Thickets

Thicket

The world overgrown.  At least any accessible sector.  I’ve heard tale of open, of empty, of spacious, of dearth.  Not where I approach.  Even my own body – its in- or out-sides, its wherewithal.  Always where-with-all.

Tangled, almost briny, in some instances.  If able to determine a surround wherewith or whenwith to take a stance in.  Even thinking, even breath, even a pulse of bloodbeat.  Any sound we form toward music.  Any making-sensible.  For us.  Our kind.  Those within the overgrown – the untamable, reckless warp and weft.

To hunch there, immediately becomes here.  How different – if imagined?  To gather, to pre-tend.  To suppose a disposition, a presence somehow differentiated.  How-some?  To curl in, therefore (perchance? per theory?) “to find,” to be able to, to call, to be-in-g?  Yet how?  Or why?  Where is the for?  And what might the hole be suspected to fill?

Where is the gap between this and the other?  Between you and me, he or she, this-that-the-other, between…any/thing?  Something wishes to know, apparently… and this wishing/motion/decision/desire/activity/drive (whatever “  “) begins by implicating violence… bi-lining a world with borders, invented barriers, perceived traces, intuited splits, cuts and hacks that are not there until.  How un-till this supposed “soil” from which to distinguish, fabricate, or function?  From which to “operate.”  Surgeon-species.

What knowledge is expected by destroying?  Deconstructing (or constructing) – both requiring joints?  By suture and slice?  By taking life?  Prone to decompose.  What a trajectory.

What options?  Compelled…to con-fuse…confess…to communicate, express, enjoy, enjoin (what we find ourselves joined to) still even to de-scribe, in-scribe, in-voke, ex-tol, inter-act or en-gage provokes difference, demands separations, dismemberment.  To cleave.

To try to body.  To try to mind.  Attend.  Acknowledge.  Distortion.  To twist and torture an other, as the one or…alteration.  De-pict.

Impossible connection already seems to be.  Each, every add-ition a disconnecting, a cutting, a stitching seam according to a pattern.  Whose?  Whats?

Over, under, whelmed.  Where is the open, the undifferentiated, the is?  Always already be-fore.  All ways, all ready, be-for.  In other words…not possibly worded.  Prior to word.  Involving act (including language) but unincorporated (already corporal), defying design-ation (surprisingly? one would think ‘it’ [not] is at the end of de- or un-signing/signifying), erasure of description, all palimpsests equaling… perhaps (per-happening) – infinite, certainly uncountable, incalculable, without ordination, order, ordaining, without with-in or –out.  Only WITH, inconceivable, imperceptible (perception cuts), irretrievable (the rejection of any re-), disabused, disturbed perturb, a dreaming dreamed turbulence = a happen to be.

Still this thinks with.  Language.  Lost already, displaced and falsified by a tiny thread, an whole fabric, a world-veil at least whilst continuing as world…

Think again.  Dream.  Confuse.  Imagine.  Invent.  Art ducts (vents) for breath… further re-moves, com-pli-cations, furthering within, for fun?  A dance, a play, a re-morse (cryptic codification, surreptitious and additional) some native complicity to immeasurable complexity.  As is.  As if.  And so on…

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Hopeful Haiku

Even a blank page

can be beautiful, asking:

Who goes there?  What?  Where?

 

‘One’s’ thoughts on in-here-nt bounds

The “world,” as it were, as it ‘is’ (also, reduced, in addition) “for us.”

How it comes to be as we are – briefly.  Almost incalculably miniscule.  Almost ‘happenstance.’

“Our” world, as it were: all we cannot know, that we are part in, of, with.

One wonders what “world” can possibly mean.

Every meaning apparently nothing outside of this microscopic sliver of kind… EVERYthing and more, “for us.”  Some ‘infinity’ or ‘void;’ ‘abyss’ or ‘chaotic complexity’ – a reference to every-thing (or not) that so far surpasses us, outstrips us, beyonds us.  Some so-called…”world.”

One. Can.

