Silence Reasons Almost Audibly

Macedonio Fernandez shrewdly intimated that among the difficulties of communicable perfection (language or literary wholeness, completeness) were the problems writers have, in that, among other things:

“2) They don’t know how to render the ‘unsayable’ with ‘ineffable’ style” (Museum of Eterna’s Novel, p. 11)

As if imagination must copulate with impossibility; creativity found within the non-existent; wayfinding nothing.  Perhaps.

“I” (a good example of the above) often worship the symbol: “I’d” like to place it everywhere, upon everything, anything imaginable OR conceivable – even the unknown – as well as any compendium of ‘facts’ or apparently common-sensical / self-evident elements of being-living.  As if… to draw attention or recognition (‘to render’) human limitation, finitude, fragility – PART-‘I’-CIPATION – in world (+ whatever falls beyond such an impression).  A kind of belief as a participating occurrence that whatever might be indicated by such terms as “truth,” “love,” or “existence,” (or “you” or “I”) are best translated by = ?

This nettling evocation is (perhaps) a personal ‘creed’ in a singular (obviously impregnated) mark: ?

Something I might ‘live’ and ‘die’ for.

Am I trying to communicate?  What am ‘I’ doing in relation to language, to shared understandings, to concepts, and so-called knowledge or knowing?  Am ‘I’(s) capable of relating to anything (or nothing) beyond these indications?  Unmediated ways and forms of experiencing given to ‘me’?

Experience (seeing-peering WITH outside-of) is one set of possible parameters in living-being (limitations, capacities, informed possibilities, finitudes & fragilities – necessitudes of part-‘I’-cipation).

What might we ‘name’ alternate – those in excess of experience; those far diminished via enforced-informed; ‘other’ impossibilities of ex-perience?  (Bataille’s ‘Inner Experience’ – inperience?: without outer? might be an exploration) ‘mysticism’?  spirituality?  mystery?  simply Impossibles?  Unsayables?  Unknowables?  ANYthing beyond-limit, we might ‘say.’

Excess.  Perpetual.  Eternal.  Infinite.  Incomprehensible.  Indeterminate.  All ex-perceptions that would demand or require ‘ineffable’ style to be en-gaged.  Out beyond (or in-beyond) outsides or othering that might be accounted for, perceived, en-countered, or ex-perienced: impossibles that must most likely (it would seem given our minimal, limited, finite, participatory living-being IN AS PART OF ‘world’ or whatever our most expansive imagining) occur.  Perhaps even non-ex-is-tences, nothing and never.

These might be the description of fields or planes where I in-tend and pre-fer to operate or inquire (under the sign of ?) and therefore, lacking or failing in ‘ineffable style’ whereby to render ‘unsayables’ – simply can not.

Thus please forgive my erratic forays into production here – communication, conversation, even imaging-in (imagining) – ‘I’ simply can not.  I am mostly unable to ineffably style unsayables.

I beg your forgiveness and again fall silent.

“But could I forget my ignorance for a moment?  Forget that I am lost in the corridor of a cave?”

– Georges Bataille –

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The Last Wolf: or, “I showed you the darkness in the beginning”

I remember that I am falling

That I am the reason

And that my words are the garment of what I shall never be

Like the tucked sleeve of a one-armed boy

– W.S. Merwin, “When You Go Away”

Time keeps accumulating on my inability to write, to find time to write, to process living with language.  Simply to keep this space alive, I am posting a journal-like entry so as not to give up.

Recent weeks have been dominated by readings of Doug Rice, Laurie Sheck, Jon Fosse, Georges Bataille, Larry Levis, Maurice Blanchot, Samuel Beckett, Franco Berardi, Robert Bringhurst, Jeremy Fernando, Elfriede Jelinek and others…

What a traversal, passage, the past couple of months have been…

…like following the draw of the moon through dire straits

in dark, tumultuous seas…

…a feeling that everything is at its limit (Bataille, l’extreme) – EXPERIENCE.

