wondered what indeed it meant about me that I was so set against the notion of convention that I should attack it.  So, I replaced the dream with the novel, stripping the stories of my dreams of any real meaning, but causing the form of them to mean everything.”

“…the gap between the subject of enunciation and the subject of enunciating not only failed to appear to me as a place of entry, but also failed to register as something I might elide.  For me, there was no gap, as there is no gap for anyone.”

P Everett 1

“…generally, people are only inclined to speak of the past with those they believe will somehow not only share some commonality, but who will also be disposed to exhibiting sympathy.”

“Is a photograph always present tense?  I described them so…better, let the question be, is what is in the photograph always in the present, without a before, without an after?  Of course, it is.  And isn’t that actually you in the picture?”

ennuyeux

“On Ludwig Boltzman’s tombstone is carved: S=k. LogW.  S is the entropy of a system, k represents Boltzman’s Constant, and W is a measure of the chaos of a system, essentially the extent to which energy is dispersed in the world.  This equation meant little to me as I read of it the first time, but as I considered it I grew excited.  The space between S and W is the space between the living thing in front of me and stuff hidden inside beyond my observation and comprehension.  It raises the question:  How many ways can the parts of a thing be rearranged before I can see a difference?  How many ways can the atoms and molecules of my hand move and recombine before I realize that something is wrong?  Thinking about it scared me.  Certainly, I understood that natural events symbolize collapse into chaos and that events are motivated by dissolution, but the idea of such subversive and invisible change moved me.  I likened it to observing the minds of others.”

P Everett 2

ootheca

“Ezra Pound said, ‘Every word must be charged with meaning to the utmost possible degree.’  Let it be the case then.  But words need no help from anyone.  Bet thew ords kneeknow hellip freeum heinywon.  Context, story, time, place – don’t these work like Bekins men, packing the words like so many trunks?  But finally, words are not cases to be packed at all, but solid bricks (and, of course, like a brick, even a word’s atoms are not motionless).”

“We do not give the creature reality enough credit, choosing to see it sitting out there as either a construct of ours or an infinitely regressing cause for the trickery of our senses.  But I claim here that the most important thing I have learned is that reality has a soul, reality is conscious of itself and of us, and further is not impressed by us or our attempts to see it.  In fact, we see it all the time and don’t know it, perhaps can’t.  It is like love in that way.”

-all quotes by Percival Everett

from his novel, Glyph

Glyph - Everett

a la Sympatico

This week marks (for me) an exciting new release from Explosions in the Sky and David Wingo – they’ve composed the soundtrack for the recent film Prince Avalanche (I’m also a fan of Paul Rudd).

PAMuralalthough I haven’t viewed the film yet (I fully intend to) – I was unable to wait to acquire the soundtrack, in fact it was a primary plus in returning to Kansas from the Rockies of Colorado (after the books – see prior post).

Beyond that – it would appear the film offers a sympathetic example of quest in another mode – and the soundtrack definitely does… So, entering a new semester, a season of changes and re-established routines – finding our way forward – quest – here is a sampling of the soundtrack: Prince Avalanche by Explosions in the Sky and David Wingo:

 

The Return – the Quest continues

Pikes Peak

After a glorious week smushed together in an old log cabin without running water and an outhouse on the slopes of Pikes Peak Colorado, we have returned.  It was wonderful family time – hiking, kayaking, playing, reading, climbing and performing the necessary tasks of cabin-living.  Irreplacable.  One of our sons was reading “How to Read Literature like a Professor” for his summer reading assignments in the wee hours and pointed out that this type of vacation shared many qualifications of the Quest in literary themes.  That feels so right.  Life lived in relation to others always seems a quest – to know one another better, love one another better, hear one another better, express and differentiate and develop as persons-in-relation.  I have been immensely blessed with a mixed and quirky collective of children from whom I learn so much, and a spouse who cracks and opens me.  It is a particular pleasure when the world around us is also so splendid and obviously large as it is in the Rockies of Colorado, and when so many distractions are replaced with shared attentions – mushrooms, critters, rock formations, streams, decrepit mines, wild donkeys, and so on.  Priceless time.

Upon return it is easy to see how the quest goes on…kiddos heading back to school…classes starting again…and these packages opened in the pile of mail:

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the quest always beginning…