Toronto

Friday Fictioneers, August 31, 2012

Toronto

How well I remember the day, injured, sharp pain in every step, alone and far, hoping for once the rain might hold.  That solid, turbulent sky.  Street smells of rot and iron, bodies and fuels.  All muffled for me in the reasons – what sense and thinking does – that thick overlay of shiftings and emotion.

It was here, right here, looking up for bearings, that I knew all was doubtful.  Doubtful I’d find my way, doubtful my body would hold up, doubtful anyone would wait or notice.  Particularly not the distant.

Of course I knew what to do.

And what about the rain?

N Filbert 2012

The Light Ekphrastic

I’m very honored and happy to be a part of this fine journal – “The Light Ekphrastic”!!

See my work and read many others HERE!

Thank you!

Defining Spaces

August 14, 2012, the first day (DAY) of rain in Kansas that I am able to recall for a very long time.  Not a passing windy thunderstorm, but a wet dripping sky holding temperatures in the 60s.  A genuine “rainy day.”

We are home.  Inhabiting a structure we have designed and filled up with ourselves, each one, and altogether.  It’s been awhile.

For days we’ve struggled to catch up: reports, bills, groceries, supplies, dust, papers, books, photographs, laundry, enrollments, business, correspondence, maintenance, rest.

Organization as definition.

Definition as form, parameter, boundary.

Defining a space (reorganization) to find or enable content.

Rearranging contents to formulate new space.

Needing the space…drawing the blanks___________…to manipulate a safety, a breathing, an empty, to allow.

In chaos I write, as if pinning down terms could needle a swarm of locusts to a board for inquiry and examination.

In emptiness I build by finding blocks to set: my lover’s eyes, my children’s sounds and bodies and play, a coffee cup, clear desk, blank paper…then Jabes, Shklovsky, Wittgenstein, Blanchot.  Wallace Stevens, Dragomoshchenko, Montale, Bakhtin.

Fencing a fallow field.

I check my pockets for seed.

I’ve been an astronaut.

I can’t remember rain.

I am what I am reported to have said.  As are those around me, if only in our heads or dreams or passion or anger or fear.

Opening an old notebook I am stunned by a page lacquered in heavy charcoals and dark pastels.  I make out in fierce giant letters “WE WILL DIE!”, then scribbled around it, hard to decipher in the noise of the marks, the names of each one in my family.

I think “so begin.”

Stop.  Locate a space.  Breathe.  Then move.

Movement is beginning.

Connectives of  meaning or purpose may follow the following of orders or order the following connections of meaning.

I begin with my body, following my fingers as they formulate form, defining the spaces with words…

“if the meaning-connexion can be set up before the order, then it can also be set up afterwords”

Ludwig Wittgenstein

each is no more or less than the words he is reported to have said”

-Richard Stamelman, of Edmond Jabes’ rabbis

Edmond Jabes

For Example

Life is a Blur

July…wha-?  whe-?

I’m usually a fairly meticulous and ritualized journal-keeper…for the month of July 2012 I have ONE entry!

Like that.  Colorado…Missouri…enrolled and entering a first week of Master of Library & Information Sciences programs…

kids heading back to 1st grade / 3rd grade / freshman in HS! / JUNIOR in HS! –

wha-?  whe-?

I’m honestly working

at something

creatively

(I remember)

when I find it

it will appear

WordPress dynamos

I catch what I can!

Collecting Fragments : The Engineer of Himself

Posting an ongoing project, a long(ish) poem(-tic) reflexive effort to at least hear myself if not understand.

The Engineer of Himself

The Engineer of Himself: A Poem

“Thinking is willing you are wild

to the weave not to material itself”

Susan Howe

“a new music of verse stretching out into the future…”

William Carlos Williams on Louis Zukofsky

 

I.

I have tried to tell this story time and time again.

I’ve set out to tell this story.

This one story.  This one, apparently, mine.

 

This story takes all of my life, as do all of the stories that go deep in the mines.

Mole’s holes without boundaries – forward and back equal speed – ever the hunting, never the full.

We develop our routes in this way.

Creating patterns.

We forget so many channels and tunnels and homes.

 

Will I ever find the subject

When asked what I am writing? Continue reading “Collecting Fragments : The Engineer of Himself”

Altitude

Altitude

 

“A proposition is only a pretext to go over the limits of what’s proposed…A man in a room does not have strict boundaries until the moment when something forces him to take up one or another activity…

…I don’t have to write all this to be convinced that what is written exists.”

-Arkadii Dragomoshchenko-

“Don’t blame me.  I measure the shadow of the shadow with the shadow,

signifying here.”

