“He opens Nothing, with a nothing key” (Macedonio Fernandez)
(Arkadii Dragomoschenko) “Everything begins as an error of vision…”
Time. How it fluctuates. The excruciating and seemingly eternal wait…and that which occurs suddenly. Whether it exists or not, we live on its terms. Experienced, as with everything, to varying intensities.
Interruption.
Arrival.
Topical, temporal, terms.
Age-old commonplace: does movement (spatial) fragment a continuum (temporal)? or does some urge toward continuance (temporal) spawn diverse actions (spatial)? Chicken or egg? Or chicken in egg withwhile an egg in the chicken? Choose your poisons. Or not. The terms preside.
When are we most apt to accede to the passage (spatial) that is (of) time? Alternately referred to as “aging,” “progress,” “growth,” “erosion,” “deterioration,” “process” and so on. Some quote/unquote “motion” variously rendered (perspectivally perceived).
Serial designations. Arbitrarily “first,” “second,” “third,” “last.” “Beginning,” “middling,” “end” (-ing). Sounds and rhythms (consonant-verb syllables) tick-tock du-thrum heartbeat breath clock gesture
Everything marking something. But what?
“Signs kill things” (Fernandez).
I hold a nothing key.
It’s a sign.
It unlocks the mysteries.
The secret heart of being.
All those questions.
If you’d like to know, I can begin writing them down for you. For my duration here. Or find them yourself (the keys, the mysteries, the secrets at the heart of existing) – simply add a question mark to every thought, dream, emotion, hunch, word, sight, sound, sense or reason that occurs to you.
Which will leave you with. In.
Smackdab in the center of it all. Ever-presently. At always.
WITH/IN will synonym you, so that you will be. Always.
– ? –
The wise are correct when they say that everyone has access to the (nothing) key. The slender cracks in the thresholds doors, available indiscriminately. Received the same way you take language. Inbreathed. Freely (you have been given) freely (you receive).
From knee-crease tracing the calf to the fine-pointed ankle bones is a passage, preferably a smooth and easy one, knowing age and growth.
As she departs, time stretches into space; when she arrives all compresses. Only machines are regulated (for a time). Heart’s skip, muscles seize, organs expand and contract. Movement is erratic. Composed. Fluid. Harmony and dissonance make melody. A sentence. A phrase. Selah. Gaps. Seams. A nothing key.
– ? –
Do you get my meaning? Meaning is an interrogative juncture. Is all. The nothing key to open it.
We tell by our surroundings, i.e. specific spaces at particular times (or vice-versa), i.e. contexts and structures that hold us…allow us recognition, description, difference.
In other words, hiking in the Rockies is not taking dictation at an office desk. But both mark something, at varying tempos.
There are no true clocks.
Or standard times, any more than we all may inhabit the same location.
Or enter the same stream.
Only meaning to say I am hoping to open a door with my simple key. A possibly operative threshold.
Into the secret heart of things…
– ? –
“why does an intense mental state happen? Why does it pass on to others?
These ‘whys’ do not exist: this is how it happens, and that’s all.”
-Macedonio Fernandez-
Reblogged this on "The Whole Hurly Burly" and commented:
Someone recently tagged this post I had long forgotten came from somewhere within me…re-reading it re-opened and helped provide direction or remembrance to some interrogative purpose… thank you WordPress-ers
It has presence and voidness. It has frozen processes, exited time, become apt, concrete, paradoxically gone. Here and both there and elsewhere, but only inside does it play a tune. Lithophone, bone music, skeleton key.