Composition

shadow composition

Approach the page with no idea.  No secondness of reality or facts.

See what the words will do.  Like spontaneous sex with your lover.

What happens next.  If you’re lucky.

What words will come?

Look closely.  Draw the pen near the paper.  Remember, you’ve no idea, like what I’m writing.  Language finding synonyms making thoughts.  Perception in the body.

Something already in the clear, or on it.  Never clear.  Do you see it?

Don’t let the first mark frighten you, it is already done, everything coming after you can edit: crossing out, crossing over.

See the line?  To chase or avoid, either way, impossible to capture or erase.

Look again – do you see it?  Hover but don’t inscribe, what is it waiting there?

I’m not being mischievous or rhetorical, facetious or mystical.  I want you to see what is always already there, predividing your canvas, filtering the open before you engage.  What you cast out around you, the shadow of your general ‘self.’

See it there gathered at point of pen, shading back toward your physical hand and pooling around it?  The absence of your presence forming incorporeality.

You are visiting here.  Your shadow is the record.  What you make out you make up.  But it’s never the first word or the beginning line.  Reality comes before you and spreads out, interfering and refracting the light you wish to use.

At times a bulky blot, at others barely discerned, evidence nonetheless that you are, in fact, tracing.  Operating in a kind of cloud of substance, adding lines and loops, particles, threads.

They say art (and representation) began in shadows, with shadows – recognition of other and presence and beyond.  Likely a myth that is true.

For starters, notice the outline, letting it outline itself/yourself, the visible ghost informing your are

Now, since you’ve already overshadowed what’s next, begun what’s begun, press down and press forward, press on…

Vicente Carducho, tabula rasa. engraving, 1633

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6 thoughts on “Composition

  1. tocksin

    Funny we are unrelated by shared commenatary but we both are writing about the act of enganement with the blank page today.

  2. This is truly great. I saw this as a monologue being delivered by an orator, a narrator, a muse on stage speaking to the audience in front with the poet center stage behind, paused over his desk.

"A word is a bridge thrown between myself and an other - a territory shared by both" - M. Bakhtin

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