Writing: the Blocks

Writing: the Blocks

“and everything here like an incomprehensible explanation”

-Arkadii Dragomoshchenko-

 

There are those times of overwhelm.  Edit?  Create?  Organize?  Submit?  Wander about (for “inspiration”)? or sit and stare (“meditation”)?

There are those times.  So much written, nothing sold.  Years of working, thinking, learning, feeling…orphaned.  Turned away.  Left out.  Sent back.

Rejection.

Here’s the open field and some more ever-uncertain time.  Feels fragile.  I feel I should be making, arranging words toward unknown meanings or inferences, but I’m also drowning in them – so many of my own, millions of others as well.  Approved words, theirs, successful words, words now “bound,” where mine (I try the positive) are “free,” “independent,” “loose”… not owned by any other hands or minds.

But the words seem to want it.  They emit their own desires.  For partners, for dances, for strolls.  Attachment.  They even like to work!  Anything at all – they just want to be, active.

Mine aren’t.  They jimmied their way around my emotions and spleen; infested every nook, cranny and fold of my brain; strained my throat and cramped my hand…but once I’d rid myself of them – sealed them between the bars of blue lines, they began to wither and starve.  Atrophy.  My words – these voiceless victims.

They’ve got plenty of company all lined up and folded together – hell, they’re stacked on top of each other…but they need human parts for life.  Need eyes and mouths, lungs and ears, hands and minds, perceptors, receivers and nerves.  I look down on them all like leaves from last winter, or hidden away in mausoleum-like drawers.  I feel sorrow.

There are zillions of others – exactly the same as mine but for their order – speeding all over the world – through wires and lights – through voices, canals – held gently in hands – slick and shiny on mags – proclaimed on billboards and signs.  But not mine.  Not these innumerable identical versions but for my script, my experience, my faulty manipulation.

What gives?

What gives at these moments, these gulag-ish terms of withholding and stasis?

A letter or email perhaps.  A talk with my wife or my sons or my daughter.  A glance at a spine or a page.  Some music with lyrics.  A friend.  They are moving, alert.  Every-ready for use.  In use.  Wording their function.  My continued submissions might be jail-breaks for them.  My blogs and my posts and my readings.  The phone calls.  We could try it?  See how they still work?

Or even something like this.  This query of what do they want?  Working them into myself.  Materializing them.

I don’t know.  I don’t know if it helps.  I can’t tell at this moment.  They seem stuck.  And yet not.  Here they are, ever coming, ever becoming, nothing.

Like us.  Maybe I’m stuck.  Becoming nothing (inevitably) but becoming nonetheless, all the while.

I guess I’m suggesting that there’s really no such thing as stasis or block in living beings.  Regardless what or who or how, we’re becoming (the 5 Ws all taken care of).  Now & Here all five essential questions are active whether I write down answers or not.  As long as we breathe.  Work is going on.

And words, so eagerly activated.

N Filbert 2012

Places

The Essence of Place

“To record the essence of a place, so that it can be inhabited by something outside itself, is to start a story.  This means searching for a language, one that we know intuitively but cannot spell out.”

-Lukas Felzmann, Landfall

“The time has come to talk of whatever we want”

-Arkadii Dragomoshchenko, Xenia

“the work drives beyond promise, craving and time”

-Louis Zukofsky, Prepositions

            Sometimes there were birds there.  They passed through in groups, in swoops.

I’ve seen people there too, but not swooping or grouping.  It just isn’t that kind of place.

 

It felt large and open yet cloistered, contained.  There were large trees all around and throughout.  Somehow it seemed level.

I don’t recall there being water, but I believe it staid nearby.  As if it were ready for when it was needed.

I’ve no memory of critters or pets, cycles or frogs.  Only birds that might swarm like the leaves filling trees as they swayed.

Oh my, but the blur!  The soft focus in apprehending!  It rocks and it waves, it flows through you while sitting, I say!

