Today. Again. Almost.

[or, grass in pavement; beyond black holes?; “boundaries are made to pound against” (Hejinian); after Celan, after Knausgaard) “you have to dream new ways of thinking”]

.

We praise the dead (remember?)

and the Mother holds them,

in catacombs,

the earth…

…beyond the black hole,

again and again and again…

.

The world is radiant!

Feel that?!

Continuous fomentations out

of undifferentiable chaos –

muddy unsolvables

.

Look! Look again!

Quit speaking.

It is here. (mysteriously)

Redolence…

.

…beyond the black holes,

again and again, not yet…

Where are you, real-ly,

becoming and formative,

nearly gone. To where?

.

Look! Look again!

Call it listening,

attention. The smallest detail

comes infinite.

You are there, also!

But where? you ask –

and can’t be found…

.

…just there, now,

which is – where? –

No longer. Linger.

It occurs, what might

be else.

.

Cheers to the wonder,

unknown! – what

is. Like being

before there’s a there.

It happens…

.

…beyond the strange darkness –

horizon-event, that complains,

and becomes as it passes

in strife, in the Mother,

the dying, remembering

birth-like

On Thinking

jackrabbit mind, dashing –

here thick grass of nothingness

there a frenzied masturbation –

to and fro, quick left, jab right,

the daydreams, grief,

and absence fore and aft.

It’s a wonder, this pondering

machine, unhinged

of its bearings, moorings,

bodies baring everywhere

and not a drop to think.

What drives desire?

Seems pushed and pulled

and craven.  Erotically

erratic, playing at its gloom

“it’s nothing,” says the mouth,

always caught between

the breathing and the axons

blood swelling pounding through.

The feral hind leaps out,

ruminate sparkle, devious

flux of concept, fact, or notion,

swimming in emotion,

nothing known.

Nil

We could have played other games,

ever so many on offer

whiling the distribution and dissipation

time might be

.

Yet “I” became,

constructing choices –

the parenting,

the poetry,

philosophy,

and family;

addiction,

restriction,

believing all the loving –

each complicity

.

To be

.

At least some things,

anything,

.

everything

one knows not what

.

but still

less (or more)

than nil.

Being something

This is how we see:

a set of brackets, dark,

moving across wires in the sky

(that we placed there)

because of the angle of light

and it’s changing

– perhaps –

and perhaps it’s the change

and the angling,

and perhaps it’s involved with the light

Morning Thoughts in a Blustery March

…and so we think.  I do not say we must think, for I do not think that is so – it is simply a kind of capacity we have, apparently related to external pressures and a possible pleasure, or unknown effects involving desire – a torsion, disturbance, a stirring unsettling perhaps necessary to our living continuance, like pain, like lust.

An activity we call by many names and nuances – reflection, perception, analysis, intuition, sensation, theorizing, dream… but all uncanny practices of turbulence as if trying out invisible options on our world, imagining alternatives, inventing holding frames for experiencing that must constantly and continuously alter and adapt and reorient as living never stills.  Like language, like longing, like living.  Such things show no signs of resolving, their solutions are their ongoing instrumentalization, their habitude.

  • Writing, kissing, and walking are synonyms.

for LMK: Living Mitigates Knowing: the Sirens’ Song

Birdcall.

Morning.

Activity-signal.

 

Somewhere day arrives.

 

We are in bed.

Day neither comes nor goes.

Neither night.

 

We inhabit a single chair.

A reciprocal rebellion.

Atemporal, atopos.

 

The other.

The relation.

The kiss

 

that undoes the you, the me,

joining any separation

as touch

 

along with bodies of skin,

skinned together,

indeterminable

 

without one, another

within, without each –

a combinatory beast

 

where components are absent,

extended, present-ly,

be-coming

 

birdcalls and signals

dependent on immanent surrounds;

nothing undone,

 

anything in their crafty work

and wrestling,

Eriegnis, evental –

 

a pleasure and desire

formulating forms

without priors –

 

echoed and originary;

unpredictable, unknown;

tandem happenings

 

we sometimes describe

 

as love.

