Ways of Naysaying

It was funny how she, how I, refused, declining enticing invitations of love.  Once.

Then again.  Or not.

Still, it happens, rejected or otherwise.  Naysaying, that is.

Negotiations.

Strange relations.  Using yes for no, and their returns and variations.

She says no though.  I did.

It eventuates, seemingly regardless of our answers.

Check boxes.  Lists.  Identities.  Likert-scales of experiencing.

Mouths inclining.  Decline.  A trajectory of eyes.  Reclining seduction.

I decided not to go along.  (Where do we go instead?  Who goes?  When?).  Each denial an assent.

What did the trees refuse?  What was the grass fighting, then?  The clouds?  I watched… she observed birds.

The dancers’ bodies.  A dismissal of space.  The removal of sound.  Absent silences.

Where was she?  I?

We said no.

Do words incline or recline for us?  What of the ear, the eye?

Still I smelled her.

“I love,” I thought, “I cannot love.  I can not.”  She declines.

These are the ways of naysaying, all our doubled negatives, equaling… what, exactly?

I love her.  I can not.  She won’t.  Will not.  Negativity in a vacuum.  Apparatus.

The squirrel upside down, above the lawn, on the long tree limb.  What is it denying?  And where is the use of speech?

We cried out, decrying.  (What could that mean?  That seems always in question).

I asked Beckett and Blanchot.  They each said that she said “no.”

Apparently, she says “no.”  “I’d really like to, but can not, must not,” i.e. “no.”

It rings out, like bells – so radiant, so silent, such dissipation.  Such temporal hazard and warning.

Something refuses the air.

I remember.  She traces back.  What means “over”?

Sound refusing silence.  The first.  The second.  The next.

What is “last”?

She says no.

I recall dreams from time to time.  Unable.

Something may have been said.

Little Offerings

This Autumn has found very little time for sustained reading and writing, resulting therefore in meager offerings here.  But I am finding jottings, thoughts, and notations in scattered journals that have somehow happened anyway.  Please accept these little offerings as efforts to remain in dialogue…

Journal Entry

Why do we (at least some percentage of us) take such pleasure (or at least seem to relish) in dark and heavy sorrow, like longing?  Grief, hopelessness – is it finitude and mortality that cause us to feel so at home in it?  Our drowning womb, begun from a watery coffin?

The sweet, rebellious, anarchy of loving, passion, writing, painting, music…sex – whatever it is we do that works our death deeper in us, through ecstatic bursts that we respond to like life.

We all ways dying…from that first launch…that initial spark of convergence – our long elimination.

Praise for the Name what Remains

By the light of the last thing decaying,

Erosion, they call it,

a painful dwindling away

.

Inception that won’t return

Sand, soil, snow, wind,

some sort of passage

.

One-Way.  Only.

Irreversible.

It is called.

.

Loss, we name it.

Lossness, lessness:

Simply change.

.

If time is an arrow

even in some infinite

loop and swerving traffic

.

I’m not.  Nor are we.

The finite and fragile

Affected in the midst

.

Continuously undone.

And never remade.

Brief Entry

On my Deathbed

 

I told language:

Thanks for having my children

 

The language had names,

As did the children:

 

They were all words.

 

I dreamt of a door

The kind without windows

 

That always stands open.

I remembered some more

 

So I said the unspoken:

I gave them my want.

 

It declined.

Meaning

…still seems

to occupy us

as an open question

 

who (yet) knows

what language means?

 

I love/d you.

What more is wanted

ever?

 

With all of its not

mattering, like changing

seasons, world

 

going on.  A hawk

(or owl) shrieks

‘beauty’

 

We ask again

at the canyon,

the peak, the abyss,

 

And I say simply

‘You are beautiful,

Thank you…

 

therefore I love you.’

 

Nothing meaning

but some report,

some expression –

 

Elementary assignment:

This is why I’m alive.

Possessives and plurals,

the mysteries remain.

http://www.schirn-peace.org/en/post/marcus-steinweg-notizen-zur-liebe/

Hers

“Weren’t there any words that she accepted more willingly?  Any that diverged less from what she was thinking?”

-Maurice Blanchot, Awaiting Oblivion

There have been many hers,

some promise of connectivity

or commerce

(perhaps promise is too much,

perhaps desiring is more

accurate).