  • pressured work projects, needs, deadlines, demands
  • endless and constant family logistics, accidents, needs
  • relentless parenting, relating, service to others
  • throngs of people and groups
  • lack of friends, lovers, supportive presences
  • fear, health, danger, exhaustion
  • failure
  • loss of partner
  • inexistence of calm or solitude
  • imposed travels
  • absence of sleep and rest
  • indulgence in desire and harm
  • minimal process
  • poor eating or nourishment
  • tension, strain
  • depression
  • lack (wellness) & excess (pressure)

…a teetering balance…

Mind you, this is how it feels in me, not how it is.

I miss everything that is/was good

…fail better…

There is a certain uncertain sorrow to things

(presence of melancholia, moon-draw)

Georges Bataille’s certainties:

  • WE ARE NOT EVERYTHING
  • WE WILL DIE

THE UNKNOWN                   THE UNSOLVABLE                       THE POSSIBLE

darkness                                              levity

Lynda Barry & the “Underground Skateboard” – how we draw from others work what we need to survive

Lemony Snicket & the autographing instruction that I should “read something else”

FAMILY

immersion (doom, closure)                                 held in levity

conscious moderation

– 1st Tarot reading –

(processual journey mythical)

Jacob recommends Homer – The Odyssey

doubling                                letting go – holding together                    The Devil/The Chariot

dark surfaces / surfaces of darkness (The Fool)

The Moon (dark journey) crossed by the Queen of Swords (wounding love)

THE UNKNOWN                       THE UNSOLVABLE                       THE POSSIBLE 

-Summer

Temperance

The King of Wands – leaders, pole vaulters, utilizing tension toward propulsion

leap over?  through?  on?

The Fool

Pas sage – not wisdom                                                      FRAUGHT JOURNEY

– Odyssey –

BATAILLE: “nothing is final…”

– “what is not there, which, once it is seen, often in literature, tells us what is” (Fosse)

Inner Experience

“the suffering of the disintoxicated” (Bataille)

The Human:

  • challenging everything (of putting everything into question) – Bataille
  • always a breakdown of systems that will not be restored – Sheck

“Experience reveals nothing and cannot found belief nor set out from it” – Bataille

“The hand moves forward, the tragedy begins” – Bataille

“no one grieves with you for what you are unable to say”

“life itself…always swerves away from my mouth”

– Elfriede Jelinek –

“how I’m owned by that which will not answer” – Sheck

“What you are will be spelled by whatever

lies trapped in your hand” – Robert Bringhurst

– emptiness is also empty –

“what is the part of us… feels…unnamed…

…i must live at some distance from convinced” – Sheck

 

“When I say you to what isn’t there – I mean me” (Larry Levis)

“you won’t find me in me” (Jelinek)

Experience eludes understanding ( Bataille)

– nor can I compute the possible (Sheck)

This too

is just one

more opinion

to move through

(Bringhurst)

FIRST AND FOREMOST YOU WRITE (Fosse)

“From an abandoned myth

(I write to you)” (D. Rice)

wanting them to mean nothing –

– and suggest everything (L Levis)

 

INTENTION:

  • hold open the imagination of possibility
  • “do not go gentle into that good night”
  • Moderation.  Extreme limit.
  • Contra-digitalia.  First and foremost write.
  • Be-Read

 

 

notes

Why not call it magic, this unsettling alloy of grief and anger we experience when shunted by anxiety, disappointment, depression, or loss?

We cannot deny that we crave!  That we are struck through – bolted with fervent desire (all that which we experience as, well, unsettlingly – disturbingly – vital, ALIVE, active, possessive, in us) – when we are crushed, smushed, squelched, or helpless, hopeless, dismayed – how else could we be?

Without the vital, fierce passions – the damage is to no effect/affect.  Depression must press against something.  Must be pressing something down.

“Am I at the right house?” the internet-technology-installer asked from my gate.

“How can I know?” I responded, “it would depend on the future.”

He checked the numbers and moved away.

Now how will we ever know?

Isn’t this what every human encounter re/presents?

So de-pression presses something down in us.  Anxiety stirs.  Sorrow re-cognizes meanings.  No negative without its positive charge.  To be noticeable.  And what is it that is noticeable?  (able-to-be-noticed)?  ONLY DIFFERENCE.  Only time and space and whatever it is those veil, uncover, hide, or displace.