A Letter in Employ

I am performing a task for my employer.  I am writing a professional letter.  I am letting you know that I labor.  I am here to be useful, and used.  I submit.  My actions indicate that I accept structure and system as representative of survival.  I will do what you ask.  I recognize organization as power.  In fact, any kind of organizing indicates a position of imaginative power and control.  To differentiate, to specify, to label, name, assign – all are a fiat of power and authority or authorship – a claiming of superiority over things named, situated, recognized.  Supposedly if I comply dutifully – bow and behave in ways that signify structure as something larger (or more important) than me – I will have internet access, some food, air-conditioning, coverings, a car, and someplace to live (in certain mountainous areas, none of these are beneficial).  “Teamwork” is misnomer.

My philosophy is simple:

  • The mind or brain is an intermittent trickle of the rivers of the body which are hardly discernible in the waves of the world.
  • “I” am No one, Nowhere, which is to say Everyone, right Here. A poet wrote of presenting his face as a smashed window baring open sky – I thought that was me – No one Nowhere = Everyone right Here (whenever/wherever that happens to be).
  • Experience is what happens. What happens is what is.  If criticized as “for us” (whichever ‘experiencer’) I ask – what else could it be?
  • Knowing limits. If “for-this” is all my experience can be, then those are my limits.  Once I sense my limits I can attempt to challenge, question, and extend them, for alternate experiencing.
  • Ideas/Thoughts/Concepts/Theories [abstractions/imaginings] (like structure, perception, systems, organization, self, number, truth, etc.) are compelling because the limits of their effects are unknown to us. Ideas (ideologies) allow us to ‘experience’ power and control and compliance of the world around us (apparently), even though the dripping-trickle-stream-river-ocean of our limited participation in world flows always and is unalterably changing and miniscule.  Bodies die.  Each every/no-one where/when-ever.
  • The propensity or lust for belief – in ‘observation,’ ‘experiment,’ ‘objectivity,’ ‘analysis,’ ‘deduction,’ ‘ideas,’ numbers or language or effects of imagined power and control (technicity) – are wishes against the body, against dying, against limitation, against what happens, anyway.
  • Thoughts and effects do not make experience longer.
  • Experience is living, is limited.
  • Living is the extremely limited experience of dying.

Admitting or confessing that I exist to meet needs, that this is my employment, may be a Credo of Little Import.  A submission of insignificance in accepting others’ systems, structures, and arbitrary claims to power.  Compliance.  Resignation.  Complaisance.  Dependence. [Co-dependence – opting out of experience/living exits the submission-religion].

My voice dribbles, a hardly perceptible microorganism in the ocean of world.  My experience a parenthetical waving particle.  My living its effective dying.

In a beginning that never began, the ending already comes.

World is an intermittent trickle of the rivers of living, barely and scarcely discerned.

We are Here Now, how would we like our fleet experiencing of dying to be?

3 Short Poems

for the weekend…

ARE YOU

I don’t think I have a question;

yet I seem to be

an asking

.

This one?  This one?

Is it here?

Are you?

.

The breeze is not silent

as many things

that are not

.

Still I do not understand –

Are you here?

Am I?

.

It goes unanswered

along with the riddle

I am

.

Are we here?

Are you?

 

READY FOR SADNESS

I’m often ready to be sad.

Why is this?

What holes are excavated by living?

What sifts through?  Falls out?  Runs away?

.

It goes nowhere

Or anywhere,

Everywhere.

Still it goes

.

where I am not

welcoming

through all these openings

a peeking-back

 

[addendum]

Instead I seal them shut

I try to stuff them

full of rags

that reek of sin and toxic

.

What can I do –

will I –

in this cell

that seems my own?

 

AGING

What does one do?

Reducing teeth

or sight

or hearing

.

How does one choose

what’s worth

repair

when all is failing,

.

ailing,

come undone?

he asks his father –

buys a car

.

replacing failure:

another thing

that’s bound

to fail.

This. Interesting. Day.

