Found Autobiography

autobiography

 

A country mapped with invisible ink

Bob Hicok

Like we are the hole that grows in poor, unmendable

nothing: we blind needles: we unmoored threads:

like feeling I’m the enaction of a waterfall by my tongue

.

upon your body, as when a boat is brought to the edge

of exile and a hand extends to a hand or a tree

beseeches with its shadeshawl: however born,

.

there is reaching, we agree the wind smelled of copper

one day, a passport the next: like how to escape

my brain’s slum of words, the ghetto of the said,

.

while adoring there the rocks, the teacups,

if half of me is a Molotov cocktail and half

the inflection of loss and half a genuflection

.

to breath: like wondering if this extra half

is a country mapped with invisible ink:

like how windows ask to come along with the going

.

and preside over the staying, and I look at them

with all the love, all the shatter I can muster:

shards cutting me when I try to put the sky,

.

the distance back together: boredom cutting me

deeper when I don’t: like searching for a man

in a burning house and finding a piano as echo flees:

.

a whetstone still warm from the blade: sheets pressed

with brainfolds of sleep: a whisper from the bathroom

of running water: but no body: and I carry

.

these things to safety that are not the man: the piano

in my arms, running water in my mouth, the vespers

of sleep, the knife, so like a wing, like flight:

.

and say of him, that was me, to the ashes, the char:

and sift the memory of flames for their sorrow,

holding smoke to the mirror interested only

.

in solid dreams: like it will finally see

what isn’t there and give it my face, this presence

of absence I have tried and tried not to be

**********

“almost as if I’m making her and this poem and my past

up as I go, to help me feel nothing

.

goes to waste, not even waste.”

-also Bob Hicok

Nathan Portrait

 

Person-al Interference

Stigmergy - Swarm

 

more onΒ stigmergy here

swarm intelligence here

And finally…poems

I recognize that I hunger for poetry – periodically I canvas new poetry books and the old on my shelves to be STRUCK – to be wakened – charged – re-membered – into some leaping alive sensibility awareness delight sorrow grief ecstasy – that the vividness and risk of well-made poems incite…

for me, anyway.

Thus, the Bolano. Β A beginning.

Thus, returning to Nooteboom, a certainty.

Thus, the new arrivals shelf – Wichita Public Library.

and then…today…BOOM.

Bob Hicok, tested favorite,Β “new arrival,”Β Elegy Owed

the jump-start.

the activation.

something likeΒ recognitionΒ andΒ instigation at once.

what poetry does.

and having no idea where to begin to share it with you

to recommend

to commend to you

I’ll just offer the opening poem:

Pilgrimage - Bob Hicok

and the closer…

Good-bye

Hicok - Good-bye

and to tell you that everything in between is every bit as good

and some even better….

Good-bye

Β 

Small white church at the edge of my yard.

A bell will ring in a few hours.

People who believe in eternity will sing.

I’ll hear an emotion resembling the sea from over a hill.

One time I sat with my back to the church to give their singing

to my spine, there’s a brown llama you can watch

while you do this in a field if you’d like to try.

I don’t think even calendars believe in eternity.

Beyond the church is a trail that leads to a bassinet in a tree.

Someone put it there when the oak and sky were young.

I’m afraid to climb the tree.

That I’ll find bones inside.

That they’ll be mine.

I want to be withΒ  my wife forever but not as we are.

She’ll become a bear, I a season: Kodiak, spring.

Part of loving bagpipes haunting the gloaming is knowing

the bloodsinging will stop.

Beyond the church I pulled a hammer from the river.

What were you building, I asked its rust, from water and without nails?

This is where I get self-conscious about language,

words are love affairs or sΓ©ances or harpoons, there isn’t a sentence

that isn’t a plea.

This is where I don’t care that I’m half wrong when I say everything

is made entirely of light.

This is where my wife and I hold hands.

Over there is where our shadows do a better job.

– Bob Hicok, Elegy Owed

Anticipating Leaving the Sea

Marcus - Leaving the Sea

 

As with bated breath I anticipate the January 7 release of Ben Marcus’ newest collection of stories…I sate myself with these two complex tidbits of his alchemical languaging talents, and invite you to swim in them as well…

Marcus - Notes from Hospital imageBen_Marcus_Notes from the Hospital

and

Marcus - Dark Arts image

Marcus - Dark Arts excerpt

click images for full texts

Intriguing Thoughts

invisible college

Invisible College – Clay Shirky

New Arrivals, with poetry and music

Submerged in due dates.

