Fathers & Sons

Seeking My Father

flint hills-001    Seeking my Father

I’m stumbling about in a vast field of corn or wheat (mostly stubble) – for the requisite difficulty I want to say stalks of maize – but most likely it is wheat (author living in Kansas), though the sharp starkness of the dying shoots suggest otherwise.  There may be snow, it’s that bleak.  I’m lugging, perhaps draggling (yes – dragging a straggling weight – I do that) a shovel – nothing unusual about the tool except that it feels abnormally heavy and the iron parts are particularly cold (reminding me of the processings of my brain).  A book is open on my lap (I’m sitting in an airport) to ward off any attempts at conversation and indicate a desire to be left alone, so I might continue my dreaming.  I’m using the shovel to dig for my dad.  Like – to find him.  The field is a veritable landscape, not a “quarter” or even thousands of acres, but more like a steppe – some foreboding Russian prairie-plain – but clearly cultivated and almost fallow, or otherwise undone.

So I’m trudging through, eyeing the horizon, searching for some limiter, some possible landmarks that could clue me or direct me toward a where to dig.  Every once in awhile I stoop or coil and plunge the blade into the cloddy frozen soil, strung up in tares and straw and grasses.  I guess I’m expecting a thunk or an explosion of stars or something, because I never dig for long in one place, and soon pull up and move along.  How do I know that he’s here?  It’s as if something told me so.  A sensation a helluva lot like intuition, or premonition.  It’s a thankless task, I’ll tell you that, with the approaching holidays and stuck like this waiting on delayed Winter flights.  What hope is there for me?  It is already dusk and the field’s enormous.  I’m alone, you know.  Out here trying to find my father.  Trying to find my way.

flint hills snow

Afterword

Ever since I’ve been nearly-adult, or as long as I distinctly remember thinking about things like this – like death or family or meaning – I’ve wished I knew my father.  In college I thought it might be a matter of vocabulary – that we didn’t possess the correct vehicle for exchanging emotion and memories and hopes – so I studied America’s westward movement (the paths of our ancestry), studied land management and read farmer-writers like Wendell Berry and William Kloefkorn, Larry Woiwode, William Stafford, Robert Bly and ilk.  Trying to forge a connection now that sports and God had run their course, for me.  As my own children arrived I turned to movements like Men and the Water of Life, the Iron John sort of thing – searching what is my heritage – of gender, of blood – what the hell does “manly”(ness) mean beyond observation and nurture?  Now with sons.  Hunting for metaphors or language that might serve as derricks plumbing wells – that might draw out my father and myself and somehow blend us together.  Poem after poem, story by letter asking intimacy.  Sometimes I’d gain the courage for a lunch or an outing to interrogate him directly about how he felt about things and what were his stories.  I gifted my mother and he with a book of great questions and a blank notebook so they might fill out their inner-info when they felt like it, “for their grandchildren,” I’d said, “for posterity.”  Simply wanting to know.  As far as I know, it’s still empty.

Why is it so hard for fathers and sons?  How many of us wish we really knew – our parents from the inside out?  Believe that somehow knowing more than their strategies of being would offer us a clearer, fuller sense of ourselves?  Unburden.  Invite.  Be near.  As my father and I both age, I find myself anticipating his stages – frustrations, weariness and increasing losses.  I find myself encountering bewilderments I saw him endure, and still I constantly wonder what he would say – if he said – not regarding politics or basketball or weather or cars, but about me.  About him.  About being a father and a man, a husband and a laborer, a person, a friend.  About humor and music and art, about culture and meaning.  He studied much and has lived long, lost so many, traveled and loved and he’s beautiful.  As with my sons – toward whom I try to be so open and true – the conundrum of unknowing and uncertainty related to those closest to us is a mystery that hurts.  The above piece is one of a life of installments.  A kind of cry.

 

 

 

At Risk

            Why is it that what requires an army is always represented by one tiny little man?  Or that incremental power leaves aside the human – “horsepower” – cannon?

Insurmountable odds left to a roll of the dice.

I used to not have patience for this game, the long slow proposition of loss dotted by occasional accidents of “victory.”  Ever outnumbered on defense, I get it now.  I’m 42 years old.  The dice roll all day, and as the sides increase the odds go down and the stakes are higher.

Why even bother to play?  It’s a question we ask regularly.  Such a commitment of time, of energy, attention.  So much spent twiddling thumbs or enduring loss or unwanted wins.

The world is enormous, and yet miniature, even to Legos.

You and me and you, my sons, miniscule players in a massive machine of rules we did not invent.

There must be a reason we play.  I don’t believe we want to defeat one another.  But the commitment.  The attention and energy, the time.  I’m pretty certain we want those things.

So we risk.  Join in, gathering around what becomes a battlefield from a motivation of love, of loneliness, collaborations and deceits, treaties made and broken, a collective misplaced on a board.

Bon chance affection.

And another roll of the dice.

With something agreed from the start.

