Fierce Splittings

Teton-Range

Mountains.

At the base of them, miles and miles into Montana, lay Laramie.  Laramie’s horse Sensei is uncertain what to do.  A storm is rolling in.

Lucy knocks at Alias’ door.  “Going for a walk,” she says, “you okay?  Need anything?”  Alias ponders.  “I’ll be taking the dog,” she adds to the nerve-troubled silence.  “You’re welcome to join.”

The fierce splittage that occurs.  Rife.

  1. I always want to go, and madly.  Tromp nature, move our bodies in time, together.  Hear you, explore, see the muscles work your thighs, your calves, their clench and stretch.  Peer at what your eyes respond to, share what registers in your ears.  Be privy to what physicality, adventure, novelty and motion unwind and unravel in you.  Want you as much as myself.  Want to touch and observe, share and protect you.  Crave you.
  2. I need to stay with these thoughts, stick at these questions, interrogate myself, my loneliness, my ecstasy, my want.  I am remiss, longing, wishing.  Forever turning aside for another (spouse, friend, vocation, pet, children) – NO! – I must stay here with myself, plumb some illusory depth, a hell, potential potency.  Must keep scribbling, keep ‘taking up and reading,’ until the moment occurs that seems revelatory, meaningful, significant.

YES                   /                     NO

Silence.                                                                          She goes.

And Laramie’s lain still, a long while.

Sensei turns and trots, after houghing along his body.

Lucy goes.  Exchanging kisses and assurances, both of them wishing, both of them aware, both of them happy and sad.

Alias moves to the piano.

Wanting to extrapolate a sense – but there are far too many senses and sensings.  Children: infants to adults, jettisoned and on.  Sensual aches and lustings – the million maneuvers to orgasm at every angle and scale.  Big Pictures and Miniscule Mundane all wrapped up.  A blooming iris.  Pregnant decisions.  Salivation for vodka, for book, for solitude and quiet.  Augmented chords, then rolled, then extended, then simply a single note.  Promised to language, yet full of sound and fury.

He plays, he drinks, he writes, he doubts, he fears, he wishes.

As if it were imperative.

As if fierce splittings of rationality or cognition and confused whelmings of senses and emotions were condemned toward disruption.  As if it were unknowable.  Could not be known.  Could not be said (or written).  Could not be true.

Human axis.  Axis of being.  Overloaded and irreducible.

A swoon, a swarm, an agony and ecstasy.  A finite loop and laugh.  A tangle.

Alias loves and longs his Lucy, Laramie, children and books.  Alias loves and longs a self that makes sense.  He loves and loathes that it does not.

Lucy goes.  Dog in tow.  At the mercy of externals.  The risk of world and other.  She heads to the Outside.

Alias turns in.

Laramie’s turned in.  On himself.  On the world.  On ‘in.’  Plumbing the depths.  A hell.  Of ending.  Of being.  Of moments and instances.

Sensei breaks to a gallop.

There are the mountains.  Fierce splittings.  Here we go.  Everyone at the mercy of.  Inside/outside.  Too many tenses and senses.  Everyone and the mountains, or for some it might be sea.  Or both, or any.  What happens there.

Lucy in woods with dog.  Alias at desk in plains.  Laramie lying at the foot of the mountains, still.  And everyone else at their everywhere.

 

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10 thoughts on “Fierce Splittings

  1. I enjoy this fragmented narrative, my dear. Leaves room for the imagination to work out the specifics. I’d read a novel written in this fashion.

  2. so beautiful dear N Filbert… This was the most impressive part for me,
    YES / NO

    Silence. She goes.

    You did again, you took me into this written world, as if I was, with all these tides… Thank you, have a nice day, Love, nia

  3. This is beautiful to read Nathan….taking me inside/outside how words trigger breathing or breathing informs words. Does it matter? I like the physicality of this particular part in the story of Alias and Laramie. And now you’ve introduced a tangible Lucy (or did I miss her before?) No longer a nebulous she or her attendant to Alias’s confusion/angst/pain….
    I used to read a lot of contemporary Native American authors. Leslie Marmon Silko”s “Ceremony” comes to mind. A similar way of weaving words inside/ outside. Seamless transitions….
    With this piece, the story is coming into focus for me Nathan…. I like the rhythm. But I’ve been pulled in from the beginning.

"A word is a bridge thrown between myself and an other - a territory shared by both" - M. Bakhtin

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