Here’s what’s arrived in the center of (my) radar:

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and then, from Roberto Bolano

DON’T WRITE POEMS BUT SENTENCES

Write prayers that you will whisper

before writing those poems

you will think you never wrote

Bolano - Unknown University

Strange gratuitous occupationΒ Β Β  To go losing your hair

and your teethΒ Β Β Β  The ancient ways of being educated

Odd complacencyΒ Β Β Β  (The poet doesn’t wish to be greater

than others)Β Β Β Β  Not wealth or fame or even just

poetryΒ Β Β Β  Maybe this is the only way

to avoid fearΒ Β Β Β  Settle into fear

like one inhabiting slowness

Ghosts we all possessΒ Β Β  Simply

waiting for someone or something in the ruins

and finally,

MY LITERARY CAREER

Rejections from Anagrama, Grijalbo, Planeta, certainly also

Β Β Β Β Β Β Β Β Β Β Β  from Alfaguara,

Mondadori.Β  A no from Muchnik, Seix Barral, Destino… All

Β Β Β Β Β Β Β Β Β Β Β  the publishers… All the readers

All the sales managers…

Under the bridge, while it rains, a golden opportunity

to take a look at myself:

like a snake in the North Pole, but writing.

Writing poetry in the land of idiots.

Writing with my son on my knee.

Writing until night falls

with the thunder of a thousand demons.

The demons who will carry me to hell,

but writing.

all poem like creatures – Roberto Bolano

What Follows

As I mentioned in yesterday’s post, the notebook I grabbed in case of moments of free creative scribbling contained prior forgotten reflections that carried me into further reflections…recorded below:

journalingThe wonderful thing…

The wonderful thing about writing…

The wonderful thing about writing is that you can always begin. Β You always face opportunity. Β BEGIN.

In addition to that…”in other words”…

In other words, you can always start over.

Begin. Β Start over. Β Begin. Β Start over.

It’s a wonderful thing.

Language. Β like moving your body, there’s a kind of body to inhabit. Β A world. Β A way of being. Β You wake. Β You move. Β You remember…by dis-membering.

In other words.

You sleep. Β As you cease to sleep, you remember. Β You remember by feeling your limbs, your breath, by seeing, by feeling things (Dismembering). Β As you dismember (stuffy nose, neck-ache, coffee smell, pain behind the eyes, the need to potty, and so on…) – you also re-member (stitch together, sew, seam, canvas, invent) and become (again). Β Writing is like this.

Language. Β A body dismembered – waiting for membering (memory, membership) – invention, use. Β Beginning. Β Again.

In other words, like organs instructured in-skinned, awaiting awareness, the fabric of socio-cultural symbology (languaging) lies: Β in wait: Β to be animated, enlivened, embodied: Β woke up.

The substance, the atoms and organs – await. Β Circulation, enervation, emergence – to live – animate –

to be possible

And become.

In other words, to create, to move, to motivate.

There is no such thing as starting from scratch.

But a scratch is a beginning.

In our bodies, within matter,

in the world – moving gauze, filling quilts,

sensing flesh, donning clothes, filling whispers…

I’m alive. Β I begin.

The wonderful thing about writing…

…to awake into a way of being.

IMG_6607p.s… i’m thinking that each begin includes a hope to mean

Found Thoughts

As I snatched books and items to head to a weekend class I grabbed an old partially used notebook just in case I’d sneak a moment or two to scribble my thoughts. Β I did, but I also found the following past set of jottings that I catapulted off of for what I wrote next…

They felt like found thoughts that found me again…so I thought I’d share…

Oxford NotebookFrom Old Notebooks

I get a little weary of philosophy. Β It fascinates and intrigues, has its spectacular, glittering moments – like architecture, hard sciences, and fiction – but with each human activity there can be too much of a good thing. Β Perhaps it’s the fantasies involved in abstraction, in the “feeling” of figuring things out, or of “making sense” (instead of sensing) – our human super-additives to experience that are also experience themselves – that I, at times, weary of. Β That eminently falsifiable intuition thatΒ everything is made up.

It can be hard work to keep a worldview active. Β They involve such complexities and details, layer upon layer of biological and logical, illogical and irrational, intuitive – ologies and descriptions, manipulated perceptions and interpretations re-interpreted re-interpreted without ceasing, that a being grows tired. Β Can grow tired.

Those same realities, capacities, activities are also exponentially inspiring, enervating, exciting – those behaviors of creativity, imagination, and survival – and our weird confounding capacity to think we can observe our perceptions make for a very strange frenzy of energy and productivity…

…our infinitely (perhaps?!) webbed interdependence with our surround provides for mysterious and copious possibilities of activity (material)…all bewildering. Β Chaos can be so generative. Β Chaos – so stultifying.

