Up Against the Word(s) : Part the Second

Up Against the Word(s)

– a philosophy of language series –

in the sociology of knowledge

[if this book were a book and shaped like a rectangle, it would be redundant among other things and so on, but perhaps it is a circle and therefore repetition is therefore]

(one of many disclaimers)

Part the Second: True to your word(s)

And so one must wonder over/about how to shape or forge a writing that might be “true.” True to what? is the question that first comes to my mind. Immediately I sense an answer along the lines of “true to experience, human experience, living.”

Okay. But the options are many, perhaps limitless, no? It is easy to imagine someone setting out using language in hopes to be true to a theory, or a memory, an historical event, a relationship or a dream, a feeling or a painting one has seen. Some may intend to be true to the present (as it’s occurring) or to the past as it’s been recounted or remade in language or impression? To be true to ideas or previously languaged things (obviously involving so very many removes and hypotheses about what the previous tellers were attempting to be “true” to, or not). Or how about language itself, theis malleable system of signs, communication – how it works, what it references, invents, incites, depending on the terms selected, their organization, pronunciation, punctuation, etymologies, contexts and ideologies?

All would apparently boil down to the experience of the one implementing the signs: how that one has acquired the forms, contents, vocabularies, grammars and syntaxes of the utilized signs, or, beyond that, their singular perception and interpretation of their own memories, relations, readings, hearsay, acquisition of data and so forth. All to say “truth,” if one means by that some objective correlative to actuality, to “things as they are,” seems highly suspect, even as in this case, I might attempt to be “true” to the highly suspect meaning of the word and signified concept (ideology) “truth.”

So, if correlation to actuality becomes a highly individualized affair of each language-user, that a human, in fact, cannot hope to use words in any fashion directly translatable or apprehensible to another…why the setting out to inscribe?

One might suggest it’s a relative thing – like space and time – that communication takes place in fields of overlap between the flexible meanings of signs. That one hopes for difference and therefore the requisite similarities, to provide and provoke comprehensions limiting and expanding but somewhat assimilable – conversational – texting-with, vocalizing-with, another or others…some active reduction and proliferation of possibilities between multiple language-users and their contexts of situations.

Fair enough. A hope for convergences in a commonly based palette and culturation. Generalized and individualized from all sides.

Is this what the “writer” is after? Some correspondence (between themselves and their experience, between that relational complex and others)? Perhaps. Or maybe more accurately the languaging impulse fluctuates along a vast scale of minute gradations of aims and intentions, including, always, the relational effects of using (participating, knowing) language itself. It’s a mud pie! And so beautiful it looks like chocolate mousse sometimes.

And just became so, in the metaphoring of a kind of pie some persons will recognize, depending on their own experience and the culture they come from.

In part.

February 11, 2012 – as a person who writes, speaks, gestures, breathes, relates

for anyone who wishes – Gombrowiczian bric-a-brac

February 11, 2012 7:30 PM

To be doing some hard and serious thinking about what I believe to be the case, situation and usage of language

and of consideration of what I/we consider to be real, or what might be happening in living

  • semiotics – using signs relatively
  • sociology – nothing is isolate

these might be my simple core

and thus to use/compose/engage language relatively and relationally

                                self to self                                                                                   self to others

                                                        self to word                                                                     word to self                                                                                               (to~with)

therefore when “I” use words (always relating to “not-I”)

       what am I how am I DOing

  FOR what how who am I DOing

BEing in/with/of language and others

itself – itself – itself (also, as far as possible)                     RESPECT

= ?

