Polysemic Stupor

Ash grey little body only upright heart beating face to endlessness.  Old love new love as in the blessed days unhappiness will reign again.  Earth sand same grey as the air sky ruins body fine ash grey sand.  Light refuge sheer white blank planes all gone from mind.  Flatness endless little body only upright same grey all sides earth sky body ruins.  Face to white calm touch close eye calm long last all gone from mind.  One step more one alone all alone in the sand no hold he will make it.

– Samuel Beckett, Lessness –

Distractedly riffling through old notebooks stacked, shelved and scattered about my working space, some dating to 1991. 

For most of my life I’ve desired to be a writer.

Nearly all of my life I’ve been writing.

Reading.  Writing.  Reading.  Writing.  Reading.  Writing.  Thinking.

Once out of the home, off on my own, out in the world,

the marginalia and doodles, notes in the headers and footers,

grew redundant with desire…

…desire for language to do some certain things,

…desire to be a certain sort of sayer, singer:

to write the ambiguities.

Repeatedly:  to be a writer of “the grey,” “the foggy,” the layered and the liminal.  Experience thickly translucent, ambivalent, inconclusive and unclear.  That light in which even our shadows go unseen.

Yet over time, enduring work, assembling children, compiling experience, occasioning love and its passing by,

encountering mortality in its consistent accumulation of extraction,

my writing desire grows more active,

toward the active,

and its happening,

writing verbally,

writing living:

to write losing.

Losing in its agility and operation, its perpetuity. 

Losing as it eventuates and proceeds, universally, in each instant.

TO WRITE LIVING : LOSING

to loose losing

…perhaps to lose it…

…face to endlessness…

will he make it?