Points of a Journey

Thank goodness (again) for Friday Fictioneers – fostering the insistence and reprieve of manageable creative work when I’m finding it ever so hard to pull away from endless research.  I always mean to set aside a little time, or “get to it” at a break – and just write awhile…but days have a way of eluding me.  So thank you Rochelle et. al. for the weekly prompt and community that kindly obligates us to create, at least a few paragraphs, 100 words (I borrowed 9 from Doug).  A healthy distraction.

copyright-Rich Voza

            The beginning is filled with arrivals/departures, dogfights of fly-bys and paradise islands.  Ecstasy and remorse, all seeped in the past and aimed toward a future, took place in realms  in-between.  Between a rock and hard place, between the cities we called home, between obligations and accidents, here and there, me and you.

In the long middle we developed mistrust and fostered desire.  Building on distance with dependencies and betrayals.  Which flies faster – a sparrow?  Depends which side the wings are on.  We flew and we crashed.  We survived.

Bringing us to the end, the point at which we always arrive, together.

N Filbert 2013

Fictions of Family, pt. 10

the developing words:

FAMILY A FICTION

Family 1

and part 10:

10

It taking so long to figure it out.  What it’s “about.”

Discombobulates like sporadic noise.  The fragments living are.

 

Four decades, seven children from three wives until he recognizes relation.  Which changes things.  Significantly.

It is the third wife (times charm) – out three strikes she staid on.  Stays on.  The difference between things.

In relation to one another.  Evolving perception.  The what-not, call it “aboutness.”  Or in relation to…

 

This in relation to that is about this much this high this far.  Or else nothing at all.  In itself.  By itself.

By himself, barely amount, insignificant cipher, plus three plus seven plus anything adding up, er, becomes.

Alone is less than one, or, not a number.  It takes 1 to know 1, in other words, all-one really means no 1.  Unless distinguished from something else, another 1, an other.

 

This he could tell.  The third wife, the difference between.  The aboutness.  Differing shapes entirely, nearer still, at this distance.

1 cannot equal.  Impossible equation.  Might as well be naught, be 0 – a 1 wrapped around itself (turned-in) – revealing just a hole, something seen through.  Looked straight through.

Telescope, microscope, still substance unseen, a looking at, really, looking for.  Simply looking, opened at both ends.  Perhaps a simple function.  What an organism is, alone.

 

She calls out, in fact pursues him halfway across.  As if to say she sees something, peering through her self-same circularity – that he is there.  He begins experience, begins to get it – something else must be looking, another 1, for him to be seen, to hear of himself.

In what she tells him.

 

Multiple inputs introduce noise (read chaos, read being), make possibilities, provide things to figure out.  With all the variables it takes a lot of time (to get what it’s about).

The Anniversary

FRIDAY FICTIONEERS – WEEK OF February 1

(please consider joining us)

The Anniversary

I remember what the sculptor said, at our wedding:

“How very many years it takes to get to this – the unitary lean.  Two figures completed in one.  So much stripping and friction, hacking and cuts.  So very many tools applied.  The hurt and the loss, the heat and the cold.  Form and substance are hard to reshape.  A person is a stubborn thing.  Nuance and habits of matter overcome.  Natural processes and straining retrained.  Rock removed from its quarry – blasted and torn where it rested and grew.  A new context of becoming so forceful and delicate.  Ravaged and renewing till it holds itself up.”

– how our weight is supported, these 22 years.

Live Models

Notes on Fiction and Philosophy

(complete text linked)

Brian Evenson

I thickly recommend you print and mark up the entire essay, but to tantalize your imaginative mental taste buds, here’s a representative nuggety excerpt:

“Good fiction, I would argue, always poses problems – ethical, linguistic, epistemological, ontological – and writers and readers, I believe, should be willing to draw on everything around them to pose tentative answers to those problems and, by way of them, pose problems of their own.  For innovative writers, I believe, philosophy is always best an errant affair, a personal and intense wandering, a series of tools that one can employ, move beyond, come back to; it is our ability as writers to stay curious, to borrow, to bricoler, and to adapt and move on that keeps us from becoming stale.”