One could turn toward all that, could ‘be-itself,’ bi-pedally, shrimpishly, speck-o-dust uprightedly, with/in ‘it’…and have a dwarfed, almost indiscernible ‘experience.’  Or “one” (were such a thing possible) could de-cide, di-vide, con-sider (?) – place oneself ‘over against’ or ‘in contrast’ (contra-di-stinction) to all that: otherness, ‘world,’ ‘uknown/unknowable,’ ‘beyond,’ ‘out-side,’ infinite… and de-term-in.

Squash it down to ‘one’s own scale, name it / call it / sign it, and ‘fit’ it in.  i.e. cut it small enough to be comprehensible, digestible, sensible (according-to-one’s-own) and pre-tend, fore-tell, image-in, sign-i-fy it ACCORDING TO… ‘one,’ ‘us,’ ‘me’ (such as math, logic, language, communicable signs, etc – in-(ter)ventions on/of our own terms).

Human knowledge, inquiry, disciplines, creations, theories, etc. are EXACTLY (and perhaps ONLY, one surmises) THAT: at the scale of the human. ‘One’ is prone to automatically grant every ‘other’ (plant, material, organism, structure, system, etc) the ‘same’ ‘world’ – as Wittgenstein indicated: indecipherable, untranslatable or communicable between kinds, but most probable, no? – Umwelts – worlds upon worlds within worlds outside worlds… we (‘ones’) can have no share, understanding, con(with)cept, com(with)munication of…

To each its scale of experiencing, and all scales together…

Given the human (so-self-called) scale, this seems pertinently and poignantly most evident…

…why would we chafe against our limits… or (perhaps) every scale always is – no ‘one’ could know this… ones (and many ones) are only ones – more and less than their own possible perspectives… in- and out-looks OF.  Scale.  (Perhaps).

Obviously, com(with)posing in your/our language… whatever I dream is representative of my scale… i.e. is only a capacity of ‘one’(kind) … of many.

Pleasurably so… or why not?

Dreaming beyond scale (or, inventing scale and its beyond – in the de-term-in-ing) demonstrates itself as a capacity… (e.g. mythology, science, religion, fiction/fantasy, psycho-anything, spirituality, philosophy, history, and so forth) … all imagined efforts beyond-scale, that, in occurring demonstrate the possibilities/limitations of human scale…

What ‘beyond’ could ‘one’ see, think, feel, etc., that is not a demonstration of limited and actual capacity of ‘one-scale’-to-experience?

So ‘one’ has a-, con-, etc. scales… all part of one’s scale (abilities, capacities, possibilities, options, kind).  Against, with, creative, reductive, but ALL and ANY activities of one kind (so-self-called ‘human’) show its locked and limited capacity.  One never goes beyond.

Fini.

To ‘work limits,’ and boundaries are clearly elements of our ‘limits’ and ‘boundaries’ of the scope and scale of the ‘human.’

“Gods,” cosmologies, dreams, histories, theorizing, etc., all contained within the ‘bounds’ or capacities of the ‘kind-of-thing-‘One’-is.  Perhaps.

It is the ‘perhaps’ that haunts us.  [but what could ‘haunt’ indicate but another human capacity – perhaps a ‘felt capacity’ of bursting or extending our capacities?]

Witchcraft.  Art.  Technology.  Religion.  Theoretical and experimental anything.  Logos.  Arche.  Tohu.  Bohu.  Beginning.  Universe (must needs always shrink to one’s own scale… in order to uni-anything… ‘multiverse’ simple exponents of capacities for in our microscopic self-experienced sphere… we named ‘infinity’ – is there no exponent we can’t add – within our tiny range of potential?).

One’s own anthropology.

Logically [though I excessively distrust that program of human-ing] – what con-cept, i-dea, imagine-ing, or object-ivity is not necessarily always paramatered by the human ex-periential capacities?

The bounds may be elastic or no – there would be no way for a kind to know – being all-ways the ‘one’ experiencing.

IN-HERE-NT BOUNDS.

Silence Reasons Almost Audibly

Macedonio Fernandez shrewdly intimated that among the difficulties of communicable perfection (language or literary wholeness, completeness) were the problems writers have, in that, among other things:

“2) They don’t know how to render the ‘unsayable’ with ‘ineffable’ style” (Museum of Eterna’s Novel, p. 11)

As if imagination must copulate with impossibility; creativity found within the non-existent; wayfinding nothing.  Perhaps.