                  This composes my practice

composes (therefore) my actual living

 Relative Gestures                                  Relational Signs

TO BE

I guess

(for now)

“genres” (active generalized forms) enable, each with limited emphases, effective emphases, differences in/of these inherent relational aspects of words

to thing to word to story (experience, expression, presentation, inquiry)

to spacetime to inner to outer to content conveyance (data, history, event, character, external) and so on

but word always retains potentiality possibility between/beyond each of its performances/uses (is always also somewhat itself touching all its points of relation relativity)

THEREFORE…

new blog series…in parts…Up With the Words

UP WITH THE WORDS

– a philosophy-of-language series –

in the sociology of knowledge

In handwriting, the relation of Being to man, namely the word, is inscribed in beings themselves”

-Martin Heidegger-

Saying ceases to signify: it reveals realities that are unintelligible and untranslatable

but not incomprehensible. It does not signify, yet at the same time

it is impregnated with meaning.”

-Octavio Paz-

I’ and not-‘I’…one projecting the outer world to the inside,

the other projecting the inside to the outer world [perception],

as a result of mutual conditioning…

language creation occurs where new layers of reality and insight

are opened up.”

-Hermann Broch-

full of you’ll never know what will turn up”

-Madeline Gins-

Part 1: Writing at Hand (Drawing from drawing, sketches of the word)

To be rigorously true to real life (living, forming, becoming, always changing, and “full of you’ll never know what will turn up” –Gins) – its core, its essence, an identity or style: FLEXIBILITY.

To be: artifacts in space and time, “beings themselves,” words : inscribed with fullness of life, as fullness of life, into the arena of malleable life.

Object and action. Content informed. Activity and expression. Artifact and energy. Verb-al and signifying. Image and text.

Fluid like air bordering, permeating all things

Substantial like raindrops and rocks – objective presences, assimilable and distinct.

Energy and stasis. Reduced and expansive.

Sign and signifiant.

subject and object.

WORD.

medium and matter

conveyor and creator

virus and vaccine

WORD

symbiosis and annihilation of Either/Or

inherent argument against Both/And

Presence and/in/with/through Absence

WORD

a thing, an action, a subject, an object, a without-which-perhaps-nothing,

a with-which-very-little

almost nothing

WORD

possibility and elimination / among and without

the difference

WORD

bridge and abyss, rift and synthesis

cleft

WORD

perception and preconception. observant and observed. verbal and nominal.

comprehensible and ineffable

WORD

High on Words

Again with the word-thing!  I feel immersed and splendored with what language is and does!  Books like Ernesto Sabato’s Angel of Darkness and Macedonio Fernandez’s The Museum of Eterna’s Novel.  Adam Thirlwell’s Delighted States and Octavio Paz’ Convergences.  Eugenio Montale’s The Poet in Our Time and Jacques Roubaud’s Loop.  J.R. Firth’s Papers in Linguistics and Kierkegaard’s Philosophical Fragments.  Madeline Gins’ Helen Keller or Arakawa or C.S. Peirce on signs.  The verbal object astounds and amazes me in its flexibility and invention, its capacities and catalystics.  Simply holds me enthralled!

For instance:  I draw a line (scribble a text) and immediately there are two parts which are inseparable.  How describe that activity?  Did I separate or unite?  Both.  The difference.  Bridge and abyss.  Rift and collapse.  Reduction and expansion.  All in this active solution, signs gestures language.  Yeesh!

Celebrate today!  Ingest and create!  Read and speak!  See what words do and ask what would there be without them, whether inner speech or conversation, engagement with the world or invention of the self.  See how far words go!

Improv

one looks…

As one improvises, on the piano”

-Wallace Stevens-

I journaled to myself how very much I enjoy the rain.

Change of key: rainy weather.

I trilled on it – from the meteorological phenomenon of the conditions of precipitation, I inevitably wake in the highest spirits, with good courage, a sense of personal human value and a fair share of blessing and luck.

Turn the page: I treat cloudy skies and falling water as if someone is being good to me.

A modulating moment, kind of pregnant pause, then a new left-hand rhythm: Why?

The previously clear melody of childhood and adolescent memories – softness and solitude, safety and comfort that raininess or “inclement” (my ass!) weather emits – enabling isolation, self-direction, personal space and a muted blurring outer world – became difficult to follow to its source.