WhatΒ might weΒ know?

That we are organisms within systems? Β How would weΒ know that, from within systems?

That we are dynamic organism enmeshed with other dynamic forms of matter and energy, waves and particles, movements? Β Seems to be our sense of it.

So what?

Alongside and within – in order toΒ be – there is NO way to exist detached or without: to imagine distance, objectivity without imagination capacity of fantasy, illusion, for purposes like logic, mathematics, narratives and codes –Β DElusion in order to play the games with delusional sincerity – effectively. Β The delusionsΒ are effective, often pragmatic, evolving, so theyΒ must also be part ofΒ being with/in a myriad of dynamics…

One would hypothesize. Β Or suppose. Β Infer, as in fantasize.

All enabled by immersion in symbols, languages, stipulated relations…

…which is what I had set out to consider – immersion in symbols –

the wonder of it

the delusion…

…to follow…

 

“In short – who will archive cultures in the future – the state, corporations, or the public?”

This article both combines and extends some of my favorite things to mull….

Archiving cultures – Mike Featherstone

Borges Aleph

coupled to concepts found in such texts as these:

“The archive fever is to attempt to return to the lived origin, the everyday experience, which is the source of the imperfect and distorted memories which are our archives and whose transience and forgetting makes us uncomfortable”

-Jacques derrida-

A Kind of Credo : Intertextuality : “Art is Difficult” : Manifesto?

β€œperhaps our arrival at interpretive conclusions participates in that process and affirms the inescapability of attempting to read the world in an empowered way, even if we are always missing the point”

-Anne McConnell, Approaching Disappearance

But then there is a reality to writing – the unexpected, the making-up, emergence and invention.Β  I believe in it, in spite of my theories, in spite of acquired knowledge.Β  Something like the terms of paradox.Β  Little matter, much substance (not really).

For fun, let’s say (in the manner of a credo):

  • Β β€œI believe…

that language is a socially constructed resource recursively constituting and innovating meaning potential

  • β€œI believe…

β€˜the notion of meaning potential can be characterized as a heterogeneous totality of knowledge of conventionalized patterns of normatively correct situated verbal behavior which manifests itself and emerges from social practices of a given social community’ (-Mika Lahteenmaki)

  • β€œWe believe…

that actual meanings are emergent from meaning potentials – are jointly created – recursively and interactively dependent – in their situatedness and perspectivity, unique and irreducible

  • β€œWe believe…

β€˜reality works in overt mystery’ (-Macedonio Fernandez, via JL Borges)

  • β€œWe believe…

that to live β€˜is to make all these repetitions coexist in a space in which difference is distributed’ (-Gilles Deleuze)

  • β€œWe believe…

that living occurs via the β€˜conservation of autopoiesis and the conservation of adaptation – a constant and mutual structural coupling of continuous transformations betwixt organisms and environments (envorganisms)’ (-Humberto Maturana, Francisco Varela, Paul Kockelman)

  • β€œWe believe…

in complexity and meaning, difference and repetition, redundancy and novelty, structures and contingencies, openness and change

Measures of reality (situated and perspectival…partial and relative to) – our As-if-oscope and Toxic spoon-deep.Β  A hurly-burly and chaotic entanglement – intertwingled – adjoined in movements (writing of writing) to use an outdated metaphor:Β  textuality and trace.

  • β€œWe could believe…

that β€˜texts record the meanings we make: in words, pictures and deeds…shaping and shaped by our social relationships, politically, as individuals as members of social groups’ (-Jay Lemke)

That no effect is not mutual, recursive, intermingled and intertwined.Β  Life is ambient, writing of writing.

In other words.

  • β€œWe believe…

that β€˜Art is difficult’ (-Viktor Shklovsky) and meanings dialogic/multilogic / multimodal/multivalent (-Mikhail Bakhtin, Gunther Kress, Bruno Latour, semiosis)

Empiricism regarding ourselves is impossible (the situation and perspective necessary are not available) so we rely.Β  i.e. we need one another and beyond.Β  Envorganisms, we.Β  We believe (we could say.Β  I might).

β€œWhen we leave each other, we leave.”

Henrik Nordbrandt

A text composed is intertexuality – an Irish monk illuminating a copy; a modern blogger mashing-up – bricolage, meaning – I write, WITH.

To say I instantiate a social practice.Β  It becomes.

Thank you.Β  And welcome.

-a glyph is a hunt for optimism-

Slideshow of works cited:

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