“I” (a good example of the above) often worship the symbol: “I’d” like to place it everywhere, upon everything, anything imaginable OR conceivable – even the unknown – as well as any compendium of ‘facts’ or apparently common-sensical / self-evident elements of being-living.  As if… to draw attention or recognition (‘to render’) human limitation, finitude, fragility – PART-‘I’-CIPATION – in world (+ whatever falls beyond such an impression).  A kind of belief as a participating occurrence that whatever might be indicated by such terms as “truth,” “love,” or “existence,” (or “you” or “I”) are best translated by = ?

This nettling evocation is (perhaps) a personal ‘creed’ in a singular (obviously impregnated) mark: ?

Something I might ‘live’ and ‘die’ for.

Am I trying to communicate?  What am ‘I’ doing in relation to language, to shared understandings, to concepts, and so-called knowledge or knowing?  Am ‘I’(s) capable of relating to anything (or nothing) beyond these indications?  Unmediated ways and forms of experiencing given to ‘me’?

Experience (seeing-peering WITH outside-of) is one set of possible parameters in living-being (limitations, capacities, informed possibilities, finitudes & fragilities – necessitudes of part-‘I’-cipation).

What might we ‘name’ alternate – those in excess of experience; those far diminished via enforced-informed; ‘other’ impossibilities of ex-perience?  (Bataille’s ‘Inner Experience’ – inperience?: without outer? might be an exploration) ‘mysticism’?  spirituality?  mystery?  simply Impossibles?  Unsayables?  Unknowables?  ANYthing beyond-limit, we might ‘say.’

Excess.  Perpetual.  Eternal.  Infinite.  Incomprehensible.  Indeterminate.  All ex-perceptions that would demand or require ‘ineffable’ style to be en-gaged.  Out beyond (or in-beyond) outsides or othering that might be accounted for, perceived, en-countered, or ex-perienced: impossibles that must most likely (it would seem given our minimal, limited, finite, participatory living-being IN AS PART OF ‘world’ or whatever our most expansive imagining) occur.  Perhaps even non-ex-is-tences, nothing and never.

These might be the description of fields or planes where I in-tend and pre-fer to operate or inquire (under the sign of ?) and therefore, lacking or failing in ‘ineffable style’ whereby to render ‘unsayables’ – simply can not.

Thus please forgive my erratic forays into production here – communication, conversation, even imaging-in (imagining) – ‘I’ simply can not.  I am mostly unable to ineffably style unsayables.

I beg your forgiveness and again fall silent.

“But could I forget my ignorance for a moment?  Forget that I am lost in the corridor of a cave?”

– Georges Bataille –

Fragment: Brief Conversation

“How come language (or drinking) makes the pain of language (or drinking, or relationships) go away, recede, soothe…and then becomes language (drinking, relation) and its pain…again?” he asks.

I smoke.  I look at him.  He is examining (with obvious pretend furtivity) my pale, smoothe legs, coming out of my singular light dress.  At my arms, my skin, my cheek and throat, my hair.  Lasciviously thoughtful, he.  Almost curious.  Almost authentic in his desire.

He is trying to daydream.

I am trying to be.

We are drinking now.

I am young, he less so.

Or neither.  We do not know.  Anyone can be so near their end.

So the story goes…

“The world smells good,” he says, and the delectability to the nostrils clearly depended on death: burning wood, smoking pig, a nostalgia of forests…

I knew not what I felt.  Mixtures.  Pleasures and sorrow.  Excitement and fear.  Doubt.  I did not respond, just masked placidly.  Pleasantly, I hoped.  Ambiguous.  And what does he sense?

Learning-With, Working In-Between

I found the following paper when cleaning up our dining room table to prepare for dinner:

Ida_Blog

What I learn from the inscriptions of my freshly teenaged/screenaged daughter is this:  POWERFUL WRITING CAN BE ABOUT ANYTHING.  Which inspires me, and supports a potent hunch I’ve been harboring over recent years and studies: that writing that works on or in us, that gnaws at us, strikes or challenges us, perhaps even changes or ‘enlightens’ us, nourishes or crushes us (as the human species we happen to be – capable of participating, communicating, coordinating variously fabricated scales of signification from the organismal, cell-based to communal (‘personal,’ ‘social,’ ‘political’-based) tends to be concocted up out from textures and materials of authentic self-report and confusion or lack [wonder? – our ability to ‘put-into-question’?].