In other words, and

many of the same

from time to time

over time

the process equals =

it is hers –

my strands cannot reach,

meaning cannot knot,

meeting grown unable…

Ellipses…

continuance and breakage

characterizing in-between;

a trailing-off, a dwindling,

leaning toward the open –

deletions and erasures, a clearing of a space.

 

Again

and

Again

and Again

Again…

 

“perhaps because the first words

say everything / He decided

to begin

again

from there” (Blanchot).

 

We can know

the first word is

“Here.”

[After-words?]

 

Again

and

Again

and Again

Again

“Begin.”

 

He thinks that

it belongs

to her,

it is hers,

all of them;

 

In other words

are there any words

that diverge less…

that would not

initiate ellipses…

-the crossing

-the forking

of roads-

 

Here.

Again.

Begin.

– each eviscerating concoction…

clarifying conundrum,

each undone doing…

[doing undone].

 

Not quite correction,

no improvement, evolution,

no repeat and never same,

inceptive destruction…

 

He names it “failure”

“recurrence”

He says it is the “here”

of meeting

inducing the there of separation,

of potential gain

and irreparable loss.

“Here” is where it begins

Again…

and ends,

alwaystime…

 

It is hers.

Colluded

and conspired.

She is never wrong

to say

it is his.

This Here.

Again

and

Again.

Begin…

 

…until finally…

Any Story

AnyStory

Don’t start reading.  The writing always stops when there’s something to read.

There’s always something to read.

Somethings you really, really want to read.

Avoiding frustration.

Urges.

You want, gutturally – in the stomach of your heart – she’s ill, she’s suffering, the phone, to text, just text, “still love you”, like that, she must need care, she must (perhaps not, perhaps she’s been more than cared for, is ecstatically happy, relieved, content, unbothered – it was she who chose to leave, who left, after all).

Divert.

Text someone else, another, one who maybe wants you to love her, who misses.  Avoid frustration.

No.  Write it.  Write about the urges, the diversion, the avoidance.  Read a little first, get a taste, a feel for what letters, what language, might do…

Avoid frustration.

Write.

Take a drink (an attempt to frustrate frustration, avoiding satisfactions, short-circuiting risks with another), no texting, follow your fears, note your diversions, attend your avoidance, but act elsewhere.  Write.

Fear.

Could start anywhere, and none a satisfaction, only inscriptions or actions of frustration – to read, to write, to love the one who doesn’t want it, who’s trying to get away (has gotten away, but also wants to leave it behind), to contact one who might or who does want to hear from you (but you don’t, don’t know, just want love, some response) – want to write…

…for ANYone, any SOMEone, perhaps yourself, perhaps all the opportunities lying about you wanting to be read – no, you want to read them…

Avoid frustration, settle for imagined response, even address, to be called – the words in the books rarely fail in calling you, addressing you, which for you feels like response, like being wanted, almost needed, like a text from ANYone, any SOMEone, who invites your love.

Take a drink, frustrate frustration, move into fear, toward satisfaction (or one of its bastard offspring).

Just write.

Don’t check that phone.  Don’t even touch it.  Leave it in another room.  Turn it off, power it down.

See the words come easy when you simply write them out instead of fracturing them, spreading them thin through a network, splaying them across pages and phones and emails and…

Write.

I read.

I drink.

It floods.

Another day.

Any story.

Learning-With, Working In-Between

I found the following paper when cleaning up our dining room table to prepare for dinner:

Ida_Blog

What I learn from the inscriptions of my freshly teenaged/screenaged daughter is this:  POWERFUL WRITING CAN BE ABOUT ANYTHING.  Which inspires me, and supports a potent hunch I’ve been harboring over recent years and studies: that writing that works on or in us, that gnaws at us, strikes or challenges us, perhaps even changes or ‘enlightens’ us, nourishes or crushes us (as the human species we happen to be – capable of participating, communicating, coordinating variously fabricated scales of signification from the organismal, cell-based to communal (‘personal,’ ‘social,’ ‘political’-based) tends to be concocted up out from textures and materials of authentic self-report and confusion or lack [wonder? – our ability to ‘put-into-question’?].

