The Supposed

“God-shaped hole”?

Supermassive_black_hole

the sensation that no matter how well or how much I am loved

I can not believe I am lovable simply because I exist…

and how it seems that if I could (simply believe I was lovable),

so many difficulties might be solved, resolved, dissolved…

how many things entangled in this vacuum…

entanglement

in the mirror I note the shirt I am wearing

Bartleby Shirt

is it as simple as that?

Grrrrrrrrrrr

Locations in the Mapping of Meaning

In my efforts to ground and attend to my experience and express it with honesty (see Opening the Hand) I have developed a map of locations – realms of the process that have risen as prominent regions within the difficulty, effort, grief, growth and procession of engaging dramatic change…  You can view it here:  Locations on the Map of Meaning.

To view the text for each mode, simply hover over the nodes title, click or press the + button or the down arrows beneath each location title to see full content.  Some nodes lead to further nodes or you can use the buttons along the bottom of the screen.  Repeating my former disclaimer…

All of this is to say that I plan a series of posts that will be intensely personal, self-revelant, my own way of reaching toward my experience, my being, and selecting language with which to mark it down – for re-memory, re-cognition, observation, reception, attention, account.  These are journal entries, frankly.  They are what I have to write.  I am calling them “Mapping the Meaning.”  Since I know very few of you personally, in your whole presence, I expect confession, inquiry, and its self-circular expression to genuinely interest or benefit very few of you.  For me, it is writing with an open hand.”

Locations on the Map of Meaning

Waking the Invisible…with Jack Gilbert

Waking at Night

The blue river is gray at morning

and evening.  There is twilight

at dawn and dusk.  I lie in the dark

wondering if this quiet in me now

is a beginning or an end.

.

Cherishing What Isn’t

Ah, you three women whom I have loved in this

long life, along with the few others.

And the four I may have loved, or stopped short

of loving.  I wander through these woods

making songs of you.  Some of regret, some

of longing, and a terrible one of death.

I carry the privacy of your bodies

and hearts in me.  The shameful ardor

and the shameless intimacy, the secret kinds

of happiness and the walled-up childhoods.

I carol loudly of you among trees emptied

of winter and rejoice quietly in summer.

A score of women if you count love both large

and small, real ones that were brief

and those that lasted.  Gentle love and some

almost like an animal with its prey.

What is left is what’s alive in me.  The failing

of your beauty and its remaining.

You are like countries in which my love

took place.  Like a bell in the trees

that makes your music in each wind that moves.

A music composed of what you have forgotten.

That will end with my ending.

.

Suddenly Adult

The train’s stopping wakes me.

Weeds in the gully are white

with the year’s first snow.

A lighted train goes

slowly past absolutely empty.

Also going to Fukuoka.

I feel around in myself

to see if I mind.  Maybe

I am lonely.  It is hard

to know.  It could be

hidden in familiarity.

.

To Know the Invisible

The Americans tried and tried to see

the invisible Indians in the deeper jungle

of Brazil.  They waited for months,

maybe for years.  Until a knife and a pot

disappeared.  They put out other things

and some of those vanished.  Then one morning

there was a jungle offering sitting on the ground.

Gradually they began to know the invisible

by the jungle’s choices.  Even when nothing

replaced the gifts, it was a kind of seeing.

Like the woman you camp outside of, at the five portals.

Attending the conduits that tunnel from the apparatus

down to the capital of her.  Through the body

and its weather, to the mind and heart, to the spirit

beyond.  To the mystery.  And gradually to the ghosts

coming and leaving.  To the difference between

the nightingale and the Japanese nightingale

which is not a nightingale.  Getting lost in the treachery

of language, waylaid by the rain dancing its pavane

in the bruised light of winter afternoons.

By the flesh, luminous and transparent in the silent

clearing of her.  Love as two spirits flickering

at the edge of meeting.  An apartment on the third

floor without an elevator, white walls and almost

no furniture.  Water seen through pine trees.

Love like the smell of basil.  Richness beyond

anyone’s ability to cope with.  The way love is after fifty.

– Jack Gilbert, The Dance Most of All

Jack Gilbert

 

Writing the Prompts

All that Remains (inspired by Josh Kramer, for Simon H. Lilly)

In the silence that becomes now, it was undeniably clear – there had been things we considered precious.  Recalling faces, moments, landscapes.  Evenings.  Not like nights or day, but poignant equilibria.  These felt like memories, or nostalgia, even tinged with griefs or longings, but mother said the past lacks such power – that we were feeling presently.  Simon says.  Says “grasping after full resonances” by losing them, turning them to language, participant only always in passing.  Says “left side.”  “Right side.”  “Simon says.”  I, at least remember.  Forgetting, and then the buckled alarm.  The tacking it on at the end.  Too lately.  But not quite.  So that all that remained was the grasping.

please feel free to create responses with this music – visual or verbal or otherwise

