Elaborate Organisms (for my wife)

My response to this week’s Friday Fictioneer prompt (thanks Rochelle for the weekly work)

Her Body a Beehive

She lives.  She parents.  She paints.

She has pain.

She walks.  She sees.  She loves.

She speaks and she reaches.  She sleeps.  She weeps.

Occasionally, she laughs.

She thinks.  She feels.  She moves.  She listens.

She eats and drinks.  She works and worries.

She falls.  She goes on.  She fears.  She insists.

.

You ask me, “how? – all this!”

“Her body is a beehive of batteries – an intricate electrical network flipping switches and adapting to surge, wearing down, sparking up – each neuron, each pulse, each collective oscillation crafting her unique motricity powered with chemicals of emotion, an elaborate and interactive field of energy, an organism.”

She is.

N Filbert 2012

“I am a sentence”

On Reading in Marriage

They speak of their pleasures, their necessary loves.  There are changes you make.  Some things are not accidents.

In other words, after decades fueled by a fifth of vodka drenched with grapefruits each day, husband is able to leave it behind.  Although he loved it, it was not necessary.

Wife, in her cravings for sugar and salt, discovers with age they are not constitutive, not centrally.

Might be solitude or fine shoes; 80’s music or mountains and seas; active social lives or the thrills of travel, how do you know?

Husband elicits evaluation.  Given impending demise, what gives more pleasure?

Wife admits a necessary love.

Husband responds in kind, having been in partial reverie, their warm bed surrounded by shelves of books, so that as he listens he also corresponds.  She says.  His eyes resting on a spine and the sweet particular music of that voiced tome slithering through him, then the next.  Perhaps like chocolate morsels in their process of dissolve upon her tongue.

“I love sentences,” Husband says.

There ensues a pause, a sympathetic “I know.”

He ups to exit, teeth to brush, clothes remove.

He hears “I am a sentence,” a lilting and playful challenge.  And wonders just what that might be, each person a length of sentence.  The content.  He puzzles the verbiage of his own as toothpaste shuffles into his beard.

He returns to the room, it is dark,  there is no light to see by.

Opening the covers, he approaches the text, eager to find what it says.

Grief

http://coldfrontmag.com/news/arkadii-dragomoshchenko-1946-2012

Webbings

spider web

Clotted knots over darkness, what it had all become, and barely holding on.  Together?  I couldn’t say.  I had thought it was my innards: veins, nerve endings, cells.  Suspended precariously over bleak.  Clinging.  Trembling in a void.  I had thought it was existence.  An only way to survive.  Just hanging on.  In.  But then you’d said it was “us.”  The precarious thing, the tendentious, the threatened.  You said our attachments were thin, and weakening, our threads hardly visible anymore.  But look!  Look at us love!  We’re all woven together – we connect at many points – we form a pattern!  We are webbed things.  Oh don’t detach a filament, no don’t detach a one, beloved.  Oh say it won’t come undone this way?

N Filbert 2012

In-Shadows

In-Shadows

“The Artist, he who even takes the shadows of things in hand…”

-Macedonio Fernandez-

“He who imagines will never know non-being.”

 

A morass of shadows.

A repletion of blips and flashings.

An absence : I understand.

 

I swipe my hand through the shadows.  I sense disturbance, but my palm returns empty, save the moisture of fog in dark woods.  If even.  There has been dust.

I stir the ashes.  I kindle the fire.  The brain a roadmap of chaos.  And intricately precise.  Subject to accident and lesion and a cross-pollination of impulses and energies beyond present calculations.  Not withstanding infinity, of course, which hardly makes sense, given the matter.

A squalor of shadows.

Currents of whispering air, of motion.

A ubiquity that trembles.

I open my mouth to the world.  I emit and inhale.  Shouting resonant within, because I have ears.  Equipped with particulars.  Apparatus.  Other cells stay quiet but do not cease, I lack the equipment to hear.  Stone, lizard, mushroom.  Light in its veils.  I cry out.  Echo =, tree hardly cares.  I’m remiss and listen myself for response.

Breathing the smoke.  I stink and I cough and I smell.  My hand passes through without ashes or mist.  I am not everywhere.  I do not know my ends.  If a melody came through like a sight or a sound, I would not name it.  I am emptying full.