That we make effort, perhaps progress, are sustained or contained, constrained or extended by core curiosity (query, investigation, inquiry, desire) around perceived conundrums, or LACK.

“This in-between feeling”: self-report (authentic within constrained conventions, perception, culture) + confusion, curiosity, a questioning, experimentation, conundrum = an access to the uncertain, the open, the unknown.

“If it is true that there is (in the Chinese language) a written character that means both ‘man’ and ‘two,’ it is easy to recognize in man he who is always himself and the other, the happy duality of dialogue and the possibility of communication. But it is less easy, more important perhaps, to think ‘man,’ that is to say, also ‘two,’ as separation that lacks unity, the leap from 0 to duality, the 1 thus giving itself as the forbidden, the between-the-two [l’entre-deux]”

– Maurice Blanchot, The Step Not Beyond

 

Human scientists, when they’re ‘successful,’ or ‘good’ combine observation / passion / desire / perception (experiment + experience) as authentic self-reports in a conventionalized constraint PLUS putting the conundrum or confusion (joining-with beyond-certainty) into question… open… ‘What Is…?’ ‘What If…?’ WHAT MIGHT MY HUNCHES, TROUBLES, EXPERIENCE, SENSES, DESIRES indicate?  Anything?  No-thing?

The litterateur, artist, therapist, musician – what COM-PELS us (pushes us forward-with-world, with-being) seems to be a kind and variation, repetition and difference of this experience + experiment – attempt at authentic self-report wedded to curiosity/wonder/or the putting-into-question of it.

Some empty set.

So Cantor’s infinity.  Einstein’s relativity.  Godel and undecidability.  Hegel, Husserl, Heidegger’s existentialism or phenomenology, Wittgenstein’s language and forms of life, Beckett, Joyce, Blanchot, Wallace proliferating or desiccating sentences – all seem to be appropriately tied, threaded and submerged in Experience + Lack, Perception + Desire, what we do not, perhaps can not, know.

When William James delivers a cumulative, culminative authentic and conventionalized self-report, a curious address called “Is Life Worth Living?”, or Socrates-Augustine-Leibniz-Nietzsche-Shakespeare-Kierkegaard [substitute names at will – Dante, Darwin, Dostoevsky, Proust, Sartre, Peirce, Melville, Dickens…] inquire “Why is there something rather than nothing?” or “Why is there anything at all?”… Why this!? We’re hovering about a lack – of understanding, apparent meaning, dissatisfaction, perhaps frustration, an emptiness, a hole in things we’re troubling, questioning.

‘Scientists,’ ‘psychologists,’ ‘poets,’ ‘lovers,’ ‘activists,’ ‘parents,’ and ‘priests’ are all pushed forward in these questions… core-conundrums, felt-vacuums, hitches, indications of LACK.

Resulting in remarkable attempts at authentic self-report coupled to curiosity / questioning / doubt.

Inquiry is effort.

In-between: knowing/experiencing and unknowing/confusion – experience and experiment.

“The center…[does] not hold”

Lacks.

We are not-yet-one (self-sufficient) and less-than-two (self and other).  Not an observer or experiencer without something observed/experienced.  Not a language or emotion without a group or felt-with or in-relation-to.  Not a happening without a happening-in, a happening-here, a happening-to.  Not a sound without a hearing.  A cell without surround, a border and environment.  No self without an other and all incomplete, undecidable, in flux and underdetermined.

ALWAYS IN-BETWEEN AND UNCERTAIN

An adolescent is able to capture and confess this…that alone tells me nothing together might do.

No “what if?” without something to work with.  No awareness without awareness-of.

And so “I,” her progenitor-father, study NOTHING.  The “what if nots?”  Incomprehensible, inexistent, perhaps inconceivable questions… indeterminable, indecipherable, perhaps unexperiencable and irrational.