O-ppressed, DE-pressed, what are these SU-ppressing?  Accentuating?  Calling to attention, to activity, awareness, task?

Grief, loss, de-tachment and longing: what do these expose in order to occur? 

Is anything ever lost?

She passes by with a friendly, perhaps even loving and happy wave.  What reality is evoked in the pain of the passed-by, passed-over, un-preferred?  What does it render actually present?

Is it possible that in the “missing” nothing is lost?  Some present is heightened?  Something even added to the present?

In losing a struggle don’t we gain what the effort was for?  Clearly?

Does surrender underscore the sub-ject, the value, the relational ob-ject-ive given over?  Adding acknowledging import?

Difference demonstrates value.  Matter(s).  Sign-if-i-can-ce.  Without difference nothing would know.  Indistinguishable = pure repetition.  (Doesn’t matter).

Passed-over, passed-by, passed-on.  De-pressed, su-ppressed, o-ppressed.  Lost, lossed, re-moved, de-tached, re-apportioned.  ALL LOSS ACCENTUATES HAVE.  ALL DIS-POSSESSION EXPOSES POSSESS.

Difference de-scribes=in-scribes OURSELVES.  What we are constructed from, contain, proffer, offer, obsess, possess, ARE.  What we ARE (have and do).

Our com-position, con-stitution, con-struction are most clearly expressed in difference, ex-posure, de-struction, de-pression, o-ppression, loss.

In de-composition, we know and learn what composes us.

The question beggars: what have we to lose?  What can we lose that in losing its learning is not gained?  What have we to lose?  And how do we know without losing?

 

Alias (outside) – more from the notebooks

harlequin-with-his-hands-crossed-jacinto-salvado-1923

Alias “boyfriend,” alias “daddy,” alias “instructor,” alias “friend.”  Alias “person.”  Alias “student,” alias “son;” alias “scholar,” alias “man.”

Alias “Alias.”  Always additional roles (or functions, behaviors, responses, and on…)

I.e. disciplines: philosophy, sociology, science.  Alias “arts” and “humanities” and “lover” and “partner” and “parent.”  Alias “human.”  Alias everyone.  I.e. no one.

Alias Ignatius Evgeny Harlequin, a simple human pattern, sample, example, i.e. so-far-survivor.  It’s nothing, really, but something enough to write.

“His” body distinct in the way of all bodies, but matching no cultural icon.  “His” mind above average – no matter.  Mattered/matters little, just a human.  Related to others in lieu of dependencies – that “human” is not a species that can live on its own.  Therefore at least elements of an immediate surround are, well, ALWAYS, essential.  Genuinely.  Utterly.  Whether air or land or water; people, chemicals, fuel.  No human exists without others.  Simply.

Therefore (i.e.) even the meaningless, unnoticeable Alias Harlequin could not survive without a surround.  But might his “surround” survive without him?  On this query, Alias’ presence (and present) is hung.

Alias (inside) – a writing diary

This is long, and really, perhaps, does not belong here.  Reading through notebooks to find references to Alias and Laramie in order to continue the trail or trace of them… I happened upon a set of pages that seemed like something under or inside the emergence of Alias and thought it might be interesting to some.  Or, just something to not lose to memory, but archive in this auspicious and fragile space.

Czech-Marionettes-wooden-joker-czech-marionette-puppet-3.7ac6

Do I think this is my last probable chance (at 45)?

If so

              (it’s undecided, presently)

then this would = my final

composition

                          (undecided)

What would I tell you – you few that have made the time worth being?

T, A, I, O, S, K, H, J, perhaps J.  Arvo Part, certainly Blanchot, Pessoa, Bronk, Dostoevsky, Kafka, Jabes, Cixous, Rilke, William James, Schiele, maybe MK.  Assuredly TWDY, Bach…well, too many to mention.

            Whom else?  Whom else, really?  Dad?  Mom?

In any case – the children, H – H because truly the past two years demonstrated an adult, freely-selected relationship in a way surpassing but only referenced by S, V, PJ, perhaps, no, perhaps J – what H has explored with me re: the world and life really I’d only imagined before.