 

As shadows thicken and disperse.

Objects as subjects and objects again.

Something live in the darkness.

 

That is darkness for me, not the night owl or mouse, salamander or bat, not the tree.  No, it is me, I, we, that conjure the “darkness” as difference from “light,” however similar, however same.  As if emitting symbols.  As if meaning to manufacture.  I construct a sign and call it poem, collaborate a you and a me.  We converse.  I begin.

If doubt incites a thought, thought conspires doubt to further action.  As if shadows were transparent.  And meaningless was choice.  Eye – mouth – hand : open to the world, the world opens.  I begin in signs and gestures, a collaborative entanglement, reentered.

 

In dispersion shadows reconvene.

Clearly thickened by old growth.

Body minding nets.

 

Would I make a “here” it would be “we.”  A desire for presents is relation.  What its plural ought to be (“presence”).  I unwrap unable to view the gift.  Tell me of it, will you?  “Inside” is lost in shadows.  What’s perceptible from “there”?  Tree, raven, sky.  Plastic object pulsed in heartbeat or emotion: what could I learn from “there”?

What isn’t simultaneous?  And how like the infinity we are constrained not to absorb?  Enclose me.  Lend me a form, a border, a threshold.  Entangle.  Experience may come.

“the silence of the page allows us to hear the writing”

-Octavio Paz-

 

It happens

mist

            It would happen.  The things approach us.  We feel them in our horizons.  Extending out behind us.  A sort of fullness.  A swelling, sweltering cool.  Billowing possibility.  Stand and stare, even in our movement, unseeing.  We blindly gaze.  Caught short, upended, the rhythm is certainly sea.  We are dry.  We will happen.  We are bound to.  Look out.

Remote murmur.  You know.

Not trauma.  Distant thrumble.

You speak.

Echo absorbs.

It would happen.  Consider.

It will happen.  Just you wait.

A world is a kind of ode.

Your body a stylus.

We are here.

N Filbert 2012

for Friday Fictioneers, August 24, 2012

Here and There

Threw this one together quickly…not sure it can be kept up with in its leaps.  Apologies.  But I made something.  Thanks always Friday Fictioneers

grapevine

Blue Walls & Vines

The blue of the walls was brighter than sky, made peaceful by children’s playthings.  The Other was far.  Another place, other time.  Among grapevines and meadows.

Both worlds had clouds.  I remember.  It takes time to conjure this up.

Her sky and those vines reminded me where I was – in a room full of chatter, chaotic with toys.  One is peace; one is peaceful.  Both are fraught.  Both are ripe.  There’s a difference.

We had hoped that it wouldn’t be great, but would carry.  And it does, in its longing, its loss.

Both are fraught, both are ripe.  Both are lovely.

N Filbert 2012

Results

The Results in 79 words

The brothers knew it wasn’t right, what they had done.  Though Alfred had thought it was, before.  Not now, though, no one would argue the results.  Were bad.  Were harmful.  Would be difficult to live away, if ever.  Ends were so unlike their means, and either could be culpable.  The boys knew that now, blaming as they did each other, by which I mean, themselves.  Stuck with it, the consequences, are also new beginnings.  Arden took the cue.

N Filbert 2012

Survival

Survival in 79 words

He composes within the disaster.  Step one is to mention his life.  As it goes.  For the record.  Just in case.  Reassembling rubble is only one form of resist.  But not timing, nor space.  Step two is to edit.  To search what remains.  To look for a memorable trinket.  One rarely finds something precious, or treasure, but one man’s junk…because there aren’t any rules of the game.  Evaluation, correction, such fickle appraisals, are the process of finding step three…

N Filbert 2012

A Contradiction

A Contradiction in 73 words

A principal aspect in being human is opening to change.  First one thing, and then another.  To be deceptive.  By which we mean adaptive and successful.  The insurance one will thrive.  If only one.  “That which differs from itself is in agreement” (Heraclitus).  I understand.  We’re talking tension, balance, strain – a relation.  Stitching together in hopes it will hold while everything tears.  If we equate human being with living.  It changes.  We adapt.