ELSE – Aziff : Prompted by Comments

(a continuation of Else  – Erasure : Beginnings)

Aziff : Prompted by Comments

Once begun, and begun in You-ness, though perhaps not – indeed probably not in any way! – in Newness, you take leave in the middle.  Or if not the middle of this brief engagement, somewhere, alas, in its midst, you set out.

“The place I really have to get to is a place I must already be at now” Ludwig Wittgenstein said, which you almost remember, and in any case you think of now, triggered by its inscription among the paper scraps scattered over your writing desk.

Already you’re sick of it.  The You-ness you hijacked in hopes of Newness.  Your playabout with something Else.  Attempting to trip or trick yourself into some place else, somewhere other than where you “must already be at now” – the Else you set about pursuing, by dissecting and deconstructing it on your desk.

You come up short.  Feel foiled.  A stray comment from some other immediately exposing a cheap and shoddy sleight-of-hand you yourself could not perceive.  The danger of others, of else.  The dangers of self-encounter in dialogue.

In any case, you create, or you go on making with all that is already tired and old.  Namely, yourself, and whatever is at your easy disposal, fearing in advance what might be required to move.  Toward what could be New, into the unknown of the Else.

You tackle the pieces, a limited arena of shuffled scraps – quotations, emotions, experiences – in hopes a pattern emerges, an inventive cohesion.  Unlikely, or forced.  The banality of meaning – a fundamentalist smallness of purposes or cause.  You vomit.

It’s a discomfort – as if from some trauma stored throughout your body and brain – a fear of what you cannot identify, having experienced it (“suffered” is how you put it, and “endured”) as an unspecified complexity of connectivities too slender to hold or locate – the incomprehensible self – that atomistic and invisible dot-point in a universe of flickering.

Whereas you are able to imagine others and else as substantial – entities with agency – in all the vastness.  What you can observe with less participation, seeming more real to you, somehow.

Else – you just get lost in the dissection.  Labyrinthine traces of fact upon facts, ad nauseum infinitum…  The searching for cause and impact in a loop within a web caught in a net stranded among strands inextricably interlocuted in endless structures and systems imperfectly operational.  And so forth, you consider the sources.  Always coming up missing or bereft.

Cease.  And breathe like a statue.  It doesn’t.  You don’t.  Else.

Not what you thought you were looking for.

New probably just meaning something different, you repeat yourself, something Other, something Else.

You set out.

Brave New World

part of our weekly practice of participation in the lively community prompted by Rochelle Wisoff-Fields Friday Fictioneers – I encourage all to join!

Copyright -Douglas M. MacIlroy

Brave New World

Assembling for the task, we began.  Each in our strengths conspiring.  Tristan executed calculations which were pinpoint.  Ida concocted the sounds and the language we could use, boxing up the requisite books and emotions.  We counted on mama for the overall surround, a global view of the society – espousing natural characteristics and roles.  Oliver modeled the world and placed it on a bucket.  Everything was ready – needing only performative passion – a unified desire.  We waited for Aidan, lugging the chains that would keep us on course, to hold back entropy’s risk.  Leaving me to chronicle this family’s brave new world.

N Filbert 2012

Strange Alchemy

“Bless Babel.”

Below I am going to share with you an essay that I promise is worth every hour or two you lend your attention to each paragraph.

It is written by this person:

(Donald Barthelme)

and it is called: Not Knowing

from his collection of the same name.

it contains statements like the following:

“Any work of art depends upon a complex series of interdependences”

“tear a mystery to tatters and you have tatters, not mystery”

“What is magical about the object is that it at once invites and resists interpretation.  Its artistic worth is measurable by the degree to which it remains, after interpretation, vital – no interpretation or cardiopulminary push-pull can exhaust or empty it”

“The combinatory agility of words, the exponential generation of meaning once they’re allowed to go to bed together, allows the writer to surprise himself, makes art possible, reveals how much of Being we haven’t yet encountered.”

“Art is a true account of the activity of mind”

“The aim of meditating about the world is finally to change the world”

and so forth.

Please understand me, if you maintain a blog, take photos, love your children, think about your self or the world you live in, dialogue with books or pictures or animals or people or movements…

take a little time to read this

Thank you.

  Not Knowing