Therefore – indecision (as ever).

IF the “best” experiences rise up out from the worst (often), out of ‘end(s)’ – beginnings surprise, then how can I know (as I age) if a better-yet does not exist?

It becomes a decision of ‘enough’ or not.

A personal decision.

If I can only imagine repetition with variation, and I’m already tired and starting to ‘ail’ – then the logical decision is to stop.  To peace.  To quiet.

As re: T, A, I, O (my children) – in EVERY case what lies ahead is far beyond repetition with variation – much unknown, much novel, much uncharted territory to experience.

As regards H, and adult self-selected relations of emotion/passion/intimacy – probably (seems to me) little could surpass…only possibly in elements, but – enough?

That is the question – always

Keep living?

Stop?

If “stop,” no more.  Yes it will effect, hurt, harm, perhaps enable – the others (T, A, I, O, M, D, J, H, etc.) but I won’t be aware of that anymore.  It’s just DONE.  OVER.  SIMPLY.

If “keep going” – then demonstrating a care/concern/attention for the others’ lives – T, A, I, O, etc…) that THEIR lives are worth staying alive to see, and that – who knows?! – maybe my own life still offers more truly worth experiencing.

Perpetual conundrum, weighing lives – my own little one versus a host (however small) of others – it would seem theirs count for more than mine (alone).

Hard to say.

I guess we’ll all find out tomorrow what “I” decide.  Not ambitious to keep working just to feed and pay bills.  I have little confidence I’m capable of making something world-enhancing.  But as a parent, a friend, etc., it doesn’t feel fair to make the decision without considering their preferences as well.

I like to think I don’t like to be selfish.

I would live in the country.  Woods, preferably, mountains not too far away.  And rain, plenty and regular rain.

There would be hours in the day.  Hours for loving, hours for reading, for working, for learning, for play.  Enough hours.  Hours to think about the hours, the learning, the loving, the play, and hours to think the hours writing.

I’m aging.  Hair, beard, muscles, flesh all going long.  Mind.  Long(ing).  Time, not so.  Seems shortening, shortened, fore-shortened…by the hour.  I wish for hours.  For time.  For children, partner, places, books.  For human.

She would be there.  Close, somewhere, sometimes.  We would wander, would work, would learn, play.  Would be there, away.

The children would come.  Would visit, report, eat, learn, work, play.  Sometimes we would laugh.  Sometimes perhaps weep or cry.  Contact.

Wood would be sawed.  Water drawn.  Yes it hurts now – knees, shoulders, joints, bones.  Slowed.  Steady, almost.  Still dark but peppered, frosted with gray.  I’m aging.  Tired.  Memory almost all made up already.  Thought always seems new, possible.  Touch.  Strength.  Sound.

Hours.  Gone ever so soon.  Thought, then paper, then feeling begins (or the other ways around?), then gone.

The pen.  The paper.  Lust.  Flesh.  Language.  Learning.  Where is the time?  Too much required for each daily need.

A joker, a harlequin.  Another, another.  Another other in the midst of me.  Mottled mangle, Alias.  Running out of time.  Running down the times, the memory, the full flesh of desires, its theory and knowledge, its aspects and affects.  So very many aspects.  Hand gains speed, cursive loops thin to lines.  Skimped satisfaction.

I like it to take time – loving, learning, working, play.  But the hours grow thin.  Shortcuts, swerves, abbreviations, tastes.  Hints now.  Breezes.  Nostalgia.

Growing monument – what cannot be said – will not – the ineffable – unsayable.  Ungrasped.

How though, to here?  Piecemeal person.  Farm labor, religion, sport, education, family.  Plains, harvest, accidents.  Mountains, Mexico, Europe, lists.  Music, poetry, philosophy – earliest companions – a few pets, kaleidoscope of selves, the river, the sky.

Deaths.  But no death here (yet).  Just on, scrappy, incisive, insecure, haphazard.  Books.  Remiss without mention of books and relentless ache for books and ‘broads.’  Women and words, the headstone says.  Women, words, wisdom(?).  Nature.

