Where the Summer has Gone

GetOutWayJuly

WordPress peers and inspiring friends – new love, new work, busy summer offspring and the above explain my lack of involvement here.  Autumn approaches, new semesters, school year beginning, and so on.  I SO hope to be active in your company again.  I appreciate your comments and patience.  What a large thing life is.

As I catch up on your works – I am SO thankful for the talents, visions, expressions, idiosyncratic thought and emotion that each of you have found a particular and meaningful (and SIGNIFICANT in whatever medium) way to realize in this forum.  I appreciate it greatly and am truly humbled and grateful for these odd and generative connections.

thereading

image from the reading replete with lifeguard (son), hostess handing out favors (buttons, nipples), stewardess serving odd mixtures of airline snacks, a priest blessing and moving people around, a waitress and a dapper emcee, a basket of fortunes created by my daughter, and myself wandering the space reading pieces and climbing on things.

 

Identities taking form…such brief individuations

Instigating a “family-tree” of sorts betwixt what I will call thinkers of relational ontology, I am providing another text to explore – this one from Erin Manning – the introduction from her book Relationscapes: Movement, Art, Philosophy. 

You can see the heritage (or ontogeny) is vast – to trace it more completely investigate The Four Ages of Understanding by John DeelyA Thousand Plateaus  by Gilles Deleuze and Felix Guattari, or The Primacy of Semiosis by Paul Bains (among others).  Bakhtin, Whitehead, William James, Nietzsche and others give testimony to this sense of the entanglement and fluidity of being, the emergence and always co- or inter- of existing.  The “relational nexus of experience,” as Manning has it here.  The incipient potential of each pre-moment and then following “instant,” the elasticity of the almost, the threshold ALWAYS of expression-in-the-making and all of its co-constituents from throughout time and space and anything else we have segregated arbitrarily.  Without further ado – What Moves as a Body Returns as a Movement of Thought, Events of Relation – Concepts in the Making by Erin Manning:

 

feel free to click image or title to read – (it’s a much shorter text than the last) – but no less engaging, creative, and provocative…

 

Waterplay – a triptych by Holly Suzanne

      

Waterplay – a triptych by Holly Suzanne

Waterplay – a triptych by Holly Suzanne

 

What we know for certain is the steady stream of life, the flood, the flow, replete with bits and currents.  Immersion.

What is less clear is whether we are rising or falling, whether paradoxes hold true, what that might look like.

And if we’re swimming together, how that alters the land, changes the buoyancy, rearranges our standards of measure.

We – individuals – no longer a fixed point of reference.

Now “I” that formerly looked oh-so-much like a “1,” is just a needle in a flurry of dried whirling pines.

Rising up, rising down, in relation.

The self, the other, the flood.

In certain light, it shimmers.  In little light it bleeds dark.

It’s not as if we’re provided decoders, infra-red goggles, enlightenment.

I’m as much in the sea of life as you.

We share, in this sense, an equal, fluid, ground.

And not as something to step up or out of.

 

The self, the other, surround – weighted flotation devices.

I’m in, at a kind of “over here.”  So are you.

There is no escape.  We sink.  We rise.

N Filbert 2012

(My apologies – these pieces have proven very difficult to photograph in a way that presents the depth of layering and colors truly present.  These are fairly large oil paintings created of Autumnal colorings and glow, many more greens and yellows, oranges and hues filling out the originals.  It is painstaking to present them here struggling with glares and digitalia in a way representative.  Forgive me, and if you are able come see the originals through the month of November at Mead’s Coffee House in Wichita, KS – they are rich to behold!)