-Arkadii Dragomoshchenko-

“To see is to forget the name of the thing one sees” (Paul Valery)

 

I hear a bewildering variety of birds – singing, cawing, chirping, saying.  It exists whether I say so or not.  Some things exist because I say so.

Like dolumbritz and community.

The steps being easy and difficult between.

They leave shadows.  Sometimes.

Metaphor avoids this.

 

If we got to the bottom of it all, we would fall.  Perhaps upward, if direction had anything to do with it (it doesn’t).  So we say “alas.”  Which once was short for the bottom – a-ha! “at last!” there is (here is) THIS.  But now is code for sigh.

She said so, and I heard her, at last.  I sigh.

“I have the feeling that the meaning of things will never be sorted out” is a paraphrase of a poet.  Alas.

Like philosophy: the sequence of excitable sighs, then exhaustion.

 

I am here (wherever that is).  I could describe it and become able to forget, having given it you.  But once described, something else, and then poetry – “always something else.”  Metaphor.  Not likeness but difference.

I am here.

I would know this insofar as it were validated – verified : affirmed.  But that would change and then unknown.  I reach out as like to open without a demonstration, only signs or their perceivers.  Senseless gestures filled with sense.  First one and then another “like meanings smashing each other (I don’t say metaphor)” (Dragomoshchenko).

 

A family of deer just walked in front of me, led by the elder, stopping to curiously stare (extending their field) – a simultaneity.  I gazed back and added noise to which a tail flap and head cock, followed by a smile and a welcoming.  While you notice people on the street, in the office, over lunch.  And a child hears a fairy’s call.  What is and what is not need each other to exist.

“Imagination differs from fantasy as the form ‘is’ from the form ‘if.’  The scope of my imagination is no less than the scope of desire” (Dragomoshchenko).  If he seems to make more sense or to express it is because I provide a context and steal a fragment, thus expanding what it is by what it’s not, which also is if only ‘if’ therefore as written.

“I do not have to write all this to be convinced…”

In fact an opposite’s expanding here

N Filbert, Pike’s Peak CO, 2012

Random Idea

 

something like…while i’m doing a bit of this

you can just hit “random post” up under “manoftheword”

and visit stuff i can’t remember

something new will (hopefully) arise

in my journeys

and hopefully

you will find it interesting

but for now…

you guys keep working

so i stay inspired

upon return

Scribbling. Toward purpose.

Summer is quickly departing.  In the next few weeks – school supplies, a trip to the Rockies to a rustic cabin, a trip to Branson with little children and wizened parents, work, deadlines, textbooks, and BAM! the “Fall” begins.  I don’t know if I’m easily overwhelmed, perhaps so, I can say I am overwhelmed.  I think I’m good at surviving things, at persistence, but in a rather melancholic way, steeled and a little removed.

I am not certain what will become of this blog as two years of a most incredible opportunity that cost us so much is coming to an end – the ability for Holly and myself to devote ourselves to our personal passions, our internal vocations: our families, our art.  Enormous changes are afoot.  I will be back to work and a full-time graduate student, Holly will practice more therapy and a little less creating artifacts, two high schoolers ever increasing their busyness, fullness; and two young ones growing ever so fast.  Our older children are fairly self-sufficient, but also ever growing and expanding, and keeping up with all requires our hearts.

In a recent interview, my interviewer looked at me and addressed the cliche “Change is difficult.”  Pause.  I agreed all over my body.  She resumed: “change is NOT difficult, it is always occurring, ALWAYS.  What we experience as “difficult” during the endless changing is perspective.”

She was right.  My mind and body were not.  I create the difficulties by my approaches and interpretations.  The difficulties themselves often becoming creative catalysts of change.  “I am proud to be melancholic.” (see following quote).  It is empowering to gradually claim responsibility for one’s self and one’s constant choices of outlook, intake, response, action.  Thus I enter the ensuing flow.

This morning has been spent reflecting the feelings I’m having of loss in relation to this blog, more open time for reading/writing/composing, family-time, couple-time.  The feeling that perspectival anticipation re: these ensuing shifts has slumped me, lessened my determination, devotion.  I countered it with Lynne Tillman (as I often do), and read the following, from Madame Realism Lies Here (everything is intentional in her writings :)):

“In her waking life, as in her dreams, she concocted art that confronted ideas about art.  