At breakfast we speak of it.  Curiously, we authentically self-report our wonder, confusion and conundrums – our LACK – of understanding, of method, of language, of expression, experience… our limitations we might call ‘impossibility…’

That nothing is only possible when nothing is NOT.  That if we are able in relation to nothing… ‘we’ can not be there, or ‘be’ at all.  Nothing not even itself, not even an absence… to speak or think of it is to rush it away…

These are things I learn from my children – that our questions go unanswered, are (perhaps) unanswerable, that attempting authentic reportage (communicating) experience coupled to wonder, and putting-it-to-question, with humility, then, in doubt… perhaps drives our systems, our logics, our literatures, arts, sciences, and love… LACK that we do not know, can not (perhaps) know, are participants-at-scale – finite and fragile – and have our limits, open and undecided…

Without which…nothing?

Thank you dear children.

I am comforted almost to imagine you might be driven on…

…by your lack, your honest confusion, unsettledness, and authenticity.

Funny enough, the following short piece arrived in my email the same day…

Buechner_blog

I see nothing

“The sky would have to be inside me for my words to have the brilliance of stars”

– Edmond Jabes, “A Foreigner Carrying in the Crook of His Arm a Tiny Book”

Dasein means: being held out into the nothing”

– Peter Sloterdijk, “The Art of Philosophy”

“Even when nothing / replaced the gifts, it was a kind of seeing”

– Jack Gilbert, “Collected Poems”

I was driving in the dust of this planet while wondering how I knew the sky was not inside me.

After all, there are theories.

But my words do not have “the brilliance of stars.”

Hugo Mercier & Dan Sperber concocted The Enigma of Reason… and I want to say …of Reasons.

For after all.

After all (i.e. “in the beginning”), where we set out from seems to be an enigma of reasons.  The proffering of theories (the art? of fabricating reasons?).  The urgency to describe or define, explicate or explain, ‘make sense’ of things like her glance, or my illness; the weather, or wear (time), something felt or imagined, desired.  Each engendering theories.

We call that engendering the imagination.  Using language and sensing, others and other, an-experience-in-the-world to … give reasons.  And why?

There are theories.

No bottom.

Haven’t we begun everywhere?  With urges and instincts, desire and relation, observation and interpretation, and so on… and yet it’s only ever ‘mine’ or ‘ours,’ – a giving of reasons and investigation that is human – no, not quite.  Not even that.

We incorporate ‘earth’ in it.  And many things nobody owns or created.  Language and sense, and earthy-othery tools: microscopes, telescopes, instruments, numerals, metals and plastics and paper.  Electricities.  Motion.

Anything to wrap ourselves in and around… and give reasons.

That experiencing: when one aches for a knot or a kernel, a key or a gem.

Mine might be the Texts for Nothing.  A nothing I never can reach (and I knew it).  Don’t we all begin once we discover we can’t?  After it’s all already begun?  In the midst of?

Why why?

Mystic-scientists propose an only-what.  Eschew reasons.  The lock of the rational derive.  Sense or no, this is what we observe in conditions.  Phenomenology.  The human (“observer”) limited experiencing.  Only that.  Being-there.

But the tekne collaborates and alters.  There never is only.

Reportage.  Disinterested.  Impersonal.  Facts and accuracies.

A reason:

I pursue nothing because I know I can’t find it.  Will not find it until I am not.

Even then?

So I err at desire.

Like a theory.

A digression.  Transgression.  Omission-emission.

A longing for order?  For sense transcribed into reason?  For nothing to give rise to all and these everythings to foment continuing?

But we know don’t we?  Deeper down, without bottom?  Don’t we know we’re a tiniest book?  Carried in the arm of a world-without-end?  Of further reaches?

No, we don’t.

We don’t know.  We make ‘knowing’ or ‘knowledge’ – a description – a typification (a logic, a rationality, i.e. a reason, a theory).  Floating in infinite perhaps.

They say we share common elements we’ve devised observationally.  So the sky might be inside of me.  But words aren’t stars, are they?  Theories.  Experience.  Ours.

We’ve come to experience not-knowing as a kind of ‘humility’, ‘valor’, and ‘honesty.’  But why?  We don’t know.  If that’s so, we can’t know we don’t know.  And life is a loop of inquiry, perception… that leads to the giving of reasons and the making of sense.  Beginning ourselves from began.