The phrase “all’s right with the world – it’s raining!” came to mind along with a tune by Nils Frahm and the musics of Max Richter and George Winston, remote mountains and valleys and trees.

My fingers played.

My mind drummed along, the feelings were there leading the charge.

Passion piece – movement two.

Right-hand flourishing: ’cause I feel blessed, like Someone’s giving me something I want, that I like, that I wish for. Like when the sun shines down Somebody don’t like me, is a-keeping it from me, that ol’ world’s against me all those dry clear days, no matter how Springy and delicious or moderate and breezy, no, without precip It don’t like me, It don’t give a damn – but while raining I’m in love

Transition and bridge: How can weather be for or against you man? Dem skies is neutral, and repeat.

Chorus breaks in with bravura: Rain is for me, the clouds protect; the sun it rapes my ass

Staccato cries harsh in the bass, high notes tinkling down: grace grace grace

Key-change beginning in bass triads: but I thought you don’t believe no god

Clustered dissonance in treble: strange isn’t it, as if deities controlled the weather – blessing/ withholding; assuaging or punishing me

Rachmaninoff chords: meteorology and Fate

Scrap it…

New tune, tender and self-reflective: why would I place my power of mood in the maw of Kansas sky? Impetuous forces, schizophrenic fronts – determining my well-being?

Dominant fifths, arpeggiated: it’s crazy, it’s crazy, insane

affirmed acknowledged and chosen by rain

which has no will or intention

no character or personhood to blame

persecuted disciplined intruded by sun

helpless victimization without perpetrator

Sforzando: the Self!

Resolution: ah shit what am I? do I do? How come I elevate personal responsibility, candor and value to elements under no one’s control?

Strange Brew syncopations: it ain’t right, ain’t sensible, but I’ve lived this way so long

world as some gigantic force

for me or against me

and with my will

I interpret against

Hornlike dash scattered be-bop treble:

I call it I name it – AFRAID!

I feel so small in the face of things

powerless helpless confused

I get nothing but the space that It gives

and it hurts and it wounds and it alters

Arbitrary cadenza:

but it make no sense in the world

of people and places and things

I could choose I could feel I could be yes and say

but I give up the power to You

(nothing nothing nothing)

NO WAY!

That ain’t no kinda life – depending on the weather

no wonder they call you crazymaker

manic

depressive

mood

you gots to get it in there and say what’s what

and sing

not only when it’s raining!

If’n you love that rain – you takes it with you

make it your own gray way

I say

because it’s raining

and everything

feels possible

fading out….

N Filbert 2012

The Philosopher’s Stone?

Philosophy of Language: On the Nature of Signs

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In my hand I have a rock.

In the palm of my hand a rounded rock, cool and hard to the touch.

The rock means nothing.

For no reason it feels pleasant in my hand.

Because it seems to “fit”?

A rock is not a sign. A rock is a sign.

This particular rock has been shaped by human hands.

Tumbled with other types of hard materials.

Polished, but without glaze or chemical.

Rubbed by many hands, and time.

This rock was a gift to me.

It came with a story.

The story goes like this:

“In some human cultures objects are granted significance (that is, they are made participatory in the nature of signs: objects that carry ideological import, symbolizing ideas and ideologies, thoughts or beliefs – become participants in consciousness). Specific cultures embue certain rocks (geological formations) with such significance. In the culture (social community) this rock originates from, it is designated a “lingam rock,” a rock arbitrarily filled with gendered and generative signification. In Hindu religion it represents a beginning and endless pillar, signing infinity and male creative energy. Its correspondent form, the “yoni rock” form symbolizes the goddess, female creative energies. Together, the inseparable principles of gendered existence, the totality of creative forces. It is smoothly oblong, roughly the shape of a woman’s vagina, and an elongated sphere differently colored at one end, something like a man’s penis. The signification of the object “fits” given the signage (or images) already existing in our human experience. It is believed by some that those who pocket and finger this rock regularly will garner sexual vitality and increased generative activity.”