So life wasn’t easy; few people want to be challenged…

…Madame Realism’s work wasn’t her child.  But, inevitably, it was related to her, often unflatteringly…

…what if art can’t tell the truth?  What if it lies?…

Art was a golem.  It had taken over.  It had a life of its own, and now she feared it was assessing her.  What did it say about her?…

What I make is not entirely in my power, as conscious as I try to be.  It’s always in my hands and out of my hands, too.  I like to look at things, because they make me feel good, even when they make me feel bad.  I’m proud to be melancholic.  I like to make things, because they usually make me feel good.  I am not satisfied with the world, so I add to it.  My desires are on display.  What I make I love and hate…

…She made a spectacle of herself from time to time, mostly in her work, trying to tell the truth and finding there’s no truth like an untruth.  She kept pushing herself to greater and greater joys and deprivations, which were invariably linked.  And like any interesting artist, who can’t help herself and is in thrall to her own discoveries, Madame Realism shocked herself most, over and over again.”

(from Lynne Tillman, This is Not It)

It’s like this.  So onward I go.  Be assured I will try to stay up with all of you wonderful creators.  And I will (“can’t help himself”) keep making at each opportunity.  And I thank you all so much for these past 8 months or so where I have had the inception of experiences of finding an audience, truly being read and responded to, a sort of community of creativity.  It has greatly influenced my life and practice and confidence in keeping to my dreams.  Thank you!

Be well everyone.  Be well.

The Secret(s). The Key(s). For Everyone. The Next One.

“He opens Nothing, with a nothing key” (Macedonio Fernandez)

 (Arkadii Dragomoschenko) “Everything begins as an error of vision…”

 

            Time.  How it fluctuates.  The excruciating and seemingly eternal wait…and that which occurs suddenly.  Whether it exists or not, we live on its terms.  Experienced, as with everything, to varying intensities.

Interruption.

Arrival.

Topical, temporal, terms.

Age-old commonplace: does movement (spatial) fragment a continuum (temporal)? or does some urge toward continuance (temporal) spawn diverse actions (spatial)?  Chicken or egg?  Or chicken in egg withwhile an egg in the chicken?  Choose your poisons.  Or not.  The terms preside.

 

When are we most apt to accede to the passage (spatial) that is (of) time?  Alternately referred to as “aging,” “progress,” “growth,” “erosion,” “deterioration,” “process” and so on.  Some quote/unquote “motion” variously rendered (perspectivally perceived).

Serial designations.  Arbitrarily “first,” “second,” “third,” “last.”  “Beginning,” “middling,” “end” (-ing).  Sounds and rhythms (consonant-verb syllables) tick-tock du-thrum heartbeat breath clock gesture

Everything marking something.  But what?

“Signs kill things” (Fernandez).

I hold a nothing key.

It’s a sign.

It unlocks the mysteries.

The secret heart of being.

All those questions.

 

If you’d like to know, I can begin writing them down for you.  For my duration here.  Or find them yourself (the keys, the mysteries, the secrets at the heart of existing) – simply add a question mark to every thought, dream, emotion, hunch, word, sight, sound, sense or reason that occurs to you.

Which will leave you withIn.

Smackdab in the center of it all.  Ever-presently.  At always.

 

WITH/IN will synonym you, so that you will be.  Always.

?

            The wise are correct when they say that everyone has access to the (nothing) key.  The slender cracks in the thresholds doors, available indiscriminately.  Received the same way you take language.  Inbreathed.  Freely (you have been given) freely (you receive).

 

From knee-crease tracing the calf to the fine-pointed ankle bones is a passage, preferably a smooth and easy one, knowing age and growth.

As she departs, time stretches into space; when she arrives all compresses.  Only machines are regulated (for a time).  Heart’s skip, muscles seize, organs expand and contract.  Movement is erratic.  Composed.  Fluid.  Harmony and dissonance make melody.  A sentence.  A phrase.  Selah.  Gaps.  Seams.  A nothing key.

 

?

            Do you get my meaning?  Meaning is an interrogative juncture.  Is all.  The nothing key to open it.

 

We tell by our surroundings, i.e. specific spaces at particular times (or vice-versa), i.e. contexts and structures that hold us…allow us recognition, description, difference.

In other words, hiking in the Rockies is not taking dictation at an office desk.  But both mark something, at varying tempos.

There are no true clocks.

Or standard times, any more than we all may inhabit the same location.

Or enter the same stream.

 

Only meaning to say I am hoping to open a door with my simple key.  A possibly operative threshold.

Into the secret heart of things…

?

“why does an intense mental state happen?  Why does it pass on to others?

These ‘whys’ do not exist: this is how it happens, and that’s all.”

-Macedonio Fernandez-

 

Results

The Results in 79 words

The brothers knew it wasn’t right, what they had done.  Though Alfred had thought it was, before.  Not now, though, no one would argue the results.  Were bad.  Were harmful.  Would be difficult to live away, if ever.  Ends were so unlike their means, and either could be culpable.  The boys knew that now, blaming as they did each other, by which I mean, themselves.  Stuck with it, the consequences, are also new beginnings.  Arden took the cue.

N Filbert 2012