Things ‘ring true,’ resonate, and we follow… on… seeking reasons, making sense (where there is none?).

Posit ‘God.’  Posit ‘Method.’ And we’re caught in the crevice of crafting for reasons.

“Even when nothing / replaced the gifts, it was a kind of seeing.”

The Last Wolf: or, “I showed you the darkness in the beginning”

I remember that I am falling

That I am the reason

And that my words are the garment of what I shall never be

Like the tucked sleeve of a one-armed boy

– W.S. Merwin, “When You Go Away”

Time keeps accumulating on my inability to write, to find time to write, to process living with language.  Simply to keep this space alive, I am posting a journal-like entry so as not to give up.

Recent weeks have been dominated by readings of Doug Rice, Laurie Sheck, Jon Fosse, Georges Bataille, Larry Levis, Maurice Blanchot, Samuel Beckett, Franco Berardi, Robert Bringhurst, Jeremy Fernando, Elfriede Jelinek and others…

What a traversal, passage, the past couple of months have been…

…like following the draw of the moon through dire straits

in dark, tumultuous seas…

…a feeling that everything is at its limit (Bataille, l’extreme) – EXPERIENCE.

  • pressured work projects, needs, deadlines, demands
  • endless and constant family logistics, accidents, needs
  • relentless parenting, relating, service to others
  • throngs of people and groups
  • lack of friends, lovers, supportive presences
  • fear, health, danger, exhaustion
  • failure
  • loss of partner
  • inexistence of calm or solitude
  • imposed travels
  • absence of sleep and rest
  • indulgence in desire and harm
  • minimal process
  • poor eating or nourishment
  • tension, strain
  • depression
  • lack (wellness) & excess (pressure)

…a teetering balance…

Mind you, this is how it feels in me, not how it is.

I miss everything that is/was good

…fail better…

There is a certain uncertain sorrow to things

(presence of melancholia, moon-draw)

Georges Bataille’s certainties:

  • WE ARE NOT EVERYTHING
  • WE WILL DIE

THE UNKNOWN                   THE UNSOLVABLE                       THE POSSIBLE

darkness                                              levity

Lynda Barry & the “Underground Skateboard” – how we draw from others work what we need to survive

Lemony Snicket & the autographing instruction that I should “read something else”

FAMILY

immersion (doom, closure)                                 held in levity

conscious moderation

– 1st Tarot reading –

(processual journey mythical)

Jacob recommends Homer – The Odyssey

doubling                                letting go – holding together                    The Devil/The Chariot

dark surfaces / surfaces of darkness (The Fool)

The Moon (dark journey) crossed by the Queen of Swords (wounding love)

THE UNKNOWN                       THE UNSOLVABLE                       THE POSSIBLE 

-Summer

Temperance

The King of Wands – leaders, pole vaulters, utilizing tension toward propulsion

leap over?  through?  on?

The Fool

Pas sage – not wisdom                                                      FRAUGHT JOURNEY

– Odyssey –

BATAILLE: “nothing is final…”

– “what is not there, which, once it is seen, often in literature, tells us what is” (Fosse)

Inner Experience

“the suffering of the disintoxicated” (Bataille)

The Human:

  • challenging everything (of putting everything into question) – Bataille
  • always a breakdown of systems that will not be restored – Sheck

“Experience reveals nothing and cannot found belief nor set out from it” – Bataille

“The hand moves forward, the tragedy begins” – Bataille

“no one grieves with you for what you are unable to say”

“life itself…always swerves away from my mouth”

– Elfriede Jelinek –

“how I’m owned by that which will not answer” – Sheck

“What you are will be spelled by whatever

lies trapped in your hand” – Robert Bringhurst

– emptiness is also empty –

“what is the part of us… feels…unnamed…

…i must live at some distance from convinced” – Sheck

 

“When I say you to what isn’t there – I mean me” (Larry Levis)

“you won’t find me in me” (Jelinek)

Experience eludes understanding ( Bataille)

– nor can I compute the possible (Sheck)

This too

is just one

more opinion

to move through

(Bringhurst)