Interesting:  it will come, whispering in your imagination that the English interest comes from the Latin inter esse, literally “in-between-being.” – Gunnar Olsson, Abysmal

“something must have changed” – Samuel Beckett, Malone Dies

I guess I just decided to let something else happen…

I suppose I decided

insofar as we do

to let something else

become…

“This is what I’ve decided.  I see no other solution.  It is the best I can do…

…that little space of time, filled with drama, between the message received and the piteous response…

 …Of  myself I could never tell, any more than live or tell of others…”

Samuel Beckett, Malone Dies

distrusting human plans

The Moment Suspended (a “free-write”)

This constitutes a “free-write” – as I understand the phrase it is an allowance one gives oneself to just make language, unedited, unplanned, in a “spirit” of ex-pression…i.e. a “press(ur)ing- out.” [see suspend

Spillage, in other words.

And…”in other words,” always, from the first word.

At its release – like an arm movement; a choice of caress, breath, or handhold; a motivation to swerve, or bend, sit, or rise; nigh-automated intention to breathe… a beating of heart, or functioning of organ; lighting a match; attention.

Release a word.  Some oddly shaped sound, emitted complexly from the nerves, the brain, the belly.  Bellowed air up the windpipe, wending the throat, curling the cavity of mouth, (you can almost feel air in the eyes – perhaps you can!), a scent is involved, a tongue roving weirdly, a tapping of teeth and positioning of jaw…

Or… the combination of organs and neurons, plasma and plastics, rutting a body in accord with a world, activating…firing and sliding, acting re-acting, trans-mitting… and a tension in shouldered muscle begins to stir, roiling down “arm,” triggering the delicate tendons and tissue of “hand,” fingering pencil…and con-script-ed together, they “write…”

And from the first word it is other.

EX-press-ion.

Pressed into and out of the body.  Im-pression, re-sponse, and in-tension.  (You see the looping?).  Out of, into, and back out without measure.

Mathematically speaking, the first term, generates an uncomputable, undecidable, indeterminate and infinite universe of possibilities.  Simultaneously foreclosing the same.

Which is why the Moment’s of import.  And why statistically, it is inane.

“Spillage” set into motion.  “, in other words.”  For this organism, now.

Out of infinite potential, a violent reduction to that: “Spillage, in other words.”

In other words, from the first word, an infinity ruled out.  By my finitude.

In other words, from the first word, an infinity opened up.  By language, and you, all the times, and the spaces.

Pressed in, it moves out.  Pressed out, moving in.  Always moving.

A “moment” cannot exist.

We switch on.  (We do not.)

***

Then what are we “meaning” by “free”?

A “free-write” I inscribed, but it’s not – bound by me, my experience, education, now here.  By my body-environment mesh.  By this medium, this sign-system (language), this trial.

And why do then?  Why mingle, behave, interact, or respond?  Why continue?

continue (v.) Look up continue at Dictionary.commid-14c., contynuen, from Old French continuer (13c.), from Latin continuare “join together, connect, make or be continuous,” from continuus “uninterrupted,” from continere (intransitive) “to be uninterrupted,” literally “to hang together” (see contain). Related: Continued; continuing.

(“Online Etymology Dictionary,” 2016)

How could I “make continuous” what is never discrete?  And why are our actions and terms bent on negation / separation (discretion)?

What do we wish to “clarify” by pulling-apart, setting-forth, ripping of context, of living?

We humans have so many re-‘s.  As if we do it again, and ourselves (WHAT is THAT?) we might own it or know it, or even come cause.  How absurd.

We’re participant.  To speak is to join.  To move is WITH-IN.  To think and to act are to fuse with surround.  As much caused as its causing, ground and ideal, this is living.  To be fluidly unidentifiable, continuously as such.

What IS (chasing ‘essence’) is futile.  What IS (what’s ‘existing’) is all.

How might I write in this way?  Write to join?  Say to be?  The mouth and the ass as the same?  I breathe and I shit; I grab and release; take in and give out…unrestrained.  Without end or cessation (as far as we know at our miniature range)…

…goes on…

and

…goes on…

WITH and withOUT “us”

Perhaps.

Here we are.

Discontinue Discontinuity

Happy Holidays