I wonder the eyelids of storms.  I leap lying down.  I silently sing out the shrieking of birds.  I love in this place.  As wild or as calm as is needed, a respondent surround.

When I’m here I try to tell you, by searching for words or the making of pictures.  That don’t capture.

Have you wandered here before?  To the essence of a place?

Please do tell me or show me what’s yours…

 

N Filbert 2012

Writing: the Margins

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Writing: the Margins

“All words run along the margins of their secrets”

– Susan Howe –

 

Now we are getting somewhere.  Now we can go ahead and believe in telling and in being told.  If “every word runs along the margins of its secrets.”  If so, (and it feels truthful, even if untrue) then…

there might be other margins, or perhaps every margin limns its contents and its secrets?  Perhaps, then, our senses, and every limit of our perceptions “run along the margins of their secrets,” like our cells and bodies do.

That “perhaps” means here “possible” – an enormous margin full of stuff and secrets.  I.e. seen and unseen, known and unknown, believed and unbelievable, etc.

And if “Limits/are what any of us/are inside of” is truthful of Charles Olsen to utter, then we might be everywhere up against the margins of the limitless.

Speaking practically, a margin is variable, and bodies and language (synonyms of a sort) are more variable than variables.

So to say, we may indeed (in our actions of doing and making, saying and thinking – signing and gesturing) be communicating.  That is, it is possible.  Words running along their margins of secrets, senses apprehending along their own secret margins, the boundaries porous and variable: something might be meeting there, might be weaving, might be, as it were, com-prehended (apprehended together in some so-called secret way)…co-mmunication?

If language, in its way, defines the social, our context, like skin, for participation in world…connectivity, sharing in common, is not only possible, but necessary, and the secrets, the ineffables, the private, what we thought of as incommunicable, is clinging there, infused with the margins, the borders where we interact, transact, have (as it were) our being.

Therefore

“it is not infinite.  Even infinite is a term”

-Louis Zukofsky-

by which I mean all our words signifying –lessness: limitless, timeless, meaningless, objectless, and so forth, limn their mysteries as much as the constant traction we enact with our names.

Lines wide enough for all of us to traffic in, and obviously very thin, perhaps transparent – we are dancing here.

Feet and minds, hands and mouths ever each right where they seem to be and also where they’re not…marginal movements…co-here-ence, always presently together, secret and exposed.

Perhaps and possibly.

N Filbert 2012

Sweet I.L.L (inter-library loan) Manna today!

“Anything you can write is already somehow immanent in the language, a baffling fact that has various ways of affecting those who discern it…For if we both of us, reader and writer, command our common language – and if not, why go on? – then we both know, potentially, whatever it can say, and shall neither of us gain anything if I raise my voice…Let us agree to pay attention, then, to some sequences of words which I shall now set down, with my usual respect (which you share)…uses of words which entail ways of being used by words”

-Hugh Kenner, from the foreword to Prepositions, and applicable to both)!

Thank you Wichita Public Library!  Thank you Inter-Library Loan!

Borrowed, but WOW! BAM! (and I’ll regale you no more!)…

“‘The omniscient observer,’ Dala said continuing for them out of another day, ‘reads from the first word to the last with great care for the spaces between them so they are unframed by enthusiasts or detractors”

-Louis Zukovsky, from Little

MAY WE ALL READ THIS WAY!

New Arrivals…New Invaluables

“meant to detect just how slushed our insides were from too much speech, how blighted we’d become from the language toxin…

The know-it-alls are always the last to know.  Everyone’s a diagnostician, and everyone’s wrong…”

-Ben Marcus-

“As is usual with me I would not go on with the rest of the story and come back to the difficult sentence later.  With others it may be different – but when I am that far in a work the story must exist in each word or I cannot go on…”

-Louis Zukofsky-

-Lukas Felzmann-

I know….there’s a LOT of envy fuming out of you readers eyes!

(use your local library!)