Fiction in Families – 9

the collective to now:

language

9

“There was something tragic in fighting the borders, the heroism of shortcomings, the panic of passion.”

-Bruno Schulz/Jonathan Safran Foer-

Remembering first site: where met, what seen, who did, said and how.

We can go there, recreationally, anew.

Tangly garden, the smell of food, moisty air and a she and a him wandering through florid trellises on barely trails.  Something begins.

An arrival, a vision, a breath.

 

They eat and speak, jostling giggles, tangling knees.  They are happy with anticipation to realize.

Eye-movements and alcohol, presenting.  Blending to flavor their mouths for the meeting.  And further still, past introduction – names and facts and telephones – for months of hours.

Even sleeping through nights, receivers awake in their slumber.  But face-to-face invented an optimal – expression exceeding – verbal/aural toward visually kinetic.

Hand to dancing leg, uplifted and exposed, a slight flirtation interlocking and embrace.  The sky was leaking bliss and they without umbrellas, faces opened and upraised to be forward.

 

The rented room, hesitant jumble.  Limbs like ganglia on music, flailing and pulsing and alternating rhythms.  On such a scale.  Spiraling themes, and everything improvised.

 

Which became the uncanny and announcements to friends.  “That’s a lot of baggage,” they replied to excitement, calculating spouses, careers, digiting the children and distant thousands of miles.  Let alone all the dangling remainders.

 

And yet they persist.  Airfare and phonelines, sitters and several states.  Unable to locate square roots, figuring unresolvable answers to nonlinear equations.

 

Seemingly insoluble.  They worked at the problems, nearly convinced of their theories.  Hypotheses and tangents matched excuses unrestrained.  A mountain hollow downpoured with rain.  Something fell, an infidelity to measures.  And again, wrapped in a mail bomb of message.  Risk was reported.  Purporting fear.

 

The letters flew over the lines, bodies mired in their pasts.  Something was bound up to break.  And fracturing, she did.

 

Materials from the Book of the Living

Materials (for Dubravka Djuric) by Lyn Hejinian

from The Language of Inquiry by Lyn Hejinian

[worth every second]

Passages

quick quip for Friday Fictioneers

Copyright-Renee Homan Heath

Not as if we’ve much choice.  Forward?  Back?  If we could see a little further, higher, or what might be underneath.  There’s a reason we’re heading this direction, away from what’s behind, but still.  We needed water, we’re given sand.  Needing shelter, we find a beach.  It won’t do to stop here, but where do we go?  Carrying on is unknowing, all the same to me, and yet.  Something’s bound to open up, if we could locate a horizon.  You go on ahead, I’m surely unfit to lead.  Why does it always seem like this?

N Filbert 2013

Family: A Fiction the Fifth

to browse the gist of things…a little where-its-coming-from-where-its-going, start here:

Family 1

otherwise, here’s the newest particles:

5

            There being always more sides to the stories.

Building blocks of broken bones.

Families at bone-splintering nearness.  Whether abusive or conditional; assertive, supportive, overindulgent or neglectful.  The pressures in an atom wiggle and hum, each entity squeezed and redirected into another, without foregoing elemental ingredients.

Why drawing so close hurts so much, compounding all the bruisings.

Take seven shattered anatomies and circle them into a hug.  Ouch, oof, shrieks and tears.  Sounding like sport or war.  Ahem.  The game is designed to figure out where it’s safe to rest and heal.  Together.  Every press accentuates wound, but may also set the fracture.

The littered trail.  Fragments, chips, and joints.  Ankles, ribcage, skulls.  The longer held together, dwindles the percentage unharmed.  Increases deformation, reformation, and strength in the bindings.  History makes the call.  Families get made this way.

Alpha male’s left-side stress-fractures filigree – he brings them in close to the mama.  Pain ensues globally, harder gripping cuts and tears her.  Dislodging hip and rib, she wails back, threatening to come undone, wrapping and withholding fragile loins.  Glass-cracked between the eyes evincing wince, he lumbers to the bottle – an anesthetic, fog-inducing ICU.