Periodically I handle this rock.

Mostly I keep it on the surface of my writing desk as a reminder of the strangeness and possibilities of semiotic realities.

That, given my physical form, a body that stands for itself and contains particular matters, but also a complete surface ever open to an external world, that what is interior and what is perceived to be exterior are constantly referencing one another in uncountable ways.

That making words on paper is an objectification of signs. As is speech, or uttering.

That “experience” takes place in this no-place, some liminal border between internal and external, coequally shaping and inventing, structuring and expanding or diminishing one another, ever in flux.

In my hand I have a rock.

In the palm of my hand, a rounded rock, cool and hard on my skin.

The rock means nothing or anything.

For no reason it feels pleasant there.

Or perhaps because it “fits.” With anything else.

We devise. With.                                                                                                                                                                                    N. Filbert 2012

Religion Revision

I was raised in a faith that was based on a book full of words. At times it exploded with prescience and resonances in the life I was becoming, at others it fell flat or rang false, but its education in languaging experience held merit. When I say “raised” I mean inculcated and immersed. I learned terms and their arrangements by “heart” or memory and rote – as principles and rules for interpreting world and self. Childhood learning has a way of patterning subsequent life, and it comes back to me again and again when world overwhelms and skips past my reason plopping its bulky finger on “play.” I woke to it this morning and I listened. This is what I heard:

 

The Word: A Commentary

In the beginning was the Word

the Word was with God

and the Word was God.

(the same) was with God in the beginning.

Through (the Word) all things came into being,

not one thing came into being except through (the Word)”

  • Gospel of John 1:1-3 –

The light comes on and I see that you are there. I can describe you now, move toward you, interact with more knowledge and intention. I now see the table and chair on my right, between us to the side, underneath the window which is covered and which I had not known to be there, nor the “outside” or beyond, even the gap of it, the doorways, the thresholds, until the light came. On.

I had not known the cat nor dog that made their sounds of presence, like your voice and breath I sensed, until the space of living was enlightened.

The Writer’s gospel, the good news, about language and mystery and its use to shed light. Brings to awareness, aids comprehension, might even be said to bring into being (for its users) all that comes to register as existent in its own particular way.

Emotions and landscapes, persons and things. The self, once considered in words, takes on. Until that moment all is inchoate, unformed, a mix of sensations unlocalized like innumerable living points in air. The Word(s) direct and give shape, question and expose. Let there be light.

Whatever rudimentary forms of communication prevail, among cells, among plants, among animals and stars, this light, language, the words and ideas, is the light of humankind. The life of its persons.

This is a gospel that I can believe in, bearing itself out in experience. As one’s vocabulary expands to circumstances and situations, life begins to seem understood, seen-through, engaged, if only in the duration of the verbal processing.

Linking the field like fenceposts and wires, the word traverses the between and the voids or the opens, like light reflecting matter, whether in the subtlety of the atmospheric layers or the gleam of a yellow school bus. It is there, I am here, we become. Same registering difference, word requiring letter and sense, being: being-with.

And so the surface grows scribbled. Notated, defined, addendum’d and erased. The living word, in action as much as its participants, adjusting, accounting, enumerating; revise and repeat. Expand. Express.

It is the territory between exterior/interior, centripetal/centrifugal, ever breathed into the void, calling to and called by. Ever beginning, the become of all things. As we segment times and spaces, sense duration and bounds, so the Word moves along with each complex, reporting, revising,

Recall. The naming of ocean and air – what were they before but a void exhibiting difference? The animals, people, feelings and actions – unknown variations – “behaviors” and “appearances” – then light.

It has come into the world. Avail yourselves of it. Turn on the lights – and read, and write. Bring what is (for you) into being. In the beginning, the Word, and at its end, the beginning. There is always more word for the void.