Feeling Now

awaiting the arrival of my beloved…

Words Living

Aleksandr Hemon - Best European Fiction 2013

Hemon2

“When we are not sure, we are most alive”

-Graham Greene-

The Feeling of Today

Voices of the Book of the Dead & Vitality

I have to agree that one major thing I have never been able either to tell when talking with others, nor explicate when trying to share – about writing, the activity – is the pleasure.  For me, if I can move my experience of the world into language and there let language create a new experience with world for me, whether I’m miserable or joyous, in tedium or ennervated, things feel alright with the universe.  Sometimes even if I’m just drawing letters onto paper, words or not, phrases or not, discernable meaning or not – I still feel fine.  But then, if there seems like a resonant flow – if the language available and the experience felt engage recursively – there truly IS nothing quite like it in my experience of life.  David Foster Wallace says it this way, and I’ve heard similar attempts come out of my mouth:

“When I discovered writing I discovered a thing that gave me a combination of fulfillment (moral/aesthetic/existential/etc.) and near-genital pleasure I’d not dared to hope for from anything”

that rang exactly true for me….and…

“when i’d sit down and look up and it would be hours later and there’d be this mess of filled-up notebook paper and I just felt wrung out and well-fucked and, well, blessed.”

I probably wouldn’t blog that term (“blessed” or “f*@ked”), but there it is, and again, it does come as close as I can think to that satisfied, dizzying, emptied loose feeling that comes from a safe and open, intense and releasing session of writing.  I am thinking that the words “combination” and “pleasure” and “fulfillment” do the most to describe the process and experience of experimenting and experiencing in language for me.  And it is very similar to sexual intimacy, because once you have moved into the other (in this case, language) – the other has as much to do with, as much control over, as much effective presence in, the beauty and sense of meaning of, content and activity of the process and results or engagement as you – the writer – do.

Making it with the world is one of those weird mysterious ecstasies that are incomparable and indescribable.  I would be deceptive if I said that anything were “better” than it, though it has (in our limited emotional/emotive base) many similarities to being “spent” with one’s spouse, or those rare and profound connections with one’s children – I guess it ought to make some sense that intimacy-with would draw from the same human wells.  There is a quiver of experiences that no one speaks of without a touch of awe, a befuddled amaze, or a glad bafflement, and for me, the activity of reading and writing is one of these.

Watch one of the most beautiful films we enjoy

Gathering Information : “Making Sense” : I am that I am

“I received 500,000 discrete bits of information today, of which maybe 25 are important.  My job is to make some sense of it…[I want to write] stuff about what it feels like to live.  Instead of being a relief from what it feels like to live.”

-David Foster Wallace-

 

That sense that the moon is obscure – cracked or marred in some indefinable way.  That it might never rain.  That parenting equals living with people you helplessly love.

Or marriage as painting, but you can’t control the medium, or even learn to think in it.  You’ll never be wood, cloth, pigment or oils.  I was never good at math, chemistry or geometry.  For making a masterpiece, my chances are slim.  Manic-depressive’s “in love” – like playing chess with marbles and confusing the rules of the games.

It seems possible that people who age wish they were young – tighter, unwrinkled, new-made.  I don’t know – people don’t seem satisfied, somehow.  You get the feeling, sometimes, I don’t know…I get the feeling sometimes that people wished they weren’t people.  You know, that, like, they wished they were simple or something.  Simple scientifically.  Not complex, elaborate organisms, you know?  But more like a single cell or an amoeba – something with apparent purpose or sort of unified mission.  That they knew what to do.  Or would – if they could just pull everything together, into line.

I think that’s what people mean by “making sense”?  Something like that.  Something like inventing God, some unified theory, some golden thread, some identity, some narrative.  People are weird like that, but it makes for a fascinating species – the Storytelling Species – ingenious and fantastic, often unbelievable – the lengths to which these collectives will go to spin a yarn.  Fit experience.

They’ll use numbers and actions and colors.  Matter or energy and form.  Inventing for anything a space and a duration.  It looks like fighting with nature, but it’s kinda not – ‘cause it’s also how they perceive it.  People.

With these enormously intricate mechanisms for constructing order, fabricating texture and variation and difference.  To mash it all back together uniquely – imprinted, as it were – some new amalgam and full of traces – shadows and whispers of origins.  Con-fused.  Remade.  Undone.

I used to think that was a purpose – to give meaning.  Now I see it as a condition.  A convention of rare and specific animals.  At least we convene.  We wouldn’t do well isolate – craving a single-cell or elemental type existence.  We’re collectives – conventional conceptions.  People! (said with a huff-sigh of air and exhausted incredulity).

You gotta love ‘em!  ‘Cause if you’re reading this – “making sense” of these frenetic marks and spaces, light and shadow – then you’re one of them, and it does you no good to resist or despise yourself.  Your own kind.  Though people can, and many do.

Funny (peculiar) how you’ll find people that want to be much greater, grander than the mysterious incalculable beings they are, and then a bundle that wish they were less, tinier, singular things, and then the incredible bulk of people who somehow conflate the two: believing simplicity to be grandeur, the one – the all, everything/nothing, unity/diversity same difference and so on – go figure!  (Really, try it).

Let’s choose a pinnacle example: say unpack “God” or the workings of atoms and molecules, hell, even protoplasm – seems we could learn an awe-full LOT from each of these straightforward messages we uncover: “I am that I am.”

Book of the Dead + commentary, cont’d.

This person makes an enormous difference in my life.

Endnotes: David Foster Wallace (BBC Documentary) – YouTube.

Strange Alchemy