Fathers & Sons

Seeking My Father

flint hills-001    Seeking my Father

I’m stumbling about in a vast field of corn or wheat (mostly stubble) – for the requisite difficulty I want to say stalks of maize – but most likely it is wheat (author living in Kansas), though the sharp starkness of the dying shoots suggest otherwise.  There may be snow, it’s that bleak.  I’m lugging, perhaps draggling (yes – dragging a straggling weight – I do that) a shovel – nothing unusual about the tool except that it feels abnormally heavy and the iron parts are particularly cold (reminding me of the processings of my brain).  A book is open on my lap (I’m sitting in an airport) to ward off any attempts at conversation and indicate a desire to be left alone, so I might continue my dreaming.  I’m using the shovel to dig for my dad.  Like – to find him.  The field is a veritable landscape, not a “quarter” or even thousands of acres, but more like a steppe – some foreboding Russian prairie-plain – but clearly cultivated and almost fallow, or otherwise undone.

So I’m trudging through, eyeing the horizon, searching for some limiter, some possible landmarks that could clue me or direct me toward a where to dig.  Every once in awhile I stoop or coil and plunge the blade into the cloddy frozen soil, strung up in tares and straw and grasses.  I guess I’m expecting a thunk or an explosion of stars or something, because I never dig for long in one place, and soon pull up and move along.  How do I know that he’s here?  It’s as if something told me so.  A sensation a helluva lot like intuition, or premonition.  It’s a thankless task, I’ll tell you that, with the approaching holidays and stuck like this waiting on delayed Winter flights.  What hope is there for me?  It is already dusk and the field’s enormous.  I’m alone, you know.  Out here trying to find my father.  Trying to find my way.

flint hills snow

Afterword

Ever since I’ve been nearly-adult, or as long as I distinctly remember thinking about things like this – like death or family or meaning – I’ve wished I knew my father.  In college I thought it might be a matter of vocabulary – that we didn’t possess the correct vehicle for exchanging emotion and memories and hopes – so I studied America’s westward movement (the paths of our ancestry), studied land management and read farmer-writers like Wendell Berry and William Kloefkorn, Larry Woiwode, William Stafford, Robert Bly and ilk.  Trying to forge a connection now that sports and God had run their course, for me.  As my own children arrived I turned to movements like Men and the Water of Life, the Iron John sort of thing – searching what is my heritage – of gender, of blood – what the hell does “manly”(ness) mean beyond observation and nurture?  Now with sons.  Hunting for metaphors or language that might serve as derricks plumbing wells – that might draw out my father and myself and somehow blend us together.  Poem after poem, story by letter asking intimacy.  Sometimes I’d gain the courage for a lunch or an outing to interrogate him directly about how he felt about things and what were his stories.  I gifted my mother and he with a book of great questions and a blank notebook so they might fill out their inner-info when they felt like it, “for their grandchildren,” I’d said, “for posterity.”  Simply wanting to know.  As far as I know, it’s still empty.

Why is it so hard for fathers and sons?  How many of us wish we really knew – our parents from the inside out?  Believe that somehow knowing more than their strategies of being would offer us a clearer, fuller sense of ourselves?  Unburden.  Invite.  Be near.  As my father and I both age, I find myself anticipating his stages – frustrations, weariness and increasing losses.  I find myself encountering bewilderments I saw him endure, and still I constantly wonder what he would say – if he said – not regarding politics or basketball or weather or cars, but about me.  About him.  About being a father and a man, a husband and a laborer, a person, a friend.  About humor and music and art, about culture and meaning.  He studied much and has lived long, lost so many, traveled and loved and he’s beautiful.  As with my sons – toward whom I try to be so open and true – the conundrum of unknowing and uncertainty related to those closest to us is a mystery that hurts.  The above piece is one of a life of installments.  A kind of cry.

 

 

 

Feeling Now

awaiting the arrival of my beloved…

Watch one of the most beautiful films we enjoy

Mythmapping

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Were I to map my way.  I would be able.  By feel I would be able.  Blind or no, an inner moisture, dark.  We speak of eerie streets at night, that obscure mist.  Even like that, lamp posts and all, in there, inner chambers, as if the heart were made of rooms, but inside out, in other words.  A cavern of the outside, shrouded in nightmist, my dank heart.  Without my glasses I am blind.  These are the lights I speak of.  Vague indeterminate orbs.  Still I could map my way.  Even now, were you to plague me, or stand me in a corner of the night’s cold rain, I have no doubts.  For maps are made by walking.  No one sees.

I can find you.

map

click image for sound

Ephemera: Writing Playlist 03.12.2012

 

 

 

 

What once was here

What once was here.

Talk about “prompting” photos!  If there aren’t thousands of stories in photos like these…the eye, the mood and the technique combine to provide worlds to discover and invent.  Thankful for this work.