FIRST AND FOREMOST YOU WRITE (Fosse)

“From an abandoned myth

(I write to you)” (D. Rice)

wanting them to mean nothing –

– and suggest everything (L Levis)

 

INTENTION:

  • hold open the imagination of possibility
  • “do not go gentle into that good night”
  • Moderation.  Extreme limit.
  • Contra-digitalia.  First and foremost write.
  • Be-Read

 

 

Doing Undone

It would have to be fragmentary, partial

perhaps pointing, with hope,

like us, living things,

at any given moment:

 

saying things, not yet said,

ever in the midst of acts,

if there happens to be a real

it must be incomplete and full

of undoing and becoming,

of perhapses and oops

 

I had started out

at some point,

apparently ‘past,’

taking up this pen

and applying it to this

paper,

open screen, unknowable unknown,

had started out toward

an I

in order to write

“I had started out”

 

but all is different now

and now again,

again, again,

 

pointing hope

in fragments

assertions and insertions

of possible reals or facts,

some happenings of actuals

be-fore (in face of, in lieu)

words or some expression

 

impression

It stares out, staring in,

fractured and non-finished,

fetishized with objects

that stand for something else,

 

always something else

than what “is” or which has been,

unable otherwise,

simply is

-ing,

unfinished and hardly calculable,

impossible/compossible

and inexhaustibly exhaustible

perhaps

 

seemingly unfinished

and without beginning

(or we would ‘start’)

 

on a way then, in

midst of,

doing toward undone,

Confusion : Fusion-with

azure-liminal-sky

The light is good.  I’m confused.

What “good”?  “Good” for what, and in relation to?  Diffuse, azure atmosphere of oncoming dusk.  Chilly, not cold.  Nearly pleasant, yet crisp enough for shiver and grip.  Unsteady, trembling grasp of pen, a striving for control mated to its lack.

Hardly daylight.  Liminal.

I would like to express.  What I do not know, perhaps am even unable to.

This is why I approach a page – blank, blind, lined, empty – in “good” light and confusion.

Fusion-with, what?  Chemistry, alchemy, biosphere, organism, complexity, surround.  Others’ emotions, experience.  Possibilities not actualized, each swarming potential of vocabulary, gesture, signification – line, sign, mark, motion – converging formulation, conveying contrivance / re-cognition. What is not, hovering about each “is.”  To write.  To write (only) this.  When…

Once begun.  Light, terms, cursive.  Blue Bic ball-pointed pen.  Moleskine substitution and human and language and in- and ex- perience and some =, some theorized equation of functions and results.

January 29, 2017.  Nathan Wayne Filbert.  5:44 pm according to a Centrally Standardized Timepiece, an Apple product, arranged amidst pages from many centuries and sources, composed music sounding from the last, temperatures…”actualities”?…amid vast, incomputable com-possibilities.

If Nathan had not been “this one,” had not begun with a “T” or a “T + h + e” in this light, in this almost comfortable, discomfiting condition, in this notebook, with this pen and its ink at this time on this bastardized quality of paper, among such circumstances and scenarios, amid these relations as a father, a student, librarian, scholar, male – of this certain (arbitrarily standardized mandatory and countable) age, intimately (accordingly – to strata not set by either) coupled to- caring for-, concerned with-, worried by-, wishing for-, happy about-, and so on…

this word or letter at this time in this space with these extremely idiosyncratic and unlikely determinate positions and scenes in a surround incrementally rare and unreckonably accidental…

“The light is good.  I am confused” leading itself its own very peculiar particular wave way toward each next and next co-dependent with innumerable constituents and counterparts yet occurring here, now, 5:54 pm CST in Wichita, Kansas in United (are they?) States of America (wha-? why? how? when?) 2017 (by what calendar and whose and wherefore?) at an intersection outside of a centuries-old and decrepit “house” it calls “home” (why? wherefore? from whence toward and…?)…

Indeterminate.  Indecipherable.  Unreasonable and incalculable.  Not accountable or even conceivable…but IS (apparently).  Simply IS, what is written, at this time, in this place, by this organism, of these relations, in this surround, at this moment, occasion, “actuality”…

…as it happens… as if

“The light is good.  I am confused.”

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