That we make effort, perhaps progress, are sustained or contained, constrained or extended by core curiosity (query, investigation, inquiry, desire) around perceived conundrums, or LACK.

“This in-between feeling”: self-report (authentic within constrained conventions, perception, culture) + confusion, curiosity, a questioning, experimentation, conundrum = an access to the uncertain, the open, the unknown.

“If it is true that there is (in the Chinese language) a written character that means both ‘man’ and ‘two,’ it is easy to recognize in man he who is always himself and the other, the happy duality of dialogue and the possibility of communication. But it is less easy, more important perhaps, to think ‘man,’ that is to say, also ‘two,’ as separation that lacks unity, the leap from 0 to duality, the 1 thus giving itself as the forbidden, the between-the-two [l’entre-deux]”

– Maurice Blanchot, The Step Not Beyond

 

Human scientists, when they’re ‘successful,’ or ‘good’ combine observation / passion / desire / perception (experiment + experience) as authentic self-reports in a conventionalized constraint PLUS putting the conundrum or confusion (joining-with beyond-certainty) into question… open… ‘What Is…?’ ‘What If…?’ WHAT MIGHT MY HUNCHES, TROUBLES, EXPERIENCE, SENSES, DESIRES indicate?  Anything?  No-thing?

The litterateur, artist, therapist, musician – what COM-PELS us (pushes us forward-with-world, with-being) seems to be a kind and variation, repetition and difference of this experience + experiment – attempt at authentic self-report wedded to curiosity/wonder/or the putting-into-question of it.

Some empty set.

So Cantor’s infinity.  Einstein’s relativity.  Godel and undecidability.  Hegel, Husserl, Heidegger’s existentialism or phenomenology, Wittgenstein’s language and forms of life, Beckett, Joyce, Blanchot, Wallace proliferating or desiccating sentences – all seem to be appropriately tied, threaded and submerged in Experience + Lack, Perception + Desire, what we do not, perhaps can not, know.

When William James delivers a cumulative, culminative authentic and conventionalized self-report, a curious address called “Is Life Worth Living?”, or Socrates-Augustine-Leibniz-Nietzsche-Shakespeare-Kierkegaard [substitute names at will – Dante, Darwin, Dostoevsky, Proust, Sartre, Peirce, Melville, Dickens…] inquire “Why is there something rather than nothing?” or “Why is there anything at all?”… Why this!? We’re hovering about a lack – of understanding, apparent meaning, dissatisfaction, perhaps frustration, an emptiness, a hole in things we’re troubling, questioning.

‘Scientists,’ ‘psychologists,’ ‘poets,’ ‘lovers,’ ‘activists,’ ‘parents,’ and ‘priests’ are all pushed forward in these questions… core-conundrums, felt-vacuums, hitches, indications of LACK.

Resulting in remarkable attempts at authentic self-report coupled to curiosity / questioning / doubt.

Inquiry is effort.

In-between: knowing/experiencing and unknowing/confusion – experience and experiment.

“The center…[does] not hold”

Lacks.

We are not-yet-one (self-sufficient) and less-than-two (self and other).  Not an observer or experiencer without something observed/experienced.  Not a language or emotion without a group or felt-with or in-relation-to.  Not a happening without a happening-in, a happening-here, a happening-to.  Not a sound without a hearing.  A cell without surround, a border and environment.  No self without an other and all incomplete, undecidable, in flux and underdetermined.

ALWAYS IN-BETWEEN AND UNCERTAIN

An adolescent is able to capture and confess this…that alone tells me nothing together might do.

No “what if?” without something to work with.  No awareness without awareness-of.

And so “I,” her progenitor-father, study NOTHING.  The “what if nots?”  Incomprehensible, inexistent, perhaps inconceivable questions… indeterminable, indecipherable, perhaps unexperiencable and irrational.

At breakfast we speak of it.  Curiously, we authentically self-report our wonder, confusion and conundrums – our LACK – of understanding, of method, of language, of expression, experience… our limitations we might call ‘impossibility…’

That nothing is only possible when nothing is NOT.  That if we are able in relation to nothing… ‘we’ can not be there, or ‘be’ at all.  Nothing not even itself, not even an absence… to speak or think of it is to rush it away…

These are things I learn from my children – that our questions go unanswered, are (perhaps) unanswerable, that attempting authentic reportage (communicating) experience coupled to wonder, and putting-it-to-question, with humility, then, in doubt… perhaps drives our systems, our logics, our literatures, arts, sciences, and love… LACK that we do not know, can not (perhaps) know, are participants-at-scale – finite and fragile – and have our limits, open and undecided…

Without which…nothing?