N Filbert 2012

Shopping the Shelves

Had a blast yesterday…when kids were engrossed in their own realms…browsing my own shelves…resulting in today’s readings:

House Mother Normal by B.S. Johnson

Plainwater by Anne Carson

The Last Novel by David Markson

Chinese Sun and Dust – Arkadii Dragomoshchenko

History – A Novel by Elsa Morante

dancing lessons for the advanced in age, In-House Weddings and the little town where time stood still by Bohumil Hrabal – man! he just lets stories run away with him – what a blastula of reading joy!

Rot by Janet Kauffman

such delights all around!

Those breathless ones

Finishing Simon van Booy’s “Everything Beautiful Began After” reminded me of those books throughout life that once you begin you don’t finish without swallowing…browsing my shelves I remembered a few (and I’m usually reading over 20 at a time, so if one demands the patience of the others it has some driving pulse something in me can’t ignore)…

“If Nobody Speaks of Remarkable Things” by Jon McGregor

“The Trick is to Keep Breathing” by Janice Galloway

“Master and Margarita” by Mikhail Bulgakov

“Beatrice and Virgil” by Yann Martel

“The Road” by Cormac McCarthy

“Possession” by A.S. Byatt

“Notes from the Underground” by Fyodor Dostoevsky

“Dust” Arkadii Dragomoshchenko

“Impossible Object” by Nicholas Mosley

“Entrance to Porlock” and “Final Beast” by Frederick Buechner

keep thinking of them!  those startling ones that catch you off guard!

“Three Steps on the Ladder of Writing” Helene Cixous

“On Love” Alain de Botton

“To Whom it May Concern” Raymond Federman

“The Way through Doors” & “The Curfew” Jesse Ball

what books don’t allow you to put them down?

To Whom it may concern…

“Language is like drinking from one’s own reflection in still water.

We only take from it what we are at that time.”

Simon van Booy

I am in that wonderful uncertain state that obtains from living in fiction.  Where everything seems possible, if only remotely, vague, unsettled, inchoate but perhaps.

Almost readiness, but not that far along – the will hasn’t settled on a course.  No vision.

Like mentality, meshed, hovering over blank canvas or pages, just floating, sliding, swirling there, as smoke in greasy air, almost substantial, but easily wavered away.

The open.  Projects jumbled in mind and heart but no spark, no instigation, a veil of nettles slightly stinging but not enough yet for action.

Voices, emotions, some words even, indistinct but actual, rumble about in cranium and neck, but none find their ink.

In Athens, in Russia, in Oregon.  Younger, older, right now.  Finland, Norway.  Remote but still civilized.

I can’t tell whose stories are whose – other authors, your own characters, events, relatives, unknowns – dictionaries and thesauri swimming about,

yes, like that, the lessened gravity of submersion – eyes closed but able to perceive light, feel objects and presences, a wafting

and ever the questions – what now?  who now?  when?

“It is in the unconscious that fantasy, moments of the day, and memory live, a reservoir for the poetry of the world.  Is everything else prose?  Is what’s conscious ordinary prose, the prose of the world?”

“Or, I tease, the pose of the world.  She is separating much too neatly the world she knows – I nearly wrote word for world – from the world she doesn’t know, the one that owns her and to which she is a slave.  She is a slave to what she can’t remember and doesn’t know and she is a slave to what she remembers and what she thinks she knows.  Her education has damaged her in ways she does not even know.”

Lynne Tillman

“But I have always spoken, no doubt always shall, of things that never existed, or that existed if you insist, no doubt always will, but not with the existence I ascribe to them”

“So I shall merely state, without enquiring how it came, or how it went, that in my opinion it was not an illusion, as long as it lasted, that presence of what did not exist, that presence without, that presence within, that presence between, though I’ll be buggered if I can understand how it could have been anything else”

Samuel Beckett