To explore.  Internal, external, outward, inward bound.  Sciences and arts.  Creativity and logic.  Psychology, anthropology, complexity and chaos, nihilism.  Literature and lust.  Words and women.  Matter and mind.

I’d have quiet mostly.  No mouths to feed, no herds or pets or things to tend.  Nothing to care for.  Hours.  Hours to tend.  With mind intact, a library, papers and pens.  And lonely land, mostly cloudy, cool, drizzly, wet.  And legs to stand on, arms to haul.  Eyes to see, please keep these eyes a-seeing – yes they’ve heaps of assistance – but please not a final fail.  Not the inner darkness, nor colorless clouds.  Hearing first, before vision.  If the vision is gone – ?

Breath.  Biosemiosis.  The sign and signal of being – a body for meaning.  Complex.  Confused.  Barely contained.  Unspecified.  Though wobbling to, fro, sound, precept, percept, interpret, sense.  Hope.  Hope of vision, of sex, of knowledge, health – something, something – beyond, more, still…

Alias sighs.  Perhaps beautiful still, but soiled and tired.  Undone.  Who is this one?  Which one?  How.  Who this be?  Alias i. e. Harlequin.  Unnameable, the attempt to name, creating traces of not-these.

“man is but a patched fool”

-Shakespeare, Midsummer Night’s Dream, Act IV, scene i

To 2016

I am uncertain why I am sharing this, it comes from a personal email response to a friend, but as I was writing it, things that were coming up resonated profoundly in me.  Composition just does this for me.  I suppose I want it on public record for my own remembering.  That I learn things about me, that change is possible, that decay is transformative.  Okay then I am posting a personal reflection for myself – to declare it more widely in lieu of a personal social group.

chrysalis

“leaning upon nothing because nothing offers support”

-Maurice Blanchot-

The following is a response to a scholarly conversation regarding philosophy, science, cognition and so on…entirely out of place or sync, but seemed a personal confession on the passage of time and what it reveals…

Greetings —-.  It is good to hear from you.  I’ve been inundated per usual with family activities – good and tiring – and disorienting to my habits of reflection to some extent.  Feeling a bit bewildered re: semester start-up and the madness it brings, and yes, missing ANY considered interaction and dialogue.  I feel lucky to have encountered you.

Wee, random breaks and work-from-home days incite my nostalgia and bodily recall of creating creative work in language.  I ache for it.  Loss of its regularity is a depletion that changes me.  But then I read, “the process of transformation consists almost entirely of decay” from a book about butterflies.  And “we have not much language to appreciate this phase of decay, this withdrawal, this era of ending that must precede beginning” from a commentary on it by Rebecca Solnit, a fine book – A Field Guide to Getting Lost that I like to read while traveling.

I suppose as the library is closed and our work quiet and insect-like on research, curriculum, and admin reports back here…my sociality turns to the work of being open and refusing stress in interacting with my beautiful children.  Which clicks onward into the ever-insistent questioning I face regarding whether there are adult relationships that can be predominately nourishing or reciprocally intimate.  Do we offer one another boon?  Any of us?  Our interactions have consistently done so, and I am very thankful to you for that.  So much conversation wears on me with the subterfuge and maneuvering to get anywhere near meaningful discourse.  I suppose I am tired, and perhaps in a strain of melancholy.  The wishing I could sit back with a drink and listen to intelligent talk without necessity of defense or critical acumen.  Just enjoying that we can.  Imagine and inform one another as humans.  I want this to mean something for me.  To mean I go about things variantly, shy from exhaustion and welcoming to possibilities.  From where does this determination to endure come from?  To “make the most of” idle repartee, body language, archaeology of behaviorisms and attitudes, – supplying too much (or inordinately) in order to learn in situations.  I dream of the luxury of perception and interpretation without analysis.  Reception.  Or where analysis co-creates itself.  Mutuality.  Enjoyment versus labor.  Or an effortless labor to enjoy.  Ahem.  Off-track and losing…

All this, I suppose, to apologize for my lack of acumen in the dear and full emails you and —- have provided…and probably an explanation of my messages of links rather than thought.  Others’ works as hopefully substantial stand-ins for my intellectual lack or confusion.  I do not know where the path is at present.  Just spinning in a lot of literature and activity.  Confession.