Thank you dear children.

I am comforted almost to imagine you might be driven on…

…by your lack, your honest confusion, unsettledness, and authenticity.

Funny enough, the following short piece arrived in my email the same day…

Buechner_blog

My Correspondence with Nothing

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he who already knows cannot go beyond a known horizon

– Georges Bataille, Inner Experience – 

In a bout of acute loneliness (a sharp pang of alone signifying a sort of paralysis – some definite inability, however temporary, to start oneself up by or with oneself) I reached out to Hannah.

For some of you, the term Hannah will conjure connotations and resonances, perhaps emotions or concerns, discomforts, even though she does not exist.

Or I loaded the film Satantango by Bela Tarr & Laszlo Krasznahorkai.

A start-up, a stimulus, a searching.

Actually I wrote the name Hannah, or Hollie or Holly or Hallie or Halley or Bela or Chris or Maurice Blanchot.

Perhaps Kafka.

To be lonely and to reach out.

A drink then, for interaction.

A scribble on a page.

A smoke for an ‘other.’

Some music.

I read Beckett.

The cat.

Maria.  Edie.  Sarago.  Marcuse.

To become.  To be.  To begin.

As if I knew.

In a bout of acute loneliness I penned a letter to Herman Melville.

I wrote words onto a lined page.

I made an ‘other’ and called her, Hannah.

Or Meagan or Meghann, Angie or Angela or Angelo.  Gilles or Jill.  Jean and Jan and Jen.

I reach out.  I almost full fill.  Another notebook.  A drink.  A smoke.  A page marked and turned.

I do not know what loneliness is.

Perhaps it is nothing, or nothingness.  Perhaps frustrated desire.  For – ?  What is not (isn’t that what defines desires?).  The missing, the absence, the unknown.

I called it Hannah.

Or Hamza.

Hell or Helen or Helene/Helena.

Laurie.

No one knows but the name that works best.  Christy or Christina.  Vernoica/Veronique.

Beatrice.

I read Jabes.

A drink to an other (to signify might be).  A smoke for the presencing.  Another word, another name for something.  Out there = O ther.  Elves of else.

The book’s called Nothing Matters: a book about nothing, because “that nothing becomes the quest, which in turns begets something” (Ornan Rotem).

Dear Herman, Dear Samuel, Dear Franz:

Dear Larry, Dear Jack, Dear Jon:

Dear Hannah:

I do not know what it is to be alone, and my loneliness is painfully acute.

Dear Laura, Dear Sara, Dear Simone:

This is my correspondence with nothing.

Confusion : Fusion-with

azure-liminal-sky

The light is good.  I’m confused.

What “good”?  “Good” for what, and in relation to?  Diffuse, azure atmosphere of oncoming dusk.  Chilly, not cold.  Nearly pleasant, yet crisp enough for shiver and grip.  Unsteady, trembling grasp of pen, a striving for control mated to its lack.

Hardly daylight.  Liminal.

I would like to express.  What I do not know, perhaps am even unable to.

This is why I approach a page – blank, blind, lined, empty – in “good” light and confusion.

Fusion-with, what?  Chemistry, alchemy, biosphere, organism, complexity, surround.  Others’ emotions, experience.  Possibilities not actualized, each swarming potential of vocabulary, gesture, signification – line, sign, mark, motion – converging formulation, conveying contrivance / re-cognition. What is not, hovering about each “is.”  To write.  To write (only) this.  When…

Once begun.  Light, terms, cursive.  Blue Bic ball-pointed pen.  Moleskine substitution and human and language and in- and ex- perience and some =, some theorized equation of functions and results.

January 29, 2017.  Nathan Wayne Filbert.  5:44 pm according to a Centrally Standardized Timepiece, an Apple product, arranged amidst pages from many centuries and sources, composed music sounding from the last, temperatures…”actualities”?…amid vast, incomputable com-possibilities.