Boys pummel and cling on trampoline.  Superheroes blasting at their foes, setting right the world.  Divine ninja tricksters, eluding all blows, fending sacred space from viral intrusion.  Morphing Jekyll into Hyde.  Two-against-one turns to three-on-three, searing yelps and hollered rage compound the fractures and spread the lesions until a fuming heap of shame remains.

Emotion rivers throughout a system.  Elaborate table-game of chance, every draw altering rules.  And conditions.  One discretion cheats them all.

Resistance (fear) and just revenge.  Creating hypotheses – infinite dis-ease.

Tuck them in with tender warmth.  Dabbing sores with salve.  Reconnoitre, reassemble, holding court, calling assembly.  The luxury is not repeating childhood, home is not a corridor of labs.  Parent positioned now as doctor; infected all the same.

Blood is issue, possible transfusion, tearing tissues.  Don’t ignore, curing is a share.  having invented them in this inventive world, they must also be wriggled through.  Calls for help, from any corner, equate a demand.

The family as quarantine.

To serve and protect.

Seek.  Assist.

Quarantine.

Sanctuary.

Sanitarium.

Touch base.

Proceed.

Fiction Family 4

Pieces that precede can be read in order here:  FAMILY: A FICTION

Family 1

section three closing thus….

They build a monument, calling it travel.  Stripping each other of context, providing a different forum.  Humans tend to revert to familiar.  Habitude of experience.  With no experience, alteration comes to bear.  Predictable as weather.

No one’s leaving home.

Other words coming to mind.

4

            Resistance.

There is, it seems, in families, this propensity.

Whatever is said, corrected, even when agreed.

 

Existing to clarify his spouse – to illuminate and exhibit.  In turn, she elucidates him.  Providing bases or cause – extrapolates.  Siblings arguing each other, united they stand, all as deserters.  Seven eventual versions of the parental wake-up blare: AWOL.

It’s good to be king.  Graph the assassination attempts – looks like innards of clocks.  A searing clap of surprising betrayal each time.  Unlike the spurned and necessarily nutrient mother.  Shagg proclaiming the law (as devised and developed by nature – read lifegiver/lawgiver “mom” – female coupling nurture and structure within dependency).  He handles rebellion, warding attacks and spying the skirmishes, she breeding resentment from ongoing need.

These are general patterns, biologically driven, no symphony the same.  With eight keys plus a half, on a twelve-tone scale, the songs recognizable according to differing orders.  Typify and characterize.  Declare it false.

Scraggydad is nurturing, allowing/confirming resistant responses and recumbent emotions, shame-shirking under her gaze.  In other words – as one of them – a remedial complicity.  Which she echoes into her drama – the leadership, the guilt, the collapse.

Each wanting to be cradled – rock, paper, scissors style – with an occasional simultaneous Bingo.  However unlikely, it’s what probability’s for.

Thus every level its lingo.  Select a word (sex or heaven, death or boy) and provide a taxonomy of related meanings from the eldest parent through littlest child.  It comes clear.  There are altering thesauri of usage.

Family as a game of Scrabble on the board of Life, each settling Catan.  With beeps and whistles and a slew of avatars.

A technique known as mapping provides lay of the land, similar to a geneologist’s tree applied to the present.  A thing to be explored or verified.  Corrected through each journey.  In several dictions.

The family edition.

Found Objects

Greetings all – squishing this in before the homework hits.  As always I highly encourage any and all of you creatives out there to take these generous prompts and craft away, as exercise or effort – The Friday Fictioneers weekly wonderful co-creativity :

Copyright-Rochelle Wisoff-Fields

“Look, the details don’t matter, okay?  It happened, and here’s the proof, and now nothing will ever be the same.”

“As if it were.  As if things could change like that – all over and immediate.  How do we even know what from this collage?”

“Jesus Ralph!  They’re connected by the photograph!  Look!”

“As if the image were the thing itself.  C’mon Rachel, really?”

“God dad!  It’s grandpa, a menorah, a dial-up and some crayons – how obvious does it have to be?”

“I’m gonna need something more than a sign Rachel, something more than a trick of the light.”

N Filbert 2013