Trying to view decay in a hopeful manner.  The slow tears in relationality that introduce distances.  From friends, to partners, to ‘self’ – the flux of it all.  Many seem to have a greater capacity than I for working thematically regardless of internal/external context.  More flexible beings, I suppose, less bound by circumstance and scenario.  Ah well, this is no relevant response to your missals.  Apologies.  They enliven me – simply that thought and invention are going on around me – so please share them all as they arise – it is a great matter of hope for me to watch thought and process in others.  A stay against loneliness.  Thank you.  As I age along, some confusions do seem to dissipate…particularly confusions of my own blindnesses.  What nourishes me: intimacy (emotional, intellectual and physical), the thought and imaginative work of others, people striving to process experience on multiple levels, quiet & rest & reflection.  The commerce of ideas and bodies – entangled minds and bodies – passion and gentleness and reflection.  When these dissipate or decay or are absent in some strange idiosyncratic equilibrium, life is just harder for me to insist on.  And how terribly crucial the activity of writing is for me in my own ability to process my experiencing.  A weird alchemical embodied activity for me that seems to bring forth learning, feeling, imagination and all those characteristics I would like to take root in myself, to be me.  I am better when I write.  Better when I love.  Better when I rest.  Better with meaningful dialogue.  All sounds simple and general, but revealed ever more insistently to me as my epidermis thins.

Another turn of the wheel, bellows to the desire to thrive before the end.

To 2016 then.  And hope.

Something better soon.Kockelman_Figure 9, BSTCSG

Old Ruled Writing Pad

Old Ruled Writing pad

today, searching for paper to make notes on for work…I grabbed a used “ruled writing tablet” of mine, last written in in 2014…and read…

“I am an educated writer who loves a lot of things.  I love language, I love learning, I love relationships – to partners, children, nature, arts, literature, and ideas – to “world.”  I love to study.

By “love” I mean that I choose and enjoy expending my available energy on these things.

I like very much to reflect and consider, experiment with and actualize what seems meaningful for living as a human individual.

That is what I know of myself, besides the facts which are unruly, shifting and so very difficult to capture or recount with accuracy.  All the terms (‘born,’ ‘lived,’ ‘married,’ ‘completed,’ ‘received,’ ‘produced,’ ’employment,’ ‘accomplishments,’ ‘age,’) and their explications are far to vague to be useful here.”

The Living Dead: a Reflection

“Dad, are you living or dead..ing?” son asks at dinner (aged 9).

Characteristic pause…”Well, both,” I reply.

sad skeleton

How could it be otherwise?  I’ve stayed the course, exercised my body, prepared a meal, feeling fine, alone, aware…and comes the call:  “Living or dead..ing?”  Parental response – stop.  [Why is he asking?  What is he thinking?  How is he feeling?  Bodily signs?   Follow the language – “living or dead…dead..ing…dying.”  What is called for here?]  He thinks the living dead a lot,  so I respond directly:  “Well, both, and how could it be otherwise?  I couldn’t very well be dying if I wasn’t alive, no?  And the process of dying is constructed of living, yes?  So it’s all in one moment I s’pose.”

We move on.

But I don’t.  Not so much.  It’s a good question.

It reminds me why I’m a philosopher, a poet.  Why we tend toward the same, differently.  We watch for the shared, the communal in our experience, anywhere.  We work the same queries.  In a living ruled by science, by probabilities and hypothetical cause, by vague notions of what-might-happen-next given conditions and dynamically complex systems…philosophers, poets and artists tend to seek out what’s certain – what is nevertheless the case: we feel, we think, we live, we die, a world is there – the details change with the order of the day.  Or night.  The language or discipline.  The methods or culture, practice or beliefs.  Depending on the questions.  Who’s asking and how.

We happen – become – and unhappen.