If Nathan had not been “this one,” had not begun with a “T” or a “T + h + e” in this light, in this almost comfortable, discomfiting condition, in this notebook, with this pen and its ink at this time on this bastardized quality of paper, among such circumstances and scenarios, amid these relations as a father, a student, librarian, scholar, male – of this certain (arbitrarily standardized mandatory and countable) age, intimately (accordingly – to strata not set by either) coupled to- caring for-, concerned with-, worried by-, wishing for-, happy about-, and so on…

this word or letter at this time in this space with these extremely idiosyncratic and unlikely determinate positions and scenes in a surround incrementally rare and unreckonably accidental…

“The light is good.  I am confused” leading itself its own very peculiar particular wave way toward each next and next co-dependent with innumerable constituents and counterparts yet occurring here, now, 5:54 pm CST in Wichita, Kansas in United (are they?) States of America (wha-? why? how? when?) 2017 (by what calendar and whose and wherefore?) at an intersection outside of a centuries-old and decrepit “house” it calls “home” (why? wherefore? from whence toward and…?)…

Indeterminate.  Indecipherable.  Unreasonable and incalculable.  Not accountable or even conceivable…but IS (apparently).  Simply IS, what is written, at this time, in this place, by this organism, of these relations, in this surround, at this moment, occasion, “actuality”…

…as it happens… as if

“The light is good.  I am confused.”

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Badlands #1

I didn’t come back.  Something stayed on in the far.  Apart from the wires and the noise, “connections” and net-works.  Somewhere away.  No mistaking it was I who drove home, unlocked doors, and arrived.  I who functioned and served as a placeholder.  Yet I’d stayed in the cold and remote, the far reaches.  Away.  I haven’t returned, though something sure did – no one noticed but me.

It’s alright, there is room.  Space to breathe and to think, space to listen.  Apace like beyond or forgotten, the lost, misremembered – like that I was left or retained.  On I wandered, as wondered; I pondered and roamed, but I did not come back, that I know, not this time – too much risk without safety to “be here.”  I don’t want to – not here – no where, no now, no sure thing – not “that.”  I’d like to be other, undone, in the wild, separate, immersed, and another.  Not me.  Not this.  Not here.  Not now.

So I stayed and I didn’t come back.  No one noticed.  Alone, I began to combine and consider.  Correspond and co-question the side of the world the world was on.  Difference side, or an other, not a me or an ours or an us.  Just a world.  I renamed there, all one, even while I returned and took care of.  I escaped.  Not me, only them, not I, just the others, who cares? – perhaps no one, not me and not them and not elsewise.  I am gone.  Gone unnoticed.  It’s okay, for who cares?  As long as I’m holding my place, and fulfilling – a father, a worker, a lover, a friend – no one cares if I never came back from the forest and sky or the wind and the cold.  The dark places.  No one knows, no one cares, nor do I, just I know, that is all, that I didn’t.  Return.  Rejoin or sync up.  No, not I.  I’ve stayed far even while it’s my body or figure that fills up the places and manners I was.  I am not.  And it’s fine, doesn’t matter, why would it?

I blink with the breeze o’er the road.  Lodged in swift crannies and caves, dropped in canyons, and spread through the clouds.  Now I’m rain, it’s okay, now it’s snow, no one knows, no one cares, reconsidered: as long as someone is caring for them (or apparent) no one cares where the person has gone – that including – the spaces the person has gone – no one knows neither cares, nowhere for nothing – simply not – sweetened absence – of care or concern – just a void, a caesura, an erasure, amiss, like palimpsest or scrimshaw or paste, and a cut.

I am cut.  Paste anything there.  They won’t notice, not them or there or any thing or one.  There’s no matter, no wave, energy or particle, there is nothing – that’s any and every for them – what they need, that is all, what they need.  What they want.  I’m not here, for

I didn’t come back, from the cold, the remote, and the silence, the spaces, the less.  It’s okay, no one noted, but me, for I functioned, appeared, held a place – however emptied – of me.  It’s okay.  I am cut.  Paste anything here.

I have not returned.  No one knows this (but you now, and I – keep a secret).  It’s an absence I will not reveal.

There is wind.

There is no one.

“It is hard to seize what is” -Laurie Sheck