Because my dad, almost 80, evinces this.  Because I’ll be half-90 in 48 hours.  What I asked for is called Cosmic Pessimism, which says something.  I happen…vary…and stop happening that way.  How that occurs, what and who and when and why change nearly as quickly as we do.  Should I say, what we think or believe occurs?  Rationalization of experience.

Reminds me of this, of the action of writing.

I still can’t do it “live.”  Can’t inscribe it as a “post” or a “tweet” or a “message.”  I’ve got to get some static.  IN-scribe is a physical act of scratching, digging, carving in clay.  ON-scribing is more what we do – laying down ink, pounding down letters, playing with light.  Writing with materials like paper and ink relatively makes something stay put for awhile.  So we can revise.  Perhaps that’s all Rilke meant – give yourself the opportunity to edit, erase, respond to your action before you present it.  Is revision revivification?  Stay something, pause.  Apply yourself to your living and choose an occurrence.  Does this wrinkle the union of living and dying?

At work I’m struggling with teaching the methods of multi-disciplinary research.  How to template a strategy of awareness to potentially everything?  We’re living and dying and attempting to know, understand, RATIONALIZE something about that.  Literally ANYthing applies, or may nourish, correct, influence or direct that essential inquiry (and DOES!).  How does one know where to look?  How does one know how to live it?  How does one know what one needs?  To synthesize rationalizations from multiple fields and methods and practices.  To compare all the answers or theories or thoughts?  To differentiate results and observations coming from various humans and schools and materials and tools and contexts and set-ups and the myriad messiness of living/dying organisms in relations beyond our control?

“You must revise your life” (Rainer Maria Rilke).

Revising your dying.  Is it possible to live moments in such a way that they outstrip the correlative dying?  To live more than die?  Once in awhile?  I think we have experiences, moments, in which we feel more alive than in others.  “Are you living or dead…ing” he asks.  Well, waking into a maze to traverse every day – cleaning and feeding and playing the roles (father, lover, employee, friend, son, writer, scholar, blogger, house-owner, house-keeper, cook, playmate, librarian, instructor, male, man, person, reader, and so on), shopping and feeding and listening and nourishing and working and running to tire – feels a bit more like “dead…ing.”  But there are moments!  Times.  “Events,” we call them (I guess).  Twistings and turnings and something like gathered occurrences, Being + Well-Being, Whitehead might say.  A more spectacular death I suppose.  Perhaps elevated experiences of living just heighten the jouissance of death?

I don’t know.

We happen – become/unbecome – and unhappen.

The marks left from that – our inscriptions, palimpsests and paths.  Veined.  Seared-in.  Scored.  In some cases, welded – some cases cancelled, erased, blotted out.  Living-dead…ing.  Vice versa?

To edit, revise, pause – is it possible?  What did he mean?  What might it mean?    Curving back doesn’t alter the time.  Going over is still going forth.  We wend and wind and whirl and reveal we are living and dying.

Antic Ontology

kockelman

But I do know something of being alive as a human being.

44 years of living.  Sometimes awake, sometimes sleeping.

Often bruised in/with activity.  “Alive” nonetheless, operative.

>

And that is that: there always seems to be a “you.”

An othering.  For humans.  Nature, world, self.

I-you=we.

And that is that.  Buber perhaps, correct: Being is relation,

(or vice-versa?) for anything (anyone – could we ever get down to that)

exists, stands-forth/out, becomes, in so far…insofar as – “it relates.”

>

The gist= A we.  Wonder.  More-than is constitutive.

We are, and are made of/from/with more than what we “are.”

Being/beings (something needs troubled here) Here.

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If I characterized…TODAY = noise & speed.

“What calls for thinking?”  “What calls thinking?”  “What is called thinking?”

Slowness.  Quiet.  Almost silence.  In praise of.  Praise?

To?  For? What?

Relation.  A we.  Equals.

And then…more than…= “become.”

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Behold.  Arrive.  Appear.  A we.

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Reticence.

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Hallie.  Tristan.  Aidan.  Ida.  Oliver.

World – air, plants, animals, motion…

how else do I know?  How else do I know that I am?

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only

in relation to

with

relation

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RE(lation)ALITY.